As the trial of mass murderer Anders Behring Breivik proceeds in Norway this week, it’s worth noting a technology-related anomaly in the press coverage of his crimes.

Breivik is the right-wing terrorist who killed more than 70 people, most of them students attending an island summer camp, in July 2011. At the time, it was widely noted that significant sections of his “European Declaration of Independence” had been lifted verbatim from Ted Kaczynski’s “Industrial Society and Its Future,” aka “the Unabomber Manifesto.” What wasn’t noted was how dramatically at odds Breivik’s beliefs are from Kaczynski’s.

Like Kaczynski, Breivik hates leftists, and it was Kaczynski’s passages excoriating those enemies that Breivik copied. But where the Unabomber set out to destroy the Kingdom of Technology, Breivik spoke of using technology – technology in general, that is, in addition to bombs and guns – to further his goals. His agenda was aimed at cleansing European nations of “multicultural” influences. Toward that end, he urged that the technological advantage of European nations be widened, recommending that twenty per cent of their national budgets be reserved “for research and development in relation to science and technology.” more...

The Pew Internet and American Life Project and researchers from Elon University asked over a thousand “experts” about the future of money. Specifically, they were interested in the potential replacement of cash and credit/debit cards with smart-device technologies.

The majority of respondents (65%) believe that smartphones will largely replace cash and credit/debit cards by the year 2020. Others, however, believe that our infrastructure is too closely tied with a cash/card based system to be fully replaced. Further, most experts note that not ALL consumers will make the switch, as some will resist over concerns about privacy and anonymity. Finally, many predict that adoption will differ across demographics (with younger consumers replacing cash/credit at a faster rate than older consumers). Read the full report here.

Indeed, it is not difficult to imagine a largely smart-device based currency system—as this is already prevalent in Japan and growing in the U.S..  The next step is to imagine the social implications of such a system. I believe that these implications will be twofold: First, we will become more efficient consumers. Second, identity and practices of consumption will be more explicitly and directly linked—solidifying the connection between self and stuff. more...

Reason #15,926 I love the Internet: it allows us to bypass our insane leaders israelovesiran.com

— allisonkilkenny (@allisonkilkenny) April 22, 2012

Sherry Turkle published an op-ed in the Opinion Pages of the New York Times’ Sunday Review that decries our collective move from “conversation” to “connection.” Its the same argument she made in her latest book Alone Together, and has roots in her previous books Life on the Screen and Second Self. Her argument is straightforward and can be summarized in a few bullet points:

• Our world has more “technology” in it than ever before and it is taking up more and more hours of our day.
• We use this technology to structure/control/select the kinds of conversations we have with certain people.
• These communication technologies compete with “the world around us” in a zero-sum game for our attention.
• We are substituting “real conversations” with shallower, “dumbed-down” connections that give us a false sense of security. Similarly, we are capable of presenting ourselves in a very particular way that hides our faults and exaggerates our better qualities.

Turkle is probably the longest-standing, most outspoken proponent of what we at Cyborgology call digital dualism. The separation of physical and virtual selves and the privileging of one over the other is not only theoretically contradictory, but also empirically unsubstantiated.  more...

On Techno, Dancing, and the Augmented Self

1997, 3 am. I’m sitting against the concrete wall of a dark, empty warehouse, off Hegenberger Road in Oakland. My body is vibrating—a strong, healthy kick drum beating hard against my chest. I squint and see the DJ behind a booth, flanked by black speakers that look like monoliths. Silhouettes are scattered about: strangers dancing alone, in open spaces or near the speakers, but also in tribes, moving within circles.

My pulse is racing, thumping at the same tempo as the techno blasting in this space. The beat is urgent, extending each moment—making now last longer. And it’s kinetic, frenetic—like a rubber ball bouncing round the room. My friend’s forearm grazes mine, warm and slick from perspiration. As we touch, I feel the reverberation of the sound on her skin. The music is so loud, as if we’re in the bowels of a manufacturing plant, listening to machines repeating the same tasks over and over. These sounds consume each second, not giving me much space to think about much else.

I watch a cluster of dancers on the far side of the room. From afar, I see a flutter of geometric parts, picture flipbook pages turning in front of me. The dancers move too swift for my eyes to follow, and I see tracers of their limbs in the air. I think of Duchamp: his nude, descending a staircase, flashes before me. It feels like I have several pairs of glasses stacked sloppily on my face, and I’m peeking through a kaleidoscope in the dark.

Glowing bits and streaks of neon green and yellow and pink are sprinkled throughout this darkness, creating a network of electric vertices floating in space. A series of lasers shoots out from the opposite wall, casting a more...

Co-authored with Nathan Jurgenson for the UMD Sociology Department Newsletter.

The crowd is gone, the banners rolled back up, the rooms cleaned, and now we have a chance to sleep–and reflect on Theorizing the Web 2012. After two successful years, the conference—born as a fun idea and with humble expectations—has morphed into an institution in that sociological sense of the term. We’re proud of Theorizing the Web and those who made it a success: our committee and the attendees. more...

Last weekend, I had the double pleasure of presiding over an excellent panel on technology and protest, and having David Banks as my extremely capable Twitter backchannel moderator and Livestream assistant. Both the Twitter backchannel and the Livestream were getting their first serious run as an institutional part of Theorizing the Web, and despite some minor difficulties with mics and cameras, I think they were a clear success.

But the experience of presiding on a panel and then serving as the backchannel moderator for the panel immediately after delivered some interesting revelations regarding what these kinds of technology actually mean for how our conferences work, and for how we engage with and in our spaces of knowledge production.

more...

Theorizing the Web 2012 was great. Everyone involved did a bang-up job. I certainly learned more in a single day than I usually do at weekend-long establishment conferences. I have said a lot about conferences (here, here, and here) as have fellow cyborgologists (Sarah, Nathan, and PJ). All of these posts have a common thread: academia is changing, but conferences seem out of date in some way. They are needlessly insular, they rely on hefty attendance fees that are increasingly cost-prohibitive,  and they rarely take advantage of social media in any meaningful way. The relative obduracy of conference styles come into high relief once they are compared to the massive changes to institutional knowledge production. Universities have adopted many of the managerial practices of private companies. They are also acting more like profit-seeking enterprises: putting massive resources into patenting offices and business incubators, hiring less tenure-track teaching staff, and employing armies of professionalized managers that run everything from information technology services to athletic facilities. Conferences, on the other hand, have seen few innovations beyond what I call Tote Bag Praxis.  more...

I hereby dare to say that TtW2012 met and surpassed the precedent set by TtW2011 (though both were fantastic). One of the unique features of the TtW conferences are their integration of academic, professional, and artistic expressions of the human/technology relationship. One such example was the lunchtime screening of Kelsey Brannan’s film: Over&Out. In particular, I was struck by the connection between Brannan’s piece and the academic presentations in the Logging off and Disconnection panel. Here, I try to tease out this connection.

I begin with a short synopsis of Over&Out taken from the film’s website: more...

We would like everyone who participated in, attended, followed and helped with making Theorizing the Web 2012 a success! The sessions were smart, the energy was fun and the tweets were so prolific that we were Twitter-trending in Washington D.C. More news, reactions, analyses, photos and videos to come.

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). See the conference website for information as well as event registration.

Jason Hughes (@hughesalicious) of the STAMP Gallery and I (@Praxis_In_Space), organized an invited panel session that addresses the link between new media and art and a gallery exhibit for the day of the conference.  When we organized the panel and exhibit, we felt it was important to give artists a place at the conference to discuss and share their perspectives on the influence of new media and the web.

The aims of the panel are to highlight the ways in which art often reflects ubiquitous social changes (namely the presence of new media) and the ways the creative and artistic uses of new media are pushing/challenging academic understandings of new media. More importantly, in the spirit of this conference, we will foster a discussion that will engage what role(s) social theory(ies) and/or practices have in their epistemological approach to new media and art.

We are pleased to announce the panelist will be Krista Caballero, Cliff Evans (@cliffevansnet), and Alberto Gatián (@nootrope) and Jeremy Pesner (@The_Pezman) will be moderating the panel.

[descriptions of the art projects after the jump]  more...