Pretty sure this is 'shopped. Original artist, as far as I can tell, can be found here.

Recently, I started following a new podcast from Slate.com called Lexicon Valley. The half hour-long, weekly podcast by Bob Garfield and Mike Vuolo covers a variety of topics but all of the episodes center around changes in language and the power of words. Their June 4th episode was devoted to Abraham Lincoln and his Gettysburg Address and I highly recommend giving it a listen. While Vuolo and Garfield conclude that the Gettysburg Address closely follows the structure of an ancient Greek funeral oration, they also note that the brevity of the address was both rhetorically deft and politically pragmatic. The address was reprinted verbatim on the front page of most major newspapers and was easily reproducible in every format imaginable– from pamphlets to marble plaques. Today, we can share huge amounts of information with little-to-no effort, yet the art of keeping it brief seems to hold sway. What are some of the unique properties of brevity that makes it so alluring and what can we expect to achieve with it? more...

This is part one of a two-part post in which I delineate a language with which we can think about the body as technology, and in particular, politicized technology. We can do so, I argue, with Ernst Schraube’s conceptualization of technology as materialized action. In part one I lay out the theoretical framework of technology as materialized action. In part two, I apply this conceptualization to the body, and focus on the case of body size. more...

An empty Times Square from Lucie and Simon's "Silent World" project

The problem is not just that all the humans have moved to Real Space. The Origami and Faberge digients have gone to Real Space too, and Ana can hardly blame their owners; she’d have done the same, given the opportunity. … There are vast expanses of minutely-detailed terrain to wander around in, but no one to talk to except for the tutors who come in to give lessons. There are dungeons without quests, malls without businesses, stadiums without sporting events; it’s the digital equivalent of a post-apocalyptic landscape.

— Ted Chiang, “The Lifecycle of Software Objects”

A few months back, I wrote a piece on the atemporal nature of abandoned/ruined physical spaces and the equally atemporal nature of our digital representations of those spaces. As it goes with a lot of posts on this blog, one of the central points of that piece — though it was essentially grounded in a consideration of physical space — was the enmeshed nature of the digital and the physical and how they have to be considered together if sense is going to be made of either.

As much as that piece considered the digital coupled with the physical, it didn’t do much to address the much trickier issue of abandoned digital space and what it can reveal about how we imagine time and history. That’s where I want to place my focus now.

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Emoticon, stitched with DMC rayon embroidery floss on 14-count light green Aida by Deviant Art user ~crafty-manx

As part of my research I spend a lot of time preparing and conducting science lessons with 8th graders. Today they got to learn how to make moss graffiti. After a quick botany lesson they were allowed to paint whatever they wanted onto a large canvas drop cloth. What surprised me the most was the students’ overwhelming desire to simply write their names. If they didn’t write their names, they usually wrote a short phrase. Out of about 80 students, there were only a handful of drawings. Almost every student decided to write text. Some of that text, strangely enough, took the form of emoticons. Why would anyone choose to draw an emoticon? more...

This image is on the Internet. Whose fault is that? (Is it anyone's fault, per se?)

Last month in Part I (Distributed Agency and the Myth of Autonomy), I used the TtW2012 “Logging Off and Disconnection” panel as a starting point to consider whether it is possible to abstain completely from digital social technologies, and came to the conclusion that the answer is “no.” Rejecting digital social technologies can mean significant losses in social capital; depending on the expectations of the people closest to us, rejecting digital social technologies can mean seeming to reject our loved ones (or “liked ones”) as well. Even if we choose to take those risks, digital social technologies are non-optional systems; we can choose not to use them, but we cannot choose to live in a world where we are not affected by other people’s choices to use digital social technologies.

I used Facebook as an example to show that we are always connected to digital social technologies, whether we are connecting through them or not. Facebook (and other companies) collect what I call second-hand data, or data about people other those from whom the data is collected. This means that whether we leave digital traces is not a decision we can make autonomously, as our friends, acquaintances, and contacts also make these decisions for us. We cannot escape being connected to digital social technologies anymore than we can escape society itself.

This week, I examine two prevailing privacy discourses—one championed by journalists and bloggers, the other championed by digital technology companies—to show that, although our connections to digital social technology are out of our hands, we still conceptualize privacy as a matter of individual choice and control, as something individuals can ‘own’. Clinging to the myth of individual autonomy, however, leads us to think about privacy in ways that mask both structural inequality and larger issues of power. more...

Several weeks ago, I wrote a post about how we not only manage our image (outgoing) but also curate our view (incoming). As a very brief summary, I argued, based upon data from my own ongoing social media study, that despite the potential for social media to expose us to a variety of perspectives and opinions (creating a public sphere, or at least a public space), we discriminately select which perspectives and opinions to let in, and which to exclude. In doing so, we curate reality. Though this manifests in a variety of ways, a prevalent manifestation is the management of one’s Facebook News Feed.

A new push for the (apparently long present) feature on Facebook, in which users are asked to “star” the Friends whose content they want to make more visible, further supports this trend. More importantly, however, it demonstrates the mutually influential relationship between physical architectures, normative social structures, and personal practices.

The physical architecture of a space (online or offline) simultaneously shapes, and is shaped by, those who use it. For instance, the typical classroom is set up with an instructor who stands at a high desk in the front of a room, facing students, who sit in low desks, with their bodies and eyes oriented forwards and upwards towards the teacher. This both creates and reflects a particular power dynamic, and guides how participants in the interaction think about and act towards themselves and one another. Similarly, architectures of online spaces reflect and guide who we are and what we do in those spaces.

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dont read all of the tweets

There is often the assumption that the information economy expects us to consume more and more, leading us to process more but concentrate less. Some have called this a “fear of missing out” (or FOMO), a “blend of anxiety, inadequacy and irritation that can flare up while skimming social media.” However, most of these arguments about FOMO make the false assumption that the information economy wants and expects us to always process more. This isn’t true; we need to accept the reality that the information economy as well as our own preferences actually value, even need, missing out.

Many do feel in over their heads when scrolling social media streams. Especially those of us who make a hobby or career in the attention/information economy, always reading, sharing, commenting and writing; tweeting, blogging, retweeting and reblogging. Many of us do feel positioned directly in the path of a growing avalanche of information, scared of missing out and afraid of losing our ability to slow down, concentrate, connect and daydream, too distracted by that growing list of unread tweets. While it seemed fun and harmless (Tribble-like?) at first, have we found ourselves drowning in the information streams we signed up for and participate in? more...

Come get disconnected, isolated and lonely with us.

Jacques Ellul

Last month the Heartland Institute, a climate-denying “think tank,” plastered Ted “The Unabomber” Kaczynski’s scowling face on a series of billboards in Chicago.

I still believe in global warming,” the copy read. “Do you?

Kaczynski has long been the figurative poster boy for technophobic insanity, of course, but the Heartland Institute made it literal. The billboard campaign was quickly recognized as a miscalculation and withdrawn, but it served as a reminder of what a gift Kaczynski turned out to be for some of the very enemies he sought to destroy. It also served as a reminder of how egregiously he misused the ideas of a philosopher who is revered as a genius by many people, myself included.

I refer to Jacques Ellul, author of The Technological Society. Ellul died 18 years ago last month; this year marks the hundredth anniversary of his birth. more...

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The original video I posted was taken down. Alexander calls cricket a “gay game” 5 minutes in.

In an interview with Craig Ferguson last week, Jason Alexander called the game of Cricket “a gay game.” It was clear (and you can see for yourself in the video above, starting at the 9 minute mark) that Alexander was equating “gay” with “effeminate” and juxtaposing words like “gay” and “queer” with notions of masculinity and being “manly.” After the show aired, the tweets started pouring in. This tweet by @spaffrath was pretty trypical: more...