essay

This is the first of a two-part series dedicated to answering the question “Do we need a new World’s Fair?” It is an honest question that I do not have an answer to. What I aim to do here is share my thoughts on the subject and present historical data on what these sorts of events have done in the past. In the first part, I explore what previous World Fairs have accomplished and what we must certainly avoid. The second part will investigate what a new 21st century fair might look like, and how it would help our economy. Part 1 is here.

Yesterday we looked at the last few World Fairs that were held in the United States. Those  20th century fairs demonstrated technologies that today we take for granted as common-place. Everything from Juicy Fruit gum to fluorescent lighting has been introduced to the world through these massive fairs. World Expos still take place, but are now found in China, Japan and South Korea. The 2012 expo will be held in Seoul, South Korea. The latest World’s Fair, Expo 2010, was held in Shanghai, China and set historic records as the largest and most well-attended expo. But the success of the Shanghai Expo doesn’t quite translate to America’s shores. As The Atlantic’s Adam Minter wrote last year:

To American ears, the concept of a World’s Fair sounds archaic, and when applied to Shanghai, a contemporary symbol of all that is new, vibrant, and even threatening, it’s disconcerting. But in Shanghai, where the future is an obsession, this reported $46 billion hat-tip to the past makes perfect sense: just as New York once announced its global pre-eminence via World’s Fairs in 1939 and, again, in 1964, the organizers of Expo 2010 view the six month event as nothing less than Shanghai’s coronation as the next great world city. more...

This is the first of a two-part series dedicated to answering the question “Do we need a new World’s Fair?” It is an honest question that I do not have an answer to. What I aim to do here is share my thoughts on the subject and present historical data on what these sorts of events have done in the past. In the first part, I explore what previous World Fairs have accomplished and what we must certainly avoid. The second part will investigate what a new 21st century fair might look like, and how it would help our economy. Part 2 is here.

A “World Fair” is first and foremost, a grand gesture. They are typically months if not a few years long. Think of them as temporary theme parks, or the the olympics of technological innovation. They are extravagant, optimistic, and brash. But let’s be clear here. All of the World Fairs held in Paris, Chicago, New York, and Seattle had sections that are deeply troubling. The 19th century fairs had human zoos and “freak shows.” The 20th century fairs were, in many ways, launchpads for the corporate take-over of the public realm and the plundering of the very cities that hosted them (more on that later). But that does not mean the form is totally useless or inherently bad. In fact, a new American World Fair might be just what we need. more...

This brief essay attempts to link two conceptualizations of the important relationship of the on and offline. I will connect (1) my argument that we should abandon the digital dualist assumption that the on and offline are separate in favor of the view that they enmesh into an augmented reality and (2) the problematic view that the Internet transcends social structures to produce something “objective” (or “flat” to use Thomas Friedman’s term).

Instead, recognizing that code has always been embedded in social structures allows persistent inequalities enacted in the name of computational objectivity to be identified (e.g., the hidden hierarchies of Wikipedia, the hidden profit-motive behind open-source, the hidden gendered standpoint of computer code, and so on). I will argue that the fallacy of web objectivity is driven fundamentally by digital dualism, providing further evidence that this dualism is at once conceptually false, and, most importantly, morally problematic. Simply, this specific form of digital dualism perpetuates structural inequalities by masking their very existence. more...

Can an identity have a homepage?

Many have long argued that identity is the result of both  (1) performative work on the part of the individual as well as (2) the influence of society with all of its history, structures, institutions, norms and so on. We do not produce our identities in a vacuum, they are influenced by society. And we do not blindly consume our identities from the options given to us; humans are complex beings who creatively tweak, mix and remix to achieve something always unique. Not just producers or consumers,  it is best to think of ourselves as identity prosumers. Here, we will show how this process is made most explicit when identities are prosumed through social media technologies. more...

Something interesting has been happening in Times Square this summer. As has been occurring for a century, the crowds gather with necks perched upward looking at all the famously illuminated billboards. But now there is a new type of buzz in the crowd: they stand together facing the same direction, cameras held high and their hands waving even higher. They are not just watching celebrities or models in this the most expensive ad-space in the world; today, they are watching themselves on the big screen.

This is all part of a new billboard for the company Forever 21 currently in use in Times Square in the heart of New York City. It struck me that this billboard is nothing short of a consumer-capitalism-happening, and started snapping photos and thinking about what this all might mean. more...

[Edit 09/07/11 @ 5:03PM EST]  It has been mentioned in the comments, and elsewhere, that while the Postal Service is facing a solvency problem, that problem is the direct result of Republican-led legislation that burdens them with excessive overhead. I completely agree with this sentiment. The 109th Congress, passed the “The Postal Accountability and Enhancement Act” in 2006, which you can read in full here. The law requires that the USPS  pre-fund 75 years-worth of pensions, and prohibits them from selling  goods that are not directly used for sending letters and packages. I suggest you read more about this legislation here and here. I encourage all of you do to your own research and post what you find in the comments.]

Reading the news lately, makes it seem as though the Post Office is giving its final economic death rattle. Post Master General Patrick Donahoe spoke at a Senate hearing yesterday, and according to the Christian Science Monitor:

Donahoe reiterated a list of cost-cutting measures he has been proposing in recent months to erase the agency’s deficit, which could reach up to $10 billion this fiscal year. They include eliminating Saturday mail delivery, closing as many as 3,700 postal locations, and laying off 120,000 workers – nearly one-fifth of the agency’s work force. (This doesn’t include another 100,000 jobs lost to attrition that the agency does not plan to replace, for a total of 220,000 lost positions.)

These  are  disgraceful solutions to what could be considered an exciting opportunity to innovate. The Internet is being blamed for many of the Post Office’s problems, and it is safe to say that email has put a significant dent in their revenues. But revenues are only half the story. Expenditures are equally important. Duany, Plater-Zyberk, and Speck in their book Suburban Nation relay a conversation with a former (unnamed) Postmaster General who explained that most of our postage goes to the gas for the trucks and vans that carry mail to the suburban fringes of municipalities. Indeed, the USPS has the largest civilian truck fleet in the world. In an era of austerity, we need to look for ways to reduce spending while maintaining affordable services. I just think we need to spend less money on machines, and more on people. The internet can help us do this.

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Today we have a guest post from Distinguished University Professor and social theorist George Ritzer. This text is only part of the talk Dr. Ritzer will deliver in Las Vegas on Friday, August 19thas part of the Consumer Society Research Network conference. Ritzer’s work on the technologies of consumption is in full force in this essay. The technologies of consumption in the form of ever more spectacular “cathedrals” of consumption are coming to look more and more like “dinosaurs.” This essay to provides an important backdrop of the current economic situation in Las Vegas, one in which Ritzer argues mirrors larger trends in consumerism and globalization.

There is, at least from my point of view, no better place to discuss the crisis and contradictions in consumption in the US, especially in its cathedrals of consumption, than in Las Vegas, the city devoted to, and built on, consumption and defined globally by its iconic cathedrals of consumption; the major daftar idn poker casino-hotels on the Strip. It is here that we witnessed what was arguably the greatest consumer-driven expansion in the US in the run up to the Great Recession and, as a result of the latter, perhaps the greatest economic setbacks. Unemployment in Las Vegas rose as high as 15% and is still over 12%. That was due to online game such as fluffy favourites slots, many people turn to play at home than going out in land-based casino. New construction is virtually non-existent. The foreclosure rate, while slightly down from 2009, remains the highest, and by a wide margin, of all the metropolitan areas in the US. Gaming revenue dropped by $2 billion at the depth of the recession and is still down about $1.5 billion from the peak. The largest casino hotel conglomerates- MGM and Caesars- continue to report huge losses largely because of debt incurred during the Great Recession. Upon reviewing hows the world of land-base casino stands nowadays, it was devastated I can merely say that the heat is on slot this very day and becoming more phenomenal. Mirroring the global economic shift to the Far East, Las Vegas is no longer the gambling capital of the world and has been surpassed by both Macau and Singapore. There are a lot of online casinos available out there. So you may have the freedowm to choose the mobile casino that you like the most. You can join many online casino at the same time then you can change to play different games in different online casino if you aren’t enjoying one of them or its bonuses aren’t advantageous for your style of play. Of course, top online casino malaysia is the best for you which it offers a lot of different types of games and promotions as well. For those gamblers who doesn’t like crowds and smoky environment, online mobile casino is the best choice for you! You can start playing immediately without waiting for others. The most popular games are ready for you when you’re ready to play too at anytime! more...

The recent and popular Hipstamatic war photos depict contemporary soldiers, battlefields and civilian turmoil as reminiscent of wars long since passed. War photos move us by depicting human drama taken to its extreme, and these images, shot with a smartphone and “filtered” to look old, create a sense of simulated nostalgia, further tugging at our collective heart strings. And I think that these photos reveal much more.

Hipstamatic war photographs ran on the front page of the New York Times [the full set] last November, and, of course, fake-vintage photos of everyday life are filling our Facebook, Tumblr and Twitter streams. I recently analyzed this trend ina long essay called The Faux-Vintage Photo, which is generating a terrific response. I argue that we like faux-vintage photographs because they provide a “nostalgia for the present”; our lives in the present can be seen as like the past: more important and real in a grasp for authenticity.

If faux-vintage photography is rooted in authenticity, then what is more real than war? If the proliferation of Hipstamatic photographs has anything to do with a reaction to our increasingly plastic, simulated, Disneyfied and McDonaldized worlds, then what is more gritty than Afghanistan in conflict? In a moment where there is a shortage of and a demand for authenticity (the gentrification of inner-cities, “decay porn” and so on), war may serve as the last and perhaps ultimate bastion of authenticity. However, as I will argue below, war itself is in a crisis of authenticity, creating rich potential for its faux-vintage documentation. more...

Last week Nathan and PJ introduced us to Americans Elect 2012 by asking the question: “Can we elect a ‘wikipedia’ president?” The idea is seemingly straightforward- define the broad categories you find most important (your “colors”), answer questions to determine the popular positions of most Americans, and find candidates that most closely resemble your opinions on the issues. The result is a “third party” candidate on the ballot in all 50 states with a platform that most people agree with.

I have reservations about this process, and they fall into three categories. 1)Poorly designed questions. These questions are confusing and might not elicit the responses people intend to give. 2) Leading questions. To be fair, the language that Americans use to talk about politics is full of pre-defined frames and evocative images that push people in certain directions. It is virtually impossible to create a set of questions that extracts the thoughts of individuals with total neutrality. Our thoughts are like electrons- the act of observation changes their behavior. 3) The reinforcement of ineffective partisan thinking. From the Americans Elect website: more...

I have been thinking through ideas on this blog for my dissertation project about how we document ourselves on social media. I recently posted some thoughts on rethinking privacy and publicity and I posted an earlier long essay on the rise of faux-vintage Hipstamatic and Instagram photos. There, I discussed the “camera eye” as a metaphor for how we are being trained to view our present as always its potential documentation in the form of a tweet, photo, status update, etc. (what I call “documentary vision”). The photographer knows well that after taking many pictures one’s eye becomes like the viewfinder: always viewing the world through the logic of the camera mechanism via framing, lighting, depth of field, focus, movement and so on. Even without the camera in hand the world becomes transformed into the status of the potential-photograph. And with social media we have become like the photographer: our brains always looking for moments where the ephemeral blur of lived experience might best be translated into its documented form.

I would like to expand on this point by going back a little further in the history of documentation technologies to the 17^th century Claude glass (pictured above) to provide insight into how we position ourselves to the world around us in the age of social media. more...