nation: Japan

How observant are you? Here’s a test! Pay careful attention, then scroll down:

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Perception is not neutral, it’s curated. If we paid attention to everything in our environments all the time, we’d be overwhelming with information. So, we learn to direct our attention to what seems important at the moment. As a result, we miss a lot. See this example, too.

The directing of our attention is situationally specific, so we learn to adapt our seeing to differing circumstances. When driving, we see different things than we do when we’re walking down the sidewalk or sitting on our front porch. When engaged in a conversation with friends at a bar, we hear different things than when we momentarily turn our focus to the band across the room. When meditating, we feel different things than when we’re daydreaming or waiting to fall asleep. In all these cases, we miss seeing, hearing, and feeling different things, too.

We can imagine that sensation is culturally specific, too, such that people familiar with different cultures literally sense the world differently. Studies comparing the cognition of people from East Asia and America — communal and individualistic societies, respectively — find that Americans looking at a picture tend to focus on a central object, whereas East Asians pay attention to the relationships between objects.

In one study, Japanese and American citizens were shown an underwater scene, like this:

Photo by mycatkins, flickr creative commons.

Asked to describe the scene afterward, Americans started with and focused on the biggest fish, while the Japanese started with the whole picture — for example, “It was a fish tank” — and recalled more details about the rocks, plants, bubbles, and smaller denizens of the pond. “Americans immediately zoomed in on the objects,” the lead scientist Richard Nisbett said. “The Japanese paid more attention to context.”

Our experience of the world isn’t neutral. It’s shaped by our cultural backgrounds, situations, and choices about how to direct our attention. So, the question is, what are you missing? And what are you seeing that others do not?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The 2020 Summer Olympics will be held in Japan.  And when the prime minister of Japan, Shinzo Abe, made this public at the 2016 Olympics in Rio de Janeiro, Brazil, he did so in an interesting way.   He was standing atop a giant “warp pipe” dressed as Super Mario.  I’m trying to imagine the U.S. equivalent.  Can you imagine the president of the United States standing atop the golden arches, dressed as Ronald McDonald, telling the world that we’d be hosting some international event?

Prime minister Abe was able to do this because Mario is a cultural icon recognized around the world.  That Italian-American plumber from Brooklyn created in Japan is truly a global citizen. The Economist recently published an essay on how Mario became known around the world.

Mario is a great example of a process sociologists call cultural globalization.  This is a more general social process whereby ideas, meanings, and values are shared on a global level in a way that intensifies social relations.  And Japan’s prime minister knew this.  Shinzo Abe didn’t dress as Mario to simply sell more Nintendo games.  I’m sure it didn’t hurt sales.  In fact, in the past decade alone, Super Mario may account for up to one third of the software sales by Nintendo.  More than 500 million copies of games in which Mario is featured circulate worldwide.  But, Japan selected Mario because he’s an illustration of technological and artistic innovations for which the Japanese economy is internationally known.  And beyond this, Mario is also an identity known around the world because of his simple association with the same human sentiment—joy.  He intensifies our connections to one another.  You can imagine people at the ceremony in Rio de Janeiro laughing along with audience members from different countries who might not speak the same language, but were able to point, smile, and share a moment together during the prime minister’s performance.  A short, pudgy, mustached, working-class, Italian-American character is a small representation of that shared sentiment and pursuit.  This intensification of human connection, however, comes at a cost.

We may be more connected through Mario, but that connection takes place within a global capitalist economy.  In fact, Wisecrack produced a great short animation using Mario to explain Marxism and the inequalities Marx saw as inherent within capitalist economies.  Cultural globalization has more sinister sides as well, as it also has to do with global cultural hegemony.  Local culture is increasingly swallowed up.  We may very well be more internationally connected.  But the objects and ideas that get disseminated are not disseminated on an equal playing field.  And while the smiles we all share when we connect with Mario and his antics are similar, the political and economic benefits associated with those shared smirks are not equally distributed around the world.  Indeed, the character of Mario is partially so well-known because he happened to be created in a nation with a dominant capitalist economy.  Add to that that the character himself hails from another globally dominant nation–the U.S.  The culture in which he emerged made his a story we’d all be much more likely to hear.

Tristan Bridges, PhD is a professor at the University of California, Santa Barbara. He is the co-editor of Exploring Masculinities: Identity, Inequality, Inequality, and Change with C.J. Pascoe and studies gender and sexual identity and inequality. You can follow him on Twitter here. Tristan also blogs regularly at Inequality by (Interior) Design.

Who among us this election — except perhaps that elusive undecided voter — has not turned to a politically aligned friend and said, from their heart of hearts, “I just can’t understand how anyone could vote for Clinton/Trump”? The sheer mindbogglingness of it, the utter failure of so many Americans to even begin to fathom voting for the other candidate, is one of the most disturbing features of this election. We all seem to be asking: What could the other side be thinking!?

left: flickr photo by Sarah Hina; right: flickr photo by Darron Bergenheier.
left: flickr photo by Sarah Hina; right: flickr photo by Darron Bergenheier

Perhaps what we need is a “sociology of thinking.” And we’ve got one; it’s called cognitive sociology.

One of the foundational texts in the subfield is called Social Mindscapes. In it, the sociologist Eviatar Zerubavel argues that we think as individuals (we are all alone in our brains) and we think as human beings (with the cognitive processes that humans have inherited from evolution), but we also think as members of social groups. Our thinking, then, is not only idiosyncratic (i.e., “individual”), nor universal (i.e., “human”) — though it is both those things — it’s also social. Our thinking is influenced by the groups to which we belong, what Zerubavel called “thought communities.” These are the people with whom we enjoy a meeting of the minds.

By this, Zerubavel doesn’t simply mean that our social groups shape what information we get and what arguments resonate, though that’s true. He and other cognitive sociologists argue that our thought communities shape cognition itself, that the brains of people in strongly divergent thought communities literally work differently. To Zerubavel, the idea that many Democrats can’t begin to understand Republican thinking — and vice versa — isn’t a surprise, it’s a hypothesis.

Research on sensory perception is fun evidence for their claims. Researchers have shown, for example, that our language categories influence not just how we describe the world we see, but how we see it. The Himba in Namibia, for example — who have one word for blue and some greens and another word for other greens, reds, and browns — are better than English speakers at differentiating one shade of green from another, but worse at differentiating green and blue from each other. Likewise, Russian speakers are better than English speakers at differentiating shades of blue because they have more than one word for the color and English speakers, in turn, are better than Japanese speakers at recognizing the gradations between blue and green, because the Japanese have traditionally used only one word to describe them both.

If our membership in thought communities is powerful enough to shift our very perception of color, then it must be able to influence our thinking in many other ways, too. In Social Mindscapes, Zerubavel shows that what we pay attention to, the categories we use, what we remember, and even our perception of time are all shaped by our thought communities.

Accordingly, cognitive sociology would predict that the rising polarization in politics and the fragmentation of media will make it harder and harder to understand each other, not because we don’t agree on the facts or because we have different political interests, but because our brains are actually working in divergent ways. That is, what we’re experiencing with this election is not just political disagreement, it’s a total breakdown in functional communication, which sounds about right.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

2 (1)Singer-songwriter Hozier played “guess the man buns” on VH1, and Buzzfeed facetiously claimed they had “Scientific Proof That All Celebrity Men are Hotter with Man Buns.” Brad Pitt, Chris Hemsworth, and David Beckham have all sported the man bun. And no, I’m not talking about their glutes. Men are pulling their hair back behind their ears or on top on their heads and securing it into a well manicured or, more often, fashionably disheveled knot. This hairstyle is everywhere now: in magazines and on designer runways and the red carpet. Even my neighborhood Barista is sporting a fledgling bun, and The Huffington Post recently reported on the popular Man Buns of Disneyland Instagram account that documents how “man buns are taking over the planet.”

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At first glance, the man bun seems a marker of progressive manhood. The bun, after all, is often associated with women—portrayed in the popular imagination via the stern librarian and graceful ballerina. In my forthcoming book, Styling Masculinity: Gender, Class, and Inequality in the Men’s Grooming Industry, however, I discuss how linguistic modifiers such as manlights (blonde highlights for men’s hair) reveal the gendered norm of a word. Buns are still implicitly feminine; it’s the man bun that is masculine. But in addition to reminding us that men, like women, are embodied subjects invested in the careful cultivation of their appearances, the man bun also reflects the process of cultural appropriation. To better understand this process, we have to consider: Whocan pull off the man bun and under what circumstances?

I spotted my first man bun in college. And it was not a blonde-haired, blue-eyed, all-American guy rocking the look in an effort to appear effortlessly cool. This bun belonged to a young Sikh man who, on a largely white U.S. campus, received lingering stares for his hair, patka, and sometimes turban. His hair marked him as an ethnic and religious other. Sikhs often practice Kesh by letting their hair grow uncut in a tribute to the sacredness of God’s creation. He was marginalized on campus and his appearance seen by fellow classmates as the antithesis of sexy. In one particularly alarming 2007 case, a teenage boy in Queens was charged with a hate crime when he tore off the turban of a young Sikh boy to forcefully shave his head.

A journalist for The New York Times claims that Brooklyn bartenders and Jared Leto “initially popularized” the man bun. It’s “stylish” and keeps men’s hair out of their faces when they are “changing Marconi light bulbs,” he says. In other words, it’s artsy and sported by hipsters. This proclamation ignores the fact that Japanese samurai have long worn the topknot or chonmage, which are still sported by sumo wrestlers.

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Nobody is slapping sumo wrestlers on the cover of GQ magazine, though, and praising them for challenging gender stereotypes. And anyway, we know from research on men in hair salons and straight men who adopt “gay” aesthetic that men’s careful coiffing does not necessarily undercut the gender binary. Rather, differences along the lines of class, race, ethnicity, and sexuality continue to distinguish the meaning of men’s practices, even if those practices appear to be the same. When a dominant group takes on the cultural elements of marginalized people and claims them as their own—making the man bun exalting for some and stigmatizing for others, for example—who exactly has power and the harmful effects of cultural appropriation become clear.

Yes, the man bun can be fun to wear and even utilitarian, with men pulling their hair out of their faces to see better. And like long-haired hippies in the 1960s and 1970s, the man bun has the potential to resist conservative values around what bodies should look like. But it is also important to consider that white western men’s interest in the man bun comes from somewhere, and weaving a narrative about its novelty overlooks its long history among Asian men, its religious significance, and ultimately its ability to make high-status white men appear worldly and exotic. In the west, the man bun trend fetishizes the ethnic other at the same time it can be used to further marginalize and objectify them. And so cultural privilege is involved in experiencing it as a symbol of cutting-edge masculinity.

Kristen Barber, PhD is a member of the faculty at Southern Illinois University. Her interests are in qualitative and feminist research and what gender-boundary crossing can teach us about the flexibility of gender, the mechanisms for reproducing gender hierarchies, and the potential for reorganization. She blogs at Feminist Reflections, where this post originally appeared.

Flashback Friday.

Jenn F. found herself faced with a “Lucky Taco” at the end of her meal at a Mexican restaurant.  It contained the following wisdom: “Paco says, ‘A bird in hand can be very messy.'”

The Lucky Taco is, of course, a “Mexican” version of the Chinese fortune cookie with which most Americans (at least) are familiar. Jenn also sent the link to the company that makes them, the Lucky Cookie Company, and they have two other versions, the Lucky Cannoli and the Lucky Cruncher (meant to be, respectively, version inspired by Italians and the “tribal” [their term, not mine]). Behold:

So this company took the Chinese fortune cookie and re-racialized it…. three times over. Is this is an appropriation of Chinese culture?

Nope.

The fortune cookie isn’t Chinese. As best as can be figured out, it’s Japanese. But, in Japan, the fortune cookie wasn’t and isn’t like it is in the U.S. today. It’s larger and made with a darker batter seasoned with miso (instead of vanilla) and sprinkled with sesame seeds. This is a screenshot from a New York Times video about its history:

This drawing is believed to depict Japanese fortune cookie baking in 1878:

According to the New York Times, it was Japanese-Americans in California who first began making and selling fortune cookies in the ’20s. Many of them, however, served Chinese food. And Chinese-Americans may have picked up on the trend. Then, when the Japanese were forced into internment camps during WWII, Chinese-Americans took over the industry and, voila, the “Chinese fortune cookie.”

So the “Chinese” fortune cookie with which we’re all familiar isn’t Chinese at all and is certainly of American (re-)invention. So, insofar as the Lucky Taco, Lucky Cannoli, and the Lucky Cruncher are offensive — and I’m pretty sure they are — it’ll have to be for some other reason.

Originally posted in 2010.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

One of my favorite examples of social construction is that we eat hot links for breakfast and pork chops for dinner. Both pig, but morning sausage seems odd in the evening and pork chops for breakfast would be a decidedly deviant sunrise treat.

A pretty set of photos at The New York Times illustrates this social construction of breakfast food by highlighting the first meal of the day for children in seven parts of the world. It would be fun — for those of you teaching classes — to show some of them to students and ask them to guess (1) the meal of the day and (2) the age of the eater. Here’s one example:

Chitedza, Malawi: cornmeal porridge with soy and groundnut flour; deep-fried cornmeal fritters with onions, garlic and chiles; boiled sweet potato and pumpkin; juice of dried hibiscus and sugar.

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See the rest at The Times.

See also our Social Construction of Flavor Pinterest board. Lots of neat stuff there!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Despite the cellphone video of two police officers killing Kajieme Powell, there is some dispute as to what happened (see this account in The Atlantic). Was Powell threatening them; did he hold the knife high; was he only three or four feet away? 

The video is all over the Internet, including the link above. I’m not going to include it here.  The officers get out of the car, immediately draw their guns, and walk towards Powell. Is this the best way to deal with a disturbed or possibly deranged individual – to confront him and then shoot him several times if he does something that might be threatening?

Watch the video, then watch London police confronting a truly deranged and dangerous man in 2011.  In St. Louis, Powell had a steak knife and it’s not clear whether he raised it or swung it at all.  The man in London has a machete and is swinging it about.


Unfortunately, the London video does not show us how the incident got started. By the time the recording begins, at least ten officers were already on the scene. They do not have guns. They have shields and truncheons. The London police tactic used more officers, and the incident took more time. But nobody died.  According to The Economist:

The police in and around Ferguson have shot and killed twice as many people in the past two weeks (Mr Brown plus one other) as the police in Japan, a nation of 127m, have shot and killed in the past six years. Nationwide, America’s police kill roughly one person a day.

The article includes this graphic:

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I’m sure that the Powell killing will elicit not just sympathy for the St. Louis police but in some quarters high praise – something to the effect that what they did was a good deed and that the victims got what they deserved. But righteous slaughter is slaughter nevertheless. A life has been taken.<

You would think that other recent videos of righteous slaughter elsewhere in the world would get us to reconsider this response to killing. But instead, these seem only to strengthen tribal Us/Them ways of thinking. If one of Us who kills one of Them, then the killing must have been necessary and even virtuous.

Originally posted at Montclair SocioBlog.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

Ten women marched in defiance of the stigma against women smoking cigarettes as part of the New York Easter Day Parade in 1929.  The interesting thing was, however, it was all a sham. The tobacco industry had set the whole thing up with the help of public relations mastermind, Edward Bernays.  American Tobacco Company President George Hill  knew cigarette sales would skyrocket if more U.S. women smoked, a behavior reserved for men in the 1920s that had closed off the female market.

Within one year of Bernay’s stint, women were smoking.

Today, similarly, Japanese fast-food has found a way to bypass the cultural stigmas that impede their profits. One food chain noticed many women would not buy their biggest-sized burgers.  The culprit was ochobo, a Japanese custom that prevents women from opening their mouth widely in public.  Small mouths are considered beautiful and opening them widely is considered “ugly” and “rude.”  The restaurant concluded that it would get into the business of “freeing women from the spell of ‘ochobo.’”

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The burger chain invented a wrapper that would allow women to open their mouths larger, but not be seen: the liberation wrapper. It is a profitable tactic touted as a cultural solution.

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You can watch them introduce the wrapper in this short video:

The liberation wrapper was welcomed in Japanese media and social networks, spreading its popularity.  Similarly, Bernay’s public relation’s stint in 1929 garnered much of its success from the media hype that ensued then.

The approach has produced results. Sales of the Japanese chain’s biggest burgers jumped 213% after the wrappers were made because they allowed the burgers to become “socially available” to women.

Of course, the irony is that the burger chain’s “solution” isn’t actually liberating women.  By hiding the deviation behind a paper mask, it is actually reinforcing Ochobo. After all, the social reality remains — it is not acceptable for Japanese women to display an open mouth in public.

Michael Lozano is a graduate of CSULB’s Sociology Honors program and frequent contributor to NewAmericaMedia.org and VoiceWaves.org, a hyper-local news site based in Long Beach, CA.