violence

Cross-posted at Family Inequality.

You can’t get 18 pages into Hanna Rosin’s blockbuster myth-making machine The End of Men, before you get to this (on page 19):

One of the great crime stories of the last twenty years is the dramatic decline of sexual assault. Rates are so low in parts of the country — for white women especially — that criminologists can’t plot the numbers on a chart. “Women in much of America might as well be living in Sweden,* they’re so safe,” says criminologist Mike Males.

That’s ridiculous, as I’ll show. Rape is difficult to measure, partly because of limiting state definitions, but the numbers are consistent enough from different sources to support the conclusion that reported rape in the United States has become less common in the last several decades — along with violent crime in general. This is good news. Here is the rate of reported “forcible rape” (of women) as defined by the FBI’s crime reporting system, the Uniform Crime Reports.**  See the big drop — and also that the rate of decline slowed in the 2000s compared with the 1990s:

(Source: Uniform Crime Reports, 2010)

The claim in Rosin’s book — which, like much of the book, is not sourced in the footnotes — is almost too vague to fact-check. What is “much of the country,” and what is a number “so low” that a criminologist “can’t plot” it on a chart? (I’m no criminologist, but I have even plotted negative numbers on a chart.)

Even though she makes things up and her publisher apparently doesn’t care, we must resist the urge to just ignore it. The book is getting a lot of attention, and it’s climbing bestseller lists. Just staying with the FBI database of reported rates, they do report them by state, so we can look for that “much of the country” she’s talking about. I made a map using this handy free tool.

(Source: FBI Uniform Crime Reports, 2010, Table 47)

The lowest state rate is 11.2 per 100,000 (New Jersey), the highest is 75 (Alaska). You can also get the numbers for 360 metropolitan areas. For these, the average rate of forcible rape reported was 31.5 per 100,000 population. One place, Carson City, Nevada, had a very low rate (just one reported in 2010), but no place else had a rate lower than 5.1. (you can see the full list here). I have no trouble plotting numbers that low. I could even plot numbers as low as those reported by police in Europe, where, according to the European Sourcebook of Crime and Criminal Justice Statistics, for 32 countries in 2007, the median rate was just 5 per 100,000 — which is lower than every U.S. metropolitan area for 2010 (except Carson City, Nevada).

These police reports are under-counts compared with population surveys that ask people whether they have been the victim of a crime, regardless of whether it was reported to police. According to the government’s Crime Victimization Survey (CVS), 65% of rape/sexual assault is not reported. The CVS rate of rape and sexual assault (combined) was 70 per 100,000 in 2010. That does reflect a substantial drop since 2001 (although there was also a significant increase from 2009 to 2010).

And what about the “for white women especially” part of Rosin’s claim? According to the Crime Victimization Survey (Table 9), the white victimization rate is the same as the national average: 70 per 100,000.

I hope it’s true, as Rosin says, that “what makes [this era] stand out is the new power women have to ward off men if they want to.” But it’s hard to see how that cause is served by inventing an end of rape.

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*That is an unintentionally ironic reference, because Sweden actually has very high (for Europe) rate reported rape, which has been attributed to its broad definition and aggressive attempts at prosecution and data collection.

** Believe it or not, this was their definition: “the carnal knowledge of a female forcibly and against her will. Attempts or assaults to commit rape by force or threat of force are also included; however, statutory rape (without force) and other sex offenses are excluded.” That is being changed to include oral and anal penetration, as well as male victims, but data based on those changes aren’t reported yet.

Check the Hanna Rosin tag for other posts in this series.

Cross-posted at Jezebel.

In 2009 R&B singer Chris Brown pled guilty to assaulting singer Rihanna.  At the time of the incident, photographs of her bruised and swollen face were passed all over the internet.  This week we learned that Brown has tattooed the face of a battered woman on a very public part of his body, his neck.

I was particularly impressed by Amanda Marcotte’s analysis of his decision, sent in by Tom Megginson.   I encourage you to read it at Pandagon, but I’ll also summarize here.

People, Marcotte begins, are “… scrambling to claim that Brown’s tattoo is somehow not what it seems. But it is what it seems.”

What it is, she contends, is a way of bragging about the beating.

Men who beat and rape women want to feel powerful. They want to feel manly. And because hitting women and raping women makes them feel these things, they want to brag about it… A tattoo commemorating beating down your girlfriend is a trophy.

A desire to brag is the reaction of violent men — instead of, say, shame — because they don’t feel ashamed.  Citing research by psychologist David Lisak, who found that certain men will happily tell stories about successful sexual assaults, Marcotte argues that batterers and rapists are proud of what they’ve done because they believe that they are right.

[Many perpetrators] are defiant. They believe they are entitled to dominate women, and they feel victimized by a world that doesn’t give them what they believe is theirs. They act out, looking for little ways to assert the right to dominate they believe is theirs.

Because they believe that they are in the right, they aren’t troubled by other people’s outrage.  Marcotte again:

…telling others about it and watching them recoil basically means reliving the power trip… Not only did they dominate the victim, but they have provoked anger and disgust in you, and that makes them feel powerful all over again.

As a further example, she includes a two-minute clip of TV evangelist Pat Robertson recommending, gleefully, that a man beat his wife into submission:

Robertson’s advice here is plain: Women should be subordinate to their husbands and, if they are not, husbands have a right to beat them into subordination.  Husbands can get together and chuckle about this; getting women into line is a good thing, not a bad thing.  Actor Sean Connery — and many other people — agree that it’s “absolutely right” to slap a woman.  It’s part of being a real man.  Those men who might object to your treatment of women?  They’re pathetic and weak and upsetting them makes us laugh.

In sum, while it might be hard to believe, I think Marcotte’s analysis here is right on.  The tattoo — especially on such an exposed and public part of the body — is a giant “fuck you” to everyone who thinks he shouldn’t have beaten Rihanna.   It seems that way and “it is what it seems.”

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

First the marketing team for an energy drink out of Poland, called “Black,” hired a Black person, Mike Tyson, to personify its product.  Then, they surround him with White, female models and have the convicted rapist call himself a “beast” that can’t control himself.  Tag lines include “that’s the power of Black” and “Black power.”

So we have, in one ad campaign, the fetishization of Black men, the White supremacist portrayal of White women as the ultimate female, their objectification (see #3, he actually hands one out in the second ad), the trivialization of his crime (he can’t control himself, LOL right!?), the use of animalistic language to refer to Black people, and the appropriation of the Black Power movement.  Anyone see anything else?  Does it matter that this comes out of Poland and not the U.S.?

Thanks to Tom Megginson at Work That Matters for the heads up.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In the wake of the Aurora theater shooting and the shooting of a Sikh temple in Wisconsin, Minneapolis CBS affiliate WCCO asked, “Are we more violent than ever before?” They interviewed The Society Pages’ own Chris Uggen about historical changes in crime. Given the way local news often covers crime and violence, this is a surprisingly nuanced segment:

In the wake of the shootings in a Colorado theater last week, Sean D. sent in a BBC video clip commenting on media coverage of mass murders.  It criticizes the typical response, which usually involves intense coverage dissecting every piece of the story, focusing closely on the killer and his motivations.  This can go on for days.

The narrator argues that this is exploitative — the media is using gruesome events to drive ratings (often for days at a time) — and it feeds into the public’s tendency towards voyeurism.  He also includes an interview with a forensic psychiatrist, Dr. Park Dietz, who specializes in such cases; he says that this type of coverage is the exact opposite of what the media should do… if it is interested in saving lives.  The attention, especially to the criminal himself, encourages other “anti-heros” to contemplate and execute mass murders themselves.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Sociologist Michael Kimmel and a reader named L.A. sent along a link to a fashion spread on a Bulgarian magazine’s website.  It’s another example of the glamorization and sexualization of violence against women.  Titled, “Victim of Beauty,” the featured photographs have absolutely nothing to offer, short of showing beautiful women who appear to have been beaten, cut, strangled, and burned.   As I’ve written elsewhere:

As much as I’m bored of seeing women appear to be beaten, sick, or dead in fashion spreads, it also really feels like we must hate them.  Why else?  Why else this constant glorification of their abuse?

I’m going to show one image and throw the rest behind the jump.  They’re very disturbing (e.g., women with slit throats and more). Take a morbid tour, if you like, through more examples of violence against women in fashion:  the fear and suffering of women as a sexual turn on, dead and deadish ladies in fashion (here, here, and here), ads with women looking supremely uncomfortable, Asian bondage fantasies, two more examples of the sexy black eye trope, and gulf oil spill themed-examples (here, and here).

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This weekend I read an article in Bitch magazine about Project Unbreakable. Last fall, then 19-year-old Grace Brown began photographing survivors of sexual assault holding posters with quotes from their attackers (or, in some cases, the police or others they told about the attack). It’s a powerful art project that highlights the emotional manipulation (“I love you,” or “If you tell your mom she’ll hate you for causing us to break up”) that often accompanies rape and sexual abuse. Collectively they illustrate many of the justifications perpetrators give. The quotes chosen by the survivors also make clear that the demands to keep the incident secret and the efforts of abusers to justify their behavior are as much a part of the attack as the physical element.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

In January the U.S. government announced a new definition of “forcible rape” to include male victims and oral or anal penetration in addition to vaginal. This has legal implications, of course, but also symbolic ones.  Language shapes how we experience the world, potentially changing how we feel about an event in our lives.  This happened to at least one person, prompting them to send in a postcard to Post Secret:

The more inclusive definition is a net good, I believe.  Legally, it’s best that we have the tools to prosecute these crimes and, for some people, being able to use this word to describe something terrible that happened to them will be validating and empowering.  For others, however, it may heighten the trauma. “Rape” is a powerful word and many Americans imagine it to be among the most harmful of crimes.  Like child abuse, but unlike even very violent non-sexual physical assaults, rape is often believed to be a long-lasting harm, maybe even one that you can never truly recover from.

Perhaps the word “dammit” in the card is meant to convey exactly this sentiment.  It was easier, perhaps, to think it was a bad night.  Now, though nothing has changed except for the language, the victim has to contend with having been raped.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.