prejudice/discrimination

Angi S. alerted us to a cartoon that ran this month in Eastern Michigan University’s student newspaper, The Echo. It featured two people in white supremacist hoods in front of a noose hanging from a tree. One says to the other: “Honey, this is the tree where we met.”

The ensuing conversation is a good example of how claims that materials are racist are dismissed by their producers.  After receiving criticism, The Echo made the following “response” (here):

We understand the “You Are Here” cartoon may have offended some readers. We apologize for the lack of sensitivity some felt we showed for publishing the piece.  The cartoon points out the hypocrisy of hate-filled people. Its intent was to ask how can someone show affection for one person while at the same time hating someone else enough to commit such a heinous act as hanging. We wish to remind readers that they are free to express their opinion on our discussion boards and we hope to continue to foster free thought and open discussion on campus and in the community.

– The Eastern Echo

First, notice that it is a typical “we are sorry that you were offended” non-apology.  The first sentence acknowledges that some readers “may have [been] offended” and then says that “some felt” that there was an insensitivity.  It does not say that the cartoon was offensive or insensitive.

Second, it also explains that the intention was to point out the “hypocrisy of hate-filled people,” not make light of lynching, without interrogating the relative importance of intent and reception.  One could argue that cultural producers are at least somewhat responsible for the  myriad of ways that an item could be reasonably interpreted.

Third, it backs into the free speech corner by claiming to be open to all opinions (using the word “free” twice in one sentence).

The Detroit News covered The Echo’s response and also added that while one African American student objected to the cartoon, another thought it was funny.  So…

Fourth, the coverage relied on the idea that if just one member of the relevant group is not offended, then maybe the rest are over-reacting.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

In 1989 Peggy McIntosh published an essay that is assigned in nearly every Sociology of Race and Ethnicity course in America.  Titled White Privilege: Unpacking the Invisible Knapsack, the essay included a list of things that white people, but not others in a white-dominated society, can count on.  Here are a few:

I can avoid spending time with people whom I was trained to mistrust and who have learned to mistrust my kind or me.

If I should need to move, I can be pretty sure of renting or purchasing housing in an area which I can afford and in which I would want to live.

I can go shopping alone most of the time, pretty well assured that I will not be followed or harassed.

I can turn on the television or open to the front page of the paper and see people of my race widely represented.

I can be sure that my children will be given curricular materials that testify to the existence of their race.

Whether I use checks, credit cards or cash, I can count on my skin color not to work against the appearance of financial reliability.

I thought of Peggy McIntosh when I saw this personal confession at PostSecret:

For more on white privilege, see our posts on Colin Powell being called a traitor, Sotomayor’s Supreme Court hearings, the privilege to shoplift, and “flesh” and “nude” colors.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Trigger warning: racial violence and racist language.

A disturbing picture of racial slaughter emerges in the days following Katrina, at the hands of private residents and police officers. Racially-motivated murders were carried out in Algiers Point, a predominately white enclave nestled in mostly black Algiers, not far from Gretna. This part of the city is connected to the rest of New Orleans by bridge and ferry only, and it did not experience flooding. After the storm, a band of 15 to 30 white men formed a loose militia targeting anyone whom they deemed “didn’t belong” in their predominately white neighborhood (source). They blocked off streets with downed trees, stockpiled weapons, and ran patrols.

At least eleven black men were shot, although some locals expect that the actual number is much higher. On July 16, 2010, Roland Bourgeois was charged with shooting three black men in Algiers in the days following Katrina (source). He allegedly came back to the militia home base with a bloody baseball cap from Ronald Herrington, a man he shot, and told a witness that “Anything coming up this street darker than a paper bag is getting shot.”

To date, this is the only arrest of militia members, but the FBI is investigating the situation and will likely make more arrests given that two Danish filmmakers interviewed multiple residents who admitted shooting black people. In “Welcome to New Orleans,” militia member Wayne Janak smiles at the camera: “It was great! It was like pheasant season in South Dakota. If it moved, you shot it.” A woman nearby adds “He understands the N-word now… In this neighborhood, we take care of our own.” Many of the victims reported that militia members called them racial epithets during attacks, and a family member of militia members reports that her uncle and cousins considered it a “free-for-all—white against black,” and her cousin was happy they were “shooting niggers.”

Malik Rahim, a long-time Algiers resident and activist who co-founded Common Ground Relief after the storm, took me on a tour of bodies in his neighborhood a week or so after the storm. I only made it through one viewing – a bloated body of a man under a piece of cardboard with a gunshot wound to his back. I assumed that this death was being investigated, but should have known otherwise given that the state had essentially sanctioned these actions with a “shoot to kill” order that allowed civilians to make their own assessments of who should live or die.

One of Many New Orleans Vigilante T-Shirts Slogans:

Cross-posted at Caroline Heldman’s blog.

Caroline Heldman is a professor of politics at Occidental College. You can follow her at her blog and on Twitter and Facebook.

Presumably many of you have heard about the controversy that has arisen about a conversation between Laura Schlessinger (aka Dr. Laura) and a female African American caller. Corina C. sent in some links to posts on the topic. Trigger warning for harsh, racist language.

Here’s a recording of the conversation (found at Media Matters) in which Schlessinger responds to the caller’s concerns about comments from her White husband’s friends and relatives by suggesting she is “hypersensitive” and isn’t in a position to be concerned about comments she considered racist because “Turn on HBO, listen to a black comic, and all you hear is nigger, nigger, nigger”:

Selected parts of the transcript:

CALLER: I was a little caught back by the N-word that you spewed out, I have to be honest with you. But my point is, race relations —

SCHLESSINGER: Oh, then I guess you don’t watch HBO or listen to any black comedians.

…

SCHLESSINGER: Yeah. We’ve got a black man as president, and we have more complaining about racism than ever. I mean, I think that’s hilarious.

…

SCHLESSINGER: Chip on your shoulder. I can’t do much about that.

CALLER: It’s not like that.

SCHLESSINGER: Yeah. I think you have too much sensitivity —

CALLER: So it’s OK to say “nigger”?

SCHLESSINGER: — and not enough sense of humor.

…

SCHLESSINGER: …You know what? If you’re that hypersensitive about color and don’t have a sense of humor, don’t marry out of your race. If you’re going to marry out of your race, people are going to say, “OK, what do blacks think? What do whites think? What do Jews think? What do Catholics think?”…And what I just heard from Jade is a lot of what I hear from black-think — and it’s really distressting [sic] and disturbing. And to put it in its context, she said the N-word, and I said, on HBO, listening to black comics, you hear “nigger, nigger, nigger.” I didn’t call anybody a nigger. Nice try, Jade. Actually, sucky try. Need a sense of humor, sense of humor — and answer the question. When somebody says, “What do blacks think?” say, “This is what I think. This is what I read that if you take a poll the majority of blacks think this.” Answer the question and discuss the issue…Ah — hypersensitivity, OK, which is being bred by black activists. I really thought that once we had a black president, the attempt to demonize whites hating blacks would stop, but it seems to have grown, and I don’t get it.

There are a number of things going on here. In Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States, Eduardo Bonilla-Silva discusses the various ways that Whites, in particular, downplay racial discrimination through a number of rhetorical and discursive strategies, several of which Schlessinger draws on in this exchange. For instance, she naturalizes the behavior the caller is concerned about: if you marry someone of another race, you just have to accept that their friends and family are going to consider you a representative of your entire race and constantly interact with you through the lens of your racial/ethnic background. That’s just to be expected, and if it starts to bother you, you’re “hypersensitive.” In fact, you ought to be sure and constantly educate yourself about all social trends as they relate to African Americans, so that if someone has any questions about what “Blacks think,” you can quickly tell them.

Think about the level of mental energy that is being expected here. Schlessinger is saying that it is the responsibility of minorities to know what members of their race/ethnicity think, in the aggregate, about whatever topic anybody else might want to know. I, as a White woman, am not expected to be able to provide, at the drop of a hat, data on Whites’ opinions about anything. (Though I do find that people who find out I’m a sociologist often think I must have insight into every aspect of social life, leading to questions such as, “My sister-in-law likes to _____. What do you think causes that?” or “So what do you think _____ will be like in 50 years?”, neither of which I am usually prepared to address in the middle of getting some potato salad at a picnic or buying a soda at the gas station.) The underlying argument here is that it is minorities’ responsibility to patiently educate Whites about things related to non-Whites, and an unwillingness to take on that role is evidence that you have a “chip on your shoulder.”

Another frame Schlessinger draws on is the minimization of racism: we have a Black president now, so racism’s totally over. What’s your problem?

Schlessinger is also holding all members of a racial group responsible for the actions of any of them. She argues that the routines of some Black comedians invalidates this individual African American woman’s right to be upset by racialized language in any context. It doesn’t matter whether this woman approves of the comedians’ comments — or has ever heard any of them; all African Americans are treated as an undifferentiated group, and the behavior of some revokes the rights of any others to bring up issues they find problematic.

In an interview with The Hollywood Reporter, Schlessinger hints at another rhetorical strategy, the “some of my best friends are _____ and thus I can’t possibly be racially prejudiced” argument:

I went out to dinner with three friends after Larry King. One of my friends who is gay is sitting there with another friend who is black, and he looks up and says, “I wonder what the media would do with this? You’re with a black guy and a gay guy.” We laughed, because we all understand what this is really about — censoring a point of view.

So there you have it: a round-up of ways to frame non-Whites as overly sensitive and unilaterally responsible for improving race relations.

UPDATE: The comments section is closed. There were still a lot of people commenting, but much of it had descended into name-calling and accusations, and I can’t keep up with all of them to catch the truly offensive ones. I may reopen comments in 48 hours after a cooling-off period.

Plans to build an Islamic community center near the site of Ground Zero, the site of the destroyed World Trade Center towers in Manhattan, have stirred up the political right who have dubbed it the Ground Zero Mosque.  The proposed site (A) is about two blocks from where the twin towers once stood (B):

Objection to the project is based on a false conflation of the attacks with Islam.  Bin Laden drew on Islam to mobilize support for the attack, but this in no way makes the attacks Islamic.  Many Muslims died in the attacks and Muslims around the world condemn them.  When Scott Roeder murdered George Tiller for performing abortions, we didn’t call that a Christian attack.  It is prejudicial to paint entire groups based on the actions of a few.

Notice, however, how this ad opposing the community center identifies all Muslims (“they”) as America’s enemy (found here).  The ad’s narrator explains, “They declared war against us” and “to celebrate that murder of 3,000 Americans, they want to build a monstrous, 13-story mosque at Ground Zero…”  Trigger warning for those sensitive to images of the 911 attacks:

The campaign against the community center, then, is a good example of our refusal to notice that many Americans are Muslims and that not all Muslims are America’s enemy.

It also misunderstands life in that region of the city.  The ad names says that the site of the World Trade Center is “sacred” and Sarah Palin says that it is “hallowed ground.”  To that, Daryl Lang took it upon himself to photograph some of the Manhattan corners and storefronts that were the same distance from Ground Zero as the proposed center.  “Look at the photos,” he writes, “This neighborhood is not hallowed… The blocks around Ground Zero are like every other hard-working neighborhood in New York, where Muslims are just another thread of the city fabric.”

Thanks to Dmitriy T.M. for sending the link to Daryl Lang’s photos!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Kathleen P. sent in a commercial for Allstate Insurance that draws on stereotypes of teenagers:

This ad depicts a teenager girl, to be sure, but teenagers of both sexes and all races and classes tend to be portrayed negatively, albeit in different ways.  Jamie Keiles, a teenager herself, is trying to draw attention to this at her blog, Teenagerie.  Keiles writes:

Through the eyes of the media, teenagers are shown as narcissistic, lazy, and unintelligent. We are condemned for being tech-obsessed, shallow, and impulsive.

Keiles, however, blames media itself for promulgating this stereotype, giving teens the message that their lives should fall within its boundaries.  She’s hoping her project will make a difference.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

White people should worry about racism.  They should worry about racism because it’s wrong.  But if that’s not enough of a motivation, they should worry about it for their own damn good.  Philip Cohen of Family Inequality shows us how so with a discussion of a recent paper published in the Journal of the American Society of Nephrology.

The Figure below illustrates the percentage of black (grey bar) and white (white bar) residents who went into end-stage renal disease (kidney failure; ESRD) before ever seeing a doctor specializing in kidneys (a nephrologist).  As we move from left to right, the zip codes in which patients live becomes increasingly populated by black people.

What we see is that, in any given neighborhood, black people are always less likely to get access to a kidney specialist before their kidneys fail; but also that white people living in a neighborhood with a higher percentage of blacks are less likely than whites in a more white neighborhood to see a specialist.  So much so that whites living in neighborhoods that are more than 50% black are less likely to see a specialist than blacks living in neighborhoods that are less than 25% black.

Cohen specifies that…

…the relationship still holds even when individual socioeconomic status, and local-area socioeconomic status, are controlled. So it’s not just a poverty effect.

Somehow places that are “blacker”, even when they are not poor, are serviced with inferior health care compared to places that are “whiter.”  And everyone suffers for it (though not necessarily equally).

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Majd A.-S. sent in a link to a review at The Brainy Gamer of the Wii videogame Heavy Fire: Special Operations, which was released last week. Michael Abbott, the reviewer, starts by saying that he doesn’t find First-Person Shooter (FPS) games inherently problematic, but that after playing the game he found this one disturbing. He suggests it should be renamed “Arab Shooting Gallery.” Here’s an extended trailer:

Notice that the game specifically points out that it has a “destructible environment”; not only can you kill enemies, you can make sure you leave the surrounding city as demolished as possible. Woo hoo! Fun!

Abbott mentioned the article “Digital Arabs: Representation in Video Games,” by Vit Sisler, so I checked it out. Sisler conducted a content analysis of 90 European and American video games and 15 Arab-language ones, all set in the Middle East (or fictional settings clearly derived from the Middle East):

The methodology used for content analysis involves playing the whole game while taking notes and screenshots of relevant visual signifiers, recording the narrative and analysing the structure of gameplay… Correspondingly, other paratextual materials related to the game were analysed (booklets, manuals and websites).

There are a number of video games set in the Middle East broadly defined (Sisler lists Delta Force, Prince of Persia, Conflict: Desert Storm, Full Spectrum Warrior, and others). In most, the shooter is a member of the U.S. military or the coalition forces associated with it. Sisler says,

While the US or coalition soldiers usually are humanized and individualized by their nicknames or specific visual characteristics, the enemy is collectivized and linguistically functionalized as ‘various terrorist groups’, ‘militants’ and ‘insurgents’ (Machin and Suleiman, 2006). At the same time, the moral mission, professionalism and courage of the forces controlled by the player are emphasized by the in-game narrative and scripts. However, the enemies are presented in a way that suggests they are not ‘real’ soldiers, thereby removing the legitimacy of their actions (Machin and Suleiman, 2006). This could be manifested even on the level of the artificial intelligence controlling the enemy soldiers via scripts including undisciplined poses, shouting and yelling (Full Spectrum Warrior), or raising weapons above their heads, laughing mockingly after they kill (Delta Force).

Some Arab groups have responded to this by creating video games of their own that present a more sympathetic view of Arabs and/or Muslims. For instance, Hezbollah released a game called Special Force (Al-Quwwat al-Khasa):

The game presents members of Hezbollah as heroes or martyrs while the Israeli Defense Force is the enemy. As Sisler points out, this doesn’t change the basic narrative of the games mentioned above, it just switches the roles of “us” vs. “the enemy.”

On the other hand, the game Under Ash (Tahta al-Ramad), based on the Israeli-Palestinian conflict (from the Palestinians’ point of view), humanized Palestinians by giving them significant backstories that explained how they came to be involved in the Palestinian resistance. It presented Israeli soldiers as the enemy but specifically prohibited players from harming either Palestinian or Israeli civilians (in a sequel to Under Ash, titled Under Siege, Tahta al-Hisar, killing a civilian automatically leads to a “game over” message). It doesn’t allow any type of peaceful interaction with Israelis, but it is one of the few games based on the Middle East that presents cities as full of inhabitants whose lives are valuable, regardless of which side of a conflict they’re on.

Sisler argues that the depictions of players and their enemies have implications beyond all of these video games themselves. Particularly when games are set in locations with current real-world conflicts, the narratives presented in cultural products such as video games help shape understandings of the conflict, including its morality, hero-izing some groups while dehumanizing others, and normalizing particular forms of warfare. In the U.S., these types of images, as well as those included in movies like The Siege and TV shows such as 24, also reinforce the perception of Arabs and Muslims as racialized Others, bloodthirsty terrorists whose acts of aggression are inherently illegitimate, while any by the Coalition forces are, by definition, moral and justifiable in the face of such an enemy.

For other examples of how Arabs and Muslims (the two categories are usually conflated), whether in the Middle East or in the U.S., are culturally depicted as untrustworthy, brutal, and/or backward, see our posts on representations of Arabs in TV and movies, the unseen Middle East, and anti-Arab signs in Pennsylvania,