1Recently Nadya Tolokonnikova was interviewed by NPR about Pussy Riot’s latest video. In it, Tolokonnikova explores themes of racism, xenophobia, and misogyny and its influence on governance through a graphic and violent imagined America under a Trump presidency. Trigger warning for… most things:

Tolokonnikova is making a statement about American politics, but she is clearly informed by Putin’s performance of masculinity and how that has translated into policy measures and electoral success. When he took office in early 2000, Putin needed to legitimize his power and counteract the global impression of Russian weakness after the collapse of the Soviet Union.

The projection of masculinity was a PR strategy: fishing and riding a horse shirtless, shooting a Siberian tiger, and emerging from the Black Sea in full scuba gear. These actions combined with bellicose foreign policy initiatives to portray Putin as assertive and unrelenting.

In the book, Sex, Politics, & Putin, Valerie Sperling makes a case that his strategy was successful. She investigates the political culture under Putin and argues there is popular support for Putin’s version of masculinity and its implications for femininity, even among young women. As a consequence, the gender and sexual politics of Russia have deviated from those of wider Europe, as indicated by the rise of the Russian slur “gayropa.”

The machismo and misogyny embodied by Putin have also translated into policy: the “gay propaganda” law, for example, and the ban on international adoption to gay couples. In his 2013 address to the Federal Assembly, Putin framed these policies as necessary to combat the “destruction of traditional values.”

While there is no systematic research on the role of masculinity in Trump’s rise to the national political stage in the US just yet, and while the nature of the link between Putin and Trump remains unclear (if one truly even exists), we should consider Putin’s Russia a cautionary tale. His performances of masculinity – his so-called “locker room talk,” discussion of genitalia size, and conduct towards pageant contestants — could go from publicity stunt to public support to actual policy measures. His bombastic language about defeating ISIS and the need for more American “strength” at home and abroad, for example, could easily translate into foreign policy.

Coverage of Trump during this election cycle is credited for hundreds of millions in profits for news agencies and Trump himself has enjoyed an unprecedented level of coverage. While Trump has benefited from far more airtime than Putin did in 2000, he has not been able to find the same level of popular support. At least not yet. When Putin rose to status as a national figure in Russia his approval rating was approximately 60%, and it grew from there to levels most American politicians only dream of. If Trump is willing and able to adopt other components of Putin’s leadership style, there is precedent for the possibility that his presidency could truly turn American back.

Alisha Kirchoff is a sociology PhD student at Indiana University-Bloomington. She has previously lived and worked in Russia and is currently working on research in political sociology, law and society, organizations, and gender. Her latest project is on fertility intentions and family policies in Putin’s Russia. You can follow her on twitter.

1Will Davies, a politics professor and economic sociologist at Goldsmiths, University of London, summarized his thoughts on Brexit for the Political Economy and Research Centre, arguing that the split wasn’t one of left and right, young and old, racist or not racist, but center and the periphery. You can read it in full there, or scroll down for my summary.

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Many of the strongest advocates for Leave, many have noted, were actually among the beneficiaries of the UK’s relationship with the EU. Small towns and rural areas receive quite a bit of financial support. Those regions that voted for Leave in the greatest numbers, then, will also suffer some of the worst consequences of the Leave. What motivated to them to vote for a change that will in all likelihood make their lives worse?

Davies argues that the economic support they received from their relationship with the EU was paired with a culturally invisibility or active denigration by those in the center. Those in the periphery lived in a “shadow welfare state” alongside “a political culture which heaped scorn on dependency.”

Davies uses philosopher Nancy Fraser’s complementary ideas of recognition and redistribution: people need economic security (redistribution), but they need dignity, too (recognition). Malrecognition can be so psychically painful that even those who knew they would suffer economically may have been motivated to vote Leave. “Knowing that your business, farm, family or region is dependent on the beneficence of wealthy liberals,” writes Davies, “is unlikely to be a recipe for satisfaction.”

It was in this context that the political campaign for Leave penned the slogan: “Take back control.” In sociology we call this framing, a way of directing people to think about a situation not just as a problem, but a particular kind of problem. “Take back control” invokes the indignity of oppression. Davies explains:

It worked on every level between the macroeconomic and the psychoanalytic. Think of what it means on an individual level to rediscover control. To be a person without control (for instance to suffer incontinence or a facial tick) is to be the butt of cruel jokes, to be potentially embarrassed in public. It potentially reduces one’s independence. What was so clever about the language of the Leave campaign was that it spoke directly to this feeling of inadequacy and embarrassment, then promised to eradicate it. The promise had nothing to do with economics or policy, but everything to do with the psychological allure of autonomy and self-respect.

Consider the cover of the Daily Mail praising the decision and calling politicians “out-of-touch” and the EU “elite” and “contemptuous”:2

From this point of view, Davies thinks that the reward wasn’t the Leave, but the vote itself, a veritable middle finger to the UK center and the EU “eurocrats.” They know their lives won’t get better after a Brexit, but they don’t see their lives getting any better under any circumstances, so they’ll take the opportunity to pop a symbolic middle finger. That’s all they think they have.

And that’s where Davies thinks the victory  of the Leave vote parallels strongly with Donald Trump’s rise in the US:

Amongst people who have utterly given up on the future, political movements don’t need to promise any desirable and realistic change. If anything, they are more comforting and trustworthy if predicated on the notion that the future is beyond rescue, for that chimes more closely with people’s private experiences.

Some people believe that voting for Trump might in fact make things worse, but the pleasure of doing so — of popping a middle finger to the Republican party and political elites more generally — would be satisfaction enough. In this sense, they may be quite a lot like the Leavers. For the disenfranchised, a vote against pragmatism and solidarity may be the only satisfaction that this election, or others, is likely to get them.

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.

1Botox has forever transformed the primordial battleground against aging. Since the FDA approved it for cosmetic use in 2002, eleven million Americans have used it. Over 90 percent of them are women.

In my forthcoming book, Botox Nation, I argue that one of the reasons Botox is so appealing to women is because the wrinkles that Botox is designed to “fix,” those disconcerting creases between our brows, are precisely those lines that we use to express negative emotions: angry, bitchy, irritated.  Botox is injected into the corrugator supercilii muscles, the facial muscles that allow us to pull our eyebrows together and push them down.  By paralyzing these muscles, Botox prevents this brow-lowering action, and in so doing, inhibits our ability to scowl, an expression we use to project to the world that we are aggravated or pissed off.

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Sociologists have long speculated about the meaning of human faces for social interaction. In the 1950s, Erving Goffman developed the concept of facework to refer to the ways that human faces act as a template to invoke, process, and manage emotions. A core feature of our physical identity, our faces provide expressive information about our selves and how we want our identities to be perceived by others.

Given that our faces are mediums for processing and negotiating social interaction, it makes sense that Botox’s effect on facial expression would be particularly enticing to women, who from early childhood are taught to project cheerfulness and to disguise unhappiness. Male politicians and CEOs, for example, are expected to look pissed off, stern, and annoyed. However, when Hillary Clinton displays these same expressions, she is chastised for being unladylike, as undeserving of the male gaze, and criticized for disrupting the normative gender order. Women more so than men are penalized for looking speculative, judgmental, angry, or cross.

Nothing demonstrates this more than the recent viral pop-cultural idioms “resting bitch face.” For those unfamiliar with the not so subtly sexist phrase, “resting bitch face,” according to the popular site Urban Dictionary, is “a person, usually a girl, who naturally looks mean when her face is expressionless, without meaning to.” This same site defines its etymological predecessor, “bitchy resting face,” as “a bitchy alternative to the usual blank look most people have. This is a condition affecting the facial muscles, suffered by millions of women worldwide. People suffering from bitchy resting face (BRF) have the tendency look hostile and/or judgmental at rest.”

Resting bitch face and its linguistic cousin is nowhere near gender neutral. There is no name for men’s serious, pensive, and reserved expressions because we allow men these feelings. When a man looks severe, serious, or grumpy, we assume it is for good reason. But women are always expected to be smiling, aesthetically pleasing, and compliant. To do otherwise would be to fail to subordinate our own emotions to those of others, and this would upset the gendered status quo.

This is what the sociologist Arlie Russell Hochschild calls “emotion labor,” a type of impression management, which involves manipulating one’s feelings to transmit a certain impression. In her now-classic study on flight attendants, Hochschild documented how part of the occupational script was for flight attendants to create and maintain the façade of positive appearance, revealing the highly gendered ways we police social performance. The facework involved in projecting cheerfulness and always smiling requires energy and, as any woman is well aware, can become exhausting. Hochschild recognized this and saw emotion work as a form of exploitation that could lead to psychological distress. She also predicted that showing dissimilar emotions from those genuinely felt would lead to the alienation from one’s feelings.

Enter Botox—a product that can seemingly liberate the face from its resting bitch state, producing a flattening of affect where the act of appearing introspective, inquisitive, perplexed, contemplative, or pissed off can be effaced and prevented from leaving a lasting impression. One reason Botox may be especially appealing to women is that it can potentially relieve them from having to work so hard to police their expressions.

Even more insidiously, Botox may actually change how women feel. Scientists have long suggested that facial expressions, like frowning or smiling, can influence emotion by contributing to a range of bodily changes that in turn produce subjective feelings. This theory, known in psychology as the “facial feedback hypothesis,” proposes that expression intensifies emotion, whereas suppression softens it. It follows that blocking negative expressions with Botox injections should offer some protection against negative feelings. A study confirmed the hypothesis.

Taken together, this works point to some of the principal attractions of Botox for women. Functioning as an emotional lobotomy of sorts, Botox can emancipate women from having to vigilantly police their facial expressions and actually reduce the negative feelings that produce them, all while simultaneously offsetting the psychological distress of alienation.

Dana Berkowitz is a professor of sociology at Louisiana State University in Baton Rogue where she teaches about gender, sexuality, families, and qualitative methods. Her book, Botox Nation: Changing the Face of America, will be out in January and can be pre-ordered now.

1It was “Latino night” at a gay club. When the story finally broke, that’s all I heard. Orlando’s tragedy at the Pulse puts Latina/o, Latin American, Afro-Latinos, and Puerto Ricans and other Caribbean LGBT people front and center. Otherness mounts Otherness, even in the Whitewashing of the ethno-racial background of those killed by the media, and the seemingly compassionate expressions of love by religious folk. The excess of difference—to be Black or Brown (or to be both) and to be gay, lesbian, bisexual, or transgender (or queer, as some of us see ourselves) serves to shock, through difference, how news are reported. Difference – the very basis of feminist and ethnic politics in the 20th century – has been co-opted and ignored, sanitized even, to attempt to reach a level of a so-called “humanity” that is not accomplishable. We know this, but we don’t talk about it.

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Don’t get me wrong: empathy is essential for most social codes of order to functionally sustain any given society. To pay one’s respects for others’ losses, however, does not mean that we think of those lost as equals. Liberal people demanding that sexuality be less important in the news (and thus removed from the coverage) is an inherent violence toward those who partied together because there was real love among them, in that club, for who they were – and are. Religious righters may spread hate while trying to give the illusion of compassion, but they do so in a clear hierarchical, paternalistic way – that is hypocrisy, and we must call it out every chance we get. But this goes beyond liberal notions and conservative hypocrisy – even while Anderson Cooper wept when reading the list of those killed, he knows the distance between himself and many of those at the club is enough to build a classed, raced, and social wall between them. Clearly, empathy is not enough.

To be Latina/o in the US – increasingly another Latin American country, again – is to breathe in hate, to face retaliation, to be questioned at every turn about our allegiances, tested on our sense of citizenship, pushed in our capacity to love the nation and thus hate “like the rest” (a testament to the masculinity of the nation). At a minimum, to be Latina/o guarantees one to be looked at oddly, as if one was out of place, misplaced, inappropriately placed. Simply by being, Latinas/os rupture the logics of normalcy in USAmerica. To be Latina/o and LGBT is to disrupt the logics of racial formation, of racial purity, of the Black and White binary still ruling this country – all while de-gendering and performing an excess (of not only gender, but sexuality) that overflows and overwhelms “America.” In being Latino and queer, some of us aim to be misfits that disrupt a normalcy of regulatory ways of being.

A break between queer and América erupted this past weekend – in Orlando, a city filled with many Latin Americans; a city that, like many others, depends on the backs of Brown folk to get the work done. Put another way, Orlando’s tragedy created a bridge between different countries and newer readings of queerness – Orlando as in an extension of Latin América here. Queer-Orlando-América is an extension of so many Latin American cities as sites of contention, where to be LGBT is both celebrated and chastised – no more, or less, than homophobia in the US.

Enough has been said about how the Pulse is a place where people of color who desired others like themselves, or are trans, go to dance their fears away, and dream on hope for a better day. Too little has been said about the structural conditions faced by these Puerto Ricans, these immigrants, these mixed raced queer folks – some of whom were vacationing, many of whom lived in Florida. Many were struggling for a better (financial, social, political – all of the above) life. Assumptions have also been made about their good fortune as well. Do not assume that they left their countries seeking freedom – for many who might have experienced homophobia back home, still do here; though they have added racism to their everyday lived experience. Of course, there are contradictions on that side of queer-Orlando-América, too; yet same sex marriage was achieved in half a dozen countries before the US granted it a year ago. This is the world upside down, you say, since these advances – this progress – should have happened in the US first.Wake up. América is in you and you are no longer “America” but América.

You see, this is how we become queer-Orlando-América: we make it a verb, an action. It emerges where the tongues twist, where code switching (in Spanish/English/Spanglish) is like a saché-ing on the dance floor, where gender and race are blurry and yet so clear, where Whiteness isn’t front and center – in fact it becomes awkward in this sea of racial, gendered, and sexual differences. This queer-Orlando-América (a place neither “here,” nor “there,” where belonging is something you carry with you, in you, and may activate on some dance floor given the right people, even strangers, and real love – especially from strangers) was triggered – was released – by violence. But not a new violence, certainly not a Muslim-led violence. Violence accumulated over violence – historically, ethnically, specific to transgender people, to Brown people, to effeminate male-bodied people, to the power of femininity in male and female bodies, to immigrants, to the colonized who speak up, to the Spanglish that ruptures “appropriateness,” to the language of the border. And in spite of this, queer-Orlando-América has erupted. It is not going down to the bottom of the earth. You see us. It was, after all, “Latino night” at a gay club. You can no longer ignore us.

As the week advanced, and fathers’ day passed us by, I have already noticed the reordering of the news, a staged dismissal so common in media outlets. Those queer and Brown must continue to raise this as an issue, to not let the comfort of your organized, White hetero-lives go back to normal. You never left that comfort, you just thought about “those” killed.  But it was “Latino night” at a gay club. I do not have that luxury. I carry its weight with me. Now the lives of those who are queer and Latina/o have changed – fueled with surveillance and concerns, never taking a temporary safe space for granted. Queer-Orlando-América is thus a “here and now” that has changed the contours of what “queer” and “America” were and are. Queer has now become less White – in your imaginary (we were always here). América now has an accent (it always had it – you just failed to notice).  Violence in Orlando did this. It broke your understanding of a norm and showed you there is much more than the straight and narrow, or the Black and White “America” that is segmented into neatly organized compartments. In that, Orlando queers much more than those LGBT Latinas/os at the club. Orlando is the rupture that bridges a queer Brown United States with a Latin America that was always already “inside” the US – one that never left, one which was invaded and conquered. Think Aztlán. Think Borinquen. Think The Mission in San Francisco. Or Jackson Heights, in NYC. Or the DC metro area’s Latino neighborhoods. That is not going away. It is multiplying.

I may be a queer Latino man at home, at the University, at the store, and at the club. That does not mean that the layered account of my life gets acknowledged (nor celebrated) in many of those sites – in fact, it gets fractured in the service of others’ understandings of difference (be it “diversity,” “multiculturalism” or “inclusion”). But it sure comes together on the dance floor at a club with a boom-boom that caters to every fiber of my being. It is encompassing. It covers us. It is relational. It moves us – together. So, even if I only go out once a year, I refuse to be afraid to go out and celebrate life. Too many before me have danced and danced and danced (including those who danced to the afterlife because of AIDS, hatred, and homophobia), and I will celebrate them dancing – one night at a time.

We are not going away – in fact, a type of queer-Orlando-América is coming near you, if it hasn’t arrived already, if it wasn’t there already—before you claimed that space. No words of empathy will be enough to negotiate your hypocrisy, to whitewash our heritage, or make me, and us, go away. If anything, this sort of tragedy ignites community, it forces us to have conversations long overdue, it serves as a mirror showing how little we really have in common with each other in “America” – and the only way to make that OK is to be OK with the discomfort difference makes you experience, instead of erasing it.

We must never forget that it was “Latino night” at a gay club. That is how I will remember it.

Salvador Vidal-Ortiz, PhD, is associate professor of sociology at American University; he also teaches for their Women’s, Gender, and Sexuality Studies program. He coedited The Sexuality of Migration: Border Crossings and Mexican Immigrant Men and Queer Brown Voices: Personal Narratives of Latina/o LGBT Activism. He wrote this post, originally, for Feminist Reflections.

1The dining rooms are coming. It’s how I know my neighborhood is becoming aspirationally middle class.

My neighborhood is filled with “shotgun” houses. Probably from West Africa, they are designed for a hot, humid climate. The homes consist of several rooms in a row. There are no hallways (and no privacy). High ceilings collect the heat and the doorways are placed in a row to encourage a breeze to blow all the way through.

Around here, more often than not, they have been built as duplexes: two long skinny houses that share a middle wall. The kitchen is usually in the back leading to an addition that houses a small bathroom. Here’s my sketch:

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As the neighborhood has been gentrifying, flippers have set their sights on these double shotguns. Instead of simply refurbishing them, though, they’ve been merging them. Duplexes are becoming larger single family homes with hallways (which substantially changes the dynamic among its residents) and makes space for dining rooms. Check out the new dining room on this flip (yikes):

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At NPR, Mackensie Griffin offered a quick history of dining rooms, arguing that they were unusual in the US before the late 1700s. Families didn’t generally have enough room to set one aside strictly for dining. “Rooms and tables had multiple uses,” Griffin wrote, “and families would eat in shifts, if necessary.”

Thomas Jefferson would be one of the first Americans to have a dining room table. Monticello was built in 1772, dining room included. Wealthy families followed suit and eventually the trend trickled down to the middle classes. Correspondingly, the idea that the whole family should eat dinner together became a middle class value, a hallmark of good parenting, and one that was structurally — that is, architecturally — elusive to the poor and working class.

The shotgun house we find throughout the South is an example of just how elusive. Built before closets, all the rooms in a traditional shotgun are technically multi-purpose: they can be used as living rooms, bedrooms, offices, dining rooms, storage, or whatever. In practice, though, medium to large and sometimes extended families live in these homes. Many residents would be lucky to have a dedicated living room; a dining room would be a luxury indeed.

But they’re coming anyway. The rejection of the traditional floor plan in these remodels — for being too small, insufficiently private, and un-dining-roomed — hints at a turn toward a richer sort of resident, one that demands a lifestyle modeled by Jefferson and made sacred by the American middle class.

Cross-posted at Inequality by (Interior) Design.

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.

1Just after the United Kingdom voted to leave the European Union, a commentator at the lauded US News and World Report claimed that the “general consensus” was that the vote was a “veritable dumpster fire.” Since then, most citizens of the EU, many Americans, and lots of UK citizens, including many who voted to leave, seem to think that this was a terrible decision, sending the UK into treacherous political and economic territory.

The Prime Minister agreed to step down and, rather quickly, two women rose to the top of the replacement pool. Yesterday Theresa May was the lone contender left standing and today she was sworn in.

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Is it a coincidence that a woman is about to step into the top leadership position after the Brexit?

Research suggests that it’s not. In contexts as wide-ranging as the funeral business, music festivals, political elections, the military, and law firms, studies have found a tendency for women to be promoted in times of crisis. As a result, women are given jobs that have a higher risk of failure — like, for example, cleaning up a dumpster fire.  It’s called the “glass cliff,” an invisible hazard that harms women’s likelihood of success. One study found that, because of this phenomenon, the average tenure of a female CEO is only about 60% as long as that of the average male CEO.

As one Democratic National Committee chair once said: “The only time to run a woman is when things look so bad that your only chance is to do something dramatic.” Maybe doing “something dramatic” is why so many women are promoted during times of crisis, but the evidence suggests that another reason is because men protect other men from having to take precarious positions. This was the experience of one female Marine Corps officer:

It’s the good old boys network. The guys helping each other out and we don’t have the women helping each other out because there are not enough of us around. The good old boys network put the guys they want to get promoted in certain jobs to make them stand out, look good.

If women are disproportionately promoted during times of crisis, then they will fail more often than their male counterparts. And they do. It will be interesting to watch whether May can clean up this dumpster fire and, if she can’t, what her legacy will be.

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.

1Many hope that Misty Copeland is ushering in a new era for ballet. She is the first female African American ballet dancer to have the role of Principal Dancer at the American Ballet Theatre. She has literally changed the face of the dance.

Race is a central and important part of her story, but in A Ballerina’s Tale, the documentary featuring her career, she describes herself as defying not just one, but three ideas about what ballerinas are supposed to look like: “I’m black,” she says, and also: “I have a large chest, I’m muscular.”

In fact, asked to envision a prima ballerina, writes commentator Shane Jewel, what comes to most of our minds is probably a “perilously thin, desperately beautiful, gracefully elongated girl who is… pale as the driven snow.” White, yes, but also flat-chested and without obvious muscularity.

It feels like a timeless archetype — at least as timeless as ballet itself, which dates back to the 15th century — but it’s not. In fact, the idea that ballerinas should be painfully thin is a new development, absorbing only a fraction of ballet’s history, as can clearly be seen in this historical slideshow.

It started in the 1960s — barely more than 50 years ago — in response to the preferences of the influential choreographer George Balanchine. Elizabeth Kiem, the author of Dancer, Daughter, Traitor, Spy, calls him “the most influential figure in 20th century dance,” ballet and beyond. He co-founded the first major ballet school in America, made dozens of dancers famous, and choreographed more than 400 performances. And he liked his ballerinas wispy: “Tall and slender,” Kiem writes, “to the point of alarm.” It is called, amongst those in that world, the “Balanchine body.”

 

We’re right to view Copeland’s rise with awe, gratitude, and hope, but it’s also interesting to note that two of the the ceilings she’s breaking (by being a ballerina with breasts and muscles) have only recently been installed. It reminds me how quickly a newly introduced expectation can feel timeless; how strongly it can ossify into something that seems inevitable; how easily we accept that what we see in front of us is universal.

In The Social Construction of Reality, the sociologists Peter Berger and Thomas Luckmann explain how rapidly social inventions “harden” and “thicken.” Whoever initiates can see it for what it is — something they created — but to whoever comes next it simply seems like reality. What to Balanchine was “I will do it this way” became to his successors “This is how things are done.” And “a world so regarded,” Berger and Luckmann write, “attains a firmness in consciousness; it becomes real in an ever more massive way, and it can no longer be changed so readily.”

Exactly because the social construction of reality can be so real, even though it was merely invented, Copeland’s three glass ceilings are all equally impressive, even if only one is truly historic.

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.

1America woke up this weekend to the news of the Orlando massacre, the deadliest civilian mass shooting in the nation’s history. The senseless tragedy will undoubtedly evoke anger, sadness and helplessness.

In the meantime, many will forget to think and talk about Stanford swimmer Brock Turner’s crime and his “summer vacation” jail sentence: three months for the vile sexual assault of an unconscious woman.

As a sociologist, I was struck not by the abrupt shift to a new moral crisis, but by the continuity. Sociologists look for the bigger picture, and in my mind, Mateen’s crime didn’t displace Turner’s. Yet the media simply replaced one outrage with another, moving our attention away from Stanford and toward Orlando, as if these two crimes were unrelated. They’re not.

Status, masculinity and sexual assault

Brock Turner was an all-American boy: a white, Division I swimmer at one of the nation’s top universities. What he did to his victim was arguably all-American, too, confirmed by decades of research tying rape to a sense of male superiority and entitlement.

I study sex on campus, where sexual violence is perpetrated disproportionately by “high-status” men – fraternity men and certain male athletes in particular. These men are more likely than other men to endorse the sexual double standard, believing that they are justified in praising sexually active men, while condemning and even abusing women who are less sexually active.

They are also more likely to promote homophobia, hypermasculinity and male dominance; tolerate violent and sexist jokes; endorse misogynistic attitudes and behaviors; and endorse false beliefs about rape. Accordingly, athletes are responsible for an outsized number of sexual assaults on campus, and women who attend fraternity parties are significantly more likely to be assaulted than those who attend other parties with alcohol and those who don’t go to parties at all.

Status, masculinity and violent homophobia

Omar Mateen’s crime is related to this strand of masculinity. Mateen’s father told the media that his son had previously been angered by the sight of two men kissing, and reports claim that he was a “regular” at the Pulse nightclub and was known to use a gay hookup app.

Anti-gay hate crimes, like violence against women (Mateen also reportedly beat his ex-wife), are tied closely to rigid and hierarchical ideas about masculinity that depend on differentiating “real” men from women as well as gay and bisexual men. Men who experience homoerotic feelings themselves sometimes erupt into especially aggressive homophobia.

As the sociologist Michael Kimmel has argued, while we talk ad infinitum about guns, mental illness and, in this case, Islamic identity, we miss the strongest unifying factor: these mass murderers are men, almost to the last one. In his book Guyland,” Kimmel argues that as many boys grow into men, “they learn that they are entitled to feel like a real man, and that they have the right to annihilate anyone who challenges that sense of entitlement.”

He means “annihilate” literally.

We now know that many boys who descend on their schools with guns are motivated by fears that they are perceived as homosexual and that attacking suspected or known homosexuals is a way for boys to demonstrate heterosexuality to their peers.

It makes sense to me, as a woman, that men would fear gay men because such men threaten to put other men under the same sexually objectifying, predatory, always potentially threatening gaze that most women learn to live with as a matter of course. Being looked at by a gay man threatens to turn any man into a figurative woman: subordinate, weak, penetrable. That can be threatening enough to a man invested in masculinity, but discovering that he enjoys being the object of other men’s desires – being put in the position of a woman – could stoke both internalized and externalized homophobia even further.

Meanwhile, gay men, by their very existence, challenge male dominance by undermining the link between maleness and the sexual domination of women. It’s possible that Mateen, enraged by his inability to stop men from kissing in public and struggling with self-hatred, took it upon himself to annihilate the people who dared pierce the illusion that manhood and the righteous sexual domination of women naturally go hand-in-hand.

The common denominator

Mass shootings, frighteningly, appear to have become a part of our American cultural vernacular, a shared way for certain men to protest threats to their entitlement and defend the hierarchy their identities depend on. As the sociologists Tristan Bridges and Tara Leigh Tober wrote last year for the website Feminist Reflections:

This type of rampage violence happens more in the United States of America than anywhere else… Gun control is a significant part of the problem. But, gun control is only a partial explanation for mass shootings in the United States. Mass shootings are also almost universally committed by men. So, this is not just an American problem; it’s a problem related to American masculinity and to the ways American men use guns.

Some members of the media and candidates for higher office will focus exclusively on Mateen’s Afghan parents. But he – just like Brock Turner – was born, raised and made a man right here in America. While it appears that he had (possibly aspirational) links to ISIS, it in no way undermines his American-ness. This was terrorism, yes, but it was domestic terrorism: of, by and aimed at Americans.

I don’t want to force us all to keep Turner in the news (though I imagine that he and his father are breathing a perverse sigh of relief right now). I want to remind us to keep the generalities in mind even as we mourn the particulars.

Sociologists are pattern seekers. This problem is bigger than Brock Turner and Omar Mateen. It’s Kevin James Loibl, who sought out and killed the singer Christina Grimmie the night before the massacre at Pulse. It’s James Wesley Howell, who was caught with explosives on his way to the Los Angeles Pride Parade later that morning. It’s the grotesque list of men who used guns to defend their sense of superiority that I collected and documented last summer.

The problem is men’s investment in masculinity itself. It offers rewards only because at least some people agree that it makes a person better than someone else. That sense of superiority is, arguably, why men like Turner feel entitled to violating an unconscious woman’s body and why ones like Mateen will defend it with murderous rampages, even if it means destroying themselves in the process. And unless something changes, there will be another sickening crisis to turn to, and another sinking sense of familiarity.

Cross-posted at The Conversation, New Republic, Special Broadcasting Company (SBS)United Press InternationalNewsweek Japan (in Japanese), and Femidea (in Korean).

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.