gender: beauty

Tarte is a products sold by Sephora, which has a whole line of “naturally gorgeous” brands:

Naturally gorgeous could mean two things, I suppose:

1.  You are gorgeous without make-up.

LOL… moving on:

2.  Our make-up is natural.

This is what Sephora means.  But if you use their “naturally gorgeous” products, will your gorgeous be natural?  Not necessarily.  As Audrey at Triple Pundit points out, the USDA does not regulate cosmetics, and neither does any other governmental agency.  They can apply the word “natural” to any product because no entity ensures that the word actually means anything.

Audrey continues:

According to their website, their natural products are “formulated with high concentrations of plant-based and naturally-derived ingredients, and fewer to no parabens, sodium lauryl sulfate, phthalates, petrochemicals, and synthetic fragrances or dyes.” And the products in their organic section contain over 70% organic ingredients.

So Sephora says they’re natural.  The Environmental Working Group however, an organization with a wholly different agenda, says that products that Sephora labels natural–such as Tarte, Caudalie, Decleor, and Korres Natural Products–present a moderate to high toxin hazard.

I think this is a really nice example of how difficult it can be to figure out what’s true.  First, language is tricky and it’s used to trick us.  Second, we can’t trust corporations (we just can’t).  They say that they have our best interests in mind, but they do not.  Third, other entities also have agendas.  The Environmental Working Group is a non-profit organization, but it too has an agenda.  Audrey points out that if there is a make-up that doesn’t get labeled as toxic by the Environmental Working Group, she has yet to figure out what it is.

So how do we know?  More problematically, how do we know when there is a question like this to be asked of every single product and service we could buy?  Because even if we had time to do the real research to figure out the answer to the cosmetics question, no one has time to do the research to figure out the answers to all the questions.  And while there are website designed to tell you the answers (like the Environmental Working Group or this one on eco-labels), we still have to look more closely at them in order to know whether their answers are good.  So the work in finding the truth isn’t alleviated, it’s just one step removed.

See also this post on the framing of genetically-modified food by activists and this post on what “organic” looks like.

(Image via.)

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

The vintage ads from The Art of Manliness, submitted by Dmitrity T.M., reveal that we have been trying to use technology to change our appearance for quite some time.  Cosmetic surgeries are a brave new world of personal body modification, but they do not represent a break from the past, so much as a historical trajectory.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Jay L. sent in this Brylcreem commercial from the 1950s, in which men are warned that if they don’t have well-styled, healthy hair, they won’t get the girl next door:

Notice the creepy cartoon characters at about 0:48. Jay says,

He is obviously turned on by the girl, so he elbows the tube, which ejaculates a white blob that falls onto his head. The girl returns to run her hands through it.

Here’s another commercial that tells men if they don’t use Brylcreem, they’ll actually disgust women and make them run away:

Also see this Just for Men commercial that tells men grey hair will hurt them on the dating scene, this one about career insecurity, and this one that equates grey hair with a loss of masculine virility.

Tracy R. sent in the trailer for the movie “Good Hair,” a documentary by Chris Rock:

This movie looks awesome. It humorously addresses the social construction of “good” hair, which means, of course, straight hair. As we see in the trailer, African American women often feel pressured to wear their hair straight in order to be seen as attractive; this is similar to how lighter skin is often defined as more attractive than darker skin, even by other African Americans (and Latinos). It’s also interesting that the pursuit of “good” hair has created a global market for human hair.

On the topic of African American women and weaves, Sexual Buzz sent in this KGB “Natural Weave” commercial (KGB is a service where you can get answers to questions via text) that plays on the “angry sassy Black woman” image.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Lisa recently asked, “What warrants a slide show on a newspaper’s website?” Denise L. sent in an article from the Life section of the Globe and Mail website called “Obsession with Aging Female Parts Has Created a New Body Lexicon” that brings up similar questions about what topics are given attention. The article states,

Ladies of a certain age, the best that can be said is, welcome. Congratulations are not necessarily in order…

Such is women’s obsession with the tyranny of their aging bodies – some might even call it a body dysmorphic disorder – that they develop names for the various age-signifying bits that can seem as offensive as teenage behaviour, prompting a need for strict control (in this case intervention in the form of diet, exercise, cream, injection or scalpel).

The names suggest annoyance, never love or fondness of the type men have for some of their parts.

Which is unfortunate. Don’t you love your teenager, despite his long, greasy hair? The cure, ladies, is to laugh. To wit, a list of the best names for the worst afflictions.

We then have images to illustrate aging and the names giving to aging body parts. Here are a few. Vampire Dinner Lips:

Quilting Pattern:

Suitcase Knees (because they’re “padded and bulky”):

Crepey Cleavage (presumably looks like a crepe?)

Crow’s Feet:

Huh. I wonder why women don’t see to express “love or fondness” for their aging bodies the way the article claims many men do (something I find doubtful).

The article presents itself as an antidote to women’s obsession with their bodies and aging, a way to help women laugh and accept their bodies. But the images that accompany it, clearly meant to make the figures into objects of ridicule, make it hard to imagine how they would achieve such an objective. Reading it just made me aware of all kinds of things I’d never heard of or particularly noticed before. And in a larger sense, the question, as with the slide shows of scantily clad women, is why this is news? And why pretend the article is about helping women accept their bodies through humor, which I don’t think it does?

You do if your eyelashes are “inadequate.”

And what woman feels eyelash-adequate after decades of mascara commercials?

Well, now there’s a medical solution to hypotrichosis: Latisse.

Do you love the mascara-commercial-genre of music?

What is amazing to me is how perfectly this commercial for prescription medication for inadequate eyelashes mimics mascara commercials. Consider this random example from youtube:

The line between health care and capitalist profiting off of instilled human insecurities: officially blurred.

Via Gin and Tacos.

UPDATE!  In the comments thread, Nadine told this story:

Just got back from escorting my 86 yr old father to see a dermatologist.  Every single female staffer was wearing a button that read “ask me about my lashes.”  Evidently they’re giving freebies to staff to promote Latisse.

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Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I read Naomi’s Wolf’s book The Beauty Myth when it was first published in 1991. As an undergrad growing into my own version of a third-wave feminist identity in beauty-centric southern California, her words rang so true. If knowledge is power, then I and other feminists were certain that soon the tide would turn — girls and women would stop buying into this myth, stop buying magazines that promoted body-loathing, and we would rebel against unrealistic and unhealthy social norms.

Sadly, it’s 18 years later, and her message still resonates with undergrad women (and men) today. As a professor, I had the privilege of meeting Naomi when she came to speak at my campus, California Lutheran University, to present “The Beauty Myth.” As you watch this clip of her new DVD, I encourage you to ask yourself (1) How many girls and women do I know who believe in this myth? (2) Which corporations are profiting from their misery?, and (3) What am I doing to reject the myth and help others reject it?

Personally, I think make-up/hair products/push-up bras are okay as long as you don’t feel like you cannot leave the house without them — costumes can be fun as long as you love and accept yourself when you are ‘un-costumed.’  Eating healthy and moderate exercise are good goals, as long as your self-image and self-worth are not defined by your weight/size. For this post, I won’t weigh in on cosmetic surgery…that’s a whole post unto itself. But, as the mom of a 5-year-old daughter, I make sure to never criticize my appearance in front of her (though, I’m still working on not being critical in my own head), and I aim to de-emphasize physical beauty as a value in my interactions with her. Here’s wishing that Wolf’s The Beauty Myth will strike future generations of college students as truly mythical – outdated, outlandish, and out of touch with their generation…

Adina’s book, Damaged Goods?  Women Living with Incurable Sexually Transmitted Diseases came out in 2008.  You can see an earlier post of hers, about sexually transmitted disease and stigma, here.

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Adina Nack is an associate professor of Sociology at California Lutheran University specializing in medical sociology with a focus on gender inequality and sexual health.  You can visit Adina online here.  We are pleased to feature a post she wrote for us reflecting on a talk by Naomi Wolf, author of The Beauty Myth.

If you would like to write a post for Sociological Images, please see our Guidelines for Guest Bloggers.

Elizabeth H. sent in the trailer for the movie Precious (based on the novel Push), which should be released later this year:

As Elizabeth says,

It seems to reinforce…negative associations [of] underclass or working class African-Americans: poor education, single motherhood, teenage pregnancy, abuse, child obesity, etc.

The trailer brings up some interesting issues about skin color as well. Precious’s desire for a light-skinned boyfriend highlights the emphasis placed on skin color as a measure of attractiveness: a light-skinned boyfriend would indicate her own success in the world, just as fame and wealth would. Elizabeth points out that all the “good” adult characters are light-skinned (and thin) as well.

Also see our posts on kids’ perceptions of skin color and attractiveness, an ad for skin lightener, a club letting light-skinned girls in for free, Malaysian anti-racism parody of skin lightening cream ad, and an ad that shows darker skin as more exciting.