activism/social movements

I was so honored to be invited to give the AKD Induction Ceremony Address for the University of Akron this year.  It was an opportunity to give a speech about something in which I deeply believe: the awesomeness of sociology.  So, here it is!

My 13 minute ode to the discipline, featuring (an attempt at) self-deprecating sociology humor and a few personal confessions regarding my own rough start with sociology:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at BlogHer, VitaminW, and The Huffington Post.

At about 1:00 Monday, a quorum of the Occidental Faculty overwhelmingly voted No Confidence in the campus attorney, Carl Botterud, and the Dean of Students, Barbara Avery. I was among the faculty in attendance.

The votes are in response to a belief that these high-level Occidental employees have mishandled sexual assault education, reporting, and adjudication in ways that have harmed individual students and campus culture.

While the motions are symbolic, such measures are quite rare. It is a very powerful statement coming from a faculty united in defense of survivors of sexual assault and their allies. We now wait to see how the College President, Jonathan Veitch, moves forward. The two are currently still active employees at Occidental (that is, not on administrative leave) and Avery continues to chaperone students through the reporting and adjudication process. We are told there is or will be an internal investigation into their conduct.

The vote of no confidence comes on the heels of two federal complaints filed by a coalition of students and faculty and a set of lawsuits filed by Gloria Allred. It is the next step in our personal fight for a better campus, but part of a nationwide movement involving dozens of campuses across the country.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Here at SocImages, we typically use the phrase “cultural appropriation” to describe rather frivolous borrowing of cultural practices and objects for the purposes of fun and fashion.  We’ve posted on examples ranging from the appropriation of American Indian fashion,  the mocking of the Harlem Shake, and an Orthodox Jew-inspired fashion show.

A slideshow of members of the punk scene in Burma, however, offers another version of cultural appropriation.  Their fashion is clearly inspired by the punk scenes of Britain and the U.S., which started in the 1970s. Accordingly to an interview with Ko Gyi at Vice and an article at Spiegel Online, some members of the sub-culture believe themselves to be rebelling against an oppressive state, others are interested in “non-political anarchism.”  While their music has to pass through state censors, they are talented in pushing their lyrics right up to the limit and deft in using metaphor to get their point across.

This is a fully different kind of appropriation, the kind that is about fighting the establishment, not spicing it up with “colorful” bits of marginalized groups.  It is more akin to feminists and gay liberation activists borrowing the tactics of the civil rights movement.  Alexander Dluzak writes:

In Burma, punk is far more than just a superficial copy of its Western counterpart. Here, what is probably the most rebellious of all subcultures in the Southeast Asian country is going up against one of the world’s most authoritarian regimes.

Cultures can borrow from one another, then, in ways that both empower and disempower.  It will be fascinating to see if this particular appropriation can shape the future of Burma.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Osocio.

We’ve been covering the saga of Russian protest punk group Pussy Riot for over a year now. The feminist collective performed guerrilla musical protests around Russia against Vladimir Putin. One in particular, in a church, ended with members Nadezhda Tolokonnikova and Maria Alyokhina sentenced to two years imprisonment for “hooliganism motivated by religious hatred”. The human rights implications of this sentence attracted much worldwide attention, with Amnesty International and celebrities like Sting, Yoko Ono and Madonna speaking out for the women.

But something else happened. The “Free Pussy Riot” movement, with its iconic knitted balaclavas and provocative language, became a popular meme. The cause célèbre was even appropriated by the fashion industry.

Which is what makes this video by Blush lingerie an intriguing conundrum. While it legitimately promotes the freepussyriot.org fundraising site to help the women, it is also promoting a product using a woman’s sexuality as the bait:

On the first anniversary of the Pussy Riot concert in the Cathedral of Christ the Savior, the Berlin based Lingerie label blush supports the free pussy riot movement with a sexy protest march through icy Moscow (-15° C). Support Freepussyriot.org!

This is no Femen action, in which women’s bodies become weapons of protest. It is a commercial for sexy underwear that pays for its appropriation of a radical feminist cause by directing people to that cause.

Is this irony?

Tom Megginson is a Creative Director at Acart Communications, a Canadian Social Issues Marketing agency. He is a specialist in social marketing, cause marketing, and corporate social responsibility. You can follow Tom at workthatmatters.blogspot.com.

Re-posted to add to the discussion about sexual assault in the aftermath of the Steubenville rape trial, the Senate hearing on rape and harassment in the military, and the controversy at Occidental College.

Toban B. sent us two pairs of photographs showing feminist activism and backlash (images found here) at the University of Western Ontario.  These posters, and their defacement, nicely demonstrate how resistance to oppression is met with counter-resistance.  Until inequality is challenged, things often seem to be just fine; when groups stand up and demand equality, we suddenly see how fiercely people will defend their privilege.

Images after the jump (includes language about sexual violence):

more...

Cross-posted at Ms., The Huffington Post, and BlogHer.

Earlier this year a coalition of students and faculty at my institution, Occidental College, convinced the administration to make several changes to its sexual assault policy.  One of these changes involved the addition of reports of sexual assault to our OxyAlert system.  This meant that any time there was a report of a sexual assault, the college community would receive an email saying so, just as we now get alerts of all other crimes that are reported to have occurred in the vicinity.  The administration agreed to do this.

Last week the students learned of a report of a sexual assault second-hand (from the media), simultaneously discovering that the administration had declined to send out an OxyAlert in response.  Considering this a betrayal of their agreement, the students organized a march, petition, and tumblr.

In response, the president of Occidental College, Jonathan Veitch, wrote a letter to the campus community. In it, he confirms what the students of Occidental fear: he is inclined to disbelieve students that report sexual assault.  He writes that OxyAlerts in cases of reports of sexual assault are not “possible or desirable” because:

In the first few hours, days or even weeks, it is not always clear what has happened in incidents like these. Investigators need time to sort through conflicting accounts in order to provide a clear narrative of what took place.

By suggesting that “incidents like these” need vetting, Veitch is reproducing a bias against sexual assault victims that feminists have been trying to eradicate for decades.  He is saying that sexual assault reports must be “sort[ed] through,” but reports of all other crimes can be taken at face value.  In other words, there is nothing wrong with the OxyAlert system per se, he just doesn’t think that women who report sexual assaults should necessarily have access to it.  This is unacceptable.

In fact, all crimes can be falsely reported and there is no evidence that reports of sexual assaults are more likely to be false than other reports of other crimes.  The sparse research is inconclusive: some find that sexual crimes are more often reported falsely, some find less.  So Veitch is on shaky ground suggesting that the college has a right to treat reports of sexual assault as hypothetical.  Moreover, the OxyAlert system is not judge and jury.  In all cases — whether it informs the community about a mugging, a stolen car, or a sexual assault — it simply states that there has been a report.

While I will admit that sexual assault is often complicated, this is a very black-and-white issue.  Sexual assault is a crime, Occidental has a system for alerting people to reports of crime, when a person reports the crime of sexual assault, that report should be included in this system.  To do otherwise is to allow college policy to be driven by the belief that women are uniquely untrustworthy and prone to malicious lies.  That is bias against women, plain and simple.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at The Huffington Post.

Justin J.W. Powell and Liat Ben-Moshe have written a great short history of the icon signifying accessibility for people who use wheelchairs for the magazine Stimulus Respond.  The story, they argue, is one of “exclusion to inclusion.”

For most of American history, they begin, there was no icon at all.  This is because people in wheelchairs were largely excluded from public life.  There were no efforts to ensure accessibility, so no signs of accessibility were needed.

In the late ’60s, however, Rehabilitation International partnered with the United Nations and the International Standards Organisation to sponsor an international competition for an icon.  The winner, a Danish design student named Susanne Koefoed, had submitted the icon on the left.  In committee, they noted that Koefoed’s design erased the person in the wheelchair.  They added a head, creating what people around the world recognize as a symbol of accessibility.

The symbol is still evolving. Powell and Ben-Moshe note that recent revisions have been aimed at emphasizing that people in wheelchairs are active users, not passive ones.  Accordingly, some organizations have shifted to using a symbol that captures the fact that people in wheelchairs get themselves around.  I’ve snapped pictures of the icons used by the Huntington Gardens and a T.J. Maxx (both in CA): the former has the users’ arms bent behind them to signify pushing their chair forward, while the latter leans the figure forward and adds motion lines.

Another trend involves trying to break down the categorical binary between abled and disabled people, instead recognizing that there is a spectrum of ability. For example, this icon (source):

Ultimately, Powell and Ben-Moshe hope that access will be so universally designed into public buildings that it will eliminate the need for an icon at all: architecture would no longer be designed around a specific type of person considered “normal,” but instead would be designed for the range of people who will use the spaces.  This full integration would mean that differently-abled people would be considered just “people” and we wouldn’t need an icon at all.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2012. Originally cross-posted at Ms.

Mojca P., Jason H., Larry H., and Cindy S. sent us a link to a story about a Saudi Arabian version of an IKEA catalog in which all of the women were erased.  Here is a single page of the American and Saudi Arabian magazines side-by-side:

After the outcry in response to this revelation began, IKEA responded by called the removal of women a “mistake” “in conflict with the IKEA Group values.”   IKEA seems to have agreed with its critics: erasing women capitulates to a sexist society and that is wrong.

But, there is a competing progressive value at play: cultural sensitivity.  Isn’t removing the women from the catalog the respectful and non-ethnocentric thing to do?

Susan Moller Okin wrote a paper that famously asked, “Is Multiculturalism Bad for Women?”  The question led to two decades of debate and an interrogating of the relationship between culture and power.  Who gets to decide what’s cultural?  Whose interests does cultural sensitivity serve?

The IKEA catalog suggests that (privileged) men get to decide what Saudi Arabian culture looks like (though many women likely endorse the cultural mandate to keep women out of view as well).  So, respecting culture entails endorsing sexism because men are in charge of the culture?

Well, it depends.  It certainly can go that way, and often does.  But there’s a feminist (and anti-colonialist) way to do this too.  Respecting culture entails endorsing sexism only if we demonize certain cultures as irredeemably sexist and unable to change.  In fact, most cultures have sexist traditions.  Since all of those cultures are internally-contested and changing, no culture is hopelessly sexist.  Ultimately, one can bridge their inclinations to be both culturally sensitive and feminist by seeking out the feminist strains in every culture and hoping to see those manifested as it evolves.

None of this is going to solve IKEA’s problem today, but it does illustrate one of difficult-to-solve paradoxes in contemporary progressive politics.