According to Nicole Arbout’s youtube video “Dear Fat People,” fat people deserve to be ridiculed and treated poorly. The comedian mocks obese people and accuses them of being lazy, smelly, self-destructive, and a burden to the health care system and those around them.  Fat people, she also suggests, cause heartache and embarrassment to their loved ones and are public nuisances to strangers by taking up too much space on airplanes and getting the closest spaces in shopping mall parking lots. Arbour even compares fat bodies to the Michelin Man and implores those who are overweight to put down the coke and fries, start exercising, and get healthy.

In case Arbour’s point was lost amid her six-minute diatribe, “Fat shaming is not a thing. Fat people made that up.”

But research proves otherwise.

Over a decade ago work supported by Yale University’s Rudd Center for Food Policy and Obesity showed that fifteen percent of respondents would be willing to give up 10 years of their lives to avoid being fat. Nearly one-half of respondents would give up one year of their lives to do the same. About eight percent of these same survey respondents also indicated they would rather have a learning-disabled child than an obese child (source). Such findings illuminate clearly the stigma associated with being obese as well as the fear that people have of being targets of the prejudice and discrimination stemming from it.

These fears are well founded. Obese people continue to face prejudice and discrimination in a wide variety of ways, according to recent research from the Rudd Report. In the educational system, overweight and obese children report being teased and bullied by peers and teachers alike.

Obesity also has consequences in the workplace. Those who are obese can expect to earn lower wages and be promoted less often than their thinner coworkers, despite positive work evaluations.

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Overweight and obese people should not expect to find respite from the health care system either. Survey data consistently show that a significant number of doctors and nurses think obese patients are lazy, awkward, and noncompliant. Many of these same medical professionals also report being repulsed by such patients, attitudes which certainly affect the type and quality of care that obese patients receive.

To be sure, obesity contributes to health conditions like heart disease, some forms of cancer, diabetes, among others. It can also lead to early death, conclusions that Arbour’s video also makes. But obese people do not deserve to be ridiculed or discriminated against.

While Arbour now claims that “Dear Fat People” and the humor in it is satire, she perpetuates longstanding beliefs about overweight and obese people, legitimates the unfair treatment that they face on a daily basis, and proves that, yes, fat shaming is a thing.

Jacqueline Clark, PhD is an associate professor of sociology and chair of the department at Ripon College. Her research focuses on inequalities, the sociology of health and illness, and the sociology of jobs, work, and organizations.

Musician Ryan Adams recently released an album cover. A cover, that is, of an entire album written and performed by Taylor Swift. Both albums are titled 1989.

7via TheVine.com.

Critical praise for Adams’ version was immediate, turning quickly to a comparison of the two. At There’s Research on That!, Jacqui Frost explained that there was…

…a media frenzy about which album is “better” and who deserves credit for the “depth and complexity” that many say Adams brought to Swift’s poppier original. Some reviews argue Adams “vindicated” Taylor Swift as an artist; others argue that emotional depth was already present in Swift’s songwriting…

Swift’s 1989 was the best selling album of 2014 — by popular vote, it was obviously an excellent album — but many people seemed not to notice. Instead, they wanted to talk about who should get credit for the quality of Adams’ album, as if whether there was anything good there to begin with was an open question.

Frost draws on sociological research to suggest that gender might help explain why we have such a hard time giving credit to Swift.

First, she notes that musical genres are gendered and we tend to take feminized genres less seriously than masculinized ones. “Many publications that reviewed Adams’ version [of 1989],” for example, “did not review Swift’s original.” This may be because serious music critics don’t review pop.

Second, research shows that male creatives in the music industry are generally more likely to get credit than females ones. Frost writes:

[M]ale musicians, regardless of genre, are more likely to receive critical recognition and be “consecrated” into the popular music canon. Women are less likely to be seen as “legitimate” artists and are more often judged on their emotional authenticity and connections with “more” legitimate, male artists.

In fact, Frost notes, “the albums will be competing for a Grammy this year, and many think Adams will take it over Swift

Whatever you think of the two albums, the instinct to dismiss Swift’s album as “just pop” and Adams’ version as “artistic” is likely tied to the powerful ways in which the music industry, and our own experience of music, has a thumb on the scale in favor of men and masculine genres.

This post borrows heavily from Jacqui Frost at TROT! and you can find links to the original research there.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This video was making the rounds last spring. The video maker wants to make two points:

1. Cops are racist. They are respectful of the White guy carrying the AR-15. The Black guy gets less comfortable treatment.

2. The police treatment of the White guy is the proper way for police to deal with someone carrying an assault rifle.

I had two somewhat different reactions.

1. This video was made in Oregon. Under Oregon’s open-carry law, what both the White and Black guy are doing is perfectly legal. And when the White guy refuses to provide ID, that’s legal too. If this had happened in Roseburg, and the carrier had been strolling to Umpqua Community College, there was nothing the police could have legally done, other than what is shown in the video, until the guy walked onto campus, opened fire, and started killing people.

2.  Guns are dangerous, and the police know it. In the second video, the cop assumes that the person carrying an AR-15 is potentially dangerous – very dangerous. The officer’s fear is palpable. He prefers to err on the side of caution – the false positive of thinking someone is dangerous when he is really OK.  The false negative – assuming an armed person is harmless when he is in fact dangerous – could well be the last mistake a cop ever makes.

But the default setting for gun laws in the US is just the opposite – better a false negative. This is especially true in Oregon and states with similar gun laws. These laws assume that people with guns are harmless. In fact, they assume that all people, with a few exceptions, are harmless. Let them buy and carry as much weaponry and ammunition as they like.

Most of the time, that assumption is valid. Most gun owners, at least those who got their guns legitimately, are responsible people. The trouble is that the cost of the rare false negative is very, very high. Lawmakers in these states and in Congress are saying in effect that they are willing to pay that price. Or rather, they are willing to have other people – the students at Umpqua, or Newtown, or Santa Monica, or scores of other places, and their parents – pay that price.

UPDATE October, 6You have to forgive the hyperbole in that last paragraph, written so shortly after the massacre at Umpqua. I mean, those politicians don’t really think that it’s better to have dead bodies than to pass regulations on guns, do they?

Or was it hyperbole? Today, Dr. Ben Carson, the surgeon who wants to be the next president of the US, stated even more clearly this preference for guns even at the price of death.  “I never saw a body with bullet holes that was more devastating than taking the right to arm ourselves away.” (The story is in the New York Times and elsewhere.)

Originally posted at Montclair Socioblog.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

Flashback Friday.

Social and biological scientists agree that race and ethnicity are social constructions, not biological categories.  The US government, nonetheless, has an official position on what categories are “real.”  You can find them on the Census:

These categories, however real they may seem, are actually the product of a long process. Over time, the official US racial categories have changed in response to politics, economics, conflict, and more. Here’s some highlights.

In the year of the first Census, 1790, the race question looked very different than it does today:

Free white males
Free white females
All other free persons (included Native Americans who paid taxes and free blacks)
And slaves

By 1870 slavery is illegal and the government was newly concerned with keeping track of two new kinds of people: “mulattos” (or people with both black and white ancestors) and Indians:

White
Black
Mulatto
Indian (Native Americans)

Between 1850 and 1870 6.5 million Europeans had immigrated and 60,000 Chinese.  Chinese and Japanese were added for the 1880 Census.

By 1890, the U.S. government with obsessed with race-mixing.  The race question looked like this:

White
Black (3/4th or more “black blood”)
Mulatto (3/8th to 5/8th “black blood”)
Quadroons (1/4th “black blood”)
Octoroons (1/8th or any trace of “black blood”)
Indian
Chinese
Japanese

This year was the only year to include such fine-tuned mixed-race categories, however, because it turned out it wasn’t easy to figure out how to categorize people.

In the next 50 years, the government added and deleted racial categories. There were 10 in 1930 (including “Mexican” and “Hindu”) and 11 in 1940 (introducing “Hawaiian” and “Part Hawaiian”).  In 1970, they added the “origin of descent” question that we still see today.  So people are first asked whether they are “Hispanic, Latino, or Spanish” and then asked to choose a race.

You might immediately think, “But what do these words even mean?”  And you’d be right to ask.  “Spanish” refers to Spain; “Latino” refers to Latin America; and “Hispanic” is a totally made up word that was originally designed to mean “people who speak Spanish.”

Part of the reason we have the “Hispanic” ethnicity question is because Mexican Americans fought for it.  They thought it would be advantageous to be categorized as “white” and, so, they fought for an ethnicity category instead of a racial one.

Funny story:  The US once included “South American” as a category in the “origin of descent” question.  That year, over a million residents southern U.S. states, like Alabama and Mississippi checked that box.

2000 was the first year that respondents were allowed to choose more than one race. They considered a couple other changes for that year, but decided against them. Native Hawaiians had been agitating to be considered Native Americans in order to get access to the rights and resources that the US government has promised Native Americans on the mainland. The government considered it for 2000, but decided “no.” And whether or not Arab American should be considered a unique race or an ethnicity was also discussed for that year. They decided to continue to instruct such individuals to choose “white.”

The changing categories in the Census show us that racial and ethnic categories are political categories. They are chosen by government officials who are responding not to biological realities, but to immigration, war, prejudice, and social movements.

This post originally appeared in 2010.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

One of the major contributions of political scientist Benedict Anderson is the idea of an “imagined community”: a large group of people connected not through interaction, but by the idea that they are part of a meaningful group. In his book on the idea, he wrote:

It is imagined because the members of even the smallest nation will never know most of their fellow-members, meet them, or even hear of them, yet… it is imagined as a community, because, regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship. I suppose the idea might apply as well to religions.

Last week was a special week for American Catholics. The Pope’s visit to the U.S. was energizing, arguably intensifying the connection Catholics feel to their religion and, by extension, each other. But what, really, do Catholics have in common?

I don’t know, but agreement on what is sinful is not one of them. A Pew Research Center survey of Catholics reveals, instead, quite a lot of disagreement. Some Catholics don’t believe in the concept of sin at all and the remaining don’t always agree on what is sinful.

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According to the results of the survey, for example, there is considerable disagreement as to whether abortion, homosexual behavior, hoarding wealth, divorce, unmarried cohabitation, and harming the environment are sinful. Moreover, plenty do not ascribe to some aspects of Catholic doctrine: only 17% of Catholics, for example, think that using contraception is sinful.

So, what does it mean to be Catholic?

Anderson might argue that they are simply an imagined community: a group of strangers with widely divergent views and life circumstances who feel the same despite all the reasons to feel different.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

SocImages News:

Apparently this was the month of finding out that SocImages is quoted in awesome places! Thanks to a friend, I learned that a post is quoted in the current edition of Our Bodies, Ourselves. Um, amazing!

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And I also stumbled across a generous endorsement of the site in Kate Harding’s fantastic new book Asking For It: The Alarming Rise of Rape Culture — and What We Can Do About It.

You like!  Here are our most appreciated posts this month:

Thanks everybody!

Editor’s pick:

Top post on Tumblr this month:

Upcoming Lectures and Appearances:

I’m excited to have a number of talks scheduled for this year. If you’re in Baton Rouge, LA; Huntington, WV; Portsmouth, OH; Witchita, KS; or Omaha, NE, please feel free to come by and say “hi”!

  • Louisiana State University – Baton Rouge (Oct 8): Featured Guest and Panelist for a screening of The Hunting Ground
  • Marshall University (Oct 26): “Sex, Rapture, and Resistance on College Campuses”
  • Shawnee State University (Oct 27): “Sex, Rapture, and Resistance on College Campuses”
  • University of Nebraska, Omaha Undergraduate Sociological Symposium – Keynote speaker (Nov 13): “The Power of Public Sociology”
  • Wichita State University Sociology Club and Sociology Department Gender & Sexuality Conference – Keynote speaker (Mar 4): “Online Feminist Pedagogy: Talking about Gender and Sexuality with the World”

Social Media ‘n’ Stuff:

SocImages is on twitterfacebooktumblr, and pinterest.  Follow us! I’m on facebook, twitter, and have recently started playing around on instagram. Also on twitter, regular contributors @gwensharpnv@familyunequal, and @jaylivingston.

Finally…

Please make me less lonely on instagram! I mostly post pictures of Louisiana, cocktails, and cats, but here’s one of a baby in a band:5

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Health care providers who perform abortions routinely use ultrasound scans to confirm their patients’ pregnancies, check for multiple gestations, and determine the stage of the pregnancies. But it is far from standard – and not at all medically necessary – for women about to have abortions to view their ultrasounds. Ultrasound viewing by patients has no clinical purpose: it does not affect the woman’s condition or the decisions health providers make. Nevertheless, ultrasound viewing has become central to the hotly contested politics of abortion.

Believing that viewing ultrasounds will change minds, opponents of abortion – spearheaded by the advocacy group Americans United for Life – have pushed for state laws to require such viewing. So far, eighteen states require that women be offered the opportunity to view their pre-abortion ultrasound images, and five states actually go so far as to legally require women to view their ultrasound images before obtaining an abortion (although the women are permitted to avert their eyes). In two of the five states that have passed such mandatory viewing laws, courts have permanently enjoined the laws, keeping them from going into effect.

States that allow/require ultrasounds before abortion (vocative):7

As the debates continue to rage, both sides assume that what matters for an abortion patient is the content of the ultrasound image. Abortion opponents believe the image will demonstrate to the woman that she is carrying a baby – a revelation they think will make her want to continue her pregnancy. Ironically, supporters of abortion rights also argue that seeing the image of the fetus will make a difference. They say this experience will be emotionally distressing and make abortions more difficult. Paradoxically, such arguments from rights advocates reinforce assumptions that fetuses are persons and perpetuate stigma about abortion procedures.

Does viewing change women’s minds – or cause trauma?

What is missing from all of this is research on a crucial question: How do women planning abortions actually react to voluntary or coerced viewing of ultrasounds? As it turns out, seeing the ultrasound images as such does little to change women’s minds about abortion. What matters is how women scheduled for abortions already feel. Viewing an ultrasound can matter for women who are not fully certain about their plans to have an abortion.

My colleagues and I analyzed medical records from over 15,000 abortion visits during 2011 to a large, urban abortion provider. This provider has a policy of offering every patient the voluntary opportunity to view her ultrasound image. In her intake paperwork, the patient can check a box saying she wants to view; then, when she’s in the ultrasound room, the technician provides her with the opportunity to see the image. Over 42% of incoming abortion patients chose to view their ultrasound images, and the substantial majority (99%) of all 15,000 pregnancies ended in abortion.

Our research team looked at whether viewing the ultrasound image was associated with deciding to continue with the pregnancy instead of proceeding with the abortion. We took into account factors such as the age, race, and poverty level of the women involved, as well as how far along their pregnancies were, the presence of multiple fetuses, and how certain women said they were about their abortion decision.

As it became clear that certainty mattered, we looked more closely. Among women who were highly certain, viewing their ultrasound did not change minds. However, among the small fraction (7.4%) of women who were not very certain or only moderately certain, viewing slightly increased the odds that they would forego their planned abortion and continue with their pregnancy. Nonetheless, this effect was very small and most did proceed to abortion.

Our findings make sense, because some women who are unsure about their abortion decision may seek experiences such as ultrasound viewing to help them make a final choice. Nevertheless, many previous studies have documented that women’s reasons for abortion are complex and unlikely to be negated simply by viewing an ultrasound image. Our study analyzed a situation where viewing ultrasounds was voluntary, but there is no reason to think that mandatory viewing would change more minds. Forcing women to view their ultrasounds could, however, affect patient satisfaction and sense of autonomy.

Apart from whether minds are changed, many people imagine that viewing an ultrasound for an unwanted pregnancy is distressing; and in interviews with 26 staff members at an abortion facility that offers pre-abortion ultrasounds, my colleague and I discovered that many staffers believed viewing the image caused relief for women early in their pregnancies but was traumatic for those at later stages.

However, when my colleagues and I asked 212 women throughout the United States about their reactions to viewing pre-abortion ultrasounds, we found no evidence that viewing was broadly distressing or that emotions depended on the gestational stage. All interviewees said their minds were not changed about proceeding with abortions. Just over one in five reported that viewing provoked negative reactions of guilt, depression, or sadness; one in ten reported positive feelings such as happiness; and the largest group, just over a third, said they felt “fine,” “okay,” or even “nothing.” This common response that viewing did not matter was a surprise given the intensity surrounding political debates.

Our research questions the wisdom of state laws that force women scheduled to have abortions to view their ultrasounds prior to the procedure. Fewer than half of abortion patients want to view their ultrasounds, and there is no clinical benefit. More to the point, abortion providers already offer patients the opportunity to view their ultrasounds – and never turn down women’s requests to look at these images. When women already feel uncertain about proceeding with an abortion, viewing the image of the fetus may make a difference. But for the vast majority whose minds are made up, viewing does not matter – and trying to force this to happen in every case merely adds costs and indignities to the abortion process.

Originally posted at Scholars Strategy NetworkRead more at: 

Katrina Kimport, PhD is an assistant professor in the Department of Obstetrics, Gynecology and Reproductive Sciences and a research sociologist with the Advancing New Standards in Reproductive Health program at the University of California, San Francisco.

Flashback Friday.

In her fantastic book, Talk of Love (2001), Ann Swidler investigates how people use cultural narratives to make sense of their marriages.

She describes the “romantic” version of love with which we are all familiar.  In this model, two people fall deeply in love at first sight and live forever and ever in bliss .  We can see this model of love in movies, books, and advertisements:

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She finds that, in describing their own marriages, most people reject a romantic model of love out-of-hand.

Instead, people tended to articulate a “practical” model of love.  Maintaining love in marriage, they said requires trust, honesty, respect, self-discipline, and, above all, hard work.  This model manifests in the therapeutic and religious self-help industry and its celebrity manifestations:
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But even though most people favored a practical model of love in Swidler’s interviews, even the most resolute realist would occasionally fall back on idealist versions of love. In that sense, most people would articulate contradictory beliefs. Why?

Swidler noticed that people would draw on the different models when asked different kinds of questions. When she would ask them “How do you keep love alive from day to day?” they would respond with a practical answer. When she asked them “Why do you stay married?” or “Why did you get married?” they would respond with a romantic answer.

So, even though most people said that they didn’t believe in the ideal model, they would invoke it. They did so when talking about the institution of marriage (the why), but not when talking about the relationship they nurtured inside of that institution (the how).

Swidler concludes that the ideal model of love persists as a cultural trope because marriage, as an institution, requires it. For example, while people may not believe that there is such a thing as “the one,” marriage laws are written such that you must marry “one.” She explains:

One is either married or not; one cannot be married to more than one person at a time; marrying someone is a fateful, sometimes life-transforming choice; and despite divorce, marriages are still meant to last (p. 117-118).

That “one,” over time, becomes “the one” you married. “The social organization of marriage makes the mythic image true experientially…” (p. 118, my emphasis).

If a person is going to get married at all, they must have some sort of cultural logic that allows them to choose one person. Swidler writes:

In order to marry, individuals must develop certain cultural, psychological, and even cognitive equipment. They must be prepared to feel, or at least convince others that they feel, that one other person is the unique right ‘one.’ They must be prepared to recognize the ‘right person’ when that person comes along.

The idea of romantic love does this for us. It is functional given the way that contemporary institutions structure love relationships. And, that, Swidler says, is why it persists:

The culture of [romantic] love flourishes in the gap between the expectation of enduring relationships and the free, individual choice upon which marriage depends… Only if there really is something like love can our relationships be both voluntary and enduring (p. 156-157).

Presumably if marriage laws didn’t exist, or were different, the romantic model of love would disappear because it would no longer be useful.

The culture of love would die out, lose its plausibility, not if marriages did not last (they don’t) but if people stopped trying to form and sustain lasting marriages (p. 158).

Even when individuals consciously disbelieve dominant myths [of romantic love], they find themselves engaged with the very myths whose truths they reject—because the institutional dilemmas those myths capture are their dilemmas as well (p. 176).

Cultural tropes, then, don’t persist because we (or some of us) are duped by movies and advertisements, they persist because we need them.

Originally posted in 2010.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.