In Something from the Oven, Laura Shapiro explains that, after WWII, the U.S. government made a huge push to get women out of jobs and back into the kitchen. So much for Rosie the Riveter.

Part of the propaganda involved a return to time-consuming home cooked meals. But this propanganda was up against a contradictory need of food-related companies to market to the general public the advances they had made during the war in non-perishable and pre-cooked and packaged food.  So, on the one hand, women were encouraged to spend all day on a roast and, on the other hand, they were encouraged to take advantage of new food technologies. 

This ad, from the 1940s, incites women to take advantage of Campbell’s pre-made soup:

Text:

“WOULDN’T I BE SILLY TO MAKE IT MYSELF?”

“Go to all that bother.. when Campbell’s is so homey and nourishing?  Not me!”

“When I was a little girl I remember we always made our own vegetable soup.  Mother used to devote just hours to to it. But one day when she was rushed, she tried Campbell’s Vegetable Soup.  My dad’s not so easy to please, but he ate a bowlful, and then another.  Since the Mother has served Campbell’s… and Dad’s been as pleased as a kid!

“I’m married now myself and — well, we young-marrieds all feel that same way.  I mean why bothe to make vegetable soup when Campbell’s Vegetable Soup is so wonderful — a grand-tasting beef stck and all those fifteen garden vegetables.  Why, every time I serve it my husband says: ‘Gosh, daring, this is really swell!’  And what better music can a wife hear than that?  Now I ask you!”

Ad via Found in Mom’s Basement.

Matt S. has pointed us to the controversy over the casting of The Last Airbender (to be released 2010).  One blogger, comic book artists Derek Kirk Kim, describes the Nickelodeon cartoon series on which the life-action movie is based as follows:

[The cartoon is] wholly and inarguably built around Asian (and Inuit) culture. Everything from to the costume designs, to the written language, to the landscapes, to martial arts, to philosophy, to spirituality, to eating utensils!—it’s all an evocative, but thinly veiled, re-imagining of ancient Asia. (In one episode, a region is shown where everyone is garbed in Korean hanboks—traditional Korean clothing—the design of which wasn’t even altered at all.) It would take a willful disregard of the show’s intentions and origins to think this wouldn’t extend to the race of the characters as well.

The series–which I have never seen–does indeed seem to be inspired by various Asian cultures. Here are some images from the cartoon series (from the same blog post):

The controversy is regarding the casting of the lead characters.  All four leads are white (imdb).

Jackson Rathbone (image at imdb):

Jesse McCartney (image here):

Nicola Peltz (image here):

I couldn’t find a picture of the fourth lead, Noah Ringer.

Kim quotes Gene Yang saying:

It’s like a white Asian fetishist’s wet dream. All the Asian culture they want, without any of the Asian people.

Ampersand, at Alas a Blog, puts it nicely:

…the best roles for people of color are reserved for actors who appear white — and the best roles for white people are also reserved for actors who appear white.

Mary T. sent in a photo she took of the cover of the Spanish (as in, from Spain) magazine Muy Interesante. It’s Not Safe for Work.

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A Washington Post article reports that the company who is selling the dolls says: “the dolls are not made to be exact replicas of the first couple’s daughters and are not based on the Obama girls.”

Obama’s press secretary says: “We feel it is inappropriate to use young, private citizens for marketing purposes.”

What do you think?

UPDATE: The company has reportedly retired the Sasha and Malia dolls.

Sabrina W. sent in this ad for an herbal toothpaste (from Thailand?), found at Sinosplice:

[youtube]https://www.youtube.com/watch?v=5Y7eg0REXZM[/youtube]

I don’t quite know what to make of it. I mean, in theory it would be a nice message that stereotypes are often extremely misleading. But “looks can be deceiving” applying to Black people? It’s not actually undermining the idea that Black men look scary (just like herbal toothpaste might look disgusting), it’s just that it turns out that in some cases, they’re actually nice, kind people! And presumably the toothpaste tastes better than it looks.

It’s interesting that the woman is afraid the Black man is going to hurt or maybe kidnap her child. In the U.S., I don’t think that’s usually the major concern–there’s the stereotype of Blacks as muggers, and women (particularly White women) often fear that they might be sexually aggressive, but I don’t think Black men are usually depicted as child molesters or kidnappers here–the stereotype of those groups is usually of middle-aged White men.

Thanks, Sabrina!

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

In agriculture, monoculture is the practice of relying extensively on one crop with little biodiversity.  In the 1840s, a famine in Ireland was caused by a disease that hit potatoes, the crop on which Irish people largely relied.  At Understanding Evolution, an article reads:

The Irish potato clones were certainly low on genetic variation, so when the environment changed and a potato disease swept through the country in the 1840s, the potatoes (and the people who depended upon them) were devastated.

The article includes this illustration of how monocultures are vulnerable:

The Irish potato famine reveals how choices about how to feed populations, combined with biological realities, can have dramatic impacts on the world.  In the three years that the famine lasted, one out of every eight Irish people died of starvation.  Nearly a million emigrated to the United States, only to face poverty and discrimination, in part because of their large numbers.

The article continues:

Despite the warnings of evolution and history, much agriculture continues to depend on genetically uniform crops. The widespread planting of a single corn variety contributed to the loss of over a billion dollars worth of corn in 1970, when the U.S. crop was overwhelmed by a fungus. And in the 1980s, dependence upon a single type of grapevine root forced California grape growers to replant approximately two million acres of vines when a new race of the pest insect, grape phylloxera (Daktulosphaira vitifoliae, shown at right) attacked in the 1980s.

Gwen adds: The Irish potato famine is also an example of a reality about famines that we rarely discuss. In most famines there is food available in the country, but the government or local elites do not believe that those who are starving have any claim to that food. In the years of the Irish potato famine, British landowners continued to export wheat out of Ireland. The wheat crop wasn’t affected by the potato blight. But wheat was a commercial crop the British grew for profit. Potatoes were for Irish peasants to eat. We might think it would be obvious that when people are starving you’d make other food sources available to them, but that’s not what happened. In the social hierarchy of the time, many British elites didn’t believe that starving Irish people had a claim to their cash crop, and so they continued to ship wheat out of the country to other nations even while millions were dying or emigrating. Similarly, in the Ethiopian famines of the 1980s, the country wasn’t devoid of food; it’s just that poor rural people weren’t seen as having a right to food, and so available food was not redistributed to them. Many people in the country ate just fine while their fellow citizens starved.

So famine is often as much about politics and social hierarchies as it is about biology.

In early American history, male circumcision was very uncommon.  In the 1950s, however, about 90% of newborn boys were circumcised in the U.S.  Today, the number is just over 50%.

The International Coalition for Genital Integrity has put together a slideshow that traces developments in research and argumentation about male circumcision alongside rising and falling rates of the practice in the U.S., the U.K., and the world from 1832 till today.  

It’s interesting how rates of circumcision change drastically over time in the U.S., but stay relatively stable (low) in the U.K. 

It is also neat to see some of the arguments about circumcision that were made over time.  For example, the long-standing belief that circumcision cured sexual excess (like wet dreams and masturbation), the explicit support for circumcision on the basis that it reduced sexual sensitivity (and that was good), and the belief that circumcision could cure paralysis, bedwetting, crossed eyes, deafness, tuburculosis, cancer of the tongue, and more.  Dovetailing with American racism, in 1894 an article argued that circumcising the “Negro” would reduce the rape of white women by black men.

Leontine G. sent in this iconic image (found at Empire) of Spock and Captain Kirk from the original Star Trek series, next to the actors who play those characters in the new version (a movie by J.J. Abrams):

Leontine says, “I have a vague feeling that actors and musicians are getting smoother and more plasticky looking,” and this image shows some of that. The Spock and Captain Kirk on the right are supposed to be younger than the ones on the left (the movie is a prequel, more or less), but it’s not just that the actors are younger. There’s clearly also irbrushing and make-up used to erase any lines, blemishes or other “imperfections” on their faces (and either New Spock’s shirt fits perfectly, or they airbrushed out most of the wrinkles).

You might use this to talk about changing standards of beauty in the visual media. If the original Star Trek came out today, how much retouching would they do to the picture of Leonard Nimoy and William Shatner? Maybe the photo would still show them with as many wrinkles and facial lines as they have…but I’m doubtful.

For another example of how TV standards of changed (in this case, how much sexual activity is shown on teen-oriented shows),  see this post about the old and new versions of Beverly Hills, 90210.