On the February 21, 2011 edition of The Colbert Report, there was a humorous but still telling segment (watch) about former Congressional Senator and Representative Rick Santorum (R-PA). The segment detailed the effects of Dan Savage’s appeal to readers and followers to “Google bomb” then U.S. Senator Santorum in 2003 as a response to some of Santorum’s comments about homosexuality. In April of 2003, the Senator made several controversial statements that essentially compared homosexual acts to bestiality and incest, and stated he believed such acts to be a threat to society and the institution of the family (read excerpts from the interview). Savage, author of the sex advice column “Savage Love,” appealed to his readers to come up with a definition of “Santorum” to memorialize the Senator’s comments as an act of protest.

After settling on a definition, Savage created the website Santorum to promote the newly coined sexual neologism that meant a “frothy mixture of lube and fecal matter that is sometimes the byproduct of anal sex.” Over time, and many searches later, Savage’s website is to this day at the top of the results list when you Google “Santorum.” [In a nutshell, in order to Google bomb, or to inflate the ranking of a site under a particular query, you rely on people clicking on a specific link in the search results list and you rely upon other websites linking to a particular page using a specific anchor text. In this case, other websites linked to Savage’s site using the anchor text “Santorum” and many people clicked on his site when Googling the term.]

 

As funny as the story is, it raises important questions about the power over discourse given the new possibilities presented by the web. Much is to be said for a crowd-sourced means of discourse. In a very general way, it can be likened to subvertising (see AdBusters) where popular advertisements are parodied or spoofed to illustratively and critically question the meaning of the original advertisements and the discourses they are selling to the consumer. In a more specific way to Santorum’s case, using a Google bomb can be likened to muckraking. Not only did Savage make a successful attempt at a large-scale practical joke, he successfully drew attention to Santorum’s comments about homosexuality. Further, the result of the Google bomb would make it difficult for Santorum to promote his own website and the discourse he would wish to produce about himself on the web, especially should he consider running for the U.S. Presidency in 2012.

Yet, each of these strategies that combat dominant narratives are traditionally produced by the few and the privileged, and the same was true of the dominant narratives. Ultimately, what I wish to highlight with this post is that the web is fostering challenges to existing power relations over the production of discourse. The Google bomb presents an interesting case for the democratization of discourse production, and it provides evidence for possible strategies of altering what discourses become visible in the mainstream.

William Yagatich is a sociology graduate student at the University of Maryland.  His post originally appeared at Cyborgology.

NEWS:

The newest Sociological Images essay to be published in Contexts magazine, The Social Control of Mothers, is now available.  The essay, drawing heavily on Elizabeth Armstrong’s book Conceiving Risk, Bearing Responsibility, explores the imperfect relationship between pregnant women’s consumption of alcohol and fetal alcohol spectrum disorders and asks whether controlling women’s behavior is really the best way to reduce the rate of these disorders. You can check out our earlier post on the topic, download the (more carefully composed) essay from Contexts, or send us a note at socimages@thesocietypages.org to ask for a copy.

Don’t forget that Sociological Images welcomes guest posts from academics and graduate students.  Please read our Guest Post Guidelines for more.

Finally, this is your monthly reminder that we’re on Twitter and Facebook.  If we’re lucky, we may just reach 10,000 friends sometime this March.  Who will be the 10,000th!?

We’ve posted previously on the tendency of the U.S. media to ignore the rest of the world (in favor of Britney Spears), even changing the cover of magazines sold in the U.S., but not elsewhere, in ways that coddle our ethnocentrism.

Given this phenomenon, this four-minute clip from a Russia Today news program (in English) is particularly striking.  The reporter notes that the U.S. media is covering the ongoing foreign political protests more thoroughly, and with more positive enthusiasm, than it has the protests in Wisconsin.

Thanks to Abby Kinchy, fellow UW-Madison alum and Assistant Professor of Science and Technology Studies at Rensselaer Polytechnic Institute, for the tip.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.


On this last day of Black History Month, let us return to posts past.

We have been urged to celebrate Black History Month…

<sarcasm> Good times. </sarcasm>

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Last year I wrote about a series of billboards in Atlanta that re-framed the abortion debate as a race issue. The billboards featured a child’s face and read “Black Children are an Endangered Species.” A new billboard, in the same theme, has appeared in New York City and was sent in by Kristy H. and Kelly.  Featuring a young girl, it reads: “The most dangerous place for an African American is in the womb”:

Three points:

(1) People without economic resources —  including, disproportionately, black women — are more likely to end pregnancies in abortion. This is not a trivial matter; many women in the U.S. have abortions because they can’t afford (more) children.  It’s terribly saddening to think that some women abort children they want.  And some members of the Black community do argue that this is a form of genocide.

(2) This ad, however, doesn’t come across to me as sympathetic to Black women.  The language in the ad leaves the aborting woman unstated, but still culpable.  She is simultaneously reduced to a womb and accused of placing her child in danger (of being a murderer?).  As Michael Shaw at BagNewsNotes suggests, this ad appears to happily trigger our thoughts of Black people and Black spaces as violent.  Is this ad appealing to the Black community?  Or is it appealing to stereotypes about Black people as a strategic move in the anti-abortion debate?

(3) Finally, as I wrote in my previous post, and on a different note, the message illustrates something very interesting about social movements and framing.

The fact that abortion is highly politicized in the United States, deeply connected to feminism (but not race or class movements), and framed as a specifically-gendered contest between “life” and “choice” seems natural to most Americans. Indeed, it’s hard for many Americans to imagine a world in which the procedure is less politicized or debated differently.  But the politics of abortion in the U.S. is not the only kind of abortion politics that could exist… [see, for example, Shaping Abortion Discourse].  So, whether you agree or disagree with the claims in these billboards, they nicely jolt us out of our acceptance of abortion politics as is.  How might thinking about abortion as a race issue or a class issue change the debate?

Source: Gawker.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Melissa sent in a trailer for the video game, inFAMOUS2.  The game features a white male protagonist who is advised by a bad influence and a good influence.  Melissa notes that these are a black woman dressed skimpily and a white woman dressed (relatively) modestly, respectively.  So here we have, again, an affirmation that black is bad and white is good.

Screenshot:

Trailer (2 minutes):

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Joanna S. sent us a link to an application designed by Jonathan McIntosh where one can “re-mix” toy commercials aimed at boys versus girls.  You choose the visuals of one and the sounds of another, and have fun watching the wackiness.  We can’t embed the fun results, but you might enjoy visiting and playing a few for fun.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.


Lester Andrist (of The Sociological Cinema) sent in a clip by Feminist Frequency’s Anita Sarkeesian. She looks at the way that the movies that are rewarded with Oscars tend to be highly centered around male characters and male-dominated plots. It seemed appropriate for Oscars day:

(Transcript after the jump below.)

Lester also pointed out The Girls on Film, a group that recreates male-centered scenes from movies with a female cast. They’re fun and also highlight the types of roles we do and don’t expect to see women in. Here’s Lester’s favorite, a recreation of a scene from J. J. Abrams’s Star Trek:

 

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