Archive: Dec 2014

SocImages News:

As we entered December, I collected a set of SocImages posts relevant to the deaths of black Americans at the hands of police. It includes sections on race and police work, the link between black men and criminals in our minds, proof that we have less empathy for black people, and evidence of the way that racism is deeply institutionalized throughout American society. I hope it’s a useful resource.

Meanwhile, at SocofGender…

I have made a lot of progress toward building a Soc of Gender Pinterest page to accompany my textbook, organized by chapter and concept. Please feel free to visit and use it even if you don’t adopt the book. I’ve built 48 boards so far. Here are some of my favorites:

• Boys don’t have eyelashes
• Gender across cultures
• What sexual dimorphism really looks like
• Intersectionality, visuals and data
• Men and the rule to avoid the feminine

Look at how numerous and pretty!

Best of December!

Christmas favorites:

• An SI theory nerd review of Rudolph the Red Nosed Reindeer
• Did the Nazis celebrate Christmas?

Readers’ picks:

• Women in apocalyptic fiction shaving their armpits (4,000+ likes)
• The teaching evaluation experience (3,300+ likes)
• The paradox of women’s sexuality in breast feeding advocacy and breast cancer campaigns (1,600+ likes)
• Tropicana ad says that girls should be “easy” (1,100+ likes)
• Angela Davis: “No idea what black people have gone through” (800+ likes)

Women in apocalyptic fiction shaving was also the month’s winner on Tumblr, with over 78,000 likes and shares!

Editor’s pick:

• Inequality in the skies: Applying the Gini Coefficient to airplanes

Elsewhere on the Net:

SocImages’ Pointlessly Gendered Products was featured at i100: Nine Products that Have Been Pointlessly Gendered. They apparently especially liked one of our newest examples, bagpipes, and also went for one of my favorites, pickles.

And I had the pleasure of being quoted in a couple articles:

• The Dangerous Lessons Kids Learn from Sexist T-Shirts, a great article explaining why it’s not “just a t-shirt,” by Jessica Samakow at Huffington Post
• The Magnetic Appeal of Male Friendship by David Grossman at Stereogum

Social Media ‘n’ Stuff:

Finally, this is your monthly reminder that SocImages is on Twitter, Facebook, Tumblr, Google+, and Pinterest.  I’m on Facebook and most of the team is on Twitter: @lisawade, @gwensharpnv, @familyunequal, and @jaylivingston.

Finally…

In honor of the special place the anglerfish has in my heart — being so ugly and strange — here’s some rare footage of the fish in action. Want to learn more? Here’s the most humorous way.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Anthropologist John Ziker decided to try to find out.  With his collaborators — Matt Genuchi, Kathryn Demps, and David — Nolin Ziker recruited a non-random sample of 16 professors at Boise State University and scheduled interviews with them every other day for 14 days.  In each interview, they reported how they spent their time the previous day.  In total, he collected data for 166 days.

It’s a small, non-random sample at just one university, but here’s what he discovered.

All ranks worked over 40 hours a week (average of 61 hours/week) and all ranks put in a substantial number of hours over the weekends:

Professors, then, worked 51 hours during the official workweek and then, in addition, put in ten hours over the weekend.

What were they doing those days?  Research, teaching, and service are the three pillars of an academic workload and they dominated professors’ time.  They used weekends, in particular, to catch up on the first two.  The suspension of the business of the university over the weekend gave them a chance to do the other two big parts of their job.

This chart breaks down the proportion of time they spend on different activities more clearly. Ziker is surprised by the amount of time faculty spend in meetings and I’m particularly impressed by the amount of time they spend on email.  Most professors will probably note, with chagrin, the little bars for primary research and manuscript writing.

Interesting stuff.

This was just a first phase, so we can look forward to more data in the future.  In the meantime, I’ll add this data to my preferred answer when asked what I do all day:

Cross-posted at Business Insider, Pacific Standard, Networked Scholar, and the Huffington Post.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Don’t you want to pinch it and squeeze it and bite its little face off!?

You’re not alone.

Rebecca Dyer and Oriana Aragon, graduate students in psychology, brought subjects into a lab, handed them a fresh sheet of bubble wrap, and exposed them to cute, funny, and neutral pictures of animals.  Those who saw the cute ones popped significantly more bubbles than the others.

Cute things make us aggressive!  It’s why we say things like: “I just wanna eat you up!” and why we have to restrain ourselves from giving our pets an uncomfortably tight hug. An aggressive response to cuteness, it appears, it “completely normal.”

The authors suggest that humans non-consciously balance extreme emotions with one from the other side of the spectrum to try to maintain some control and balance.  This, Aragon explains at her website, may be why we cry when we’re really happy and laugh at funerals.

In the meantime, if this makes you want to inflict some serious squishing, know that you’re in good company.

Photo from 820453820 flickr creative commons.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Perusing my Facebook feed, I came across a photo proudly posted by a former student — now a hair and makeup artist — of two brides at a wedding.  It was beautiful and the young, conventionally attractive brides were leaning in for a kiss.  Or engagement celebrations, like this:

Embed from Getty Images

When I saw the image, my mind immediately pulled up similar images it has in storage — frequently described as girl-on-girl action — and I was struck by the similarity of the images and their powerfully different messages.

Until recently, “hot girl-on-girl action” was the primary visual that involved women kissing.  In mainstream culture, genuine and open female same-sex attraction was almost entirely invisible, hidden and denied.  Today, the proliferation of same-sex marriages offer a new visual landscape for framing what it means for two women to kiss each other.

The meaning, moreover, could not be more different.  Though often women with same-sex desire use this assumption to explore real attraction, girl-on-girl action shots are ostensibly between two heterosexually-oriented women who are kissing for male attention.  These brides are presumably doing the opposite of that.  They are displaying love and commitment to one another. The kiss is for them and no one else and they are, implicitly if not actually, openly committing to making themselves sexually unavailable to anyone else, male or female.  This is far from the notion that they are just kissing a girl to get guys to think they’re sexy.

I wonder how these images — ones that depict sexual intimacy between women who love one another and do not seek male attention — will ultimately change how we think about “girl-on-girl” action in the U.S.  As they proliferate, will they push back against the male-centrism and heterocentrism of our society?  I think they very well might.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Earlier this year I reviewed a study that found that, simply by changing the weight of an object in hand, psychologists can manipulate how seriously a person takes an issue.  In other words, when holding something heavy, matters seem heavy.  Or, concerns seem weightier when one is weighed down.

Thanks to an email from USC professor Norbert Schwarz, I was introduced to a whole series of studies on what psychologists call metaphorical effects.  These are instances in which a metaphor commonly used to describe a psychological state or social reality can, in turn, induce that state or reality.  So, for example, holding a warm cup of coffee makes people feel warmly toward each other (here), getting the cold shoulder makes people feel cold (here), people placed in a high location seem to be high in a hierarchy (here), and cleaning one’s hands makes a person feel morally clean (here).

Schwarz was the co-author, with Spike W.S. Lee, on another example of a metaphorical effect.  They wanted to know if smelling something fishy made people suspicious.  It did!

Asked to participate in a fake study on whether they’d be willing to invest money in a scheme, subjects who were exposed to a fishy smell invested less than those exposed to no smell and less than those exposed to another icky smell that was “metaphorically irrelevant”: fart.

From sensory perception to psychological state.  Boom.

Lee and Schwarz were also interested in the reverse process.  Did being suspicious increase the likelihood that they would identify a fishy smell as fishy.  Sometimes smells can be hard to figure out, but when people are primed with the answer, they are more likely to get it right.  Would the metaphorical effect work in the other direction: from psychological state to sensory perception?

They asked another group of subjects to sniff five different vials and attempt to label each smell.  Half the time, they induced suspiciousness by having the experimenter say: “Obviously, it’s a very simple task and, you know, there’s . . . there’s nothing we’re trying to hide here.”  The experimented would then spot a document on the table, whisk it away nervously and repeat:

Sorry, it shouldn’t have been there. But . . . ahem . . . anyway. Where was I? Oh yes, it’s all very simple. There’s nothing we’re trying to hide or anything.

Did subjects induced to be suspicious identify the fishy smell correctly more often?  Yep!

This is a fun literature, but it has serious implications.  It reveals that the associations we have in our minds impact how we perceive the world and each other.

Sociologists believe that essentially all of life is socially constructed, meaning that we collectively learn and internalize arbitrary connections between things: like being male and computing or being black and athleticism.  These connections literally structure our brain, such that thinking about one is likely to trigger thoughts of the other.

Fishy and suspicious are connected in our minds and, so, when we are exposed to one, we are more likely to experience the other.  In other cultures, Lee and Schwarz point out, it is not fishiness, but other smells that are associated with suspicion.  These things are not natural or universal, but they drive our perceptions nonetheless.

Cross-posted at Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Holding a college degree, it is widely assumed, improves the likelihood that a person will be successful in the labor market.  This maxim draws individuals into college across the class spectrum and aspiring students who are low-income or non-white may find themselves enrolled at a for-profit college.

For profit colleges have been getting slammed for their high prices, low bars, and atrocious graduation rates.  Now we have another reason to worry that these institutions are doing more harm than good.

Economist Rajeev Darolia and his colleagues sent out 8,914 fictitious resumes and waited to see if they received a response.  They were interested in whether attending a for-profit college actually enhanced job opportunities, as ads for such schools claim, so they varied the level of education on the resumes and whether the applicant attended a for-profit or community college.

It turns out that employers evaluate applicants who attended two-year community colleges and those who attended for-profit colleges about equally.  Community colleges, in other words, open just as many doors to possibility as for-profit ones.

Darolia and his colleagues then tested whether employers displayed a preference for applicants who went to for-profit colleges versus applicants with no college at all.  They didn’t. Employers treated people with high school diplomas and coursework at for-profit colleges equivalently.

Being economists, they staidly conclude that enrolling in a for-profit college is a bad investment.

H/t Gin and Tacos. Image borrowed from Salon.com. Cross-posted at Pacific Standard.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Carol Adams has written extensively on the sexual politics of meat, arguing that women and other animals are both sexualized and commodified to facilitate their consumption (both figuratively and literally) by those in power. One result has been the feminization of veganism and vegetarianism. This has the effect of delegitimizing, devaluing, and defanging veganism as a social movement.

This process works within the vegan movement as well, with an open embracing of veganism as inherently feminized and sexualized. This works to undermine a movement (that is comprised mostly of women) and repackage it for a patriarchal society. Instead of strong, political collective of women, we have yet another demographic of sexually available individual women who exist for male consumption.

Take a browse through vegan cookbooks on Amazon, for instance, and the theme of “sexy veganism” that emerges is unmistakable:

Oftentimes, veganism is presented as a means of achieving idealized body types.  These books are mostly geared to a female audience, as society values women primarily as sexual resources for men and women have internalized these gender norms.  Many of these books bank on the power of thin privilege, sizism, and stereotypes about female competition for male attention to shame women into purchasing.

To reach a male audience, authors have to draw on a notion of “authentic masculinity” to make a highly feminized concept palatable to a patriarchal society where all that is feminine is scorned.  Some have referred to this trend as “heganism.”  The idea is to protect male superiority by unnecessarily gendering veganism into veganism for girls and veganism for boys.  For the boys, we have to appeal to “real” manhood.

Meat Is For Pussies (A How-to Guide for Dudes Who Want to Get Fit, Kick Ass and Take Names) appears to be out of print, but there are others:

Then there is the popular tactic of turning women into consumable objects in the exact same way that meat industries do.  Animal rights groups recruit “lettuce ladies” or “cabbage chicks” dressed as vegetables to interact with the public.  PETA routinely has nude women pose in and among vegetables to convey the idea that women are sexy food.  Vegan pinup sites and strip joints also feed into this notion.  Essentially, it is the co-optation and erosion of a women’s movement.  Instead of empowering women on behalf of animals, these approaches disempower women on behalf of men.

In sum, vegan feminism argues that women and non-human animals are commodified and sexualized objects offered up for the pleasurable consumption of those in power. In this way, both women and other animals are oppressed under capitalist patriarchy. When the vegan movement sexualizes and feminizes vegan food, or replicates the woman-as-food trope, it fails to acknowledge this important connection and ultimately serves to repackage potentially threatening feminist collective action in a way that is palatable to patriarchy.

Corey Lee Wrenn is a Council Member for the American Sociological Association’s Animals & Society section.  This section facilitates improved sociological inquiry into issues concerning nonhuman animals and is currently seeking members. Membership is $5-$10; you must be a member of the ASA to join.

Cross-posted at the Vegan Feminist Network and Pacific Standard.

An article in The Onion mocks voluntourism, joking that a 6-day visit to a rural African village can “completely change a woman’s facebook profile picture.”  The article quotes “22-year old Angela Fisher” who says:

I don’t think my profile photo will ever be the same, not after the experience of taking such incredible pictures with my arms around those small African children’s shoulders.

It goes on to say that Fisher “has been encouraging every one of her friends to visit Africa, promising that it would change their Facebook profile photos as well.”

I was once Angela Fisher. But I’m not any more.

***

I have participated in not one but three separate, and increasingly disillusioning, international health brigades, short-term visits to developing countries that involve bringing health care to struggling populations.

Such trips – critically called voluntourism — are a booming business, even though they do very little advertising and charge people thousands of dollars to participate.

How do they attract so many paying volunteers?

Photography is a big part of the answer.  Voluntourism organizations don’t have to advertise, because they can crowdsource.  Photography – particularly the habit of taking and posting selfies with local children – is a central component of the voluntourism experience. Hashtags like #InstagrammingAfrica are popular with students on international health brigades, as are #medicalbrigades, #globalhealth, and of course the nostalgic-for-the-good-days hashtag #takemeback.

It was the photographs posted by other students that inspired me to go on my first overseas medical mission. When classmates uploaded the experience of themselves wearing scrubs beside adorable children in developing countries, I believed I was missing out on a pivotal pre-med experience. I took over 200 photos on my first international volunteer mission. I modeled those I had seen on Facebook and even premeditated photo opportunities to acquire the “perfect” image that would receive the most “likes.”

Over time, I felt increasingly uncomfortable with the ethics of those photographs, and ultimately left my camera at home. Now, as an insider, I see three common types of photographs voluntourists share through social media: The Suffering Other, The Self-Directed Samaritan, and The Overseas Selfie.

The Suffering Other

In a photograph taken by a fellow voluntourist in Ghana (not shown), a child stands isolated with her bare feet digging in the dirt. Her hands pull up her shirt to expose an umbilical hernia, distended belly, and a pair of too-big underwear. Her face is uncertain and her scalp shows evidence of dermatological pathology or a nutritional deficiency—maybe both. Behind her, only weeds grow.

Anthropologists Arthur and Joan Kleinman note that images of distant, suffering women and children suggest there are communities incapable of or uninterested in caring for its own people. These photographs justify colonialist, paternalistic attitudes and policies, suggesting that the individual in the photograph…

…must be protected, as well as represented, by others. The image of the subaltern conjures up an almost neocolonial ideology of failure, inadequacy, passivity, fatalism, and inevitability. Something must be done, and it must be done soon, but from outside the local setting. The authorization of action through an appeal for foreign aid, even foreign intervention, begins with an evocation of indigenous absence, an erasure of local voices and acts.

The Self-directed Samaritan

Here we have a smiling young white girl with a French braid, medical scrubs, and a well-intentioned smile. This young lady is the centerpiece of the photo; she is its protagonist. Her scrubs suggest that she is doing important work among those who are so poor, so vulnerable, and so Other.

The girl is me. And the photograph was taken on my first trip to Ghana during a 10 day medical brigade. I’m beaming in the photograph, half towering and half hovering over these children. I do not know their names, they do not know my name, but I directed a friend to capture this moment with my own camera. Why?

This photograph is less about doing actual work and more about retrospectively appearing to have had a positive impact overseas. Photographs like these represent the overseas experience in accordance with what writer Teju Cole calls the “White Savior Industrial Complex.”

Moreover, in directing, capturing, and performing in photos such as these, voluntourists prevent themselves from actually engaging with the others in the photo. In On Photography, Susan Sontag reminds us:

Photography has become almost as widely practiced an amusement as sex and dancing – which means that…it is mainly a social rite, a defense against anxiety, and a tool of power.

On these trips, we hide behind the lens, consuming the world around us with our powerful gazes and the clicking of camera shutters. When I directed this photo opportunity and starred in it, I used my privilege to capture a photograph that made me feel as though I was engaging with the community. Only now do I realize that what I was actually doing was making myself the hero/star in a story about “suffering Africa.”

The Overseas Selfie

[Photo removed in response to a request from Global Brigades.]

In his New York Times Op-Ed, that modern champion of the selfie James Franco wrote:

Selfies are avatars: Mini-Me’s that we send out to give others a sense of who we are … In our age of social networking, the selfie is the new way to look someone right in the eye and say, “Hello, this is me.”

Although related to the Self-Directed Samaritan shot, there’s something extra-insidious about this type of super-close range photo. “Hello, this is me” takes on new meaning – there is only one subject in this photo, the white subject. Capturing this image and posting it on the internet is to understand the Other not as a separate person who exists in the context of their own family or community but rather, as a prop, an extra, someone only intelligible in relation to the Western volunteer.

***

Voluntourism is ultimately about the fulfillment of the volunteers themselves, not necessarily what they bring to the communities they visit. In fact, medical volunteerism often breaks down existing local health systems. In Ghana, I realized that that local people weren’t purchasing health insurance, since they knew there would be free foreign health care and medications available every few months. This left them vulnerable in the intervening times, not to mention when the organization would leave the community.

In the end, the Africa we voluntourists photograph isn’t a real place at all. It is an imaginary geography whose landscapes are forged by colonialism, as well as a good deal of narcissism. I hope my fellow students think critically about what they are doing and why before they sign up for a short-term global volunteer experience. And if they do go, it is my hope that they might think with some degree of narrative humility about how to de-center themselves from the Western savior narrative. Most importantly, I hope they leave their iphones at home.

Cross-posted at Pacific Standard and at Mondiaal Nieuws in Dutch.

Lauren Kascak is a graduate of the Masters Program in Narrative Medicine at Columbia University, where Sayantani DasGupta is a faculty member.  DasGupta is the editor of Stories of Illness and Healing and the author of The Demon Slayers and Other Stories and Her Own Medicine.