gender

Experimenting here a bit, so GWP readers and writers, bear with me! For a piece I’m writing, I’m collecting all the metaphors scholars and advocates use to talk about the “straightjacket” that gender identity can be. Like, well, “straightjacket.” And “box.” What else are people using these days? Please share, in comments, on my FB page, or tweet me @girlmeetsvoice –Gender box GO!

Wishful Thinking“That’s your solution?,” asks a character in my She Writes co-founder Kamy Wicoff’s debut novel. “Time travel is easier than passing affordable childcare?” Rarely do we cover novels here at Girl w/Pen, but given the subject matter (and, full disclosure, the fact that I think Kamy is the bomb), I’ve become interested anew in the question of fiction as a mode of advancing public conversation. As someone who once considered writing a dissertation on popular feminist fiction from the 1970s, I’m obsessed with the portrayal of women’s issues — and working mothers’ issues in particular — in popular discourse, imagined and real. Can fiction centered on work/life issues bridge research and reality? Here’s how our conversation went down. -Deborah

DS: Wishful Thinking joins working-mother dramadies like Alison Pearson’s I Don’t Know How She Does It and Where’d You Go, Bernadette–a contemporary genre in which a middle- or upper-class protagonist tries and fails to “do it all,” breaks down, puts herself back together. What do you see as the advantages, and limitations, of fiction as a mode of advancing the conversation around working mothers’ dilemmas? Is this a domestic drama, or a social one?

KW: Is the pressure to have, do, and be it all so great that only science fiction can solve it? In a way, I wrote the book as an argument against the notion that the increasingly impossible demands placed on working parents are each individual’s problem to solve, by showing how crazy it is that my protagonist, Jennifer Sharpe, thinks forcing her body through a wormhole is a perfectly rational response to her out of whack work/life balance—more rational than trying to reform the out of balance system itself. (One of my favorite lines in the book comes from Jennifer’s coworker, Alicia, who, when she finds out about the app, says, “That’s your solution? Time travel is easier than passing affordable child care?”) Jennifer believes it is a domestic drama, but it is absolutely a social one, and I think by writing a novel rather than a nonfiction book on the subject, I was able to underscore that in a fresh way.

The other inspiration for Wishful Thinking was very personal, and inspired by fiction—I was reading the Harry Potter books with my older son, and I thought, I love this, but I wish it were about a woman my age, not a ten-year-old boy. And then I thought, if I could give a working mom any power, what would it be? The answer, the ability to be in multiple places at once, came immediately, because it’s a need I and every mother I know shares, whether she is juggling a job and kids or raising her kids full-time. But even that first impulse was feminist and socially conscious. I hungered for a fun, fanciful but thoughtful and grown up book about someone like me, by someone like me—not something written for a YA audience or with yet another male protagonist I couldn’t relate to—because in the current fiction marketplace I was starving. (I Don’t Know How She Does It came out fourteen years ago, if you can believe that. And I have never gotten over the fact that they made Multiplicity about a man. Really? It’s the guy who feels like he has to be everywhere at once?) The premise I instantly arrived at is in itself a critique.

Overwhelmed, by Brigid SchutleMom's RisingNonfiction, of course, can be more explicit in its critique and its calls to action. In an ideal world, a working parent would read Wishful Thinking, then read Brigid Schulte’s Overwhelmed: Work, Love And Play When No One Has The Time, and then join MomsRising and start petitioning her Congressperson like mad.

DS: When we first created She Writes, we were two entrepreneurial mamas on a mission to start something and simultaneously be there for our very young kids. You, in fact, were an early model for me of what living two passions looks like. (Recall those staff meetings on my bed while I was on bedrest, carrying twins!) Five years later, I look around me and see mothers of all stripes struggling as if the decades of advocacy for better workplace policies in support of working families hasn’t moved the dial. What’s it going to take, other than wishful thinking? Any latest initiatives you’re aware of that you’d like to shout out here? 

KW: It is easy to be discouraged, isn’t it? (And how could I forget those staff meetings?) One of the things I liked most about Overwhelmed, however, was Brigid’s determination to tell success stories, most prominently in her “When Work Works” chapter, providing models for change rather than only pointing to what, in workplaces, is broken. (And that’s a lot, like the fact that America is one of only 4 of 167 countries in the world with no paid leave for parents—the others are Lesotho, Papua New Guinea, and Swaziland.) It was through Brigid’s book that I found out about MomsRising, and also about A Better Balance, founded by Dina Bakst in New York. I also love LeanIn.org, with its circles for peer support. And for many years I was on the Advisory Council for the Clayman Institute for Gender Research at Stanford University, which does fabulous work under the leadership of Shelley Correll on supporting scholarship and research designed to move that heavy, heavy dial—and gets that research into the hands of people with the power to make change. I’m also looking forward to Laura Vanderkam’s upcoming I Know How She Does It, for some practical, actionable tools to alleviating some work/life stress.

DS: As much as your novel is a comment on work/life condundrums, it’s a satire of app-for-that culture and technology. Are our hyperconnected lives fuller lives, or lesser lives? Are we more connected to each other, or just to our apps?

KW: This is so hard to answer. On the one hand, I witness, as I think we all do, the clearly deleterious effect of our devices on our personal relationships; the other night my son and I were at a restaurant and the entire family at the table next to us was glued to their devices, oblivious to one another—I’m happy to say my son noticed first, and was appalled! The book is certainly about that, and a commentary on our addiction to our phones. (In the first scene Jennifer realizes she’s lost her phone, and the panic and despair she feels are emotions I have to confess to having had in the same situation.) I’m pretty good about managing my use when I’m with my kids, but the pull to check email, Facebook, and the rest is very powerful, and does feel like an addiction at times, which is scary. On the other hand, my dad, who lives in Austin, can read stories to my kids, in Brooklyn, on Skype, which is magic. We have a shared family photo stream we all subscribe to, and I just saw my nephew have his first bite of rice cereal. I know what’s happening in the lives of many more people than I would have ever thought possible, and am alerted to news, social justice issues, and causes I might never have been exposed to, through these platforms. Yet I fret about it. I feel often feel that while I may have more knowledge about more people in my life, I don’t have richer relationships with them for it. (And as we all know, Facebook posts notoriously skew sunny.) Our generation is in a funny spot, not having grown up with any of this, but being so fully immersed in it now as adults, and as parents. Sometimes I wonder if our fretting will someday sound like the worries that television would spell the end of culture…but maybe television has done that. Ha.

DS: I don’t want to give too much away, but a significant plot line in your book concerns a brilliant female physicist whose discovery goes unrecognized by the scientific authorities. What was the impetus for a strong woman scientist at the center of this text?

KW: There was never any question in my mind that the physicist who invented time travel would be a woman, for a variety of reasons. The obvious one, of course, is that the story of science and its major breakthroughs is told by and about men, leaving countless brilliant and deserving women out. Physics is particularly bad—the Nobel Prize in Physics has only been awarded to two women in its history, and hasn’t recognized a female physicist’s work in fifty years. In this notoriously sexist field, I wanted to create a character who had fought her way through, and in some cases inventively worked her way around, a system stacked against her. (I’m also an amateur physics lover. Have you see Particle Fever? There are some fabulous female scientists featured in that movie.) I also chose to make her a passionate collector of artifacts of female scientists who had come before her; for Dr. Sexton, these women are the muses. Researching that part of the book was a delight—did you know Florence Nightingale was an accomplished mathematician, and invented infographics? Or that Hedy Lamar co-invented spread spectrum and frequency hopping technology? I also felt strongly that I didn’t want to have magic in this book—there’s enough of that mushy, bibidi bobidi boo stuff out there already featuring women. Who needs a fairy godmother when you can have the greatest physicist of all time at your side? There was another, very compelling reason I wanted a strong women scientist at the center of my book. So I could make a Larry Summers joke. Which I did.

DS: Virginia Woolf wrote, “A woman writing thinks back through her mothers.” You’ve had some terrific literary mentors in your life—Diane Middlebrook, Nancy K. Miller, Alix Kates Shulman, Francine Prose… Barring (ha!) for a moment the complicated maternal metaphor, in what ways have these women influenced your writing or your sense of yourself as a woman who writes?

KW: Well the late, great Diane, of course, is the model for Dr. Diane Sexton, the physicist who invents the app in the book. (Diane Middlebrook wrote the seminal biography of Anne Sexton, hence the name as homage.) I miss her every single day, and writing this book was a way of having her voice, her presence, and her inimitable style close to me for the year and a half it took to write it. Diane completely changed my life. She was the first person to look me in the eye, when I was a young graduate student who felt that, without an agent or a book, I could not call myself a writer, and say, “You are a writer!” in a way that made me believe it. She told me to write the truth about my life, and I have tried to honor her ever since then by doing it. We founded the Salon of Women Writers together in London in 2003 (again, when I was a young nobody, and she was an established badass, but she saw what a good team we’d make), which led to my founding SheWrites.com with you, and ultimately She Writes Press with former Executive Editor of Seal Press Brooke Warner.

Diane believed that as a woman who writes, it’s pointless to insist on being viewed simply as a “writer” because the world doesn’t view you that way—the best thing is to resist that prejudice by critically responding when it inevitably rears its head, and always to combat it with wit, fearlessness, and of course, brilliant writing. Francine, Nancy and Alix all do that too. I derive so much courage and strength from their example. Hopefully I can do the same for a young woman writer or two someday. But as a debut novelist at forty-two, I’m a little behind in the game.

For more, check out Kamy’s post on Moms Rising. Visit Kamy’s website. Meet her on a stop during the She Writes Press National Spring Book Tour – coming to Chicago on June 29 (I’m hosting!). And go buy the book.

And as always, I invite you to join my Facebook community, pin with me on Pinterest at Tots in Genderland, follow @girlmeetsvoice, and subscribe to my quarterly newsletter to keep posted on coaching, workshops, writings, and talks.

 

Screen shot 2015-03-10 at 11.59.22 AMTwo new books have recently come onto my radar, both too good not to share.

The first is by Jo Paoletti, Associate Professor of American Studies at University of Maryland, and is titled Sex and Unisex: Fashion, Feminism, and the Sexual Revolution. I’ve been a fan of Jo’s since reading (and rereading) her previous and excellent book, Pink and Blue: Telling the Boys from the Girls in America. Here’s more about her new one, published by Indiana University Press, and now available:

Notorious as much for its fashion as for its music, the 1960s and 1970s produced provocative fashion trends that reflected the rising wave of gender politics and the sexual revolution. In an era when gender stereotypes were questioned and dismantled, and when the feminist and gay rights movements were gaining momentum and a voice, the fashion industry responded in kind. Designers from Paris to Hollywood imagined a future of equality and androgyny. The unisex movement affected all ages, with adult fashions trickling down to school-aged children and clothing for infants. Between 1965 and 1975, girls and women began wearing pants to school; boys enjoyed a brief “peacock revolution,” sporting bold colors and patterns; and legal battles were fought over hair style and length. However, with the advent of Diane Von Furstenberg’s wrap dress and the launch of Victoria’s Secret, by the mid-1980s, unisex styles were nearly completely abandoned. Jo B. Paoletti traces the trajectory of unisex fashion against the backdrop of the popular issues of the day—from contraception access to girls’ participation in sports. Combing mass-market catalogs, newspaper and magazine articles, cartoons, and trade publications for signs of the fashion debates, Paoletti provides a multigenerational study of the “white space” between (or beyond) masculine and feminine.

You can read more about Jo’s work on “gender mystique” at her website, www.pinkisforboys.com.

The second is an anthology edited by my pal and former Girl w/Pen blogger Shira Tarrant, Associate Professor of Women’s, Gender, and Sexuality Studies at California State University, Long Beach.  Gender, Sex, and Politics: In the Streets and Between the Sheets in the 21st Century (Routledge July 2015) isn’t available yet, but you can sign up here on Amazon to get notified when it is. Here’s a descript:

Gender, Sex, and Politics: In the Streets and Between the Sheets in the 21st Century includes twenty-seven chapters organized into five sections: Gender, Sexuality and Social Control; Pornography; Sex and Social Media; Dating, Desire, and the Politics of Hooking Up; and Issues in Sexual Pleasure and Safety. This anthology presents these topics using a point-counterpoint-different point framework. Its arguments and perspectives do not pit writers against each other in a binary pro/con debate format. Instead, a variety of views are juxtaposed to encourage critical thinking and robust conversation. This framework enables readers to assess the strengths and shortcomings of conflicting ideas. The chapters are organized in a way that will challenge cherished beliefs and hone both academic and personal insight. Gender, Sex, and Politics is ideal for sparking debates in intro to women’s and gender studies, sexuality, and gender courses.

 Happy reading, Penners!

I invite you to join my Facebook  community, pin with me on Pinterest at Tots in Genderland, follow @girlmeetsvoice, and subscribe to my quarterly newsletter to keep posted on coaching, workshops, writings, and talks.

Originally posted at The Conversation
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If women can kiss women and still be straight, what about men?

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When Madonna and Britney Spears kissed during the 2003 Video Music Awards, no one questioned their sexuality. Win McNamee/Reuters

Some scholars have argued that female sexual desires tend to be fluid and receptive, while men’s desires – regardless of whether men are gay or straight – tend to be inflexible and unchanging. Support for this notion permeates popular culture. There are countless examples of straight-identified female actresses and pop stars kissing or caressing other women – from Madonna and Britney to Iggy and J-Lo – with little concern about being perceived as lesbians. When the Christian pop star Katy Perry sang in 2008 that she kissed a girl and liked it, nobody seriously doubted her heterosexuality.

The story is different for men. The sexuality of straight men has long been understood by evolutionary biologists, and, subsequently, the general public, as subject to a visceral, nearly unstoppable impulse to reproduce with female partners. Consequently, when straight men do engage in same sex contact, these encounters are viewed as incompatible with the bio-evolutionary coding. It’s believed to signal an innate homosexual (or at least bisexual) orientation, and even just one known same-sex act can cast considerable doubt upon a man’s claim to heterosexuality. For instance, in 2007, Republican Senators Larry Craig and Bob Allen were both separately arrested on charges related to sex with men in public bathrooms. While both men remained married to their wives and tirelessly avowed their heterosexuality, the press skewered them as closeted hypocrites.

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Close quarters: sexual encounters between men and ‘fairies’ were commonplace in the dense neighborhoods of working class Manhattan in the late 19th and early 20th centuries. Jacob Riis

Despite the common belief in the rigidity of male heterosexuality, historians and sociologists have created a substantial body of well-documented evidence showing straight men – not “closeted” gay men – engaging in sexual contact with other men. In many parts of the United States prior to the 1950s, the gay/straight binary distinguished between effeminate men (or “fairies”) and masculine men (“normal” men) – not whether or not a man engaged in homosexual sex. Historian George Chauncey’s study of gay life in New York City from 1890-1940 revealed that through much of the first half of the 20th century, normal (i.e., “straight”) working class men mixed with fairies in the saloons and tenements that were central to the lives of working men.

With sex-segregation the general rule for single men and women in the early 1900s, the private back rooms of saloons were often sites of sexual activity between normal men and fairies, with the latter perceived as a kind of intermediate sex – a reasonable alternative to female prostitutes. Public parks and restrooms were also common sites for sexual interaction between straight men and fairies. In such encounters, the fairy acted as the sole embodiment of queerness, the figures with whom normal (straight) men could have sex – just as they might with female sex workers. Fairies affirmed, rather than threatened, the heteromasculinity of straight men by embodying its opposite.

Deep kissing was an expression of brotherhood among Hells Angels gang members. thisisthewhat
Deep kissing was an expression of brotherhood among Hells Angels gang members. thisisthewhat

The notion that homosexual activity was not “gay” when undertaken by “real” (i.e. straight) men continued into the 1950s and 60s. During this period, the homosexual contact of straight men began to be undergo a transformation from relatively mundane behavior to the bold behavior of male rebels. The American biker gang The Hells Angels, which formed in 1948, serves as a rich example. There are few figures more “macho” than a heavily tattooed, leather-clad biker, whose heterosexuality was as much on display as his masculinity. Brawling over women, exhibiting women on the back of bikes, and brandishing tattoos and patches of women were all central to the subculture of the gang.

Yet as the journalist Hunter S. Thompson documented in his 1966 book Hell’s Angels: A Strange and Terrible Saga, gang members also had sexual encounters with one another. One of their favorite “stunts” was to deeply French kiss one another – with tongues extended out of their mouths in a type of tongue-licking kiss often reserved for girl-on-girl porn. Members of the Hells Angels explained that the kissing was a defiant stunt that produced among onlookers the desired degree of shock. To them, it was also an expression of “brotherhood.”

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Fraternities often engage in hazing rituals that involve same sex contact. Wikimedia Commons

Today, sexual encounters between straight-identified men take new but similarly “manly” forms. For instance, when men undergo hazing in college fraternities and in the military, there’s often a degree of sexual contact. It’s often dismissed as a joke, game, or ritual that has no bearing on the heterosexual constitution of the participants.  As I document in my forthcoming book, fraternity hazing has included practices such as the “elephant walk,” in which pledges are required to strip naked and stand in a circle, with one thumb in their mouth and the other in the anus of the pledge in front of them.

Similarly, according to anthropological accounts of the Navy’s longstanding “Crossing the Line” initiation ceremony, new sailors crossing the equator for the first time have garbage and rotten food shoved into their anuses by older sailors. They’re also required to retrieve objects from one another’s anuses.

One relatively recent example of the pervasiveness of these kinds of encounters between straight men was revealed in a report by the US-based watchdog organization Project on Government Oversight. In 2009, the group released photos of American security guards at the U.S. Embassy in Kabul engaging in “deviant” after-hours pool parties. The photos show the men drunkenly urinating on each other, licking each other’s nipples, and taking vodka shots and eating potato chips out of each other’s butts.

Individuals often react to these examples in one of two ways. Either they jump to the conclusion that any straight-identified man who engages in sexual contact with another man must actually be gay or bisexual, or they dismiss the behavior as not actually sexual. Rather, they interpret it as an expression of dominance, a desire to humiliate, or some other ostensibly “non sexual” male impulse.

But these responses merely reveal our culture’s preconceived notions about men’s sexuality. Look at it from the other side of the coin: if straight young women, such as sorority pledges, were touching each other’s vaginas during an initiation ritual or taking shots from each other’s butts, commentators would almost certainly imagine these acts as sexual in some way (and not exclusively about women’s need to dominate, for instance). Straight women are also given considerable leeway to have occasional sexual contact with women without the presumption that they are actually lesbians. In other words, same-sex contact among straight men and women is interpreted through the lens of some well-worn gender stereotypes. But these stereotypes don’t hold up when we examine the range of straight men’s sexual encounters with other men.

It’s clear that straight men and women come into intimate contact with one another in a range of different ways. But this is less about hard-wired gender differences and more about broader cultural norms dictating how men and women are allowed to behave with people of the same sex. Instead of clinging to the notion that men’s sexuality is fundamentally inflexible, we should view male heterosexuality for what it is – a fluid set of desires that are constrained less by biology than by prevailing gender norms.

____________________

Jane-Ward71i3LOTI0nLJane Ward is an Associate Professor of Gender and Sexuality Studies at The University of California, Riverside, where she teaches courses in feminist, queer, and heterosexuality studies. She has published on a broad range of topics including: feminist pornography; queer parenting; gay pride festivals; gay marriage campaigns; transgender relationships; the social construction of heterosexuality; the failure of diversity programs; and the evolution of HIV/AIDS organizations.  This post is based on research for a forthcoming book with NYU Press–Not Gay: Sex between Straight White Men.

Guest blogger Rebecca Hoffman asks: Is Lena Dunham’s new memoir feminism for a new generation? Or something else?

Not that type of girl coverIt has been said by women’s historian Laurel Thatcher that “well-behaved women seldom make history”.  Lena Dunham’s new book, Not That Kind of Girl, depicts early womanhood as a time fraught with adventures that dance with danger, emotional upheavals that rival any that a woman could imagine and an overwhelming immaturity that is perplexing to the central character of the book – Lena Dunham herself.

As I wrote this review, Dunham was ensnared in a media frenzy regarding the question of whether she had engaged in sexual misconduct with her younger sister.  The public and media were reacting to passages from this book in which Dunham describes interactions with her sister that struck the public as being unusual or inappropriate.

In case you may have missed it, a few links to current coverage to help give a context to the brouhaha here, here, and here.

It would be easy to say Dunham is badly behaved but it is more like she is filled with a self-loathing that allows her to get plunged into various circumstances which imperil and injure her emotionally and sometimes physically.  It’s almost as if she finds herself so unattractive and unimportant that the world just acts upon her and her role as a writer and thinker is to process these experiences without ever demanding something better for herself.

Dunham may or may not be making history but she is creating a highly readable, relatable story of her life that is often hard to read – especially the passages where she is interacting with her sister in ways that are generally deemed socially inappropriate. She’s like a tall glass of water spilling over its edges and puddling on the fine wood table below it.   The same cringe we have for the water on wood we have for Dunham as she recounts her various misadventures to the reader.

If this is feminism of the 2014 era, then I am scared for young women everywhere.  How will they survive their younger years, gain insight and correct their life courses to make a strong mark without destroying everything around them?  How does a strong woman emerge from such a variety of traumas?  Or are we confusing strong women from damaged, hurt women who have a capacity to endure any unpleasant circumstance that life throws her way. I’m not sure which way the text is pointing.

Had I merely picked up this book without knowing about Dunham’s successful show, “Girls”, I might have stopped reading partway through as her narrative, while very easy to read and very well written, traces the path of a person who simply does not seem to ever gain insight from her actions nor of their repercussions.  What’s particularly fascinating to me is how the show so closely mirrors the passages in the book and I wonder how much is truth and how much is fiction both on television and in the book.  Perhaps it does not matter but it is hard to separate an artist from her art and not wonder at least a little about truth versus creative license.

Curiously, this volume is a good read.  I found myself reading it with a hopefulness that Dunham would finally turn an emotional corner, find true love, contentment and settle enough to enjoy a life she deserves and gain all the power, credit and fame she is so hungry for.  Yet the narrative bumps along from one uneasy story to another tracing her emergent sexuality, her confusion about the world of work and how to build herself a good career and her “art” which could roughly be defined as her dogged determination to remain her “authentic self” while presenting her life without any filter to the audience.  What lays exposed are her tales of family, her relationship with her parents, her sister, her friends and with men who often treat her so badly one wonders how she manages to remain upbeat about each subsequent relationship.

Dunham is a good writer.  She writes in a beautiful, plain language that completely brings a reader close.  But would she lose more audience than other authors would were she to write about other topics besides sex, family dysfunction and her inner psyche?  I bet not.

What she is providing, I fear, is a perspective on early womanhood today and the true confusion many young women feel when they are trying to define themselves, make it in the big city, hone their skills, present themselves in the workforce and more.  What appears is a person who seems sort of half-baked, she seems like a terrific person who would benefit from a trusted mentor who could guide her to make choices that will not injure her and help her find the types of success and adoration she so deeply craves.

What insights did I gain from this book?  More than anything I am reminded that early womanhood is filled with conflicting societal expectations:  that women can be highly educated but a biological clock ticks louder and louder as years go on for many, that women and men are equal yet men often get the better of women when emotional or physical abuse enter the equation, that family often does not protect and boost a young woman into a position of power for her life to come, and that friends often will encourage each other to do outrageously stupid things.  Dunham shares so much with the reader, without filter, and I’m grateful to her for her viewpoints. However I am not certain her intimates will be equally delighted with her book.

Reading this book galvanized my thinking about girlhood to womanhood.  As a working mom with a daughter and a son, I see a real need to imbue each of them with a sense of personal self-respect and respect for others so that when they start to head toward adulthood they do it with heads up and awareness of the troubles they could encounter along the way.

I give Dunham credit for taking big chances by writing this book. Yet I do wonder by writing this what she has gained.  Perhaps it is relief from unbearable memories—memories that may resonate with more women than we can even imagine.

Rebecca Hoffman is Principal at Good Egg Concepts. Rebecca-RMP6463-HRShe’s passionate about fostering creativity wherever in every aspect of life.  In her spare time Rebecca loves fine art and low culture, sketch comedy and travel to anyplace with better weather than Chicago. Follow her on Facebook.

Screen shot 2014-10-22 at 9.13.33 PMWorkplace consultant, coach and work-life advocate Rachael Ellison penned an excellent post chock full of qualitative data at HuffPo Parents last week, “Why Caregiver Discrimination Is Bad for Business.”

Too good not to share.

Remember Catalyst’s Bottom Line series? That groundbreaking research series that first explored the link between gender diversity and corporate financial performance? Well, this is of that flavor, but focused on the bottom-line benefits of retaining working parents, and based on stories from accomplished, successful professionals in their thirties and forties in dozens of industries. As Ellison notes, “In order to create or sustain family friendly workplaces, you need buy-in from organizational leadership, effective manager training, and employee accountability. Most companies don’t have all three, and as a result they lose their top talent. And, it’s costing them a fortune.”

Ellison is working on a book, REworking Parenthood, for which she is currently collecting stories from parents in the trenches, that will help us understand how companies are succeeding and failing in supporting employees’ lives.

Read on, share away, and follow her at her blog and Twitter (@REworkingparent) as she goes.

 

The gender stall is dead. Last week a Council on Contemporary Families online symposium provided new data suggesting that the stall in progress on gender egalitarian attitudes and behaviors has ended. Evidence has accumulated, and a stall in attitudes that started around 1994 may have turned around after 2004.

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From Cotter, Hermsen, and Vanneman’s CCF brief using a composite of gender attitudes from the GSS.

Long live the gender stall. Here’s what gets me. The change in attitudes is not due to men and women becoming more similar in their attitudes. Under gender egalitarianism (ideally) you wouldn’t be able to predict someone’s views based on their gender. But… in the graphs here, there’s no hint of gender convergence. The figure on the left from Cotter et al., shows that people are at a higher level of approving of gender egalitarianism. But, men and women are the same distance apart. For young people, in Joanna Pepin’s figure (right) on youth attitudes, the same pattern appears.

From Pepin's Gender Revolution Rebound - Youth Edition
From Pepin’s Gender Revolution Rebound – Youth Edition

Pepper Schwartz and I have written about this abiding gender gap when we talk about the moving target of the sexual double standard.

Women and men have more sexual partners now than in the past; even so, they have consistently different levels of when they get negative reputation effects for their activity. Indeed, that gender performance issue comes out in Sassler’s brief in the CCF symposium. Yes, there’s no longer a gender-neutral-housework-means-less-frequent-sex for more recently joined couples. But… heterosexual couples in which men do most of the housework (less than 5 percent of the sample) have sex less often. (Who’s counting, anyway?)

Youth stalled too? Younger generations—millenials in particular—are at a much higher level of egalitarian attitudes than others. But… in the Cotter analysis, younger generations’ support for gender equality isn’t increasing—they just started at a higher level. The trend is flat. Like there’s a ceiling or something.

Joanna Pepin, at Representations of Romantic Relationships, wondered about the younger generation, and analyzed similar attitudinal questions in the Monitoring the Future survey of high school seniors from 1976 until 2012. (Her column is cross-posted here at Girlw/Pen, too!) She finds that high school seniors mostly have high levels of the egalitarian attitudes Cotter focused on.

Except for one area. When asked what they think of the statement, “it is better if a man works and a woman takes care of the home,” students disagree with this less and less. In other words, they are not as likely to reject traditional gender roles as young people in the past. They dropped by 10 percent in the past 20 years (from 70 percent disagreeing to 60 percent disagreeing). While they are at 90 percent agreement that women should be considered as seriously for jobs as executives or politicians, Pepin speculates that for millennial “women are viewed as peers in entering the work force, but continue to be responsible for labor at home.”

I’ll stick with my “But…” focus. There are some systematic catches to the whole rebound story: no gender convergence, persistent gender stereotypes on the domestic sphere, and I suspect these are linked. So, like Joanna Pepin, I’ll keep looking. And I won’t confuse change with progress until I see more convergence and fewer signs of sneaky essentialism. (For more background, see David Cotter and colleagues’ brief, “Back on track?” on changing attitudes and my overview of all four pieces in CCF symposium.)

The other week, I was a guest on the Working Motherhood daily podcast, hosted by Dr. Portia Jackson, aerospace engineer and mother of two. Each week, this savvy host interviews mothers who produce income, be they CEOs, teachers, entrepreneurs, real estate investors, or cashiers. For a taste, check out Portia’s interviews with Rachael Ellison, Gloria Feldt –or any one of 130 more.

I enjoyed this opportunity, very much. Like guests before me and guests after, I shared my family-and-career journey, insights on how I manage the multiple responsibilities, tools that help me, advice I’ve received that has helped me along the way. We only had half an hour. And there’s so much more to say.

The interview kept me thinking long after Portia and I hung up. In the spirit of continuing the conversation, always, here are some of my favorite “things to say about working motherhood” that I didn’t have a chance to share on air.

1. Working fatherhood — say what?

I’d love to see a Working Fatherhood podcast. Period.

2. There’s a conversation behind the conversation here.

Any conversation about working motherhood in the US necessitates a conversation about the embarrassing lack of high quality, universal, subsidized day care. The case is clear. For an investigative analysis of the challenges of finding good care, check out Courtney Martin’s piece in the New York Times last week; Avital Norman Nathman’s recent roundtable on Debra Harrell’s arrest (for leaving her child in a park while working her shift), motherhood, and race at The Frisky; and Alissa Quart’s inside look at the crushing cost of childcare, from last year.

3. Working motherhood — not just about individual solutions, anymore.

In the absence of said high quality, universal, subsidized day care, working mothers are left to seek out our own individual solutions. Again. We experience a political problem as personal, 40 years after the women’s movement re-surged. When things fall apart, we again find the fault in ourselves. (Heartfelt shout-out, and visible recognition here, to all-around assistant Melissa Shoemaker, whose intelligent, compassionate care for my four-year old twins while I work helps me keep it–mostly–afloat.)

3. Non-traditional is where it’s at.

Shout out to the caregivers, but shout out, too, to non-traditional arrangements in marriage. As the Council on Contemporary Families reports, new research suggests that in marriages formed since the early 1990s, men and women are much more happy with non-traditional gender arrangements than in the past.

4. Working motherhood is hot.

Yes, research shows that sex is better and divorce less likely for egalitarian couples. And for more on that, see our own Virginia Rutter’s incredibly informative Psychology Today cover story, Love & Lust. So there.

5. Not a choice.

For so many of us, and in the wake of recession, working motherhood is not a choice. It’s a financial necessity. But even if it weren’t my necessity, I’d choose it—or rather, it would chose me. I come from a long line of working mothers. Because it’s the air that I breathe, pondering how I feel about “working motherhood” is like a fish saying “water, works for me.” At the same time, not a day goes by that I don’t think about what a broken system we live in, filled with inequitable expectations and skewed assumptions based on outdated gender roles.

See again number 1, above.

 

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Hey Girl w/Pen readers! Don’t miss Girl w/Pen’s Natalie Wilson great post, now up right over here.

By now you’ve likely seen the Always #LikeAGirl video that went viral, evoking tears of recognition as well as feminist critique about the uneasy equation of empowerment and tampon ads. And if you haven’t yet, click here or watch below.

Empowerment cheese, says Jezebel. An emotional ploy for tampon sales, writes Daily Beast and also Shape, who asked professional female athletes to respond. Outdated, responded ultra-runner Ellie Greenwood. “I agree that we should be way beyond this kind of thing. I can think of so many strong female sports models…I think that we should be at the stage in sports—and also in people’s perceptions of sports—that there is no reason why women can’t do 99 percent of what men do, and having some conversation about it is a little out of date.” Yes, yes, and great.

And still, here’s the thing: I’ve watched this video myself four times. It is manipulative, I agree, given that there’s no clear action on Always’ website steering us to how we might protect pubescent girls from the confidence plunge (other than using a winged panty liner, surprise, or sending out a tweet to prove how awesome doing things #LikeAGirl really is). It is consumer capitalism masquerading as feminism. Yep.

But what I’m interested in, as both a scholar of narrative and a communications professional, is why I, along with so many others, am so darn moved by the message in the video. Let’s forget that it’s Procter & Gamble, just for a tiny sec.

The video’s message is powerful because award-winning filmmaker Lauren Greenfield, the video’s director, is good. Her documentary creds include The Queen of Versailles, Thin, Kids + money, Beauty CULTure. Her photojournalistic book, Girl Culture, is by all accounts an intelligent exploration of American girlhood, endorsed in an introduction by no less than historian Joan Jacobs Brumberg.

So Greenfield is good, and the thinking behind the project is smart. The ad provokes us grown women to think back to a time before we were aware of gender difference, before “like a girl” meant something derogatory. For many of us, that’s hard to do. But if you think back, I bet you can find it. Give it a try. It’s a highly worthy pursuit.

Ok, I’ll go. My own recollection of that moment when I first realized “like a girl” could mean something negative was the day I asked my high school history teacher, who happened to be the boys’ baseball coach and clearly favored the jocks, why no one in the class was bringing up issues of morality when discussing the reasons the U.S. nuked Hiroshima. “Morality? That’s such a girl response,” said someone in the room. Cue snickering from all the boys in the room. Next, cue confidence plunge.

Well, almost. Lucky for me, my English teacher that year, Ms. Medwin, was a big ole feminist, and the world she opened for me saved me from despair. Under her guidance, I wrote my first real term paper–on Emily Dickinson and Adrienne Rich, women who refused to go under. “When a woman tells the truth she is creating the possibility for more truth around her,” wrote Rich.

Rich also wrote this: “The connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet.” To that end, I’d love to see the kind of messaging in the Always video applied to a massive campaign, say, to restore the rights of the women of Hobby Lobby to access contraception through health care. Or to find all the remaining kidnapped Nigerian schoolgirls. Or to any number of wrongs that need righting, right away.

Because at the end of the day and after all the virality, it’s still a tampon ad, and there’s nowhere much for our roused sentiment—the connecting between and among women we experience here as viewers—to go.

And so, a video with a powerful message becomes a lost opportunity. Amanda Hess at Slate sums it up when she notes, “it’s a little sad that all of this enthusiasm for women’s stories are leading us directly to a box of maximum protection wings, while female filmmakers and characters are still so underrepresented at the box office.” We’re wasting our best filmmakers on tampon ads, the headline screams.

Thinking like a girl over here, I say it’s high time empowerment causes, and not just empowerment products, had a PSA as powerful as this tampon ad. Causes for the betterment of women and girls’ lives deserve our most creative thinking, our savviest makers and marketers of all sorts.

When the cause for gender equity truly goes viral, when it becomes actionable and not just aspirational, then maybe, just maybe, “run like a girl” will mean, as one of the women in the video implores, “win the race.”

I’m not hugely optimistic, but I have to stay hopeful. Because my greatest hope is that by the time my little girl, now four years old, hits puberty, this conversation will actually be out of date.

 

 I invite you to follow me on Twitter @deborahgirlwpen, join my Facebook community, and subscribe to my quarterly newsletter to keep posted on workshops, coaching offerings, and talks.