social media

While tech geeks and Silicone Valley execs have been decrying the the Stop Online Piracy Act (SOPA) and its sister bill, the Protect Intellectual Property Act (PIPA), today, January 18, 2012, marks an unprecedented day of action across the Web. The protest is remarkable because it fully utilizes the Internet’s unprecedented ability blend top-down and bottom-up organization. Specifically, the action achieves maximum effect because major sites like Wikipedia, Google, and reddit have blacked-out part or all of their pages while individuals users also black-out their own profile images and posts. As a result, it is near impossible to surf the Web without encountering a deluge of such images and, thereby, being encouraged to do at least a little investigating into why these bills provoke such ire.

Interestingly, the debate of intellectual property law pits new, social media against old, broadcast media. For this reason, the anti-SOPA movement may be the clearest demonstration to date of social media’s superior capacity for organizing and mobilizing social or political movements (vis-à-vis broadcast media). New media is clearly winning the messaging war. A recent Zogby poll finds that 60% of likely voters are aware of the SOPA legislation and 68% of them oppose it; the same number also believe it infringes on First Amendment Rights.

The following is as scrapbook-style archive of anti-SOPA images from across the Web. more...

EDIT [2:49PM EST]- Saw this on my wall:

This is the full size of the picture:

EDIT [1:24PM EST]- Buzzfeed has compiled “25 Angry Kids Who Can’t Do Their Homework Because of the Wikipedia Blackout.” While this is pretty funny, it also underscores the need for educators to not just say “don’t use wikipedia” but to help students use networked resources in an appropriate and effective manner.

EDIT [11:25AM EST]- Google has put a black sensor bar over their logo on the search page. Facebook has not done anything officially, but my newsfeed is full of my friends talking about it. Maybe that’s the appropriate response? Public spaces are meant to be forums for discussion, the space itself is somewhat ambivalent.

Original Post- If you’re reading this on January 18th, 2012, then you are probably happy to find something that is not completely blacked out. While many of us, personally, are very much against SOPA and PIPA, all of us at Cyborgology thought it would be better to provide information about participating sites, rather than blackout the blog entirely.

Usually a strike is the beginning of a political battle, but it seems as though the fight to kill SOPA (Stop Online Privacy Act) has already been won by the activists and businesses that feel threatened by some of its provisions. As of last night, Cory Doctorow reported on BoingBoing:

House Majority Leader Eric Cantor has killed SOPA, stopping all action on it. He didn’t say why he killed it, but the overwhelming, widespread unpopularity of the bill and the threat of a presidential veto probably had something to do with it

The companion senate bill, the “Protect IP Act” or PIPA is still alive and well though. If you are unfamiliar with SOPA or PIPA, here is a great video from americancensorship.org that describes why the two bills are so concerning:

It is easy to accuse SOPA and PIPA supporters as money-grubbing intellectual property hounds; greedy millionaires who care about their bottom lines over the freedoms on democratic citizens. But I think greed  is only a necessary -not a sufficient- condition for supporting bills like these. The truth is, Congress does not understand the Internet.

For me, the late Senator Ted Stevens (R-AK) is synonymous with “Congress doesn’t understand the internet.” If you’re of college age or older, you probably remember the 2006 senate hearing in which Stevens emphatically declared that the internet was not “a dump truck” but was in fact, a “series of tubes.” Technologically mediated communities immediately jumped on the gaff and produced  shirts, songs, and even powerpoint presentations to share in a common joke. Once the novelty had subsided though, some started to worry about the fate of the internet. The blog for 463 Communications, a consulting firm in DC, was one of the first to raise the concern:

Regardless of what side one takes on net neutrality, it must be recognized that when the industry gets involved in a pitched, focused battle, not a lot of broad-based education unattached to a specific agenda is going to happen.  Quite the opposite.

Now, six years later, we are facing the same problem and it is a lot less funny. Even if you choose to ignore the humanitarian and civil libertarian arguments for why SOPA/PIPA is a bad bill, it is still incredibly destructive to business. It threatens to undermine the very basis of the so-called “information economy.” By making web site owners liable for something as mundane as a link to a soundcloud page, Congress would effectively halt some of the most innovative work being done in the fields of social media and web design. Even though the MPAA and RIAA are supporters of SOPA/PIPA, they also stand to lose from it as well. The culture industry relies on the ability to remix and appropriate existing material and turn it into something new and unique. But even something as mainstream and pop as Justin Beiber was originally discovered covering Justin Timberlake songs on Youtube.

At the end of the day, I don’t want my congress to pass a bill that would give Girl Talk more years in jail than a serial killer. More importantly, I certainly do not want to see a bill pass that could give governments the ability to shut down entire web sites. If SOPA/PIPA passes, there will be no more augmented revolutions on these shores.

I wanted the photo above to be an example of the new so-called “living pictures” that have garnered much recent attention. However, Lytro has not provided proper embedding code so I can only post this screenshot of a living photo. I highly recommend clicking on the photo or clicking here before reading along.

Update: the code now works, so before reading on, click the photo above. Click around various parts of the image and watch the focus change.

Okay, by now you have experienced a living photo. You see it, but you can also make it come alive; touch it, change the focus, reorient what is seen and focused on. Some might even argue that you get to decide the meaning of the story the image tells. This post asks: what would it mean if we start posting living pictures across social media? Might it change how we take photos? How might we differently interact with social media photography when we can manipulate the faces of our friends and engage with the images in a new way?

It has been my contention that photography can teach us quite a bit about social media. Not just because there are so many photos online but because photography serves as a familiar and grounding reference point to the newness of social media. Photography situates the novel and sometimes disorienting ways we are documenting ourselves online with a technology that did the same offline more than a century ago.

I have written about Susan Sontag’s description of photographers being always at once poets and scribes when taking photos to describe how we create our social media profiles in a similar way. I have used the concept of the “camera eye” photographers develop to discuss how social media has imbued us with a similar “documentary vision.” I also described how the explosion of faux-vintage photos taken with Hipstamatic and Instagram serve as a powerful example of how social media has trained us to be nostalgic for the present in a grasp at authenticity.

Here, I want to discuss what many are calling “revolutionary” and the next “big thing” in photography: the so-called living pictures linked to above developed by the Lytro company that have just entered the consumer market with cameras shipping early next year.

Lytro “Living Picture” Technology

This is not an essay so much about the technology but instead the implications of more...

We begin with the assumption that social media expands the opportunity to capture/document/record ourselves and others and therefore has developed in us a sort-of “documentary vision” whereby we increasingly experience the world as a potential social media document. How might my current experience look as a photograph, tweet, or status update? Here, we would like to expand by thinking about what objective reality produces this type of subjective experience. Indeed, we are increasingly breathing an atmosphere of ambient documentation that is more and more likely to capture our thoughts and behaviors.

As this blog often points out, we are increasingly living our lives at the intersection of atoms and bits. Identities, friendships, conversations and a whole range of experience form an augmented reality where each is simultaneously shaped by physical presence and digital information. Information traveling on the backs of bits moves quickly and easily; anchor it to atoms and it is relatively slow and costly. In an augmented reality, information flows back and forth across physicality and digitality, deftly evading spatial and temporal obstacles that otherwise accompany physical presence.

When Egyptians dramatically occupied the physical space of Tahrir Square this past January more...

Information Politics in the Age of Digital Media

Discussant: Deen Freelon, American University

• “Internet Infrastructure: ‘Access’ Rhetoric, Neoliberalism, and Informational Politics” (Dan Greene, University of Maryland-College Park)
• “Academic Marginalization in the Age of Social Media” (PJ Rey, University of Maryland-College Park)
• “Social Media and Revolutionary Movements: Toward Research and Activist Agendas” (Mina Semeni, Randy Lynn, and Jason Smith, George Mason University)

This panel explores some of the opportunities for theoretical development and synthesis emerging at the intersection of public sociology and digital media. True to the conference’s remit, each focuses on a distinct form of publicity of interest to publics outside the academy. Dan Greene questions the prevailing neoliberal rhetoric of access to information technologies, arguing that it facilitates the concentration of power and prevent us from connecting related struggles for individual and collective emancipation. As a corrective, he proposes a frame he calls “informational politics” that overcomes this conceptual weakness by explicitly recognizing the links between digital media and the social contexts within which they are used. PJ Rey invites us to reconsider the roles of newer forms of scholarly communication such as blogs and tweets in evaluations of academic productivity. Journals and conference proceedings, which still enjoy preeminence among tenure criteria in most fields, are far too slow, costly, and obscure to effectively relay the fruits of public sociology to non-academic publics. Finally, Mina Semeni, Randy Lynn, and Jason Smith are interested in how activists use social media in contexts of social protest and revolution. In an attempt to move beyond totalizing and causal theories of the Internet and politics, they propose two mechanisms through which social media might abet protest: by increasing social capital and by strengthening existing institutions. more...