commentary

There is a good conversation to have on just how leaderless the Occupy movement is. It is more networked and decentralized, but, of course, not perfectly so. Structures and hierarchies always emerge. Unfortunately, this important conversation is derailed when some try to create fictional leaders for a movement that, for the most part, does not have them. Articles like, for instance, John Heilemann’s New York Magazine expose on Occupy, again and again force leader-language on the movement. And they do so unsuccessfully.

The traditional media wants to tell a traditional story, and this is why they get Occupy so terribly wrong. It is easier to describe a movement of leaders, of charismatic personalities and of specific ideas, messages and demands. The media momentum favors retelling the type of story they have told before.

But the reality for Occupy is much more complicated. Yes, the movement is not completely leaderless. Participation and efficaciousness are not evenly distributed across the 99%. For instance, the term “occupy” was not arrived to by some consensus but instead the creation of Adbusters. However, the magazine has claimed that they “have no interest in a continuing leadership role.” Instead, the magazine’s role has been aesthetic: to come up with good memes.

While pure leaderlessness may not be possible or even wanted for Occupy, the bigger story is that it is more decentralized than previous political movements. The high degree more...

Technologies are, by nature, biased. They are biased by the humans who create them. They are biased by the cultures in which they are produced. They are biased by the perceived needs of intended consumers and they are biased by agentic practices of consumption. A recent TEDMED talk (Why Hospital Rooms Don’t Work) by architect Michael Graves highlights the biased nature of technologies. Specifically, he demonstrates the embeddedness of privilege.

Michael Graves is a renowned architect. In 2003, Graves developed a rare (and still mysterious) illness that left him paralyzed. While fighting the illness and then undergoing rehabilitation, Graves spent a significant amount of time in hospitals. He found the facilities not only to be aesthetically displeasing, but impractical and sometimes downright inaccessible for a person with mobility impairments. He describes unreachable light switches and faucet handles, rooms so small that maneuverability is impossible, really ugly floral patterns, and an overall requirement that he, as a person in a wheelchair, ask for help with tasks that he should be able to complete independently. Summarizing these shortcomings he says: more...

Two weeks ago, I wrote a Brief Summary of Actor Network Theory. I ended it by saying,

My next post will focus on ANT and AR’s different historical accounts of Western society’s relationship to technology. While Latour claims “We Have Never Been Modern” we at Cyborgology claim “we have always been augmented.” I will summarize both of these arguments to the best of my ability and make the case for AR over ANT.

The historical underpinnings of ANT are cataloged in Laotur’s We Have Never Been Modern and are codified in Reassembling the Social. I will be quoting gratuitously from both.

In We Have Never Been Modern, Latour comments on a debate between the political philosopher Thomas Hobbes and natural philosopher Robert Boyle. Latour describes the debate this way: more...

At exactly the moment when tents are disappearing, when, at least for the winter, Occupy is trading long-term omnipresence for short-term actions, Occupy DC made news for building a large, wooden, winterized structure in a city park. The Occupy DC barn fiasco can be understood, in part, as a move to double-down on the endurance of the Occupy movement precisely when it is at risk of losing that secret ingredient that made it powerful: time.

As Sarah Wenechak wrote, tents pitched in city parks come to be more than practical but also symbolic. And part of this value is that they represent time. Overall, much of the writing about Occupy has focused on space. Traditional protest actions, like marches, claim physical space but merely do so for short periods of time (especially as the march moves from location to location occupying any particular space for a only very brief amount of time). While that big umbrella term “occupy” certainly refers to space, there has also been a special focus on time.

A tent, for example, proclaims that more...

Finals are a stressful time for students, as numerous deadlines—often requiring the accumulation of a semester’s worth of work—converge into one terrifying week. Pajamas stay on. Coffee gets brewed. Some thrive.  Some sink. And a few, in a panic, copy/paste something directly from Wikipedia.

From the instructor side, finals are also stressful, but in a different way. Not only do we have to rush through stacks of papers, inputting senior grades in time for graduation, but we have to do so with the knowledge that this is the moment of truth—the moment where we find out how effective we have been all semester (if effective at all). Like our students, this process can bring  moments of great triumph, such as grading a perfect test or reading a profound paper—one that perhaps even teaches us something. It can also bring defeat, where we must acknowledge that some students never truly engaged with the material. And finally, it brings sleepless nights (and probably an indignant Facebook status update) as we inevitably find the direct Wikipedia quote copied, pasted, and sometimes linked in a final paper. more...

This post is somewhat of a stretch, but I think it remains applicable nonetheless. Below I have embedded three video clips, each dealing with “the hipster” as a relatively recent subcultural form and social type.

First, we have the “Hipster Olympics,” a viral video that made the rounds a few years back. The video makes a parody of the hipster, mocking their supposed elitism, pretension, dependency on new technologies, and obsession with authenticity as a source of subcultural distinction (note the subtle play on Pabst Blue Ribbon).

Second, we have a short clip from the “2 Broke Girls” a new CBS television series focusing on the epicenter of the hipster subculture, the gentrified Williamsburg neighborhood of Brooklyn, NY. In the clip we see the confluence of hipsters and homelessness, which ultimately serves to as a satire on the “Poor Chic” fashion trends of New York’s urban hipsters (Halnon 2002). We also notice the association between hipsters and personal hygiene (or lack thereof), a stereotype that has also been foisted upon the #Occupy protestors.

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Start at 13:42 – 15:37 for images of Zuccotti Park being dismantled

The clearing of the Occupy Wall Street demonstrators from the streets of various cities over the past few weeks has been a strikingly naked demonstration of the characteristic properties of what Jacques Ellul called “technique.”

Like other philosophers, Ellul thought of technology more as a state of being than as a collection of artifacts. “Technique” is the word he used to describe a phenomenon that includes, in addition to machines, the systems in which machines exist, the people who are enmeshed in those systems, and the modes of thought that promote the effective functioning of those systems.

In The Technological Society, Ellul called technique “the translation into action of man’s concern to master things by means of reason, to account for what is subconscious, make quantitative what is qualitative, make clear and precise the outlines of nature, take hold of chaos and put order into it.” The machine, he added, is “pure technique… the ideal toward which technique strives.” more...

When the occupiers in Zuccotti Park began setting up tents, it was an inherently practical move. After cold, uncomfortable nights on tarps and huddled into sleeping bags (a situation imposed by a no-tent policy in the park, which was eventually not enforced), tents were a welcome way to make an occupied space more of a home, and closer to familiar conceptions of an established community.

But we need to understand tents as more than just tents.

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On this blog we talk a lot about “augmented reality,” or how the digital and the material are increasingly mutually constitutive. As an example of this concept, I bring you the following development: Britain’s ‘Safe Text’ Street.

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There are many theories that seek to clarify the relationship between our offline existence and whatever it is we are doing online. I say “whatever” not to be flippant, but because there is a great deal of debate about the ontological, conceptual,and hermeneutic ramifications of online activity. How much of ourselves is represented in our Skyrim characters? Is retweeting an #ows rally location a political act? How is access to the Internet related to free speech? These are questions that some of the greatest minds of our day are contemplating. I know some equally smart people that would throw up their hands in frustration at even considering these topics as worthy of research and critical analysis. Regardless of whether or not you think it is worth pondering these questions, people all over the world are engaging in something when they post a Facebook status or check in to a coffee shop on Foursquare. In his Defending and Clarifying the Term Augmented Reality, Nathan described how our relationship to these sorts of digital Information and Communication Technologies (ICTs) fits in with our historial relationship to technology: “technology has always augmented reality, be it in pre-electronic times (e.g., architecture or language as technologies) or how those offline are still impacted by the online (e.g., third-world victims of our e-waste or the fact that your Facebook presence influences your behavior even when logged off).” I have argued elsewhere that, even if ICTs mark a fundamental shift in our relationship to technology, it is only another wave in a constantly evolving relationship to our own understanding of technological progress. I am going through this (hyperlinked) summary of many of this blog’s larger arguments because 1) we have been growing in readership, and 2) we are embarking on a new, ongoing, project to situate Augmented Reality (AR) amongst other theories of society’s relationship to technology. Today I want to introduce Actor Network Theory (ANT). more...