race/ethnicity: history

Content Note: This post discusses racist memorabilia in sociological context and provides an image of one collection critical of this memorabilia below the page break.

Why do some people collect racist memorabilia and artifacts? Objects depicting African Americans in derogatory and stereotypical ways are commonly referred to as “black memorabilia” or “black Americana,” although scholar Patricia Turner more aptly names them “contemptible collectibles.” 

As documented by David Pilgrim, founder and curator of the Jim Crow Museum of Racist Memorabilia, these artifacts include everyday objects like toys and games, household items such as cookie jars, and postcards. Although usually associated with the Jim Crow era, many of the items are still produced or reproduced today, and all draw on racial caricatures, such as the “mammy,” “Tom,” “picanniny,” and “brute,” among others. 

Not without controversy, “contemptible collectibles” have different meanings to different people. Some collectors embrace the racist meanings attached to the items. Others buy the objects with the intent of destroying them. Still others hope to “liberate” the artifacts from their previous racist history and hold the objects in “high esteem” instead.

Les Whittington, the grandson of an enslaved person and whose life history is the focus of my recent research, has another reason for collecting. Ignorance or denial of the history of African Americans—especially in Appalachia, where he is from—motivates him to document the existence of slavery and the ensuing Jim Crow era.

Part of Les’s collection includes multiple “mammy” figurines, which he displays in a case, where they look like a small army of racist caricatures. The objects are shocking to see, not just because such iconographic pieces of racist memorabilia are disturbing, but also because seeing so many together is a reminder of the objects’ pervasiveness in the past.

This history may seem long past, but not to Les for whom the legacy of slavery is immediate. His grandfather, “John Myra” Stepp, was enslaved, and died the same year that Les was born.

Les himself grew up in a mostly racially segregated world. Though Brown v. Board of Education ruled that segregated schools were unconstitutional in 1954, it wasn’t until 1966, when he was in the sixth grade, that Les’s school became the first middle school in his hometown to fully integrate. And another of his relatives, Barbara Hawkins, also one of John Myra’s grandchildren, was one of four Black students to attend the newly integrated high school in 1965.

His family members faced adversity with great resolve, and Les has told me, “And no matter what, they persevered. They were resilient. And they were smart. Because even though they had all those obstacles in front of them, they were still a success.”

But don’t mistake Les’s comments for a “pull yourself up by your bootstraps” narrative. Nor should his comments be taken as a way to obscure past or present racism and white supremacy, as Robin Di’Angelo argues is far too common. Instead, as Les has explained to me, his collection is “physical documentation of a lot of hate,” and represents “a history that doesn’t need to be forgotten, [. . .] even though it’s painful to people.” 

Les also acknowledges that the objects are relevant to today, a message repeated by more well-known collectors, such Alan Page (a former NFL player) and his wife Diane Page. Echoing Les’s concerns about the objects, Diane has noted that “contemptible collectibles” are a “constant reminder that we have to be vigilant,” especially because “people have become more comfortable of late expressing racist views publicly.”

Jacqueline Clark, PhD is a professor of sociology at Ripon College. Her teaching and research interests include social inequalities, the sociology of health and illness, and the sociology of jobs and work. 

In February of 1926, Carter G. Woodson helped establish “Negro History Week” to educate teachers, students, and community members about the accomplishments and experiences of Blacks in the United States. A native of Virginia, and the son of formerly enslaved parents, Woodson earned a PhD in history from Harvard University, and dedicated much of his life to writing and teaching about information largely omitted from textbooks and other historical accounts. Although Woodson died in 1950, his legacy continues, as “Negro History Week” eventually became “Black History Month” in 1976.

Nearly a century later, Black History is still at risk of erasure, especially in (once) geographically isolated areas, like Appalachia. The standard narrative that Scots-Irish “settled” Appalachia starting in the 18th century hides the fact that there were often violent interactions between European immigrants and indigenous people in the region. Even in the 1960s when authors like Michael Harrington and Harry Caudill reported on Appalachian mountain folk, the people were depicted as Scots-Irish descendants, known for being poor, lazy, and backward, representations that are reinforced in contemporary accounts of the region, such as J. D. Vance’s wildly popular memoir Hillbilly Elegy.

Source: Wikimedia Commons

Source: Wikimedia Commons

Accounts like these offer stereotypical understandings of poor Appalachian whites, and at the same time, they ignore the presence and experiences of Blacks in the region. Work by social scientists William Turner and Edward Cabell, as well as “Affrilachia” poet Frank X. Walker, and historian Elizabeth Catte attempts to remedy this problem, but the dominant narrative of the region centers still on poor whites and their lives.

Work I have been doing documenting the life experiences of Leslie [“Les”] Whittington, a native of Western North Carolina and a descendent of a formerly enslaved people, has opened my eyes to a historical narrative I never fully knew. African Americans, for instance, accounted for approximately 10% of the Appalachian region’s population by 1860, and many were enslaved, including Les’ grandfather, John Myra Stepp. Yet, their stories are glaringly missing from the dominant narrative of the region.

Source: Appalachian Regional Commission Census Data Overview

So too are the stories of Blacks living in Appalachia today. Even though the number of African American residents has increased in some parts of  Appalachia, while the white population has decreased, little is formally documented about their lives. That absence has led scholar William Turner, to refer to Blacks in Appalachia as a “racial minority within a cultural minority.” Not only does erasing African Americans from the past and present of Appalachia provide an inaccurate view of the region, but it also minimizes the suffering of poor Blacks, who relative to their white counterparts, are and have been the poorest of an impoverished population.

Woodson established “Negro History Week” to document and share the history of Blacks in the United States, recognizing that, “If a race has no history, it has no worthwhile tradition, it becomes a negligible factor in the thought of the world, and it stands in danger of being exterminated.” The history of African Americans in the Appalachian region is largely absent from the area’s official record, and without making it part of the dominant narrative, we risk losing that history.

Jacqueline Clark, PhD is a professor of sociology at Ripon College. Her teaching and research interests include social inequalities, the sociology of health and illness, and the sociology of jobs and work. 

Content Note: Some slurs in historical context below the break. 

Since the white nationalist march on Charlottesville, VA, in August, many cities in the South are grappling with what to do about Confederate monuments in their public spaces. The argument, which I agree with fully, is that Confederate monuments celebrate people who dedicated their lives to the oppression of people of color and should be removed. While there is support for removing Confederate statues among many Northern liberals, treating Confederate generals as the only obvious indicators of state-sanctioned racism perpetuates the notion of Southern exceptionalism. 

The truth is that you do not need a white hood or the Stars and Bars to be a white supremacist. In Philadelphia, the debate over a monument is not about the statue of a general from 1865 but about a 1972 Democrat Mayor.

Source: Wikimedia Commons

Across the street from City Hall, right in the entrance of the Municipal Service Building, a statue of Frank Rizzo towers nine feet high. Frank “The General” Rizzo served as Philadelphia’s Police Commissioner in the late 1960s and early 1970s and as the Mayor of Philadelphia from 1972 to 1980. Rizzo was known as a pull no punches kind of guy. During his reelection campaign of 1975 he famously told his adversaries, “Just wait after November, you’ll have a front row seat because I’m going to make Attila the Hun look like a faggot.” His brutal, and racially motivated, legacy on the Philadelphia Police department is still felt to this day.

Rizzo was born and raised in South Philadelphia in a home with a beat cop father. After dropping out of high school and briefly joining the navy, Rizzo joined the Philadelphia police, making a name for himself as “a no-nonsense cop who swung first and asked questions later.” In 1967, Rizzo become police commissioner. A year after he led police officers to a school administration building where black students were protesting for black history in their school curriculum. Rizzo told the cops, “get their black asses.”

The image that best captures Rizzo’s tenure as police chief is from 1970. A week before a Black Panther convention that was intended to take place at Temple University, police officers raided a group of Panthers and conducted strip searchers on the activists in the streets. The picture (content warning) was printed on the front page of the Philadelphia Daily News the day after.

In 1972, after a campaign in which he was endorsed by a KKK spinoff organization in Pennsylvania and in which his slogan was “vote white,” Frank Rizzo assumed the office of the Mayor of Philadelphia. The tenure of Rizzo as mayor could be thought of a series of civil right lawsuits. In 1975, the court issued a consent decree after a suit against Rizzo and the city for the failure to hire black fire fighters. In 1976, Rizzo was sued for violating the Fair Housing Act. In 1979, the Department of Justice filed what was called “an unprecedented civil suit” against Rizzo and the city for “condoning systematic police brutality.” These are just a few examples.

In 1978, the KKK awarded Rizzo the “Racist Hero of the Month award.”

After a long and failed campaign to seek a change in the City’s charter that would allow him to run for a third term, Rizzo left office in 1980. He continued his career as a “guardian of white rights.”

In the aftermath of Charlottesville, Philadelphia Councilwoman Helen Gym tweeted: “All around the country, we’re fighting to remove the monuments to slavery & racism. Philly, we have work to do. Take the Rizzo Statue down.” This wasn’t the first time that a call was made to remove the Rizzo statue in Philly. Groups of activists have been protesting the statue every Thursday for the past year.

Southern exceptionalism is the notion that the group of Southern states of the United States, the former Confederacy, is an exceptionally racist entity that America battles with every few generations. By blaming the South for racism while ignoring the way the establishment, law-enforcement, and large parts of white America in the North treated people of color, Northern liberals absolve themselves of any moral wrongdoing. Historian Clarence Lang writes that Southern exceptionalism “celebrates the inevitable triumph of U.S. democratic values, and ignores the structural role of inequality in building and maintaining the U.S. nation-state.”

We cannot allow the conversation around confederate monuments to ignore the racism of America as a whole and scapegoat racism on the south. 

We must expand our political and sociological imagination about racism and white supremacy beyond the South and the Confederacy. Philadelphia is doing exactly that. Recently, the Office of the Mayor of Philadelphia published a call for ideas on what should be done with the problematic statue. The call received hundreds of ideas and now Philadelphians wait for a decision on the statue’s future.

At the end of the day, changes in law, policies, practice and wealth distribution will dismantle the legacy and presence of racism and oppression in the United States. Taking down monuments is a way to publicly  affirm a commitment to that goal.

There is no Confederate statue in Philadelphia, at least none that I know of. Taking down the Rizzo statue in the city of brotherly love will be a victory for progressives everywhere. Just as white progressives from the North support struggles to remove monuments in the South, they must identify the “Rizzo statue” in their towns and remove it.

Abraham Gutman is an Israeli writer and economist currently based in Philadelphia. His writing focuses on Israel/Palestine, race in America, policing, and housing. Abraham currently works at the Center for Public Health Law Research at Temple University where he conducts research on housing policy. All opinions are his own. Follow him on Twitter @abgutman.

1Many hope that Misty Copeland is ushering in a new era for ballet. She is the first female African American ballet dancer to have the role of Principal Dancer at the American Ballet Theatre. She has literally changed the face of the dance.

Race is a central and important part of her story, but in A Ballerina’s Tale, the documentary featuring her career, she describes herself as defying not just one, but three ideas about what ballerinas are supposed to look like: “I’m black,” she says, and also: “I have a large chest, I’m muscular.”

In fact, asked to envision a prima ballerina, writes commentator Shane Jewel, what comes to most of our minds is probably a “perilously thin, desperately beautiful, gracefully elongated girl who is… pale as the driven snow.” White, yes, but also flat-chested and without obvious muscularity.

It feels like a timeless archetype — at least as timeless as ballet itself, which dates back to the 15th century — but it’s not. In fact, the idea that ballerinas should be painfully thin is a new development, absorbing only a fraction of ballet’s history, as can clearly be seen in this historical slideshow.

It started in the 1960s — barely more than 50 years ago — in response to the preferences of the influential choreographer George Balanchine. Elizabeth Kiem, the author of Dancer, Daughter, Traitor, Spy, calls him “the most influential figure in 20th century dance,” ballet and beyond. He co-founded the first major ballet school in America, made dozens of dancers famous, and choreographed more than 400 performances. And he liked his ballerinas wispy: “Tall and slender,” Kiem writes, “to the point of alarm.” It is called, amongst those in that world, the “Balanchine body.”

 

We’re right to view Copeland’s rise with awe, gratitude, and hope, but it’s also interesting to note that two of the the ceilings she’s breaking (by being a ballerina with breasts and muscles) have only recently been installed. It reminds me how quickly a newly introduced expectation can feel timeless; how strongly it can ossify into something that seems inevitable; how easily we accept that what we see in front of us is universal.

In The Social Construction of Reality, the sociologists Peter Berger and Thomas Luckmann explain how rapidly social inventions “harden” and “thicken.” Whoever initiates can see it for what it is — something they created — but to whoever comes next it simply seems like reality. What to Balanchine was “I will do it this way” became to his successors “This is how things are done.” And “a world so regarded,” Berger and Luckmann write, “attains a firmness in consciousness; it becomes real in an ever more massive way, and it can no longer be changed so readily.”

Exactly because the social construction of reality can be so real, even though it was merely invented, Copeland’s three glass ceilings are all equally impressive, even if only one is truly historic.Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

No matter which way you voted or who wins, today will go down in history as the first time a woman either won or lost the presidency of the United States. Today, in a contemplative mood, I turned back to the chapter on politics I wrote with Myra Marx Ferree for our sociology of gender book. It’s an ode to the suffragist with a final paragraph that resonates very, very strongly on this day. Read, and let the reverberations of history stir your soul.

— Lisa

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In 1848 a small group of American women made the decision to seek suffrage, the right to vote. For most of modern history, governments did not allow women this right, nor the other rights and responsibilities of citizenship—to serve on juries, give legal testimony, or hold public office—and American women were no exception. Many thought the idea was impossible, dangerous, even laughable. Opponents mocked suffragists, suggesting that giving women the vote was as ridiculous as giving it to housecats.

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The fight for suffrage was not won quickly or easily and many suffragists died of old age before they could see their efforts realized. In addition to ridicule, suffragists faced government repression and violence. Most suffragists were peaceful, but some weren’t above aggression themselves. One group in the United Kingdom set buildings on fire and learned jujitsu to defend themselves from the police. Over 1,000 suffragists would be imprisoned in the United Kingdom and United States. There they endured brutal force-feeding after initiating hunger strikes that endangered their lives.

The fight for suffrage involved both inspiring coalitions and ugly divides. Many suffragists were abolitionists first, activists in the fight against human slavery. White and black men and women worked side-by-side for this hard-won victory. After slavery was abolished in 1865 and black men were granted suffrage in 1869, black women continued to fight valiantly for their own vote. As abolitionist Sojourner Truth observed: “If colored men get their rights, and colored women not theirs, the colored men will be masters over the women, and it will be just as bad as it was before.”

White suffragists often disagreed on whether their efforts should benefit all women or only white women. Anti-suffrage activists tapped into widespread animosity toward black people, reminding a racist public that women’s suffrage would not only put women into the voting booth, it would double the black vote. Some suffragist groups were themselves racist, excluding black women from their organizations, activities, or platform. Many black women started suffrage organizations of their own.

Eventually, suffragists began making alliances with women in other countries. By the early 1900s, this international women’s organizing had begun to shift public opinion in their favor. Finland and New Zealand were the first to grant women the right to vote in the 1910s. The United States came around in 1920, giving suffrage to both black and white women together. By then the movement was rolling across the globe. In less than thirty years, women’s suffrage became a global norm. The last state to disallow women’s voting, Saudi Arabia, allowed them to vote in 2015.

Today universal suffrage, the right of all citizens to vote, is the very definition of democracy. This right is taken for granted today, so much so that many people don’t even know the word anymore. In the 1800s, however, it was a wholly radical claim, defined as an idea that doesn’t (yet) resonate with most members of a population. In fact, it was a massively important step toward dismantling political systems that recognized some people as full citizens but not others. It was also extraordinarily disruptive to the social order and the distribution of power. It is a testament to the fact that, even when social conditions are stubbornly entrenched and defended by powerful people, change—even radical change—is possible.

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.

Myra Marx Ferree, PhD is a professor at the University of Wisconsin, Madison. She is the recipient of numerous prizes for contributions to gender studies and does research on global gender politics. Among her many books is a textbook on the sociology of gender , with Lisa Wade.

Last week PBS hosted a powerful essay by law professor Ekow Yankah. He points to how the new opioid addiction crisis is being talked about very differently than addiction crises of the past. Today, he points out, addiction is being described and increasingly treated as a health crisis with a human toll. “Our nation has linked arms,” he says, “to save souls.”

Even just a decade ago, though, addicts weren’t victims, they were criminals.

What’s changed? Well, race. “Back then, when addiction was a black problem,” Yankah says about 30 years ago, “there was no wave of national compassion.” Instead, we were introduced to suffering “crack babies” and their inhuman, incorrigible mothers. We were told that crack and crime went hand-in-hand because the people involved were simply bad. We were told to fear addicts, not care for them. It was a “war on drugs” that was fought against the people who had succumbed to them.

Yankah is clear that this a welcome change. But, he says, for African Americans, who would have welcomed such compassion for the drugs that devastated their neighborhoods and families, it is bittersweet.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Yesterday was Super Sunday here in New Orleans, the one day each year that the Mardi Gras Indian tribes come together to be seen by the wider community. The tradition dates back to at least the mid-1800s, belonging to the African American population of New Orleans. Today there are over two dozen Mardi Gras Indian tribes.

Here’s a snippet from my Instagram (click to watch with sound):

A video posted by Lisa Wade (@lisawadephd) on

Indian tribes mask together groups, often family and pseudo-kin. It used to be an all-male activity, but now women are heavily involved (as “big queens” to the male “chiefs”), and children make regular appearances. Their tough faces are part of the performance, as one of the most well-known mottos of the Indians is “Won’t bow, don’t know how.” These are some of my photos:

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Originally the intent was to honor the local Native Americans who took in and rescued escaped slaves in the mid-1700s, though they probably took some inspiration from the “Wild West”-style entertainment that was popular at the time. Until the ’60s, tribes sometimes engaged in violent conflict, but today they encounter each other in order to perform ritualized non-violent conflict resolution, fighting only over who is “prettiest.”

With the exception of Super Sunday, when the Indians go out, it’s not a show. It’s a tradition by and for their own communities and one has to be “in the know” to know where to see them. They’ve been largely left out of tourist attraction-type activities for this reason, and because they’re almost entirely African American and New Orleans has only recently embraced it’s multicultural history and present as part of its appeal.

Still, their elusiveness makes them tourist-resistant and even Super Sunday doesn’t attract many tourists because the event is rescheduled at any hint of rain (because, feathers).

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Sociologically speaking, there are lots of fascinating directions to go from here — including the intersection of power, cultural borrowing, and the evolution of artistic vernacular — and I’ll try to get to them in future posts.Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Law professor and critical race scholar Kimberlé Crenshaw developed the term” intersectionality” to draw attention to the way that all of our socially salient identities work together to shape the stereotypes that apply to us. The experience of being black, for example, is shaped by gender, just as the experience of being a man is shaped by race.

Once a person has internalized an intersectional lens, the old model — epitomized by the famous phrase “all the women are white, all the blacks are men” — can be jarring. It has a way of making certain kinds of people and their experience invisible. In the above case, women of color.

At this weekend’s debate, Bernie Sanders made exactly one of these jarring statements in response to an inquiry about “racial blind spots.”

When you’re white, you don’t know what it’s like to be living in a ghetto. You don’t know what it’s like to be poor. You don’t know what it’s like to be hassled when you walk down the street or you get dragged out of a car.

I imagine poor white people, middle class blacks, and women everywhere sat up and were like “What!?”

Author Joy Ann Reid noted on twitter that Sanders was conflating race and class, making poor white and middle and upper class black people invisible. Most African Americans are not poor and most poor people are white. She noted, as well, that white immigrants have lived in what we call the “ghetto” for much of American history.

I’ll add that one doesn’t need to be black to get hassled when walking down the street, as most women of all races can attest. Or, for that matter, how about being a feminine-presenting or gender queer man? And being dragged out of a car is something that happens to black people who are being accosted by the police, but also those who are being victimized by violent boyfriends or husbands.

Ironically, Sanders was saying that his racial blind spot was not being able to fully understand the black experience, but he revealed a different blind spot: intersectionality.

The comment starts at about a minute, twenty seconds:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.