Tag Archives: gender: femininity

Monterey Jack, Meet Monterey Jill

Dieting is for women.

I mean we all know that dieting and women go together like peas and carrots.  We know this — collectively and together, even if we don’t agree that it should be this way – not because it’s inevitable or natural, but because we constantly get reminded that women should be on diets and dieting is a feminine activity.

@msmely tweeted us a fabulous example of this type of reminder.  It’s a reduced fat block of Monterey Jack cheese, re-named “Monterey Jill.”  There’s curvy purple font and a cow in pearls with a flower, in case you missed the message.  And, oh, on the odd chance you thought that this was about health and not weight, there’s a little sign there with a message to keep you on track: “Meet Jack’s lighter companion.”

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So now we’ve gendered cheese and managed to affirm both the gender binary  (heavy vs. light), heterocentrism (Jack’s companion Jill), and the diet imperative for women.  And it’s just cheese people!  Cheese!

That is all.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

The Dancing Hawaiian Girl, At Your Service

Originally posted in 2008. Re-posted in honor of Women’s History MonthCross-posted at Racialicious.

The marketing for beach-related vacation destinations often capitalizes on the association of foreign beaches with (partly) naked bathing beauties. This intersection of race, gender, and sexuality that positions the “ethnic” woman as particularly sexually accessible have deep roots in our colonial past in which foreign lands “open” to conquest by the Western world were conflated with foreign women “open” to conquest by Western men.

The “Hula Girl” is a case in point.

Hawaii was colonized by the U.S. and, when the islands became a tourism destination, Polynesian women were transformed into Hawaiian babes ready and waiting to please tourists from the mainland.

One transformation was the hula. Widely understood to be an “authentic” Polynesian tradition, the hula was actually originally mostly a man’s dance. It was religious. It involved chanting and no music. There were no hip movements, just gestures. Basically, it was story-telling.

Today, the men take a back seat to women, who are scantily clad in grass skirts (not authentic, by the way), and perform exaggerated hip movements to music. So the hula is an invention, designed by colonizers and capitalists, to highlight the appeal of “foreign” women.

Despite the constructed nature of the hula girl, she’s been used to market Hawaii for over 100 years.  Here is an image of hula girls sent back to the mainland way back in 1890:

And from the 1940s (from IslandArtCards):

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1965, via Jassy-50:

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This picture was snapped by my friend Jason at a Trader Vic’s restaurant in 2008:

A Google Image search for “Hawaii postcard” in 2013 reveals that about half include the figure of a woman:

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The phenomenon is a common one: women are treated as objects of beauty and aesthetic pleasure — exotified, in the case of “foreign” or darker-skinned women — and used to embellish a place or experience.  While lots of things have changed for women since the beginning of this particular example in the late 1800s, their role as decoration resists retirement.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Hysteria, the Wandering Uterus, and Vaginal Massage

Originally posted in 2010. Re-posted in honor of Women’s History Month.

When I teach gender I always talk about the ways in which societies actively construct ideas that men and women have very different bodies, capable of different things. In the U.S., our gender ideology includes the belief that female bodies are weaker than male ones, more fragile. Particularly in the Victorian Era, this belief led doctors to discourage physical activity by women. Among a range of other concerns, doctors argued that physical exertion in women might cause their organs (particularly the reproductive organs) to become dislodged and wander around the body, causing all types of problems. I know I’d certainly be distressed if my uterus migrated and I ended up pregnant and carrying a fetus in, say, my elbow.

A result of this, of course, is that (White) women were discouraged from being physically active and taking part in sports. This, combined with heavy clothing and corsets that actually did shove organs around, led to the condition that the medical community claimed already existed: women’s bodies were less capable of physical exertion than men’s and they were more likely to faint (corsets often making it difficult to breathe adequately). It’s a self-fulfilling prophecy: if you believe women’s bodies are weaker than men’s and thus discourage or even prohibit women from being physically active, you create differences in physical capability and fitness that you can then claim prove you were right all along.

James T. found this awesome ad for a product that, among other amazing things, ends “misplaced organs” and will even move them back where they belong (from Modern Mechanix). The ad (from 1934) says that satisfied users include both men and women, but concerns about misplaced organs were a concern applied predominantly to women:

Medical practitioners weren’t just worried about physical exertion. They believed mental activity could be harmful to women as well; perhaps all that thinking meant the brain would take blood away from the reproductive organs and lead to infertility. A common diagnosis for women was “hysteria,” a general term that could be applied to almost any woman. A common “cure” for hysteria was bed rest, preventing both physical and mental activity. The diagnosis of hysteria served as a justification for severely limiting women’s activities, drawing on the ideology of the fragile female body. Charlotte Perkins Gilman wrote the classic short story “The Yellow Wallpaper” after her own experience of being forced to stay in bed with no mental stimulation, not even books.

Hysteria was also often associated with sexual problems, including a lack of interest in sex. The cure for this was “vaginal massage,” which was exactly what you think it was. This was done manually in doctors’ offices, but eventually mechanical vibrators became widely available, allowing women to treat their hysteria more cheaply and at home, and reducing the time it took to produce a “paroxysm”:

“Very useful and satisfactory for home service.” Uh huh. I bet women did indeed appreciate them.

I find it fascinating that the construction of (middle/upper class White) women as “hysterical” and often sexually repressed and frigid made it acceptable for them to purchase a product that allowed them to sexually satisfy themselves at a time when masturbation was still widely vilified, and excuse it on the grounds that it was medically prescribed.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Nipples And The Presentation Of Femininity

Originally posted in 2009. Re-posted in honor of Women’s History Month.

I still remember when the female characters on the sitcom Friends started the trend of visible nipples:

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As long as I’d been alive and paying attention, hard nipples were embarrassing. Then, suddenly, they weren’t. I even remember hearing that women could get the all-hard-all-the-time look by buying those tiny rubber bands (that I only associate with the plastic bags aquarium fish come in) and fitting them tightly around your nipples. Nipples are still big, if measured by mannequins (Wicked Anomie noticed too).

It turns out this comes in fits and starts.  This vintage ad (no date on the source), for example, features a bra with built-in hard nipples! (Apparently it had been a trend before I’d been alive and paying attention.)

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In the comments, Dmitriy T.C. added a link to the patent for this device. I can’t resist adding this particular paragraph explaining why a bra with fake nipples is important:

…simulated nipples for a brassiere would offer an acceptable compromise for ladies who do not wish to go without a brassiere and a welcome release from the subconscious effects of the suppression brought on by wearing brassieres of the types variously available, which obliterate the nipple.

LOL.

Anyhow, Tracey at Unapologetically Female wondered about wearing such a bra:

Didn’t anyone ever start to wonder why these women’s nipples were ALWAYS hard? And what if their real nipples (realistically probably located somewhere a bit lower than the bra’s) ever poked through, creating a quadruple effect?! Horrifying.

I find this whole thing especially funny, since, while shopping recently, Katie and I were making fun of these bras with built-in “modesty panels” that provide extra padding so that the nipple will never make an appearance. Times sure have changed.

Except times haven’t changed in the sense that women’s bodies still aren’t allowed to just be. Their nipples either must show, or must not show, or they should show in some contexts, or are allowed to show, but in other contexts they better not show.  (Remember the outcry over Hilary Clinton’s “cleavage”?  Can you imagine if she’d shown some nip!?)

So apparently we’re supposed to have nipple bras, bras with “modesty panels,” and a couple rubber bands in our pockets just in case. The one thing that is clearly less than ideal in all this: actual nipples doing what they do.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Yes, We’re Still Gendering Everything

Readers have submitted some great examples of gendered items in the last few months, so I’ve collected just a few here. This includes “the first gender-based wholefood,” certainly a milestone worth commemorating, so let’s get to it!

An anonymous reader pointed out that Barnes & Noble has book collections for boys and girls:

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The summaries of the books reinforce ideas about gender and especially the association of boys with action and girls with relationships. The description of the boys’ collection mentions “excitement” and “tales of action, adventure, and exploration”:

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The girls’ collection, on the other hand, includes “heartwarming tales” that teach us that “friendship is the most priceless and enduring gift of all”:

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Nora Goerne sent in girls’ and boys’ pasta she saw in Dutch supermarket Albert Heijn:

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And Emily discovered you can get gender-specific yogurt for kids:

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Nick O. noticed these bottle-opener rings, one of which is marketed to women by putting it on a pink background with the word “woman” on it but otherwise seemed the same to Nick:

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Carrie J. sent in this ad for gendered kids computers from 1999:

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Shara found boys’ and girls’ cake sprinkles in New Zealand:

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CBH was looking for birthday supplies on the Party City website and noticed that according to the decorations, by their first birthday girls are already “angels” and boys are “rebels”:

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Helen S. sent us this image posted at Boing Boing of crayon sets that are implicitly gendered through the use of the colors and terms (especially “princess”) that have become codes for boys and girls:

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Green gloves are apparently for boys now (thanks, Michelle):

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And finally, as promised: You will be relieved to know that “the first gender-based wholefood” is here, and not a moment too soon. According to the website for Sexcereal — no, stop laughing, this is serious — the female version supports “hormonal balance” while the male version has ingredients that “support testosterone and then some,” which actually makes me afraid this product might cause ‘roid rage if eaten too often:

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Their website (sent in by Vanessa K.) is an absolute delight, and provides many a hearty laugh. It’s just too bad Sexcereal is only available in Canada. All of us non-Canadians are stuck eating our stupid unisex cereals, leaving our hormones unbalanced and our testosterone feeling sadly unsupported, and then some.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Policing Powerful Women: Hillary Clinton and the NY Post

Last month the New York Post ran with this unflattering cover photo of Hillary Clinton responding strongly to congressional questioning and the tagline “No Wonder Bill’s Afraid.”

The not-so-subtle sexist messages include:

  • Even if you’re secretary of state in the most powerful country in the world, it’s not alright to get angry if you’re a woman;
  • when a powerful woman raises her voice to make a point, she is out of control — “exploding with rage”;
  • and when a man is married to a powerful woman, even a man who used to lead the free world, he is automatically cowed by her.

Despite rapid gains in women’s political and corporate leadership since the 1970s, powerful women are still held to the damaging double-bind of appearing “properly” masculine in order to appear
leaderly and “properly” feminine so as to not violate social expectations.

Caroline Heldman is a professor of politics at Occidental College. You can follow her at her blog and on Twitter and Facebook.

From Manly to Sexy: The History of the High Heel

Cross-posted at The Huffington Post.

Why do women wear high heels?  Because men did.

Men were the first sex to don the shoe. They were adopted by the European aristocracy of the 1600s as a signal of status.  The logic was: only someone who didn’t have to work could possibly go around in such impractical footwear.  (Interestingly, this was the same logic that encouraged footbinding in China.)

Women started wearing heels as a way of trying to appropriate masculine power.  In the BBC article on the topic, Elizabeth Semmelhack, who curates a shoe museum, explains:

In the 1630s you had women cutting their hair, adding epaulettes to their outfits…

They would smoke pipes, they would wear hats that were very masculine. And this is why women adopted the heel — it was in an effort to masculinise their outfits.

The lower classes also began to wear high heels, as fashions typically filter down from elite.

How did the elite respond to imitation from “lesser” people: women and workers?  First, the heels worn by the elite became increasingly high in order to maintain upper class distinction.  And, second, heels were differentiated into two types: fat and skinny. Fat heels were for men, skinny for women.

This is a beautiful illustration of Pierre Bourdieu’s theory of class distinction.  Bourdieu argued that aesthetic choices function as markers of class difference.  Accordingly, the elite will take action to present themselves differently than non-elites, choosing different clothing, food, decor, etc.  Expensive prices help keep certain things the province of elites, allowing them to signify their power; but imitation is inevitable.  Once something no longer effectively differentiates the rich from the rest, the rich will drop it.  This, I argue elsewhere, is why some people care about counterfeit purses (because it’s not about the quality, it’s about the distinction).

Eventually men quit wearing heels because their association with women tainted their power as a status symbol for men.  (This, by the way, is exactly what happened with cheerleading, originally exclusively for men).  With the Enlightenment, which emphasized rationality (i.e., practical footwear), everyone quit wearing high heels.

What brought heels back for women? Pornography.  Mid-nineteenth century pornographers began posing female nudes in high heels, and the rest is history.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.

Gender Ideology by Geico

In her classic article, Teddy Bear Patriarchy, Donna Haraway examined the arrangement of the taxidermied animals in the American Museum of Natural History mammal hall in the first half of the 1900s.  She observed that the dioramas consistently featured nuclear families with strong fathers alert for dangers and nurturing mothers attending to their children.

This was a lie, of course. As we well know, the nuclear family is the exception, not the rule among mammals.  Instead of science, it was our own beliefs about men, women, and gender roles that informed the curators of the exhibits… and left viewers with a sense that these arrangements were more natural and universal than they are.

I’m an animal lover and have a broad appreciation for science, so I particularly enjoy exposing this type of projection.  Bee Movie was a particularly egregious case and we’ve written posts on nature documentaries that do this (on hyenas and flatworms).  The latest case is a Geico commercial.  See if you can catch it:

So, if you know anything about lions, you know that it’s unlikely that “Karl” is doing the hunting.  Among lions, it is the females who specialize in hunting (and they usually do so in groups, for what it’s worth).

See, no manes:

The commercial certainly coincides nicely with what many of us believe to be true about the natural role of human men, but it doesn’t reflect the reality of lion life at all.

Perhaps the people at Geico thought that a female huntress would confuse or distract the reader from their joke.  Or perhaps everyone involved in the project didn’t know this fact about lions; their gender ideology would have masked their ignorance, such that it never occurred to them to look it up.  Either way, contemporary ideas about gender shaped this “diorama” and it potentially reinforces similar beliefs among viewers.

Lisa Wade is a professor of sociology at Occidental College. You can follow her on Twitter and Facebook.