Romantic love occupies a significant amount of space in both popular culture and, often, the human psyche. It is the muse of artists, musicians, and poets; the downfall of great characters; the impetus for sheer giddy joy, deep comfort, and the sharpest most debilitating pain. Truly, what else matters when you’re in the arms of a lover? What else is of import after a lover breaks your heart? Of course, romantic love, as conceived in the contemporary West, has an end game: marriage and/or life partnership along with the formation of a family.
This has not always been the case, and is not the case everywhere. The notion of romantic love began with knights and ladies of nobility and had nothing to do with marriage, or even sex, while arranged marriages and dowry agreements have little to do with romantic love. That is, the coupling of love with marriage is not compulsory, but culturally constructed as such. And it strikes me, when I think about it, as a bit of an odd couple. (more…)
Okay, maybe the title is a bit dramatic, but hear me out. Vacation responders, those automatic emails that tell would-be correspondents that you are away from your inbox, are contributing to unrealistic work demands. The vacation responder directly implies that if it is not activated, the response should be prompt. It sets up a false binary wherein we are either working or on vacation. Its easy to tell that the work/vacation split is dubious because these two states of being that are in increasingly short supply. Lots of people are out of work, and those who do have jobs are working longer hours than ever before. Obviously vacation responders aren’t the cause of our economic woes (that can be found here) but they do enforce the worst parts of late capitalism’s work ethics.
Today, Facebook announced some significant changes in its approach to privacy: New users now start with “friends only” as their default share setting and a new “Privacy Checkup” will remind users to select audiences for their posts (if they don’t, it will also default to “friends only”).
This announcement is significant in that it is the first time that Facebook has ever stepped back its privacy settings to be less open by default. This appears to contradict a widely held assumption that Facebook is on a linear trajectory to encourage ever more sharing with ever more people. Media reports have pitched this as a victory for users, who are supposed to have forced the company to “respond to business pressures and longstanding concerns” or “bow to pressure.” (more…)
Last week I wrote about how–despite their supposed libertarian principles–Wall Street and Silicon Valley firms (most notably, Chase and Amazon) had embarked on systematic campaigns of discrimination against sex workers, seemingly intent on expelling sex workers from the financial system. I concluded that discrimination propelled by market forces is no less reprehensible and no less deleterious in its consequences than discrimination driven by personal prejudice. And, I argued that we should hold accountable those who let a commitment to profit trump their commitment to fighting discrimination.
This weekend–almost as if to make a spectacle out of how vicious the campaign against sex workers has become–WePay took the unfathomably callous action of cancelling a fundraiser for Eden Alexander, a porn performer who experienced some very serious and acute health issues and was in desperate need of financial assistance to pay medical/personal care bills. Alexander tweeted the cancellation notice that she received from WePay: (more…)
Over the course of the past few weeks, two major US corporations—Chase Bank and Amazon—have each undertaken campaigns apparently aimed at expelling sex workers from the financial system, despite the fact that this work is completely legal and the compensation is above board.
Social media has be buzzing with reports from porn performers of vaguely worded letters from Chase stating “we recently reviewed your account and determined that we will be closing it.” At the Cybogology-sponsored Theorizing the Web conference, porn performer Stoya described her experience: “I’ve personally had issues with Chase, which is why I was giggling, because they shut down my business account but then didn’t understand why I wanted to close my personal account.” While Chase and other financial institutions (e.g., Paypal, Square, WePay, City National Bank, and J.P. Morgan) have long engaged in ad hoc discrimination against sex workers, Chase’s recent actions are unprecedented in that they appear to indicate a systematic effort to uncover and blacklist anyone involved in sex work. (more…)
Today’s post is a reply to Robin James’ post, which raises questions stemming from the observations made in Jodi Dean’s recent post on “What Comes After Real Subsumption?”
This might be a tad “incompatible” with the existing discussion because while the discussion so far has focused mainly on a Marxist approach to a series of philosophical questions, I want to take an anarchist approach to an anthropological re-reading of the initial question: “what comes after real subsumption?” That is, I think some of the subsequent questions might be more answerable if we interrogate their anthropological facets. Particularly, I want to focus on what is considered feedstock for production and what is identified as the act of consumption which, by definition, must yield a waste that capitalists sort through in an effort to extract more surplus value. Pigs in shit as it were. (more…)
[This is a very rough, thinking-as-I-write piece. It may jump around a lot. If I’ve left something underexplained, let me know!]
Yesterday, Mike D’Errico posted a wonderfully provocative essay about brostep, the Military Entertainment Complex, and music/game tech to Sounding Out. I want to flesh out a few initial responses to his piece. I really, really like Mike’s attention to the interface between music and gaming technology and gender, but I think the post under-theorizes gender. The “bros” in brostep are doing the work of patriarchy, but I think they’re doing this work with tools and methods–that is, with “tech”–that complicates traditional notions of masculinity and traditional gender politics. In the end, I want to contrast the industrial Dad with the neoliberal/communicative Bro.
On New Year’s Eve the biggest fireworks display ever was launched off of the biggest tower in the world. Dubai’s fireworks show was, in terms less vulgar than the display itself, an undulating orgasm of global capital. The 500,000 fireworks mounted to Burj Khalifa Tower and the surrounding skyscrapers, were reportedly viewed live by over a million people on the ground and livestreamed to millions more around the world. I can’t find a price tag for the display (too gauche?) but given that your typical municipal fireworks display for proles can easily top six figures, lets just assume that you could measure the cost of this display in national GDPs. It was profane in the way Donald Trump’s continued existence is profane. The fireworks display was so huge —such an utterly perfect metaphor for capitalism itself— that no single person standing on the ground could witness the entire thing. It was a spectacle meant for camera lenses. (more…)
“Reach out and touch someone” is an old telephone ad slogan; even regular old telephony is a medium for social interaction.
Over on Vice Motherboard, Michael Byrne recently wrote about his desire for “an Instagram of sound.” He says
What I want is a place to hear things that people record in the spaces around them. This seems reasonable to me: An app with just one button to record and another to share. I’d have fewer “friends” than on Instagram, in the realm of sound, but there would surely be some. And some who use the app would be pushed to find better and more interesting sounds, and to appreciate those sounds in new and different ways.
There are already such apps–Audioboo is the one I use (there are plenty of others, as summarized here). Audioboo is a social network for sound-sharing; people follow me on Audioboo, but I’ve also linked my account to Twitter so I can also tweet sound clips and share with my twitter followers, just like I would with Instagram (if, that is, I used Instagram with any regularity). I wish it was as popular as Instagram, Snapchat, and Vine…but it’s not.
I don’t think this relative lack of popularity is primarily due to the fact that, as Byrne argues, we’re trained to use vision as our dominant sense. Certainly that’s part of it, but that’s not the only (and perhaps not even the primary) reason. I think sound recording is a different medium than both photography and even Vine’s short-attention-span videography, and that maybe this medium isn’t as well-suited as photography and videography are to the kinds of tasks we generally want to accomplish on social media. So, the controlling factor here is social media, not auditory or visual content–they’re just means to the end of social mediation.
The Planned Headquarters of Apple Inc.
The year is 1959 and a very powerful modern art aficionado is sharing a limousine with Princess Beatrix of the Netherlands. The man is supposed to be showing off the splendor of the capital of what was once —so optimistically— called New Amsterdam. His orchestrated car trip is not going quite as he had hoped and instead of zipping past “The Gut” and dwelling on the stately early 19th century mansions on Central and Clinton Avenues, Beatrix is devastated by the utter poverty that has come to define the very center of this capitol city now called Albany, New York. The art aficionado, unfortunately for him, cannot blame some far away disconnected bureaucrat or corrupt politician for what they are seeing because he is the governor of this powerful Empire State and he has done little to elevate the suffering of his subjects. He resolves, after that fateful car trip, to devote the same kind of passion he has for modern art to this seat of government. Governor Rockefeller will make this city into a piece of art worthy of his own collection. (more…)