capitalism

The Jager Bomb:
Ingredients:

  • One 8 oz. can of Red Bull
  • One shot of Jägermeister
  • Willingness to overpay for an overhyped experience

The shot of Jager is dropped into a glass of Red Bull and chugged until all evidence disappears down the throats of the youthful.

Felix Baumgartner jumps higher and faster than anyone ever before. Image c/o AP

As I (and a record 8 million other live Youtube viewers) witnessed Felix Baumgartner jump from a floating platform 128,000 feet in the air, I could not help but think about those little red bulls on his helmet. Red Bull, the ubiquitous energy drink and funder of all things Extreme™, had branded nothing less than a moment in human history. A monumental achievement brought to you by a peddler of a sugary drink that has fueled some of the worst decisions in the world [NSFW]. There was a day when the United States government was in the business of dazzling humanity with its feats of technological superiority and raw tenacity. For three years we were landing on the moon almost every six months. We made it look easy. Baumgartner’s jump is truly incredible, but it also makes me a little angry. I am tempted to bemoan the fall of civic life and the rise of corporate-sponsored spectacle, but ultimately I cannot find a moral handhold. Do I want an arms race or consumer capitalism to fund the greatest technological achievements of my lifetime? more...

Image c/o selector.com

If you watch the documentary “Urbanized” (now streaming on Netflix) you will eventually see an interview with the man pictured above. His name is Enrique Peñalosa and he is the former mayor of Bogotá, Columbia. During his tenure as mayor he instituted several major changes to the city’s physical and social character. His signature accomplishment was a major  bus rapid transit system that is widely regarded by urban planners as one of the most advanced in the world. (See video after the jump.) While the physical changes are no small feat, characterizing his work as simply in the domain of transit or even environmental conservation, would be missing the larger picture. Peñalosa sees urban planning, and specifically access to transportation, as a moral issue. Constitutional rights must extend beyond the juridical or the legalistic sense and into the very physical manifestations of governance. His vision can be summed up in a simple, bumpersticker-ready quote: “A developed country is not a place where the poor have cars. It’s where the rich use public transportation.” In this brief essay I will apply this rationale to networked computing both in the American context and the developing world. more...

PJ Rey just posted a terrific reflection on hipsters and low-tech on this blog, and I just want to briefly respond, prod and disagree a little. This is a topic of great interest to me: I’ve written about low-tech “striving for authenticity” in my essay on The Faux-Vintage Photo, reflected on Instagrammed war photos, the presence of old-timey cameras at Occupy Wall Street, and the IRL Fetish that has people obsessing over “the real” in order to demonstrate just how special and unique they are.

While I appreciate PJ bringing in terrific new theorists to this discussion, linking authenticity and agency with hipsters and technology, I think he focuses too much on the technologies themselves and not enough on the processes of identity; too much on the signified and not where the real action is in our post-modern, consumer society: the signs and signifiers. more...

dont read all of the tweets

There is often the assumption that the information economy expects us to consume more and more, leading us to process more but concentrate less. Some have called this a “fear of missing out” (or FOMO), a “blend of anxiety, inadequacy and irritation that can flare up while skimming social media.” However, most of these arguments about FOMO make the false assumption that the information economy wants and expects us to always process more. This isn’t true; we need to accept the reality that the information economy as well as our own preferences actually value, even need, missing out.

Many do feel in over their heads when scrolling social media streams. Especially those of us who make a hobby or career in the attention/information economy, always reading, sharing, commenting and writing; tweeting, blogging, retweeting and reblogging. Many of us do feel positioned directly in the path of a growing avalanche of information, scared of missing out and afraid of losing our ability to slow down, concentrate, connect and daydream, too distracted by that growing list of unread tweets. While it seemed fun and harmless (Tribble-like?) at first, have we found ourselves drowning in the information streams we signed up for and participate in? more...

I just published a piece in a special issue of American Behavioral Scientist on the topic of Prosumption and the Prosumer. The article will likely be of interest to many of Cyborgology blog readers. In it, I consider the applicability of Marx’s two main critiques of capitalism—alienation and exploitation—to social media. Though Marx was describing the materialist paradigm of factory production, it is useful to see how far these concepts can be stretched to account for the immaterial paradigm of digital prosumption, because, even if we observe weaknesses in how the concepts graft on to social media, these observations become a starting point for new kinds of theorizing.

Additionally, I found it important to try to bring alienation into the conversation surrounding social media. Thus far, most Marxian analysis has focused solely on exploitation (many hyperbolically claiming that we have entered an era of hyper- or over-exploitation). I argue that exploitation has remained a constant between material and immaterial modes of production and that what is most remarkable is the fact that productivity occurs on social media with so little alienation.

You can access the article on the publisher’s site or as a .pdf here.

PJ Rey (@pjrey) is a sociologist at the University of Maryland working to describe how social media and other technology reflect and change our culture and the economy.

The Google Matrix

Originally posted on PopMatters.

On Twitter, PJ Rey resurrected this August 2010 op-ed by William Gibson that has new currency given the hullaballoo about Google’s privacy-policy changes. Gibson argues that Google is an unanticipated form of artificial intelligence, “a sort of coral reef of human minds and their products.” But this description sounds less like artificial intelligence and more like Marx’s notion of the general intellect. Anticipating the intensification of technology, Marx claimed that machines would eventually subsume “the process of social life” and integrate it as a form of productivity.

The development of fixed capital indicates to what degree general social knowledge has become a direct force of production, and to what degree, hence, the conditions of the process of social life itself have come under the control of the general intellect and been transformed in accordance with it. To what degree the powers of social production have been produced, not only in the form of knowledge, but also as immediate organs of social practice, of the real life process.

This is pretty obscure even by Marx’s standards, but autonomist Marxists (Negri, Lazzaurato, Virno) have extrapolated from this a definition of general intellect that embraces, as Virno puts it, “formal and informal knowledge, imagination, ethical tendencies, mentalities and ‘language games’.” Because of the membranous nature of the general intellect, when harnessed and integrated with capital, it can recuperate all social behavior as “immaterial” production — enriching the valence of signs, producing affects, etc. — it means that “even the greater ‘power to enjoy’ is always on the verge of being turned into labouring task.” That is, our consumption, especially of information, is a mode of production. The general intellect is the sum of all that information circulation. more...

You may not be a fan of the wub-wub-wubbing musical genre known as dubstep, but it is increasingly taking center stage in American popular culture. For example, a recent NorthFace advertisement uses it while a snowboarder glides down a snowy mountainscape, Britney Spears  and Rihanna have both incorporated some dubstep into their recent work, teen heartthrob Justin Bieber is rumored to be working on his own dubstep album, and the teaser trailer for the new Mission Impossible film features a distinct wub-wubbing in the background. So what is dubstep anyway? And where did it come from?

Dubstep Goes to College
Dubstep was conceived in the London dance music scene in the late 90s and early 00s. It takes mainly from drum and bass and grime genres, but is influenced by many different styles of music, including dancehall and hip-hop. The heavy influence of grime, the dark elements of drum and bass and the guttural bass lines give it an almost dirty sound. This along with the layer of synthesizers are what people in the scene refer to when they describe the music (or party) as “grimey.”

Dubstep entered the mainstream club scene in 2006 in great part with the release of producer Oliver Jones’ (aka Skream) debut album “Skream,” which took club culture by storm in Europe (Woolliams 2008). The album also became widely popular in the United States EDM (electronic dance music) scene.

Internet memes like this serve to articulate anxiety about perceived subcultural changes.

more...

Popular dubstep DJ Skrillex performing live.

Below is the first of a two-part essay exploring the popularity of dubstep, a musical genre formerly associated with the underground EDM (electronic dance music) scene.

Part 1

You may not be a fan of the wub-wub-wubbing musical genre known as dubstep, but it is increasingly taking center stage in American popular culture. For example, a recent NorthFace advertisement uses it while a snowboarder glides down a snowy mountainscape, Britney Spears  and Rihanna have both incorporated some dubstep into their recent work, teen heartthrob Justin Bieber is rumored to be working on his own dubstep album, and the teaser trailer for the new Mission Impossible film features a distinct wub-wubbing in the background. So what is dubstep anyway? And where did it come from?

Dubstep Goes to College
Dubstep was conceived in the London dance music scene in the late 90s and early 00s. It takes mainly from drum and bass and grime genres, but is influenced by many different styles of music, including dancehall and hip-hop. The heavy influence of grime, the dark elements of drum and bass and the guttural bass lines give it an almost dirty sound. This along with the layer of synthesizers are what people in the scene refer to when they describe the music (or party) as “grimey.” more...

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The recently released film In Time, staring Justin Timberlake and Amanda Seyfried, depicts a dystopian future where time, rather than money, acts as the currency. This film gives a Marxist critique of capitalism with a technological twist. In doing so, it reflects the cultural fear associated with life-prolonging technologies. At the same time, the film falls victim to the overly structural depictions common in popular Marxist tropes, and overly individualist claims about human nature—failing to make a connection between the two. more...

all photos in this post by nathan jurgenson

The role of new, social media in the Occupy protests near Wall Street, around the country and even around the globe is something I’ve written about before. I spent some time at Occupy Wall Street last week and talked to many folks there about technology. The story that emerged is much more complicated than expected. OWS has a more complicated, perhaps even “ironic” relationship with technology than I previous thought and that is often portrayed in the news and in everyday discussions.

It is easy to think of the Occupy protests as a bunch of young people who all blindly utilize Facebook, Twitter, SMS, digital photography and so on. And this is partially true. However, (1) not everyone at Occupy Wall Street is young; and (2), the role of technology is certainly not centered on the new, the high-tech or social media. At OWS, there is a focus on retro and analogue technologies; moving past a cultural fixation on the high-tech, OWS has opened a space for the low-tech.

What I want to think about there is the general Occupy Wall Street culture that has mixed-feelings about new technologies, even electricity itself. I will give examples of the embracing of retro-technology at OWS and consider three overlapping explanations for why this might be the case. I will also make use of some photographs I took while there. more...