race/ethnicity

In honor of St. Patrick’s Day tomorrow, I thought I’d re-post this one from 2010…

Some recent ads making fun of redheads has brought gingerism — or hateful attitudes and behavior towards people with red hair, light skin, and freckles — into the news lately.

It appears to be an ongoing form of discrimination, especially in Britain.  Men and boys appear to be more frequent targets than women and girls, who at least are sometimes seen as uniquely beautiful.  A recent series of verbal and physical attacks  is nicely documented at Wikipedia.  They include a stabbing, a family who has had to move twice after their children were bullied, a woman who won a sexual harassment suit after being targeted for her red hair, and a boy who committed suicide after being teased relentlessly.

The prejudice may be related to the long-standing antagonism between Britain and Ireland; discrimination against the Irish by the British crossed the Atlantic with early Americans.  As late as the 1800s the Irish were demeaned, negatively stereotyped, and compared with apes in the United States.

Katrin brought our attention to this ad for Tesco. Tesco voluntarily withdrew their ad after complaints. And an ad for npower generated a handful of complaints to the Advertising Standards Authority.  The Authority declared that the humor was unlikely to cause widespread offense (BBC).

Katrin also sent in M.I.A.’s video for the song “Born Free.” It was pulled from YouTube for excessive violence and inappropriate content. Among other themes, it shows red-headed, freckled adolescents being rounded up by the police (this becomes clear at about 2:45), taken out to a deserted area, shot at or bombed, and physically attacked. The video is supposed to highlight ethnic cleansing, though a number of critics argue the gratuitous violence overshadows any political point. It’s about 10 minutes long, but you don’t have to watch the whole thing to get the idea:

M.I.A, Born Free from ROMAIN-GAVRAS on Vimeo.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Many people look at Asian-Americans’ relatively high incomes, compared to other racial/ethnic groups, and assume this minority group has achieved the American Dream.  In fact, Census data reveal Asians have higher average incomes and are less likely to live in poverty than whites (DeNavas, Proctor, & Smith, 2011).  Numbers like this lead many to conclude Asians are free from discrimination and are a “model minority” for others to emulate.

However, these numbers regarding Asian-American economic success are misleading.  For example, after controlling for factors such as education, number of workers in a household, and regional costs of living,, Asian-Americans’ economic advantages disappear (Kim & Mar, 2007).  Like other racial minorities, because of racial discrimination Asians must work harder to get the same economic returns as whites.

But the model minority stereotype is so distracting that many completely overlook overtly racist statements about Asians.  A Saturday Night Live clip about the “Linsanity” surrounding NBA player Jeremy Lin illustrates how the racial discourse is regulated quite differently for Asian Americans in comparison to African Americans, drawing on several actual incidents and comments that appeared in coverage of Lin. In this clip, the sportscasters celebrate a headline describing Jeremy Lin as “Amasian,” laugh at signs depicting him inside a fortune cookie, and make statements such as he’s “sweet not sour” and “turned Kobe [Bryant] into Kobe beef.”   They also talk about “loving [Lin] long time,” “wax on, wax off Mr. Miyagi,” and “domo arigato, Mr. Lin-boto” as they bow while grinning widely, bang gongs, and mimic martial arts moves.  The double standard is revealed as the sportscasters criticize and then fire their peer for saying similar things about Black basketball players, including  “Kobe ordered fried chicken,”  “Amar’e Stoudemire was dancing like Maury Povich just told him he’s not the father,” and “my homey Carmelo [Anthony] rolls in late”.

In fact, Chou and Feagin argue the “model minority” stereotype makes Asians more vulnerable to racism than other racial groups because over-exaggerated notions of success lead many to dismiss prejudice against this group as innocent or harmless.  They write, “This distinctive, supposedly positive stereotyping distracts people from seeing the discrimination Asian Americans face every day” (Chou & Feagin, 2008, p. 30). The SNL clip drives home the way this played out with the Jeremy Lin case.

Relevant Reading:

Chou, R. S., & Feagin, J. R. (2008). The Myth of the Model Minority: Asian Americans Facing Racism. Boulder: Paradigm Publishers.

DeNavas, C., Proctor, B. D., & Smith, J. C. (2011). Income, Poverty, and Health Insurance Coverage in the United States: 2010. U.S. Census Bureau.

Kim, M., & Mar, D. (2007). The Economic Status of Asian Americans. In M. Kim (Ed.), Race and Economic Opportunity in the Twenty-First Century (pp. 148-279). New York, SC: Routledge.

Potter, J., & Wetherell, M. (1987). Discourse and Social Psychology. Sage.

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Jason Eastman is an Assistant Professor of Sociology at Coastal Carolina University who researches how culture and identity influence social inequalities.

Amid accusations of racism, the European Union (EU) has withdrawn a two-minute video designed to raise awareness about “Neighbourhood Policy,” an approach to establishing “deeper relations” with neighboring state the need for unity among EU nations and acceptance of candidate states hoping to enter.  In the video, sent to us by Claire P., the EU is personified by a white woman, who is facing attacks from all sides.

Bruno Waterfield, writing for the Telegraph, describes the scene:

First the EU heroine… is menaced by a Chinese Kung Fu master. Then a second threat appears as a urbaned practitioner of Kalaripayattu, a southern Indian martial art, levitates towards her brandishing a scimitar.

UPDATE: Reader Katrin says the video was about increasing integration and cooperation of states and the European Commission’s enlargement policy, not about the “neighborhood” policy as reported by the Telegraph:,

It was for greater unity of existing EU member states (which is why the video is entitled “Growing Together”) and candidates for membership (which is why it says “the more we are the stronger we are”) in order to show a united front to the rising powers China, India and Brazil. It was intended to portray that if the EU acts united, then China, India and Brazil will be willing to engage with the EU constructively…Current candidates of accession are e.g. Iceland, Macedonia, Montenegro, Turkey and Serbia. Enlargement and unity as a tool for greater power when facing rising economies was the intended message of the clip, not the ENP.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A recent post on Boing Boing discussed the newly discovered “rules for jazz performers during the Nazi occupation.”  Jewish and Black people — two groups targeted by the Nazis — were also the primary innovators of jazz music. But even as the German state denigrated jazz, jazz musicians, and swing dancers, Nazi soldiers loved jazz!  How to handle such a contradiction? Rules for playing jazz music: no “Jewishy gloomy lyrics,”  no “Negroid excesses in tempo,” and no “hysterical rhythmic reverses characteristic of the barbarian races.”  

It’s well worth a look, as is this post from 2010 explaining how many groups vilified by Nazis survived the Holocaust by playing jazz for Nazi soldiers…

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I have a favorite historical musician: Django Reinhardt.

Reinhardt was a Roma jazz musician. During World War II both Roma and jazz musicians were targeted by the Nazi regime. Over a million Roma were exterminated for presumed racial inferiority and jazz was believed to combine the worst of Blacks and Jews (i.e., “musical race defilement”). Just listening to a jazz record could get you sent to a concentration camp.

Reinhardt, however, enjoyed the most lucrative period of his career during the war, while living and playing openly among Nazi soldiers.

How?

Reinhardt biographer Michael Dregni, recently interviewed by NPR, explained:

The Germans used Paris basically as their rest-and-relaxation center, and when the soldiers came, they wanted wine and women and song. And to many of them, jazz was the popular music, and Django was the most famous jazz musician in Paris… And it was really a golden age of swing in Paris, with these [Romas] living kind of this grand irony.

Reinhardt, then, survived because the Nazis loved jazz music, even as Hitler censored the music and, on his orders, people who dared to listen to, dance to, or play it were encamped and members of the groups who invented it were murdered.  Irony indeed.

For more on Reinhardt, jazz, and World War II, here is a clip from a documentary on Reinhardt’s remarkable talent, career, and luck:

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UPDATE: A commenter, Bernardo Soares, offered an interesting critique/clarification in the thread.  Here’s part of what he had to say:

…I think it is grossly misleading to write that Reinhardt “enjoyed the most lucrative period of his career during the war”. He enjoyed the protection of some individuals in the German occupation force. This is not so unusual — the composer Richard Strauss who headed the Reichsmusikkammer used his influence to protect some Jewish composers. But as many other examples show, this was extremely precarious. As long as these individuals had the power to protect him, he was probably relatively safe, but he could still be shot by any soldier at a whim or be accidentally included in a deportation action. Also, these individuals could lose their power, or some higher-ranking officer could order him to be deported. Reinhardt tried several times to escape occupied France.

[Also] …the whole issue of music and art politics in the Third Reich is much more complex than stated in the video. The Reichsmusikkammer (Reich Music Chamber) was not the only institution regulating music politics. As with many other bureaucratic institutions in the Third Reich, several agencies struggled for influence and power. This means that music politics was often contradictory, and the absence of a clear regulation as stated in the video opened the door for arbitrary measures – again emphasizing the precarious situation of musicians. The competition and struggle for power between different agencies led to a radicalisation of racial and cultural politics, and this was even taken further in the occupied countries.

I do love this topic.  I also have a post on racial borrowing and lindy hop, the dance that made me love Django.  A paper I wrote about gender and lindy hop can be found in the journal Ethnography. And I have a talk based on the paper that I love to give in theory classes.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dominant groups have the power to control representations of less-powerful groups.  They exert an out-of-proportion influence on their cultural portrayals.

We’ve previously featured objections to simplistic portrayals of the enormous continent of Africa, especially as a place that is primitive and hopelessly burdened by death, disease, poverty, corruption, and other problems.  Chimamanda Adichie, for example, objects to the “single story of Africa” and Binyavanga Wainaina tell us how not to write about Africa.  Elsewhere, we’ve illustrated how the bustling city of Nairobi is portrayed as a savanna with giraffes and elephants.

An organization called Mama Hope, sent in by Jennifer C., seeks to challenge this perception.  They want the world to think of Africa as a place of hope and possibility.  To this end, Mama Hope is producing videos that “…feature the shared traits that make us all human— the dancing, the singing, the laughter…”  They look like this:

The effort reminds me of the “Smiling Indians” and “More Than That” videos, sent in by Katrin and Anna W.  The first addressed the stereotype of the “stoic Indian,” while the second is designed to counterbalance the common portrayal of reservations as miserable places full of one-dimensional hopeless people (something we are certainly sometimes guilty of).

Smiling Indians:

More Than That…:

These videos are examples of the way that the democratizing power of new technologies (both the internet in general and the relatively easy ability to take video and edit) are offering marginalized peoples an opportunity to contest representations by dominant groups.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Trudi Abel, who directs the Digital Durham Project at Duke University, sent in a map she thought we might like to post. Created by the Department of Public works in Durham, NC, in 1937, the map illustrates the legal and taken-for-granted racial segregation of the time. The map indicates which parks and residential areas were for Whites and which for African Americans:

The map:

Obviously you can’t see much, other than a general idea of which parts of town each race lived in. Go to the Digital Durham website and click on the map for a version that lets you zoom in to read all the details.

You might also want to check out our posts on a 1934 redlining map of Philadelphia and 2010 Census data on segregation.

Last week I posted about the stereotype that Black people love watermelons, explaining that it originated with efforts to justify slavery.  Black people were simple, slavery proponents argued, so a delicious watermelon was enough to make them happy.

This stereotype, long past its strategic usefulness, nonetheless persists.  Barack Obama’s election to the U.S. presidency, for example, inspired a rash of watermelon-themed commentary, including this one:

(source)

In light of this history, as well as the ongoing racism, the product below — a Valentine’s Day candy that pairs two Disney princesses — is rather, let’s say, insensitive.  The White Cinderella Aurora character decorates the vanilla flavored side; the Black Tiana character decorates the watermelon flavored side.  Just… wow.

Thanks to Caroline H. for forwarding this along.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Cross-posted at Thick Culture.

As of the 2010 Census, Latinos represent 17 percent of the US population, but are woefully underrepresented in traditional forms of political participation like voting and making campaign contributions. The Pew Hispanic center reports that while Latinos represented 21% of all eleigible voters in 2010, they accounted for only 6.6% of midterm election voters.

One area where Latinos are more likely to participate when compared to non-Latino whites is in outsider forms of participation like protest activity. This form of activity became synonymous with Latino political participation during the 2006 Grand Marcha where 500,000 protesters packed streets to protest immigration bills. A 2006 CIRCLE study finds that Latino youth, while not engaged in formal types of participation were much more likely to report having engaged in a protest:

Although young Latinos are generally not as engaged as other racial/ethnic
groups, 25% said that they had participated in a protest—more than twice the
proportion of any other racial/ethnic group.

By comparison, only 11% of all youth surveyed had reported taking part in a protest. The accounts for why Latinos protest more than other groups vary but a main causal fator is the lack of access to formal political channels, particularly for non-citizens and undocumented immigrants. Lisa Martinez (2008) points out that Latinos are less likely to engage in protest activity when they live in places with high numbers of elected officials. Is the increase in Latino political engagement via protest simply the result of demographic realities (e.g. residents can’t vote) or is it a leading indicator of an overall dissatisfaction with politics?

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Jose Marichal, PhD, is an assistant professor of political science at California Lutheran University. He teaches and writes about: public policy, race and politics, civic engagement, the Internet and politics, and community development.  He is founder of the blog ThickCulture.