children/youth

In the U.S. today we largely accept and encourage girls’ experimentation with boy-coded things, but we are still extremely ambivalent, if not downright condemnatory, of boys experimenting with girl-coded things.

This excerpt from an Ann Landers advice column from 1974 shows that Landers had the same asymmetrical concerns almost 40 years ago.

The parents ask about the sex-crossed play behavior of both their daughter and their son, but Landers fixates on the son, suggesting that if he continues such play he should get checked out.

From Ms.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Tom Schaller recently posted over at FiveThirtyEight about a new Hyundai commercial. The commercial suggests that you need to get a safe car because of all the young drivers on the road:

Here’s another:

Schaller argues that, while the commercials may be entertaining enough, he can’t help but wonder how people would react to similar commercials mocking the other age group over-represented in accidents — the elderly, according to the Insurance Institute for Highway Safety:

Is Hyundai wrong to say that teens, particularly those who just got their licenses, are more dangerous drivers than other age groups? No. But though people might joke about elderly drivers, I agree with Schaller — I can’t imagine a company putting out ads with a similar mocking tone and not immediately getting a ton of negative feedback ending in pulling the commercials and apologizing.

And this likely has a lot to do with the fact that older Americans are organized and represented by groups like the AARP and are thus able to wield political pressure and protest negative portrayals in a way that teens aren’t. This doesn’t mean that older people don’t get mocked (especially in TV shows and movies), but that a company is likely to be much more afraid of insulting them than insulting 16-year-olds.

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

A 6-year-old I know brought home a reading assignment from kindergarten. It’s called The New Nest, by Sandra Iversen, with illustrations by Peter Paul Bajer. An innocent tale of Mama Bird and Papa Bird working together to build a nest from 20 twigs, straw and wool. At the end, Mama Bird is sitting on her eggs wearing pearls. Papa Bird is in a white collar and blue tie.

It’s curious to use men’s and women’s accessories (tie, necklace) to identify the gender of the couple, when the species itself provides a reasonable degree of sexual dimorphism.

That’s seems comparable to the dimorphism found in humans.

Using both gendered clothes and bodies is not necessary, but together they are a powerful teaching tool for children, forming a lesson on the concordance of gender and sex differences: matching the different bodies with the appropriately different clothes.

This book is actually featured in a write-up on teaching reading from the journal The Reading Teacher.

I don’t know what the intentions of the article writers were, but there is nothing in there about teaching about sexual dimorphism, or gender norms and practices.

Philip N. Cohen is a professor of sociology at the University of Maryland, College Park, and writes the blog Family Inequality. You can follow him on Twitter or Facebook.

At Racialicious, Arturo R. García lodges a complaint against the modern makeover of Speedy Gonzales which is, apparently, underway.  Actor and Comedian George Lopez is scheduled to voice the character in a feature cartoon.

Starting in 1955, Speedy was a recurring character in Warner Brothers cartoons.  Dubbed “The Fastest Mouse in all of Mexico,” Speedy wore a sombrero and spoke in broken English.  In the cartoon below, he helps other Mexican mice steal cheese from across the Mexico/U.S. border guarded by a “Gringo cat” (Sylvester):

Lopez’s wife is on record saying that the new Speedy will not be the same racist caricature, but instead a Mexican boy who “…comes from a family that works in a very meticulous setting, and he’s a little too fast for what they do.”  But García isn’t convinced.  He writes:

The thing is, it’s not just about Speedy, but about the universe he inhabited. If this new film strays from the original Andale! Andale! schtick, critics will decry that the character was neutered by “the PC Patrol.” If it doesn’t, the couple has resurrected a very problematic cartoon character (two, if Slowpoke Rodriguez is also brought back.) What would be the next step – the return of Heckle & Jeckle? Is bringing back an “established brand” like this really a better option than creating an original character and building something positive from the ground up?

He also points out that Lopez’s success has rested largely on his own reproduction of racist stereotypes (of the whites-and-Latinos-are-so-different-hahaha! and Latinos-are-so-Latino-hahaha! varieties). For example:

Yeah… so I can’t imagine that that guy would ever participate in a project stereotyping Latinos.

I guess we’ll have to wait and see but, like García, I’m skeptical.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Dmitriy T.M., Jody, and Emily F. sent in a new public service announcement aimed at preventing teen pregnancy. It features Sarah Palin’s daughter, and teen mom, Bristol Palin.

Transcript:

What if I didn’t come from a famous family?
What if I didn’t have all their support?
What if I couldn’t finish my education?
What if I didn’t have all these opportunities?

Believe me, it wouldn’t be pretty.
Pause… before you play.

The ad is fantastic in its raw truth. But not, perhaps, in the way it is intended to be. While the ad is, I think, trying to tell all teenagers (not just non-rich ones) to “pause,” it also clearly lays out who pays the highest price for early motherhood.  Privileged teenagers (who are, by the way, more likely to abort than disadvantaged ones) will often be provided resources that mediate the negative consequences of keeping their child.  In contrast, when disadvantaged teenagers become mothers, it tends to entrench their disadvantage.

So thanks, Palins, for reminding us how nice it is to be rich.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

I watched it four times… so adorably human:

The Daddy’s youtube page, via Maedchenmannschaft.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Thank Maude for the British—because, without Kim and Aggie teaching us how to clean our homes, and Jo Frost teaching us how to raise our kids, and Victoria Stilwell teaching us how to control our dogs, and Trinny and Susannah teaching us how to dress ourselves, and Simon Cowell teaching us how to sing, and Nigel Lithgoe teaching us how to dance, Americans would be naked, cultureless beasts who lived in garbage heaps with feral children and wild dogs.

This is all true.

The latest Brit in the British How-To Invasion is “Naked Chef” Jamie Oliver, whose new show I Hate Fat People Jamie Oliver’s Food Revolution features Oliver traveling to Huntington, West Virginia—the Obesitiest Place in the Multiverse!—where he was determined to use his “magic” to help Huntington’s Fatties get less fat. I mean, healthier!

The reality series based on this generous thin martyr giving up his time to help stupid fat people premieres tomorrow night. But! By the magic of the internetz, you can watch it here right now!

[Editor’s note: this is the entire episode, but the first 8 minutes will give you the idea; also, I’m sorry non-U.S. readers, I know you can’t see Hulu.]

If you can’t view the video, here’s a quick summary: Headless fatties? Check. Enormous food stock footage? Check. OHNOES Obesity Crisis^TM? Check. Being fat is ugly? Check. Fat people are lazy? Check. Fat people are stupid? Check. Fat people are sick? Check. DEATHFAT? Check. Mother-blaming for fat kids? Check. Fat as a moral failure? Check. Religious shaming of fat? Check. Fat people don’t have “the tools” to not be fat? Check. Fat people need a skinny savior? Checkity-check-check!

I want to note that there is, buried somewhere beneath the 10 metric fucktons of fat-shaming (and not an incidental dose of misogyny, for good measure), information about healthful eating (e.g. not eating any fresh veg, ever, isn’t good for anyone), but this is information that could be delivered without a scene in which a mother of four whose husband is gone three weeks a month is told that she’s killing her children while she’s weeping at her kitchen table.

The premiere episode has absolutely zero structural critique, not even a passing comment about the reason that millions of mothers feed their kids processed foods is because it’s cheap and fast, which is a pretty good solution for people who are short on money and time.

Oliver places the responsibility for unhealthful eating exclusively at the feet of the individual, seemingly without concern for the cultural dynamics that inform individual choices. The extent of the explanation provided for why someone might choose to stock their freezer with frozen pizzas is that they’re lazy and/or don’t know any better.

And then he wonders why he isn’t greeted by the citizens of Huntington with open arms.

At the end of the episode, a newspaper article comes out in which Oliver’s evident contempt for the community has been reported. Oliver claims his words were taken out of context; the people with whom he’s been working to revamp elementary school meals don’t believe him—and understandably so, given that he’s been a patronizing ass to them.

In the final scene, Oliver speaks directly to the camera, and he is crying, wiping tears from his eyes as he throws himself a little pity party:

It’s quite hard to cut through negativity, always. And defensiveness. You know, I’m giving up massive time that is really compromising my family—because I care! You know, um, the tough thing for me [exhales deeply] is they don’t understand me, ‘cuz they don’t know why I’m here. [sniffs] They don’t even know what I’ve done, the things I’ve done in the last ten years! And I’m just doing it ‘cuz it feels right [sniffs], and when I do things that feels right, magic happens! [sniffs; shakes his head disbelievingly] I’ve done some amazing things, you know? And that’s when I follow my heart. And when I never follow my heart, I always get it wrong.

Look, I’m gonna be really honest: You do live in an amazing country. You put people on the moon! You live in an amazing country. And so do I, you know? And, right now in time, is a moment where we’re all confused about how brilliant we are and how technically advanced we are, and that is fighting with what once made our countries great, which is family, community, being together, and something honestly as simple as putting a few ingredients together and sitting your family or your friends or your girlfriend or your mother-in-law around that table and breaking bread. And if you think that’s not important, then shame on you!

Wow.

In an interview to promote the show, Oliver says, “You can’t really blame the parents when the whole culture and the whole horizon of food is all the same.” Which is an interesting comment from someone who chose a scene where he’s telling a mother she’s killing her kids for the premiere episode of his show.

That underlines a key problem with Jamie Oliver’s Food Revolution: He doesn’t want to be seen as the guy who blames parents for killing their kids and shaming fat people for being fat—but there he is in his show, blaming parents for killing their kids and shaming fat people for being fat. Oops.

And, on top of it, he ends the premiere episode by crying because those goddamn fat ingrates don’t appreciate him.

Reportedly, Huntington eventually warmed up to Oliver, but I don’t think I’ll be sticking around to watch that happy ending unfold.

And, for the record, Mr. Oliver, the “whole horizon of food” is actually not all the same in the US: In some places, things are much, much worse.

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Melissa McEwan is the founder and manager of the award-winning political and cultural group blog Shakesville, a founding member of the Big Brass Blog, and a contributor to The Guardian’s Comment is Free and AlterNet. Melissa graduated from Loyola University Chicago with degrees in Sociology and Cultural Anthropology and an emphasis on the political marginalization of gender-based groups.

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I can imagine a world in which gender difference did not translate into gender inequality… a world in which feminized tasks — nurturing others, creating beautiful and comfortable homes, cooking delicious, nutritious meals, and adorning oneself for the pleasure of oneself and others — were actually valued and, importantly, both respected and compensated in ways that reflected that value.

But alas. We don’t live in a world in which gender difference co-exists with gender equality. We live in a world in which boys go to the moon; and girls are princesses…

…at least, according to these “cookie pans” sent in by both Ash and Karen A.:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.