journalism

The Daily Beast ran a story last week with this lede: “Roseanne Barr and Michael McFaul argued with her on Twitter. BuzzFeed and The New York Times cited her tweets. But Jenna Abrams was the fictional creation of a Russian troll farm.” Abrams, the story goes, was a concoction of The Internet Research Agency, the Russian government’s troll farm that was first profiled in New York Times Magazine by Adrian Chen in June 2015. During its three-year life span the Abrams account was able to amass close to 70,000 followers on Twitter and was quoted in nearly every major news outlet in America and Europe including The New York Times, The BBC, and France 24.

The Abrams Twitter account was a well of viral content that over-worked listicle writers couldn’t help but return to. Once the account had amassed a following the content shifted away from innocuous virality to offensive trolling: saying the civil war wasn’t about slavery, mocking Black Lives Matter activists, and jumping on hashtags that were critical of Clinton. “When Abrams joined in with an anti-Clinton hashtag,” The Daily Beast reports, “The Washington Post included her tweet in its own coverage. One outlet used an image of a terrorist attack sourced from Abrams’ Twitter feed.” more...

The hack and leak of Colin Powell’s emails have brought with them a national conversation about journalistic ethics. At stake are the competing responsibilities for journalists to respect privacy on the one hand, and to inform the public of relevant ongoings on the other.

Powell’s emails, ostensibly hacked and leaked by Russian government forces, revealed incendiary comments about both Donald Trump and Hillary Clinton. Known for maintaining a reserved and diplomatic approach, the indiscreet tone of Powell’s emails had the appeal of an unearthed and long suspected truth.

The news media responded to the leaked emails by plastering their content on talk shows and websites, accompanied by expert commentary and in depth political analyses. Line by line, readers, viewers, and listeners learned, with a sense of excitement and validation, what Colin Powell “really thinks.” more...

I’m the first to admit that coming up with new material to write on a regular basis can be really tough. I also think that important arguments bear repeating. So I’m not mad when I see multiple versions of essentially the same story pop up in op-eds and essays. But I do feel the need to step in when stories that repeat themselves, repeatedly get something wrong. Such is the case with what I call the worry piece.

The worry piece is a particular brand of techno-skeptism. It addresses technology as an overwhelming force that on balance, changes people and relationships for the worse. It is concerned with the very nature of humanity and saturated with visceral anxiety. It is personal, and meant to shame you, but in a collective-we-should-all-be-ashamed kind of way. One can (and should) be skeptical and critical of technology for a host of reasons—mostly with regard to patterns of exploitation from its production, distribution, and use. The worry piece is less concerned with these structural issues and instead, occupied by the loss of dinnertime conversation and the influx of content to which readers can presumably pay only fleeting attention.   more...

Hacking is the new social justice activism, and the Panama Papers are the result of an epic hack. Consisting of 11.5million files and 2.6TB of data, the body of content given to German newspaper Süddeutsche Zeitung by an anonymous[1] source and then analyzed by the International Consortium of Investigative Journalists (ICIJ), is uniquely behemoth. It puts Wikileaks 1.7GB to shame.

The documents were obtained from Mossack Fonseca. The company is among the largest offshore banking firms, and their emails and other electronic documents tell a compelling (if not entirely surprising) story about untraceable monetary exchanges and the ways that state leaders manage to grow their wealth while maintaining a façade of economic neutrality. By forming shell companies, people can move money without attaching that money to themselves. This is not a sufficient condition for illegal activities, but certainly fosters illicit ones. more...

Atrocities in Eritrea atop my Twitter feed. A few tweets below that, police violence against an innocent African American girl at a pool party. Below that, the story of a teen unfairly held at Rikers Island for three years, who eventually killed himself. Below that, news about the seemingly unending bombing campaign in Yemen. Below that, several tweets about the Iraq war and climate change—two longtime staples of my timeline. It reminds me of the writer Teju Cole exclaiming on Twitter last summer that “we’re not evolving emotional filters fast enough to deal with the efficiency with which bad news now reaches us….”

This torrent of news about war, injustice, and suffering is something many of us experience online today, be it on Facebook, Twitter, in our inboxes, or elsewhere. But I wonder about the ‘evolutionary’ framing of this problem—do we really need to develop some new kinds of emotional or social or technical filters for the bad news that engulfs us? Has it gotten that bad? more...

I “Like” CNN on Facebook. Not because I enjoy getting the news on my Facebook feed (my friends do that) but because I love watching a bunch of people hate on CNN. As the above photo demonstrates, CNN tends to show its ass a lot. Asking your readers about the Royal Family’s baby on the 4^th of July, will undoubtedly piss off a dozen different demographics. It is constantly being called out for doing all of the things we know are wrong with American cable news. There are dozens, in some cases even hundreds, of comments about calling a revolution a coup, ignoring the important parts of stories, and generally missing the mark when it comes to stewarding and curating these weird things we generally call “national conversations.” I just want to know why CNN chooses to subject their brand to such public, naked criticism on a daily basis. more...

I’m fascinated by the cover of yesterday’s Sunday New York Times. Fixated on the image of Boston Marathon suspected bomber Dzhokhar Tsarnaev, I was momentarily unable to notice the words surrounding it. I was a little stunned, then angry, then captivated. The image, not just the Instagrammed selfie of Dzhokhar, but this photo within the culturally significant New York Times front page, is endlessly sociologically fascinating.

For some, this cover provokes anger more...

The very fact that your eyes rolled (just a little bit) at the title tells you that it is absolutely true. So true its obnoxious to proclaim it. Perhaps cable news died when CNN made a hologram of  Jessica Yeller  and beamed her into the “Situation Room” just to talk horse race bullshit during the 2008 election. Or maybe it was as far back as 2004 when Jon Stewart went on Crossfire and shattered the fourth wall by excoriating the dual hosts for destroying public discourse. The beginning of the end might be hard to pinpoint, but the end is certainly coming. Fox News had its lowest ratings since 2001 this year, but still has more viewers than CNN & MSNBCNEWSWHATEVERITSCALLEDNOW combined. Even if ratings weren’t a problem, credibility certainly is. Imagine if CNN stopped calling themselves the “Most Trusted Name In News” and used the more accurate, “A Little Over Half of Our Viewers Think We’re Believable.” By now it is clear that the zombified talking heads of cable news are either bought and sold, or just irrelevant. Cable news channels’ hulking, telepresent bodies have been run through and left to rot on the cynical barbs of political bloggers and just about anyone at a comedy shop’s open-mic night. This last series of screw-ups in Boston (here, here, here and unless it was avant-garde electronic literature, here) begs the question if cable news channels can even tell us what’s going on anymore. Cable news is dead, but something keeps animating the corpse. more...

Stories In Focus, posted by Sarah Wahnecheck two days ago, is a brief exploration of Bokeh that strikes me as a great start to something bigger. This is just a quick followup, asking Sarah and others to think more about the reality that amateur, documentary and news footage is increasingly coming to look like art films, specifically the effect of having one thing in sharp focus with the rest blurred and out of focus. more...

Doing Journalism in the Social Media Age

Discussion with Andy Carvin (@acarvin) & Zeynep Tufekci (@techsoc)

Introduction: Nathan Jurgenson (@nathanjurgenson) & PJ Rey (@pjrey)