Let’s get the obvious out of the way: Elysium was trashy action flick. It sacrificed any pretense of plot or character development to maximize the number of fight sequences and explosions. It’s clearly geared toward the X-Men 7/J.J. Abrams crowd. However, Elysium does accomplish a few things worth considering:

1. It injects a class narrative into an action movie—a genre that has been intellectually moribund in recent decades.
2. It offers a revolution (as opposed to reform) narrative.
3. It envisions a dystopia arising more from state neglect than from state control.
4. It avoids technological reductionism.

(Note: Spoilers to follow) more...

Here are some of the things I’ve talked about on my Twitter in the last week or so.

• my mental health issues
• nail polish
• Batman
• how generally unpleasant graduate school is
• the pan-fandom roleplaying game I’m part of
• my fiction writing
• Chelsea Manning and rights for trans* people
• my syllabus for my Social Problems course this fall
• Detroit
• the failing Philadelphia public school system
• knitting

In other words, in many respects this is your average personal Twitter account. I use it in a pretty average way, if there even is an “average” way to use Twitter, which I think is up for debate. What isn’t average about it is that it’s my only Twitter account. more...

Jenny’s latest post on teen sexting, especially with its Salt-N-Peppa-referencing title, had me thinking about music, teen sexuality, race, and technology. These fears about newfangled technologies (and their means of distribution) corrupting (white) teen sexuality remind me of various mid-20th century (white) anxieties about (white) teen sexuality and rock music, and its circulation as records, radio broadcast, and TV performance. And notice all the repetitions of “white” in that last sentence. Race–specifically, blackness–was at the center of these anxieties. Back then, emerging technologies (recordings, radio, TV) could circulate racialized sounds, ideas, and affects in ways that confounded the institutions and informal practices that enforced a strict segregation between white and black bodies, white and black people. New technologies undermined older, segregationist technologies (like segregated theaters or clubs). So, these anxieties about media technology and teen sexuality were deeply and fundamentally racialized. John Waters’s original 1988 Hairspray does a brilliant job of connecting mid-century anxieties about racialized teen sexuality to specific technologies (i.e., records and television).

more...

In a recent post for Cyborgology, I attempted to both refine the concept of digital dualism and explain its connection to the set of arguments that constitute conservative thought. With respect to the former, I argued that “digital dualism” should refer strictly to those instances where a person attempts to establish a normatively-charged ontology based upon some technological category. Thus, a digital dualist might first posit that the world is divided between the “real” and the “virtual” (or perhaps the “offline” and the “online”) and then imbue these categories with normative value by judging the former to be superior to the latter (or vice versa). more...

“If it weren’t for all of you I would have lost my mind at my job.” Its a familiar refrain that I hear at lots of small conferences and, occasionally, on Twitter backchannels. Its an amazing compliment to hear that your weak tie with someone means so much, but its also an immensely troubling prospect. Hundreds (maybe thousands?) of highly trained professionals have serious misgivings about their professional associations, their home institutions, and maybe even their life’s work. I had heard variations on this theme most recently this past week when I helped out at the (really, really cool) Engineering, Social Justice, and Peace Conference hosted here in Troy, New York. The conference was attended by an array of people: engineers, educators, activists, and social scientists like myself. Some people worked in industry, others in academia, and a significant portion worked for NGOs like Engineers Without Borders. And again, I just want to reiterate: No single person said the exact phrase above, and I certainly don’t want to (mis)characterize any of the attendee’s personal feelings about their jobs or work. Rather, what I witnessed at ESJP is more accurately characterized as a feeling of “coming home.” Think of it as the positive side of the same disaffected coin. This anecdotal trend was in my mind when I read this Seattle Times article about social scientists finding new and inviting homes in tech companies. Are social scientists finding better intellectual homes in industry than in academia? Or am I connecting two totally separate phenomena? Is it just the pay? More to the point: can social scientists do more and better things for the world working in Silicon Valley than the Ivory Tower?
more...