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I was happy to see Theorizing the Web go so well for so many people. The committee has been getting a lot of positive and constructive feedback and we’re reading all of it. If you feel so moved to write your own reflections on #TtW15 please send them our way. Last year, my post-conference thoughts were all about labor and the dangers of doing what you love. That’s still a problem ––TtW relies almost completely on volunteer labor–– but this year I’m thinking more about the institutions that prop up the typical Hilton-hosted conference model and make it difficult, if not financially impossible, to have more events like Theorizing the Web.

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Editors Note: This is based on a presentation at the upcoming  Theorizing the Web 2015 conference. It will be part of the Protocol Me Maybe panel. 

I’ve been researching hacking for a little while, and it occurred to me that I was focusing on a yet unnamed hacking subgenre. I’ve come to call this subgenre “interface hacks.” “Interface hack” refers to any use of web interface that upends user expectations and challenges assumptions about the creative and structural limitations of the Internet. An interface hack must have a technical component; in other words, its creator must employ either a minimal amount of code or demonstrate working knowledge of web technologies otherwise. By virtue of the fact they use interface, each hack has aesthetic properties; hacks on web infrastructure do not fall in this category unless they have a component that impacts the page design.

One of the most notable interface hacks is the “loading” icon promoted by organizations including Demand Progress and Fight for the Future in September 2014. This work was created to call attention to the cause of net neutrality: it made it appear as though the website on which it was displayed was loading, even after that was obviously not the case. It would seem to visitors that the icon was there in error; this confusion encouraged clicks on the image, which linked to a separate web page featuring content on the importance of net neutrality. To display the icon, website administrators inserted a snippet of JavaScript — provided free online by Fight for the Future — into their site’s source code. A more lighthearted interface hack is the “Adult Cat Finder,” a work that satirizes pornographic advertising in the form of a pop-up window that lets users know they’re “never more than one click away from chatting with a hot, local cat;” the piece includes a looping image of a Persian cat in front of a computer and scrolling chatroom-style text simply reading “meow.” The links to these, and other interface hacks, are included at the end of this post. more...

Apple rolled out a new line of racialized emojis last week through their iOS 8.3. Originating in Japan, emojis are popular symbols by which people emote via text. Previously, the people-shaped emojis appeared with either a bright yellow hue or peach (i.e., white) skin. The new emojis offer a more diverse color palate, and users can select the skin tones that best represent them. It’s all very United Colors of Benetton.

While many applaud the new emojis— such Dean Obeidallah writing for CNN who announced “Finally, Apple’s Emojis Reflect America”—this has been far from a win for racial equality. more...

Editors Note: This post is based on a presentation at the upcoming Theorizing the Web 2015 conference. It will be part of “The Feel World” panel.  

Internet memes are arguably the most recognisable form of online vernacular; a proliferation of expressive pictorial and / or textual compositions, frequently characterised by running jokes expressed via informality and intended errors. The pervasiveness of humour within memes might make it easy to dismiss them as trivial, but this would be an oversight. In fact understanding the function of humour within memes discloses much; illuminating the relationship between memes and their antecedents, as well as the ways in which web-enabled social dynamics and vernaculars develop. Memetic behaviour is not novel but its current prevalence, as supported by networked culture, is remarkable. This post, a historicisation of meme usage as a communicative practice, attempts put into relief their idiosyncratic characteristics, and address the role memes may play in cultural analyses. more...

The past year has brought strong awareness to problems of sexual assault in general, and sexual assault on college campuses in particular. Victims, allies, and activists are naming assailants and holding university administrations responsible for their treatment of both victims and the accused. Simultaneously, campuses are building task forces, holding meetings, staging rallies, and constructing policies to prevent and deal with incidents of sexual non-consent.

In the midst of this, Rolling Stone told one woman’s story. This woman, who identified herself as “Jackie,” shared the gut wrenching if all-too-familiar tale of a fraternity party gone wrong. As they do in the age of social media, Jackie’s story went viral. In excruciating detail, we read of Jackie’s sexual violation at the hands of several men on UVA’s campus, followed by gross mishandling by those in charge. Links spread, along with petitions, open letters, and thought pieces ranging from 140 characters to several thousand words. We were up in arms. Until, that is, the story came under suspicion.     more...

Penny Harrigan is perfectly average and she’s never had an orgasm. She is the leading lady in Chuck Palahniuk’s latest book Beautiful You, in which C. Linus Maxwell, CEO of MicroDataCom releases a line of sex toys so potent that women literally recede from society, preferring to stay home to masturbate incessantly. Remember the 1998 episode of “Sex and the City” in which Charlotte became addicted to her rabbit vibrator? It’s like that, but global. The book is a quirky cross between a motivational anecdote about a woman’s journey to sexual empowerment, and a grim critique of dystopian industrialized society, just with painful details and boring writing.

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When someone starts talking about privacy online, a discussion of encryption is never too far off. Whether it is a relatively old standby like Tor or a much newer and more ambitious effort like Ethereum (more on this later) privacy equals encryption. With the exception of investigative journalism and activist interventions, geeks, hackers, and privacy advocates seem to have nearly universally adopted a “good fences make good neighbors” approach to privacy. This has come at significant costs. The conflation of encryption with privacy mistakes what should be a temporary defensive tactic, for a long term strategy against corporate and government spying. It is time that we discuss a new approach. more...

At the end of a press conference in January, Microsoft announced HoloLens, its vision for the future of computing.

The device, which Microsoft classifies as an augmented reality (AR) headset, incorporates a compilation of sensors, surround speakers, and a transparent visor to project holograms onto the wearer’s environment, a sensory middle ground between Google Glass and virtual reality (VR) headsets like Oculus Rift. Augmented and virtual reality headsets, like most technology saddled with transforming our world, reframe our expectations in order to sell back to us our present as an aspirational, near-future fantasy. According to Microsoft’s teaser site, HoloLens “blends” the digital and “reality” by “pulling it out of a screen” and placing it “in our world” as “real 3D” holograms. Implicit in this narrative is that experience as mediated with digital screens has not already permeated reality, a possibility the tech industry casts perpetually into the future tense: “where our digital lives would seamlessly connect with real life.” more...

A couple of years ago, I was enjoying dinner at a family gathering, loudly chiming in between bites of salad and veggie burger. In a quiet moment, my Nana’s significant other leaned in and looked at me closely. ‘I can’t pinpoint your accent,’ he said. Surprised, I wondered out loud if I had developed some strange hybrid of Virginia and Texas—my home state and the state where I was attending graduate school, respectively. ‘No,’ he said. ‘It’s more like California.’ He then faux flipped his hair, batted his eyelashes, and repeated something I’d said earlier using exaggerated uptalk. The table broke into laughter, jokes about nail chipping and mall shopping, and ironic air-quoted references to “Dr. Davis.” It was funny because this particular speech pattern—deeply classed and gendered—connotes  “ditziness,” which sits in (apparently comedic) contrast to my position as an adult in general, and an academic in particular. And indeed, my speech patterns growing up, like those of many girls I knew, followed the stereotypical “valley girl” inflection and cadence. I have learned to temper this over the years, but in relaxed moments, the excessive “likes” and statements-that-sound-like-questions slip back in.

I was not offended by this dinner table exchange. On the contrary, I put my gender activist hat away for a bit and  joined in, asking people to pass various food items in my best Alicia Silverstone (from clueless, obvi) voice. It was totally funny!! It would be less funny, however, if I found myself unable to get a job because of these speech patterns.

Every excellent job starts offevolved with a superb resume. However, constructing that finely tuned resume can take time and effort, as nicely as an awesome draw close of just a way to format it and which facts must be included. If you’ve got been locating that your modern resume simply isn’t getting you the interviews you want, or do not but have an up to date resume, then here is an application that can build a resume, with exclusive templates in line with the requirement whilst crafting the one with the intention to snag you your dream job. more...

One of the more frankly disturbing things I’ve read about video games recently wasn’t about sexism/misogyny but was instead about the NPCs (non-player characters) inserted into a game for a player to murder.

The piece in question was on the game Battlefield Hardline, and it contained quotes from the game’s makers regarding the thought that went into the presence and creation and – in particular – the dialogue of enemy NPCs in the game. As games have become more complex and voice acting has become more of a thing on which some focus is placed when a game is in development, there naturally arises the question of what these people are actually going to be saying. This leads to additional questions: Is the dialogue going to be more informative than anything else? Will there be any actual characterization of these people who are, after all, there largely to be killed by the player and whose lives will therefore be cut (tragically) short? Are these mustache-twirling villains, or are they just people?

And what do those decisions end up meaning for player experience?

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