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One of these days I’ll find something to cite on the topic of Early Internet Adolescence that isn’t my own experience, but here goes: I like to joke that the Internet and I went through puberty at about the same time. As a result, I spent my teenage years on the cusp of being what we now think of as “connected”—I journaled on paper but wrote poetry on computers (also napkins); I wrote letter-length notes during class but sent email during my free periods; in general, I communicated with friends and family (as well as myself) through an array of both analog and digital media. Though sometimes I hung out talking to strangers in AOL chat rooms (especially before I had friends who, like me, didn’t have a curfew), my digitally mediated interactions were a lot like my telephone-mediated interactions in that they occurred primarily with people I already knew from in-person contexts.

Digitally mediated interaction was new and exciting (especially to a shy kid who already fancied herself a writer), but from the very beginning, it was just another piece of the life I was already living. It didn’t make me a new or different person (in contrast, sometimes I felt more free to be myself via email), and nor did my friends interact with me through chat or email in ways that were incongruous with the ways they interacted with me in person. So what were those interactions like, especially as my friends and I tried to navigate the complicated social- and emotional politics of attraction in the context of a small high school? This was back in the pre-SMS era, mind you, so to hear The Today Show’s Matt Lauer tell it last month, I should have been receiving graceful, articulate, hand-written notes from classmates who fancied me, and perhaps responding with notes of my own if the fledgling twitterpation was mutual.

Oddly enough, this is not what I remember happening.  more...

On August 21^st, thousands of Syrians suffered the effects of an alleged chemical attack by contested Syrian ruler Bashar al-Assad and his regime.  According to U.S. reports, 1,400 people died, and many more were injured. Many of those killed and injured were not part of the Free Syrian Army, but innocent citizens, including children. Investigations indicate that the weapon of choice was Sarin, a liquid-to-vapor nerve agent that can cause an array of symptoms, up to and including death. The Obama administration is now pushing for a U.S. military response. The president will hold a vote today (Tuesday) in an attempt to get congressional backing for targeted missile strikes against the Assad regime.

Importantly, this is an openly symbolic act. Obama and his supporters—along with British PM David Cameron , whose Syria plan was recently voted down—explicitly state that they do not intend to change the tide of the ongoing civil war. Rather, military action against the Assad regime acts as a public punishment for the use of chemical weapons, a violation of the Geneva Protocols of 1925 and the Chemical Weapons Convention of 1993.  Below are some excerpts from Obama’s remarks a few days ago (here is the full transcript): more...

Following the various articles about digital dualism that have been posted on Cyborgology (and elsewhere) over the past couple of years, it seems to me that more needs to be done to explain the consequences of digital dualism. Examples of digital dualism drawn from mainstream media opinion pieces partly reinforce this problem, with digital dualism seen merely as a rhetorical trope of editorial writing, with no real consequences aside from being theoretically misleading. The danger here is that digital dualism is seen as belonging to popular writing about new technologies. There are far fewer examples of policies based upon dualist thinking, even though this is where digital dualism has potentially dangerous consequences. more...

One of my favorite film tropes is the Mindfuck. That point at the climax of the film where it’s suddenly revealed that nothing is as it seemed, that we were actually watching something else the whole time, that the protagonist was missing or misremembering some crucial piece of information that casts every single thing that’s happened in the story in a very different light and has dramatic repercussions for everything that follows. Memento, Fight Club. The Sixth Sense. The Matrix, though there they get to the Mindfuck very early and the rest of the film is given over to shooting things in slow motion. There are many instances of it. It’s a trope because it’s common.

Not so much, as this post from Problem Machine observes, in games.

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Sometime during the spring of my seventh grade year, one of my best friends came to school with a book she’d pulled from her parents’ shelves called Please Understand Me: Character & Temperament Types. It had a long questionnaire in it that, after you answered all the A/B multiple-choice questions, sorted you across four different binaries (and thereby into one of 16 possible personality types). I forget whether it was after school or during a class (ooops), but she and I and another good friend eagerly took turns jotting down answers in our notebooks[i] and tabulating our scores.

We were three awkward, shy, 13-year-old girls; we were not, by any stretch of the imagination, “popular.” Surreptitiously read women’s magazines had taught us to seek self-knowledge through multiple-choice questions, while standardized tests had trained us to endure answering many multiple-choice questions in a row. The book’s subject matter promised to help us sort out everything that had perplexed us about interacting with others, and the title alone resonated with particular force. more...

As Edward Snowden settles into his new life in Russia, and Facebook inc. faces accusations of providing information to government officials about protesters in Turkey, issues of privacy are on the lips, minds, and newsfeeds of many global citizens.

Citizens sit with the uncomfortable and now undeniable reality that we are being watched. That our own governments, in many cases, are doing the watching. And that the economic, social, and interactive structures makes this kind of surveillance largely impossible to avoid.

I have noticed an interesting trend as people work through what many view as an unfortunate inevitability of pervasive surveillance: the use of play as a form of resistance. To be sure, PJ Rey (@pjrey) is our resident Play Theory expert here at Cyborgology. I am an admitted novice to this line of theory. As such, I hope that those with greater expertise than I will supplement my wide-eyed sociological noticings with established or developing social theorists and their theories. more...

Robin Thicke’s “Blurred Lines” and Miley Cyrus’s “We Can’t Stop” have been two of the most controversial songs/videos in the last few years, so it’s not surprising that they performed together at this weekend’s 2013 VMAs. Thicke’s work has been widely criticized for its sexism, and Cyrus’s for its racism (Unsurprisingly, not nearly as much has been said in the white mainstream music/feminist media about Thicke’s cultural appropriation on BL…which is also going on, and also needs to be addressed.)

Is sexism-bating and racism-bating the new way for white artists to prove their edginess? In our supposedly post-feminist, post-racist society, is overt misogyny and racist cultural appropriation the new way to accomplish the sort of shocking “avant-garde” effect that used to be accomplished by more subtle means? Instead of “love and theft,” well, for lack of a better word, trolling? Instead of positively identifying with femininity and/or blackness (the “love” part of the equation), there’s just a pragmatic instrumentalization of them (no love, just the hustle)? more...

The easiest, laziest, most click-baitiest op-ed, trend video, or thing to scream at a bar right now is how, with today’s technologies, we are more connected but also more alone. Ooh. Zuckerberg has 500 million friends but it was never really a spoiler to say that Sorkin’s The Social Network ends with him sitting alone at a computer. Ooh. The Turkle-esque irony is just too good for it not to zeitgeist all over the place.

That argument should not be altogether dismissed but I am quite skeptical of where it’s so often coming from and how it’s articulated. This trend might be largely disingenuous, and by that I do not mean intentionally insincere but instead a sort of cultural positioning: we-are-connected-but-alone not only drips with that delicious ironic juxtaposition, it simultaneously props the person making the case as being somehow deeper, more human, more in touch with others and experience. more...

“We invoke one dualism only in order to challenge another. We employ a dualism of models only in order to arrive at a process that challenges all models. Each time, mental correctives are necessary to undo the dualisms we had no wish to construct but through which we pass. Arrive at the magic formula we all seek—PLURALISM = MONISM—via all the dualisms that are the enemy, an entirely necessary enemy, the furniture we are forever rearranging.”

– Gilles Deleuze and Félix Guattari in A Thousand Plateaus

On this blog and elsewhere, Nathan Jurgenson and many others argue against dichotomizing the online and offline (a perspective dubbed “digital dualism”) in favor of the more nuanced position that the interaction of the online and offline rather constitute an “augmented reality,” a new but nonetheless consistent and permeable lifeworld. The argument is interesting and probably accurate. However, for those of us who take dialectical thought seriously, it is unclear that this latter position gains in ontological nuance more than it loses in truth. If digital dualism merely critiques simplistic descriptions of the contemporary relationship between mediated and non-mediated social interaction, then it is fairly low-hanging fruit for those well-acquainted with the pitfalls of binary thinking. But what the augmented-reality perspective refuses to query is how and why the very idea of such new and alternative worlds is made naive, in principle and in advance of their emergence. more...

Here are some of the things I’ve talked about on my Twitter in the last week or so.

• my mental health issues
• nail polish
• Batman
• how generally unpleasant graduate school is
• the pan-fandom roleplaying game I’m part of
• my fiction writing
• Chelsea Manning and rights for trans* people
• my syllabus for my Social Problems course this fall
• Detroit
• the failing Philadelphia public school system
• knitting

In other words, in many respects this is your average personal Twitter account. I use it in a pretty average way, if there even is an “average” way to use Twitter, which I think is up for debate. What isn’t average about it is that it’s my only Twitter account. more...