Spoiler alert! This season the popular Netflix series “House of Cards” got a bit more radical. Main characters and power couple Claire and Frank Underwood are unapologetically, consensually non-monogamous. In fact, sociologist Mimi Schippers says the show portrays “one of the best television representations of an open/poly relationship I’ve seen.” In the fourth season, Claire, married to the President of the United States, becomes sexually involved with Thomas Yates, a writer. While many shows depict “extramarital affairs” as inherently negative, “House of Cards” Frank affirms that Tom can “give” Claire things he can’t.
In a blog post for NYU Press, Schippers argues that the Underwoods go “beyond” marriage, monogamy, and dominant gender norms. According to research she conducted for her upcoming book, men in polyamorous relationships tend to shift their understanding of masculinity because they must forgo jealousy and control over the women in their lives. The openly non-monogamous relationships on “House of Cards” thus challenge more than just ideas about what relationships should look like. It confronts gendered expectations for men to be competitive and possessive and grants women sexual autonomy, independent of men.
[T]he Underwoods distinguish themselves from society’s ideas of the “perfect couple” by being both child-free and consensually non-monogamous. They are something else–something beyond “perfect”, beyond marriage, and beyond traditional gender arrangements. Rather than representing bad character or immorality, Claire’s increasingly intimate relationship with Tom and Frank’s enthusiastic acceptance of it (the very definition of polyamory) punctuates and solidifies the strength of their marriage as one between equals.

Comments 2
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Tim dravis — October 20, 2026
The latest season’s decision to make Claire and Frank non‑monogamous pushes House of Cards into uncharted moral territory, especially after years of cutthroat political scheming. St Louis MO Courts offers a parallel, showing how legal institutions can both police and normalize relationship structures that deviate from the norm. Mimi Schippers’ analysis that the Underwoods dismantle traditional masculinity and gender expectations gives the storyline academic credibility and highlights a shift in media representation. This nuanced portrayal suggests that polyamory can be framed as a legitimate, complex choice rather than mere scandal.