Tag Archives: gender: prejudice/discrimination

That Catcalling Video: Research Methods Edition

First, there were the accolades. More than 100 instances of street harassment in a two minute video, testifying powerfully to the routine invasion of women’s lives by male strangers.

Then, there was the criticism. How is it, people asked, that the majority of the men are black? They argued: this video isn’t an indictment of men, it’s an indictment of black men.

Now, we’ve reached the third stage: lessons for research methods classes.

Our instructor is sociologist Zeynep Tufekci, writing at The Message. Our competing hypotheses are three:

1. Black men really do catcall more than other kinds of men.

2. The people who made this video are unconsciously or consciously racist, editing out men of other races.

3. The study was badly designed.

As Tufekci points out, any one of these could account for why so many of the catcallers were black. Likewise, all three could be at play at once.

Enter, the data wrangler: Chris Moore at Mass Appeal.

Moore and his colleagues looked for landmarks in the video in order to place every instance of harassment on the map of New York City. According to their analysis, over half of the harassment occurs on just one street — 125th — in Harlem.

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Did the time the producers spent in Harlem involve denser rates of harassment, supporting hypothesis #1. Did they spend an extra amount of time in Harlem because they have something against black men? That’d be hypothesis #2. Or is it hypothesis #3: they were thoughtless about their decisions as to where they would do their filming.

Honestly, it’s hard to say without more data, such as knowing how much time they spent in each neighborhood and in neighborhoods not represented in the video. But if it’s true that they failed to sample the streets of New York City in any meaningful way – and I suspect it is – then hypothesis #3 explains at least some of why black men are over-represented.

And that fact should motivate us all to do our methods right. If we don’t, we may end up offering accidental and fallacious support to ideas that we loathe.

Cross-posted at Pacific Standard.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Did the Secret Service Director Get Pushed Off the Glass Cliff?

1 (3) - CopyWhen Julia Pierson’s name first appeared in national headlines last year, it must have sounded like a perfect solution. President Obama appointed Pierson as the nation’s first female Director of the Secret Service following the aftermath of an embarrassing scandal in which several agents hired prostitutes on a presidential trip to Columbia. Many saw Pierson as uniquely positioned to purge the organization of its hyper-masculine culture and revive its good name.

After an intruder succeeded in running across the lawn and into the East Room of the White House, however, a firestorm of criticism prompted Pierson’s resignation. Writing in the New Republic, Bryce Covert suggests that the very gendered conditions of Pierson’s hire preconfigured her administration’s failure from the start. Such is the unfortunate case, he argues, for a large number of women in leadership roles:

As with Pierson, women are often put in these positions because rough patches make people think they need to shake things up and try something new—like putting a woman in charge. When it’s smooth sailing, on the other hand, men get to maintain control of the steering wheel. Women are also thought to have qualities associated with cleaning up messes.

You’re familiar with that unseen barrier to power called the “glass ceiling”? Covert cites research by psychologists Michelle Ryan and Alex Haslam to show that female leaders often reach top jobs that come with an inordinately high risk of failure. Social scientists call this precarious position the “glass cliff”.

Covert builds his case on a wealth of research exploring the risks that await women at the top of the corporate world:

Multiple studies have found that women are most likely to be given a chance at top roles in the corporate world when things are already bad. One found that before a woman took over as CEO of a Fortune 500 company between 1996 and 2010, its previous performance was significantly negative. Another found that FTSE 100 companies who appointed women to their boards were more likely to have had five months of consistently bad performance compared to those who picked men. Another found that companies were most likely to choose women for their boards after a loss that signaled the company was underperforming. Even in a lab, students and business leaders are more likely to pick a woman to lead a hypothetical organization when performance is on the decline.

Looking for more on the barriers facing women in positions of power? Our own Anne Kaduk shows “There’s Research on That!

Matt Gunther is a new contributor to The Society Pages, where he co-edits and produces the Office Hours podcast. He’s a second year graduate student studying sociology at the University of Minnesota. His research deals mainly with cultural politics in the global food system.

Cross-posted at Citings & Sightings. Photos by Charlotte Morrall via Flickr CC and at indychannel.

Just for Fun: Suffragist Satire, 1915

Today is the anniversary of the 34th American presidential election.  The year was 1920; it was the first presidential election in which women were allowed their own votes.  This seems like a good day to post a memento from the political battle over women’s suffrage, the right to vote and run for political office.

The fight for suffrage took decades and women were on both sides of the issue.  The document below is a copy of an argument against women’s suffrage — Some Reasons Why We Oppose Votes for Women – printed in 1894.  The National Association Opposed to Women’s Suffrage was led by Josephine Dodge.  (Open and click “full size” to read.)

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Alice Duer Miller was on the other side of the fight.  In 1915, she wrote and circulated a satirical response titled Why We Oppose Votes for Men.  Drawing on parallel logic, she made a case for why it was men, not women, who shouldn’t be voting. (Click for a larger copy.)

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1. Because man’s place is in the army.

2. Because no really manly man wants to settle any question otherwise than by fighting about it.

3. Because if men should adopt peacable methods women will no longer look up to them.

4. Because men will lose their charm if they step out of their natural sphere and interest themselves in other matters than feats of arms, uniforms and drums.

5. Because men are too emotional to vote. Their conduct at baseball games and political conventions shows this, while their innate tendency to appeal to force renders them particularly unfit for the task of government.

It helps to have a sense of humor.

Happy anniversary of the first gender inclusive American presidential election everyone.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

Apple’s Health App: Where’s the Power?

In truth, I didn’t pay a tremendous amount of attention to iOS8 until a post scrolled by on my Tumblr feed, which disturbed me a good deal: The new iteration of Apple’s OS included “Health”, an app that – among many other things – contains a weight tracker and a calorie counter.

And can’t be deleted.

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Okay, so why is this a big deal? Pretty much all “health” apps include those features. I have one (third-party). A lot of people have one. They can be very useful. Apple sticking non-removable apps into its OS is annoying, but why would it be something worth getting up in arms over? This is where it becomes a bit difficult to explain, and where you’re likely to encounter two kinds of people (somewhat oversimplified, but go with me here). One group will react with mild bafflement. The other will immediately understand what’s at stake.

The Health app is literally dangerous, specifically to people dealing with/in recovery from eating disorders and related obsessive-compulsive behaviors. Obsessive weight tracking and calorie counting are classic symptoms. These disorders literally kill people. A lot of people. Apple’s Health app is an enabler of this behavior, a temptation to fall back into self-destructive habits. The fact that it can’t be deleted makes it worse by orders of magnitude.

So why can’t people just not use it? Why not just hide it? That’s not how obsessive-compulsive behavior works. One of the nastiest things about OCD symptoms – and one of the most difficult to understand for people who haven’t experienced them – is the fact that a brain with this kind of chemical imbalance can and will make you do things you don’t want to do. That’s what “compulsive” means. Things you know you shouldn’t do, that will hurt you. When it’s at its worst it’s almost impossible to fight, and it’s painful and frightening. I don’t deal with disordered eating, but my messed-up neurochemistry has forced me to do things I desperately didn’t want to do, things that damaged me. The very presence of this app on a device is a very real threat (from post linked above):

Whilst of course the app cannot force you to use it, it cannot be deleted, so will be present within your apps and can be a source of feelings of temptation to record numbers and of guilt and judgement for not using the app.

Apple doesn’t hate people with eating disorders. They probably weren’t thinking about people with eating disorders at all. That’s the problem.

Then this weekend another post caught my attention: The Health app doesn’t include the ability to track menstrual cycles, something that’s actually kind of important for the health of people who menstruate. Again: so? Apple thinks a number of other forms of incredibly specific tracking were important enough to include:

In case you’re wondering whether Health is only concerned with a few basics: Apple has predicted the need to input data about blood oxygen saturation, your daily molybdenum or pathogenic acid intake, cycling distance, number of times fallen and your electrodermal activity, but nothing to do with recording information about your menstrual cycle.

Again: Apple almost certainly doesn’t actively hate cisgender women, or anyone else who menstruates. They didn’t consider including a cycle tracker and then went “PFFT SCREW WOMEN.” They probably weren’t thinking about women at all.

During the design phase of this OS, half the world’s population was probably invisible. The specific needs of this half of the population were folded into an unspecified default. Which doesn’t – generally – menstruate.

I should note that – of course – third-party menstrual cycle tracking apps exist. But people have problems with these (problems I share), and it would have been nice if Apple had provided an escape from them:

There are already many apps designed for tracking periods, although many of my survey respondents mentioned that they’re too gendered (there were many complaints about colour schemes, needless ornamentation and twee language), difficult to use, too focused on conceiving, or not taking into account things that the respondents wanted to track.

Both of these problems are part of a larger design issue, and it’s one we’ve talked about before, more than once. The design of things – pretty much all things – reflects assumptions about what kind of people are going to be using the things, and how those people are going to use them. That means that design isn’t neutral. Design is a picture of inequality, of systems of power and domination both subtle and not. Apple didn’t consider what people with eating disorders might be dealing with; that’s ableism. Apple didn’t consider what menstruating women might need to do with a health app; that’s sexism.

The fact that the app cannot be removed is a further problem. For all intents and purposes, updating to a new OS is almost mandatory for users of Apple devices, at least eventually. Apple already has a kind of control over a device that’s a bit worrying, blurring the line between owner and user and threatening to replace one with the other. The Health app is a glimpse of a kind of well-meaning but ultimately harmful paternalist approach to design: We know what you need, what you want; we know what’s best. We don’t need to give you control over this. We know what we’re doing.

This isn’t just about failure of the imagination. This is about social power. And it’s troubling.

Sarah Wanenchak is a PhD student at the University of Maryland, College Park. Her current research focuses on contentious politics and communications technology in a global context, particularly the role of emotion mediated by technology as a mobilizing force. She blogs at Cyborgology, where this post originally appearedand you can follow her at @dynamicsymmetry.

Why Don’t More Women Commit Fraud?

Women in the U.S. have made some monumental gains at work.  We’re now at least half the labor force and more women today are middle- and upper- managers in corporate America.  Even so, I wasn’t surprised to discover that women have not (yet) made similar inroads into high-level corporate crime.

Rather, it’s “business as usual” when it comes to who is responsible for orchestrating and carrying out major corporate frauds.

For the American Sociological Review, Darrell Steffensmeier, Michael Roche, and I studied accounting malpractices like security fraud, insider trading, and Ponzi schemes in America’s public companies to find out just how involved women were in these conspiracies.  The Corporate Fraud Task Force indicted 436 individuals involved in 83 such schemes during July 2002 to 2009.  We read and recorded information from indictments and other documents or reports that described who was involved and what they did.

I expected the share of women in corporate fraud to be low – definitely less than the near-half that are women among (low-profit) embezzlers arrested each year– like your bank teller or local non-profit treasurer.   However, I was surprised that women corporate fraudsters were about as rare as female killers or robbers – less than 10% of those sorts of offenders.  Of the 400+ indicted for corporate fraud, only 37 were women.

Most of these frauds were complex enough to require co-conspiracy over several years and a criminal division of labor.  Often, women weren’t included at all in these groups.  When they were, they were nearly always in the minority, often alone, and most typically played rather small roles.

The Enron conspiracy, for example, led to over 30 indictments; three were women and each played a minor role. The five women indicted among 19 in the HealthSouth fraud were in accounting-related positions and instructed by senior personnel to falsify financial books and create fictitious records.  Martha Stewart, rather than criminal mastermind of an insider trading conspiracy, committed “one of the most ill-fated white-collar crimes ever” in which she saved just $46,000 after receiving a stock-tip second-hand from her broker.

Women were almost never the ringleader or even a major player in the fraud.  Only one woman CEO led a fraud – the smallest fraud we studied – and two women with their husbands.  One reason surely must be that women are not as often in positions to lead these schemes.  However, even when we compared women and men in similar corporate positions, women were less likely to play leadership roles in the fraud.  Is there a “glass ceiling” in the white-collar crime world?

What most surprised me, however, was how little the women benefited from their illicit involvement.  The wage gap in illicit corporate enterprise may be larger than in the legitimate job market.  Over half the women did not financially gain at all whereas half the men pocketed half a million dollars or more.  The difference in illicit-gains persisted even if we compared women to their co-conspirators.  Males profited much more. Women identified “gains” such as keeping one’s job.

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Even when women are in the positions to orchestrate these frauds, it’s likely that the men who initiate these conspiracies prefer to bypass women, involving them in minor roles when need dictates or when trust develops through a close personal relationship.  And women hardly initiated any schemes.  Women business leaders tend to be more risk-averse and apt to stress social responsibility and equity, perhaps making corporate fraud unlikely.

So, would having more female leaders reduce corporate crime?  We don’t know, but we think it’s likely.  Women executives tend to make more ethical decisions, avoid excessive risk-taking, and create corporate cultures unsupportive of illegal business practices.  Time will tell if, on the other hand, women moving up the corporate ladder increasingly adopt a wheeler-dealer, “dominance at all costs” corporate ethic.

Some may be a little disappointed that women either cannot yet or do not exercise their power over others to illegally advance their business (and personal) interests as men have been doing for generations.  There are moments when I catch myself “rooting” for a more successful pink-collar offender – and examples exist.  However, when I consider the destruction and havoc wrought on the U.S. economy and so many peoples’ lives by these financial crimes, I am reminded that this is not the way in which I hope women wield power when business leadership roles are more equally shared.

This posts originally appeared at the Gender & Society blog.

Jennifer Schwartz, PhD, is an associate professor of sociology at Washington State University.  Her research focuses on the gender and race demographics of criminal offenders, violence, and substance abuse.

“Man Up, Ladies!” … But Not Too Much

In order to be successful in many parts of labor market, women must exhibit traits that are typically considered “masculine.” The title of a fashion article in Glamour magazine hints at — okay, blatantly states — this reality:

Man Up, Ladies! That whole menswear separates look is so hot right now. (Suits, layers, plaids, you name it.) We’d promote you instantly!

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The article reinforces the idea that masculine characteristics are favored in many white collar jobs. In contrast, feminine characteristics carry a negative connotation, like when a New York Times article conflated being feminine and an undesirable employee when they contrasted the positive attribute of being “productive and results-oriented” with being a “sissy.”

Women can do masculinity, then, to reap some of the rewards offered to those who embody it, but there’s a catch: women must maintain their “femininity,” too. Women face gender rules that require that they wear makeup in order to be seen as beautiful and competent. Not doing so brings costs.

One study, for example, compared viewers’ perceptions of females with varying degrees of make-up, ranging from no make-up to glamorous. Research participants were shown photos of female faces and asked to rate the images on attractiveness, likeability, competence, and trustworthiness. Respondents rated the faces wearing make-up higher on likeablility, competence, and especially attractiveness, compared to the faces with no make-up.

These gendered behavioral and beauty norms amount to a double-edged sword for women.  They must do masculinity to be successful at work, but they must be feminine to get along.  So, man up, ladies… but not too much.

Chloe Albin is a senior at Chapman University studying dance and psychology. Dr. Georgiana Bostean is an assistant professor teaching sociology and environmental science and policy. She studies population health. 

“Trophy Scarves”: Race, Gender, and the Woman-as-Prop Trope (NSFW)

At the end of last year, Robin Thicke took a lot of heat for both the lyrics of his song, Blurred Lines, and the accompanying video.  The latter is a transparent  instance of a very common strategy for making men look cool: surround them with beautiful and preferably naked women.

It seems especially effective if the men in question act unimpressed and unaffected by, or even disinterested in, the women around them. It’s as if they are trying to say, “I am so accustomed to having access to beautiful, naked women, I don’t even notice that they’re there anymore.”  Or, to be more vulgar about it, “I get so much pussy, I’ve become immune.”

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The video for Blurred Lines was particularly egregious, but we see this all the time.  Here’s a couple more examples, featuring R. Kelly and Robert Pattinson in Details:

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This is all to introduce a satirical series of photographs featuring performance artist Nate Hill who, on the mission page of his “trophy scarves” website (NSFW), writes: “I wear white women for status and power.”  And, so, he does.  Here are some maybe safe-for-work-ish examples:
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There are more, definitely NSFW examples, at his site (and thanks to German C. for sending the link).

Hill brilliantly combines a tradition of conspicuous consumption – think mink stoles – with a contemporary matrix of domination in which white women are status symbols for men of all races. It’s not irrelevant that he’s African-American and the women he chooses are white and, yes, it is about power. We know it is because women do it too and, when they do, they use women below them in the racial hierarchy.  Remember Gwen Stefani’s harajuku girls?  And consider this FHM Philippines cover:

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I’m amazed at the ubiquitousness of this type of imagery and our willingness  to take it for granted that this is just what our visual landscape looks like.  It’s social inequality unapologetically laid bare.  We’re used to it.

Somebody — lots of somebodies, I guess — sat around the room and thought, “Yeah, there’s nothing pathetic or problematic about a music video in which absolutely nothing happens except naked women are used to prop up our singer’s masculinity.”  The optimist in me wants to think that it’s far too obvious, so much so that the producers and participants would be embarrassed by it. Or, at least, there’d be a modicum of sensitivity to the decades of feminist activism around the sexual objectification of women.

The cynic in me recognizes that white supremacy and the dehumanization of women are alive and well.  I’m glad Hill is here to help me laugh about it, even if nervously. Gallows humor, y’all.  Sometimes it’s all we got.

Cross-posted at Jezebel.

Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.

The Sexual Politics of Full Frontal on HBO (NSFW)

In the wake of Elliot Rodger’s misogynistic killing spree, the media’s role in male entitlement and violence against women has brought commentators to virtual blows.  One right hook came from Ann Hornaday, who argues in the Washington Post that male entitlement fantasies are part of a climate in which women are displayed as objects for the sexual fulfillment of men.  This post is about how full frontal nudity in True Blood, Hung, and Game of Thrones contributes to this climate.

True Blood.

While there are dozens of examples of full frontal female nudity in True Blood’s six-season run, from lead actors to extras, there are only two instances of full frontal male nudity.

A striking example of the exploitation of women as sex objects is in the appearance and figure of Lillith, a vampire goddess who is featured rising from a pool of blood, walking around fully nude for extended scenes. Her minions do the same and are also shown full frontal.

When a male character drinks Lillith’s blood and effectively becomes her, he too rises out of the pool of blood. But unlike the actresses associated with Lilith before, the camera cuts away before reaching his waist.

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In another stark example, vampires hold several dozen humans captive. While all the humans are naked, men in one cage and women in another, it is only the women who are displayed fully frontally nude.

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When the werewolf packs in True Blood disrobe to turn into wolves, again it is only the females who are demonstrated fully frontal.

Hung.

Hung is a program about a down-on-his-luck teacher who, because of his large penis, became a prostitute. Though the entire show is about Ray Drecker’s member, we only get one brief glimpse of it — and not even the whole — yet his clients and sexual partners are often shown fully frontal.

Even when a show is about the sexual objectification of a man and his sexual organ, it’s still women who are the default sex objects.

Game of Thrones.

Game of Thrones has come under fire for its sexism, misogyny, gratuitous nudity, and violence against women.  As usual, women are portrayed fully frontally nude in most Game of Thrones episodes, even when their male sexual partners are not. This is especially striking in the many brothel scenes (unnecessarily) scattered about the seasons; even when there are both male and female prostitutes, only the women are shown full monty.

To date there has been only one full frontal male on Game of Thrones: Theon Greyjoy. Through a horrific series of events, Theon is tortured and castrated. In episode six of season four — “The Laws of Gods and Men” — we are offered once again a gratuitous display of naked women in a bathhouse. In the same episode Theon is also offered a bath and while his full frontal, for once, would have actually been part of the plot, we do not see it.

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In episode eight — “The Mountain and the Viper” — we are given another bathing scene in which members of the Unsullied, an army of castrated men, bathe in the vicinity of women in the same convoy. Surprise, surprise, the women are fully frontal and the men are not. Even sans one particular physical marker of male sexuality, these castrated men are deemed unseeable.

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Neil Marshall, who directed the Blackwater Bay siege episode in Game of Thrones‘ 2nd season, recently spoke about how he was urged by a producer to include more full frontal female nudity.  The producer explained that he was “not on the drama side of things,” meaning that he didn’t care about the story. Instead, he said, he was on the “perv side of the audience.”  This is concrete evidence that orders for the systematic sexual objectification of women comes from upper management.

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Ultimately, nudity is rarely necessary to further a storyline.  Women’s nudity isn’t about plot, it’s about treating women as objects and men as human beings.  The problem is systemic. Women’s bodies exist in many of HBO’s varied worlds to serve men, circling us back to a culture of male entitlement that, in the case of Rodgers at least, led directly to violence.

Sezin Koehler is an informal ethnographer and novelist living in Florida. You can find her on Twitter and Facebook.

Cross-posted at Pacific Standard.