Tag Archives: digital dualism

“Good” vs “Bad” Technology: An Unproductive Debate


Latest in the arsenal of moral-panic studies of digital technologies is a recent article published in the journal Computers in Human Behavior, written by psychologists and education scholars from UCLA.  The piece, entitled: “Five Days at Education Camp without Screens Improves Preteen Skills with Nonverbal Emotion Cues,” announces the study’s ultimate thesis: engagement with digital technologies diminishes face-to-face social skills. Unsurprisingly, the article and its’ findings have been making the rounds on mainstream media outlets over the past week. Here is the abstract: (more…)

UCSB: A Terrible Lesson in Digital Dualism and Misogyny


How does one begin a blog post about a profoundly tragic event? With shock? Only, I’m not shocked. With anger? I am angry, but starting there doesn’t feel right. Empathy, I think, is how I have to start.  I can only imagine the pain and fear of the people of Isla Vista, and honestly can’t imagine the depth of pain felt by those who lost family members and loved ones in Friday’s shooting.

As we all fumble through this event—which feels like yet another blow in a terrible but patterned chain of violent events—I believe many of us can’t help but wonder: how did this happen? How does it keep happening?

As with all things, the “how” is a complex question, one for which complete answers are largely impossible.  In this case, however, I can identify two key interlocking factors: digital dualism and misogynistic culture. (more…)

The Network of Things to Come

The Planned Headquarters of Apple Inc.

The Planned Headquarters of Apple Inc.

The year is 1959 and a very powerful modern art aficionado is sharing a limousine with Princess  Beatrix of the Netherlands. The man is supposed to be showing off the splendor of the capital of what was once —so optimistically— called New Amsterdam. His orchestrated car trip is not going quite as he had hoped and instead of zipping past “The Gut” and dwelling on the stately early 19th century mansions on Central and Clinton Avenues, Beatrix is devastated by the utter poverty that has come to define the very center of this capitol city now called Albany, New York. The art aficionado, unfortunately for him, cannot blame some far away disconnected bureaucrat or corrupt politician for what they are seeing because he is the governor of this powerful Empire State and he has done little to elevate the suffering of his subjects. He resolves, after that fateful car trip, to devote the same kind of passion he has for modern art to this seat of government. Governor Rockefeller will make this city into a piece of art worthy of his own collection. (more…)

Aesthetics and Live Electronic Music Performance

Nic Endo, noise musician and member of Atari Teenage Riot

Over on Sounding Out, Primus Luta has finished the third installment (which I’ll refer to as LEP) in a superb series of posts on live electronic music performance. The aim of the series is to develop a “usable aesthetic language” to describe live electronic performance. In this post I want to summarize some of Luta’s argument–which is fascinating–and then push his project past his stated philosophical limitations. Even though Luta’s aesthetic language is still strongly indebted to modernist values and ideas (like “agency” and “virtuosity”), can we push his analysis beyond the frame of modernist aesthetics? Can live electronic music performance help us think about what an object-oriented aesthetics or a compositionist aesthetics might entail? From these perspectives, which aren’t very interested in subject-centered values like agency and virtuosity, what values and ideals would we use to evaluate electronic music?


My Dog, the Cyborg


This post is a question. A highly self-indulgent question. About my dog. Consider yourself warned.

The question is this: why have I, a person who explicitly rejects mind-body dualisms, readily altered my dog’s physiology through medicine and surgeries, but strongly resisted altering his brain chemistry through anti-anxiety drugs? Or, in other words, why am I so cool with technologies of the body but distinctly uncomfortable with technologies of the mind?


A Social Critique Without Social Science

After seeing today’s XKCD (above) I sort of wish I had written all of my digital dualism posts as an easy-to-read table.  I generally agree with everything on there (more on that later), but I’m also pretty confused as to how Randall Munroe got to those conclusions given some of his past comics. I can’t square the message of this table with the rest of Monroe’s work that has maligned the social sciences as having no access to The Way Things Are. The table is funny specifically because the social scientists he pokes fun of, did a lot of work to make those answers plainly (painfully?) obvious. How does someone with an obvious resentment for the social sciences, also make a joke about how we were always already alienated?  (more…)

Is “Digital Dualism” really “Digital Ideal Theory”?

The “State of Nature”

When we talk about “digital dualism,” are we really talking about digital ideal theory? (I’ll explain what I mean by “ideal theory” shortly.) I’m not sure. But, I want to push the question because I think it’s very important for us to frame and discuss this critique in as precisely as possible. So, in this post, I’m going to try to argue that we are, in fact, talking about digital ideal theory–not necessarily because I actually believe this argument, but because we need to push this argument to see if, where, and how it breaks.

I ask this question because it seems to me that when we say “digital dualism,” we’re using the concept of an ontological dualism (reality vs virtuality) to describe a phenomenon or a view that isn’t necessarily dualist, and, as Nathan suggests here and Jesse Spafford summarizes here, isn’t necessarily ontological. What if the phenomenon we’re referring to when we say “digital dualism” isn’t an ontological dualism, but an idealized epistemological abstraction?


Upgrading ‘consent’?

Screen Shot 2013-10-09 at 7.24.10 PM

On Cyborgology we’ve talked a lot about digital social media’s use for and implication in various forms of sexual assault; there’s David’s post the Steubenville rape case, Whitney’s post on sexts and online bullying, and PJ’s post on rape culture and photography at Burning Man. In a press release about a bill before New York state legislature, law professor Mary Anne Franks uses the term “virtual sexual assault” to describe the posting of a sexually explicit image of someone without the subject’s consent. Now, I know this may shock some of you, but I’m not going to problematize the “virtual” part of that phrase–I’m taking that problematization as a given (just go read the above-linked posts). Instead, I want to problematize the concept of consent. I think it might need an upgrade.

Following feminist political theorists’ and philosophers’ critiques of the language of “consent,” I want to raise the question: Is “consent” really the most accurate, most productive lens through which to understand and address “virtual sexual assault”? Using some feminist political theory, I want to suggest that “consent” is ultimately a counterproductive tool in combatting sexual assault perpetrated on/via digital media (I know that’s a clunkier phrase, but it’s more accurate than “virtual”). Because the concept of consent is tied to a specific notion of property–private property–it isn’t easily translatable to digital ‘property’ (I talked about this a little last week). So, consent might not be able to address the so-called “virtual” or digitally-mediated aspects of this type of sexual assault. But, it’s also not particularly helpful in addressing regular-old meatspace sexual assault. As Carole Pateman famously argues, “consent” was never designed for women to exercise. It may well be one of those “master’s tools” that will always, no matter who uses it and with what intention, prop up the master’s house.


Destabilizing Digital Dualism

A digital heap.

A digital heap.

In a previous post for Cyborgology, I attempted to take what has been called “digital dualism” and repackage it into a slightly new shape—one that would bring into focus what I considered to be the concept’s most significant features. Specifically, I posited that digital dualism should be understood to include—and be limited to—any instance where a speaker establishes a normatively-charged hierarchy of ontological categories, at least one of which is technological. Thus, were a speaker to carve up the world into the “digital” and the “physical” while suggesting the former is somehow ontologically inferior to the latter (or vice versa), she would be instantiating digital dualism, as I defined it.

I next sought to situate digital dualism within a broader set of views that I characterized as “conservative.” Conservatism, I argued, is a cluster of ideologies unified by an effort to justify and further social hierarchy. I argued that ontological hierarchy of the sort that characterizes digital dualism often plays an instrumental role in the conservative project, as it serves to legitimate perceived differences in status. (For more exposition of this point, see my previous Cyborgology post). Indeed, I contend that digital dualism is very often deployed for conservative ends by those who seek to elevate themselves above technophillic masses.

If one accepts these premises, it becomes possible to formulate generalized strategies for critique, beginning with contestations of (conservative) digital dualism and then abstracting to arguments that might be directed against other conservative ideologies that rest upon hierarchical ontologies.


Of Bots And Humans


what’s a bot and what’s human and where do we draw the line and should we draw that line

Yesterday, we learned that the most infamous Weird Twitter account, @Horse_ebooks, wasn’t a algorithmically-programmed “bot” but instead the product of a person tweeting as if. The revelation was accompanied by a live performance of the account in a Manhattan art gallery. While much is being written about the account, I’d like to share one thought about the live performance and what this all says about what is real and virtual, “bot” and human. In one day, @Horse_ebooks went from bot to human, and as I’ll argue, embodied in an art gallery, right back towards bot. (more…)