prejudice/discrimination

Sabrina W. sent in this ad for an herbal toothpaste (from Thailand?), found at Sinosplice:

[youtube]https://www.youtube.com/watch?v=5Y7eg0REXZM[/youtube]

I don’t quite know what to make of it. I mean, in theory it would be a nice message that stereotypes are often extremely misleading. But “looks can be deceiving” applying to Black people? It’s not actually undermining the idea that Black men look scary (just like herbal toothpaste might look disgusting), it’s just that it turns out that in some cases, they’re actually nice, kind people! And presumably the toothpaste tastes better than it looks.

It’s interesting that the woman is afraid the Black man is going to hurt or maybe kidnap her child. In the U.S., I don’t think that’s usually the major concern–there’s the stereotype of Blacks as muggers, and women (particularly White women) often fear that they might be sexually aggressive, but I don’t think Black men are usually depicted as child molesters or kidnappers here–the stereotype of those groups is usually of middle-aged White men.

Thanks, Sabrina!

Gwen Sharp is an associate professor of sociology at Nevada State College. You can follow her on Twitter at @gwensharpnv.

Natasha L. sent in another example of stereotypes tied to nationality/region in the form of a set of comical visual distinctions between “Westerners” and “Asians,” found here, by an artist named Yang Liu. [Note: Natasha and I both assume they’re supposed to be comical or even satirical, particularly of the way that non-Western countries are generally stereotyped as being less professional, less punctual, less rational, and so on, though we might be wrong.] Some examples:

“Opinion”:

picture-13

“Punctuality”:

picture-21

“Traveling”:

picture-5

“In the Restaurant”

picture-41

“Queue when Waiting”

picture-3

Regardless of the artist’s intent (whether they’re supposed to be satires of this type of thinking, etc.), I’m sure many people will laugh and see some elements of truth to some of the images. But I’m betting you could tell people they represent almost any set of nationalities and people would also laugh and say “OMG, it’s totally true!” It’s Germany and Spain! It’s the U.S. and Mexico! It’s Venezuela and Greece! You could also probably change this to “men” and “women” and get the same reaction. It’s the stereotypical categorization we think is funny–the idea that groups of people are systematically different, whether it’s based on gender, class, race, nationality, region within a country, and so on (particularly if these differences might lead to sitcom-like hijinx and misunderstandings!).

For a fun little activity to get across the way in which stereotypes are inconsistent and meaningless, you might present these images, not tell your students what they’re supposed to represent, and ask them what groups they think are being portrayed (either out loud or in writing), then use their guesses, which will probably vary widely and draw on lots of different human categories such as class, gender, race, and so on, to talk about stereotyping (which may or may not be negative, of course) and how little we pay attention to what the actual contents of our stereotypes are. Another good example of this would be the way that ethnic groups are often defined as having uniquely loud and boisterous families–I think of it as the “My Big Fat Greek Wedding” syndrome. Well, if Italians, Irish, Greeks, Jews, Russians, Mexicans, Spaniards, Chinese, people from the Southern U.S., New Yorkers, etc. etc. etc., all have big loud families…doesn’t that kind of indicate that lots of families are just big and loud, regardless of background?

Thanks, Ashley and Natasha!

NEW! Robin sent in a link to an article in the Guardian about a Czech artist who pulled off a hoax by creating a set of sculpture that represent stereotypes of various European countries, which he said were created by 27 different artists.

Romania

gallery-eu-artwork-eu-art-011

Luxembourg is made of gold…and is for sale:

gallery-eu-artwork-eu-art-008

Poland has priests raising a rainbow flag. I didn’t know if the rainbow flag has the same association with gay rights in Poland as it does here, but Spiegel Online says it’s a gay pride flag:

gallery-eu-artwork-eu-art-0071

Bulgaria is apparently supposed to be the floor of a urinal, though Spiegel Online says it’s a Turkish toilet, apparently also called a squat toilet:

gallery-eu-artwork-eu-art-0062

Bulgaria’s not happy about it and has demanded the sculpture be taken down.

Holland has been flooded, but minarets stick out of the water to remind us about increasing concerns expressed by many Dutch about the Muslim community in the Netherlands since tension increased after the Mohammad cartoon incident:

gallery-eu-artwork-eu-art-004

There is ongoing debate about whether this image of Germany, showing the country’s many autobahns, is supposed to look like a swastika:

gallery-eu-artwork-eu-art-002

And of course France has a large banner that says “Strike!”

gallery-eu-artwork-eu-art-0011

Apparently Great Britain was represented simply as a blank space.

Social psychologists have devised a genuis way to measure our implicit biases; that is, they have found a way to tap into those biases that we hold unconsciously and/or know better than to reveal in mixed company.  You can learn all about it and take all kinds of tests to reveal your own biases here.

One thing these investigations have revealed is that many of us internalize biases against the groups we belong to.  So, women can be sexist and people of color can be racist.  Even if people consciously reject these biases, they often sink in anyway and lead to a kind of self-dislike.

Someone sent in a postcard to PostSecret this week that illustrates just this phenomenon:


This excellent documentary documents the powerful interests behind Disney and criticizes the extent to which young American children’s childhoods are influenced by the company. The comments on the messages behind Beauty and the Beast are particularly troubling.

Ben O. sent in this poster (from Found in Mom’s Basement), which uses images of Native Americans (or First Peoples) to encourage Canadians to contribute to the Canadian Patriotic Fund, which was set up during World War I to support wives and children of enlisted men:

It’s a great example of the white/non-white dichotomy, where whiteness implies morality while darkness/blackness is associated with evil or immorality. In this case, his heart is “white” (i.e., he’s a good, moral being) because he does the right thing by caring for war widows. I guess the morality of his act overpowers the misfortune of his skin tone.

Thanks, Ben O.!

On a side note, I’m off to Oklahoma for the next 12 days. I’ll still be posting–Verizon’s internet access program means I can get a weak signal even at the farm–but I won’t be able to check in on comments as often as usual or update posts with information commenters or readers send in.

You will most likely not notice any difference. Just be aware that when you insult me, it’ll take a little longer before I know about it.

Cheers!

Here are some great World War II-era comic book (graphic novels! Whatever!) covers and/or posters (all found at Superdickery’s Propaganda Extravaganza page, thanks to Krystal-lynn M.). They all combine patriotism, pro-war sentiment, and racist images:

The Black kid on this next cover is named Whitewash:

Thanks, Krystal-lynn!

Blanca and Stephanie brought this video, called “The Race Flag,” to my attention. In it, a referee penalizes African Americans who use “the race card” too eagerly (go here if the video doesn’t show up right):

See more funny videos at Funny or Die

It’s an interesting clip that plays on the idea of African Americans as over-sensitive, bitter whiners who see racial insult (or at least claim to) where none was intended. It might be useful for sparking a discussion about what we mean by “playing the race card.” For instance, what’s the difference between playing the race card…and pointing out actual incidents of discrimination? Obviously the difference, based on this video, is that playing the race card means the person is over-reacting and making ridiculous accusations. But “over-reacting” is a subjective term, and the idea of playing the race card assumes that there wasn’t any actual discrimination or prejudice. But most of the time we don’t have video cameras that can clearly catch everyone’s intentions and actions on tape for review. Concerns about playing the race card tend to ignore the very real fact that minorities often do face discrimination and prejudice (as well as backhanded compliments like “You’re so articulate!”) in the workplace. While I’m sure there are African American workers who make unwarranted accusations of racism (just as there are examples of almost any behavior you can think of), I’m also quite certain that there are employers and coworkers who engage in discriminatory actions but then deny any racist intent and accuse anyone who complains of playing the race card.

I’d also point out that Whites use the race card, too: I cannot tell you how many of my White students have told me that they did not get a job, into a particular college, etc., because they are White. Sometimes they say a manager/friend/etc. told them the company “had” to hire a minority “to meet quota.” Other times they’ve simply inferred, from the fact that they can see no other possible explanation for not getting said job/college acceptance letter/etc., that it must have been because they are White.

You might pair this with the chapter “‘Racing for Innocence’: Whiteness, Corporate Culture, and the Backlash against Affirmative Action,” by Jennifer L. Pierce, from White Out: The Continuing Significance of Racism (2003).

Apparently the same people who made that video made this one, which laughs at the idea of the Republican Party trying to woo African Americans (found here):

See more funny videos at Funny or Die

I’ll leave the commentary on that one to our readers, if they feel so inclined.

Thanks, Blanca and Stephanie!


Politics has long been considered a masculine domain.  After all, there are issues, and there are “women’s issues.”  However, in this election season, The View has delved deeply into politics.  Reactions to this reveal the assumption that politics are for men.

First, Bill O’Reilly’s appearance on The View can be described as nothing if not sexist.  Essentially, his message was “Don’t worry your pretty, little emotional heads about politics, ladies!” The View is just “entertainment,” according to O’Reilly, because it’s for women.

[youtube]http://www.youtube.com/watch?v=F6rR2OwaY1c[/youtube]

Second, soon after Joy Behar appeared on Larry King, King asked her “When did ‘The View’ become this?  When did it go off-track?”  King’s question reveals his assumption that women’s media is for women’s issues, and those are, simply, not real politics (read the transcript here).

Ironically (awesomely), after 12 years on the air, this election season marks the first time that The View has been the #1 watched daytime show, “…garnering its biggest aud[ience] ever (6.2 million) on Nov. 5, the Wednesday after the election” (source).

So, it turns out, women are interested in politics after all.

(Thanks to Gwen for help on this post.)