media

In the center of this picture is my Great Grandmother, Adalene. I was quite young when she died, but I do remember her, frail and white-haired, threatening to spank me. I didn’t believe her, and was duly surprised at what came next.

This picture pleases me.  It reminds me that women always had heart and spunk.  That we’re all young once.  That we’re not so “advanced” today; women were always awesome.

This is why the title of Buzzfeed‘s framing of a photographs of women basketball teams from the 1900s is so disappointing:

Liz Babiarz, who sent in the link, asks what’s so funny.  I have to agree.  They aren’t “strangely funny”; they’re awesomely awesome!

Many more at Buzzfeed.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Yesterday I posted about media coverage, and possible exaggeration of, the problems at the Fukushima nuclear reactors in Japan. As a follow-up, over at Japan Probe I found a clip of Charlie Brooker discussing sensationalist of the earthquake, tsunami, and nuclear reactor. His takeaway message: If you can’t distinguish your news teasers from a video game ad, you may have a problem:

Also, Fox News seems to have somehow mistaken a club in Tokyo for a nuclear reactor:

When the earthquake and tsunami hit Japan, the twin disasters received a lot of media attention. However, it didn’t take long before concerns about the situation at the Fukushima Daiichi nuclear reactors became a major focal point of media coverage. I remember first hearing about the explosion that damaged the outer containment building at one of the reactors. Every few hours brought more news accounts that seemed to indicate impending disaster — possible radiation clouds set to arrive in Tokyo within hours, evacuations of employees from the reactors, more explosions, the possibility that a full core meltdown would occur. Officials in the U.S. expressed concern about the 20-kilometer (12 1/2-mile) evacuation zone established by the Japanese government and suggested Americans evacuate a larger area.

But criticisms have emerged of media — particularly much of the non-Japanese media — coverage of the problems at the nuclear reactor, suggesting the reporting was often inaccurate or that the severity of the situation and potential dangers were exaggerated, and as a result drew attention away from the destruction and suffering caused by the earthquake and tsunami. The blog Japan Probe posted screen captures illustrating the different tone of coverage of the attempt to dump water from military helicopters onto Reactor 3 as part of the efforts to keep the fuel rods cool. The first, from the Huffington Post, implies more of a sense of panic and looming disaster than does the title to a BBC article using the same photo:

Japan Probe also links to a New York Times map, titled “Forecast for Plume’s Path Is a Function of Wind and Weather,” that shows when various detecting stations could potentially be able to pick up what the NYT takes pains to say would be “extremely low levels” of radiation that would have “extremely minor health consequences” (that last phrase bolded). Here’s the scenario that was forecast for March 18:

Scary, right? But then take a look at the color legend for the map:

The radiation levels indicated by different colors are reported in “arbitrary units.” So the different colors reflect differences in the potential level of radiation as it might hypothetically spread. But it’s based on a scale where the reader has no way to know whether the difference between purple, yellow, and red are actually meaningful and whether everything from 0.001 to 100 units, or a hundred billion gazillion units, all still count as “extremely low levels”of radiation, or if the red would indicate we’re all going to die.

I’m sure that the scientists who developed the model explained what the arbitrary unit was, but as provided in the NYT map, despite the text saying there is little to fear in terms of health, the map with the color coding seems likely to generate concern without providing much useful information.

UPDATE: Dmitriy T.M. just emailed me a link to a post about this topic at TechCrunch, which includes a clip from CNN in which Nancy Grace “schools” a meteorologist about how he’s totally wrong about radiation:

And the San Francisco Chronicle has a post up on SFGate summarizing some of the problems with coverage (via Talking Points Memo).

On the topic of concerns about radiation levels, my friend Kelly V. sent me a graphic put together by xkcd to put the level of radiation exposure from various sources into some context. The image is too large to fit in the space available here, but it’s worth clicking over to take a look. Here are two segments of it, but really, go look at the full image:

I’m certainly not in a position to adequately sort through the actual dangers posed by what’s going on at the Fukushima reactors, but it’s certainly worth questioning media coverage, especially insofar as that coverage drew attention away from the horrendous aftereffects of the earthquake and tsunami.

On a related note, and as a contrasting example, Dmitriy T.M. sent in a cartoon based on an idea by artist Kazuko Hachiya that explains the problem at the Fukushima Daiichi facility to kids through metaphors about constipation, pooping, and farting. So…there’s that. It’s unclear whether the video has really been shown on Japanese TV to actual children or not.

UPDATE: Reader Rei Tokyo, who lives in Tokyo, says the video has never been shown on local TV to their knowledge. I have a feeling this is more of an internet sensation outside Japan than within it.

In this four-minute video, Dwayne McDuffie describes what it’s like being a Black comic book writer:

Related, see Hennessey Youngman on being a black artist.

Via Racialicious.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Authors are increasingly arguing that mainstream culture has been “pornified” (see, for example, the books Pornified and The Porning of America).  In other words, what used to be considered pornographic is now disseminated widely as simply advertising or entertainment and both verbal and visual references to pornography in popular culture are increasingly common.   In this vein, we have a collection of posts featuring ejaculation imagery (visual references to the “cum shot”), and I thought an ad recently submitted by one of my students, Breiana Caldwell, as well as readers Scatx and Xander, was a good opportunity to remind readers of this pervasive trope:

(source)

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Leslee Beldotti sent in this 7-minute video from The Escapist that discusses female characters in video games and how game developers could incorporate women as complex characters rather than stereotypes. Leslee points out that the video somewhat conflates sex with gender in the discussion of biological vs. social behaviors, but it highlights the outcomes of making video games through a gendered lens (sorry about the 30-second intro ad):

On this topic, also see Lisa’s recent post on boob inflation in video games.

We’ve posted previously on the tendency of the U.S. media to ignore the rest of the world (in favor of Britney Spears), even changing the cover of magazines sold in the U.S., but not elsewhere, in ways that coddle our ethnocentrism.

Given this phenomenon, this four-minute clip from a Russia Today news program (in English) is particularly striking.  The reporter notes that the U.S. media is covering the ongoing foreign political protests more thoroughly, and with more positive enthusiasm, than it has the protests in Wisconsin.

Thanks to Abby Kinchy, fellow UW-Madison alum and Assistant Professor of Science and Technology Studies at Rensselaer Polytechnic Institute, for the tip.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The sexual assault of CBS reporter Lara Logan in Tahrir Square last week has resulted in two predictable, but utterly depressing types of commentary.

Muslims are backwards

On the one hand are the anti-Islam culture warriors, eager to find in this incident proof of how degenerate Muslims (and Arabs) are. This, despite the fact that there’s no proof the assailants were Muslims, nor that they had any connection to the overwhelmingly peaceful and harassment-free demonstrations. In fact, there’s reason to believe that Logan’s attackers may have been pro-Mubarak thugs or apolitical opportunists. The right wing response to this story was inevitable, but liberal response was also problematic. Film critic and outspoken liberal Roger Ebert tweeted this today:

“The attack on Lara Logan brings Middle East attitudes toward women into sad focus.”

Oy.

I’d like to call Roger Ebert’s attention to the case of Roman Polanski, who has enjoyed a long and celebrated movie career, in spite of his status as a fugitive child rapist. When Polanski was arrested in September of 2009, while attempting to accept an award at a film festival in Switzerland, supporters circulated a petition on his behalf. Over a hundred people in the film industry signed that petition which gratuitously called Polanski’s crime “a case of morals.” Some weeks later, Gore Vidal went so far as to smear Polanski’s 13 year old victim as “a young hooker.”

Has Ebert ever decried the Polanski case for the way it “brings Hollywood’s attitudes towards women into sad focus?” Has he ever criticized Polanski, Vidal, David Lynch, Wong Kar Wai, Harvey Weinstein or any of the dozens of cinematic luminaries who signed off on this petition? Nope. On the contrary, he gave a big thumbs up to a documentary which argued Polanski should be given a pass for his crime.

I hardly expected Russ Meyers’ former writing pal to be an exemplar of feminist discourse, but his tweet yesterday was especially myopic. Does he really believe that the West is so much more enlightened about rape and sexual violence than those primitive, backwards Middle Easterners?

The opportunistic use of feminism is a common feature of the “liberal” discourse in the culture war against Islam. Just look at how Ayaan Hirsi Ali is trotted out by the media (especially Bill Maher and Steven Colbert) to justify imperialist wars and burqa bans, all in the name of protecting Arab and Muslim women from their own cultures. Meanwhile, many of these same commentators ignore the fact that rape and misogyny are also endemic to our own culture. (And that includes our movies, Roger.)

Rape is sexy

The other type of response to Logan’s assault was the usual victim blaming, made extra creepy by the focus on Logan’s good looks and alleged sexual history. The worst offender was LA Weekly blogger Simone Wilson, who, in an extraordinarily trashy piece of writing had this to say:

Logan was in Tahrir Square with her “60 Minutes” news team when Mubarak’s announcement broke. Then, in a rush of frenzied excitement, some Egyptian protesters apparently consummated their newfound independence by sexually assaulting the blonde reporter.

Wilson conflates the historic Egyptian revolution with gang rape. Classy stuff. But she’s not through. In addition to “blonde reporter” we’re also treated to these descriptors of Logan:

“it girl”
“firecracker”
“shocking good looks”
“Hollywood good looks”
“gutsy stunner”
“homewrecker” (this courtesy of a NY Post article from 2008)

As has already been noted, focusing on a sexual assault victim’s good looks and allegedly dubious sexual character amounts to victim blaming. But it also does something even more insidious. It makes rape sexy.

This is par for the course at the LA Weekly, where almost anything can be sexed up. LA Weekly‘s cover art department in the last couple of years has managed to make nearly every topic sexy, from murder to toxic mold and overpopulation.

Murder is sexy:

Toxic mold is sexy:

Overpopulation is sexy:

Rarely do the sexy women adorning the covers of the LA Weekly figure as the subjects of these stories. They’re splayed on the cover to boost circulation, because sex sells and, after all, “what’s wrong with being sexy?” (This isn’t even to mention the content of the Weekly– its abundance of ads for plastic surgery, or its routine back page ads from American Apparel– subjects for a longer post.)

Given this particular aesthetic, it is not at all surprising that an LA Weekly blogger would choose to play up the sexy side of the Logan assault story, taking extra pains to emphasize her “Hollywood good looks.” Even an “alternative” newspaper upholds the local value system. Arab Muslim rapists are bad. Sexy women make great victims. And cinematic geniuses should get a pass.

UPDATE, after the jump:

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