gender: femininity

Daniel F. (who has a blog here) sent us this Temptation cookie ad from Mexico, which plays on the idea that men fear independent, strong women:

Daniel’s translation:

Host: Gentlemen, what we feared has happened. You have the new Mexican woman; she is more independent and gives more importance to what she wants.
First man: But, does she cool our beers?
Host: No, never again. And that’s not all. She also wants us to take our children to the pediatrician.
Second man: What’s that?
Host: Pediatrician is the doctor for kids.
Second man: No, the other thing, “children.”
Host: Children are the little people who call us dad.
Third man: And what is that she has in her hand?
Host: This, my friends, is the new Temptation cookie, because the new Mexican woman has her pleasures without guilt and, what’s worse, she doesn’t share.
Woman: Gentlemen, I’m leaving. I have things to do.
Narrator: There’s a new woman and she has new cookies.

The ad also connects sex and food and, in fact, replaces sexual pleasure (and men) with food, a theme Jean Kilbourne mentions in “Killing Us Softly 3”–that women are encouraged to use food to replace sex or console themselves when they have romantic troubles.

It’s also interesting that the ad plays on the idea of old-fashioned Mexican men who expect women to serve them.

Thanks, Daniel!

Dawn A. sent us these posters for The Sarah Connor Chronicles.  Notice how, in three out of four posters, the women are not making eye-contact and, in all of them, they are in a passive pose with a passive facial expression.  Dawn adds:

I’m alarmed by the disembodiment of the character.  While she may be a part of the Terminator series, would we ever see Arnold Schwarzenegger (or other male characters) portrayed like this in posters?

Thanks Dawn!

NEW: After a discussion with my friend Jason, I decided to offer some more images and commentary as food for thought.

Here are the Terminator posters I could find featuring Schwartzenegger.  There are a lot of things separating and potentially separating these posters from those above other than gender: about 20 years, maybe the moral of the movies/series or the feeling of the show, and surely producers/directors etc.  Even so, I think it’s worth putting up the images for contrast.

Back to The Sarah Connor Chronicles:  Below are some additional promotional images that do not reproduce the passivity we see in the first set.  Word on the street is (or so I have heard some people say), the women are not as feminized in the series as they are in the promotional material (which, if true, is interesting in itself).

Still, Jason notes that the empowerment of the women in the series as protectors, comes at the cost of disempowering John Connor and that disempowerment is achieved, in part, through his feminization.  His task, then, as the series progresses, is to finally become a “man.”  At that point, supposedly, he would no longer need the protection of women. 

So, femininity is still associated with weakness.  And, insofar as femininity is equated with weakness, and women are more-or-less required to do at least some femininity (lest they be called “dykes” or “bitches”), women are more-or-less required to appear at least a little bit weak in their daily lives. 

Here is a 5-minute clip (found here) on representations of female athletes in the media. It is from the documentary “Playing Unfair.”

Thanks to John for mentioning this documentary in a comment.

This is from the WNBA’s website–it’s their Dads and Daughters page. When I first came upon it, I assumed it highlighted the fathers of WNBA players. There’s a Dad of the Week section and a schedule of games that have a Dads and Daughters event. But the Dads of the Week aren’t necessarily related to anyone on the team. They’re just dads who are being highlighted–one Dad of the Week is the Executive Vice President of Products at AOL. How the Dads of the Week are chosen is not clear.

I went to the NBA website and looked around, and unless I’m missing something, there is no Moms and Sons (or even Dads and Sons) page.

I have a theory about this. From the beginning, one problem the WNBA faced was not appearing to be a “lesbian league,” which would presumably alienate advertisers and audiences. To highlight the femininity of the players (because pretty girls who wear makeup can’t be dykes, right?), players were encouraged to wear makeup (and were even sent on Oprah to get makeovers) and players with husbands, boyfriends, and children were photographed with them and their profiles made sure to stress their family roles. When the WNBA began, the website had a forum about the uniforms (potential colors, shapes, styles, etc.), and there was some discussion of making the players wear skirts. [For an interesting discussion of gender in the WNBA, check out: Sarah Banet-Weiser. 1999. “Hoop Dreams: Professional Basketball and the Politics of Race and Gender.” Journal of Sport & Social Issues 23: 403-420.]

The Dads and Daughters page fits into the efforts to make the WNBA seem “family friendly,” i.e., not lesbian. The importance of men in women’s lives is reaffirmed (and also the idea that girls get their athletic abilities from their dads, not their moms). It makes it clear that the WNBA is not a “women only” social space.

The NBA has no need for a similar emphasis on women because we assume that male athletes are heterosexual (in fact, playing sports is one of the ways men prove they aren’t gay).

This “Onslaught” ad by Dove has garnered a lot of attention and positive press:

The idea, of course, is that we need to protect our daughters from the images that may harm their self-esteem or make them uncomfortable about their bodies. A great message, no doubt.

However, corporate activism usually has limits and contradictions (as do most things in life, really). Miguel sent us this ad spoof that points out that many of the images the Dove ad says we should be protecting our daughters from are actually used in Axe ads–and Axe is owned by Unilever, the same company that owns Dove.

So Unilever manages to target both markets–those who respond to sexualized images and those who find them harmful–through different brands. This is a common tactic–because large multinational companies own so many different brands, they can market to many different groups of consumers; when we reject one product because of its production process or advertising and buy another instead, there’s a very good chance we’re buying from the same corporate entity, just a different brand name.

As one blogger nicely put it:

It’s a parent’s responsibility to make sure the damaging messages they themselves produce don’t reach your kids.

That is, Dove is telling parents to protect their kids, as if Dove CARES, but Dove’s parent company is producing those very same messages. (It’s kind of like a single corporation owning a beer company and running Alcoholics Anonymous. How very convenient for both.)

A commenter pointed out that Greenpeace made an ad based on Dove’s “Onslaught” commercial that brings up the effects of palm oil production in the destruction of forests in Indonesia:

Thanks, Dangger!

NEW: There is a terrific post at Moment of Choice about one woman’s experience auditioning for a Dove Real Woman commercial. From the post:

Under the guise of looking for women who felt truly comfortable in their own skin, no matter what they looked like, they asked us to bare all or most of it, to prove just how comfortable we really were…A young peppy assistant demonstrated how they wanted us to shake our hands in the air like we just didn’t care and do a full 360 for the camera and male judging panel.

It’s a fascinating inside look at a process most of us never take part in, and reinforces the fact that corporate activism often covers an awful lot of business-as-usual behind the scenes.

It is a norm for women in the U.S. to shave their armpits, but this is not the norm elsewhere, even in countries that have relatively a lot in common with the U.S. (like France I’ve been corrected). How did armpit shaving become the norm in the U.S.? And who benefited from this?

Vee the Monsoon sent us the following commentary and ad. It turns out, women shave in the U.S. today, in part, because of a concerted marketing effort on the part of companies that stood to profit from the creation of such a norm with the creation of anxiety about “objectionable hair.”

From The Straight Dope:

…U.S. women were browbeaten into shaving underarm hair by a sustained marketing assault that began in 1915. (Leg hair came later.) The aim of… the Great Underarm Campaign was to inform American womanhood of a problem that till then it didn’t know it had, namely unsightly underarm hair. To be sure, women had been concerned about the appearance of their hair since time immemorial, but (sensibly) only the stuff you could see. Prior to World War I this meant scalp and, for an unlucky few, facial hair. Around 1915, however, sleeveless dresses became popular, opening up a whole new field of female vulnerability for marketers to exploit…. the underarm campaign began in May, 1915, in Harper’s Bazaar, a magazine aimed at the upper crust. The first ad ‘featured a waist-up photograph of a young woman who appears to be dressed in a slip with a toga-like outfit covering one shoulder. Her arms are arched over her head revealing perfectly clear armpits. The first part of the ad read “Summer Dress and Modern Dancing combine to make necessary the removal of objectionable
hair.

From the May 1915 issue of Harper’s Bazaar:

Thanks Vee!

NEW!  Another example from the U.K., 1934 (found here).  This one encourages the dissolving of armpit hair as a way to fight armpit odor:

Watch how this 60 Minutes clip from August 2006 manages to completely confuse three very different things: sex identity (believing you are biologically female or male), gendered behavior (conforming to cultural rules about girls/women and boys/men are supposed to do and like), and sexual orientation (which sex you are attracted to sexually). For examples, you know your boy is going to grow up wanting to have sex with men because he likes to “help out in the kitchen” or thinks he’s a girl. These are all very different things. It also includes some wretched study design.

Part I

[youtube]https://www.youtube.com/watch?v=IoZoRbP-0WM[/youtube]

Part II

[youtube]https://www.youtube.com/watch?v=WTLAof9oXCI[/youtube]

By the way, funny story: When my nephew was about 2 years old he loved brooms and vacuums. My parents told me that it was because he liked “tools.”

Thanks to Joseph DeM. for the tip!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

A humorous look at how yogurt is marketed to the generic category, “woman.” Quite funny! (From Current TV via Jezebel.)

[youtube]https://www.youtube.com/watch?v=Sf_roIC9Pso[/youtube]

NEW: Here’s an actual yogurt ad that makes it clear that a) yogurt is for women and b) yogurt somehow makes women feel more like “themselves.” Thanks, 73man!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.