Search results for symbols

In her book Ethnic Options: Choosing Identities in America, Mary Waters discusses the ways in which White Americans are able to pick and choose among their various ancestries, deciding which (if any) ones to actively claim and in what context. Certain White ethnicities tend to be quite popular, so that people are likely to actively identify themselves as, say, Italian or Irish, whereas others, such as Scottish or Scots-Irish, are relatively unpopular and people are likely to drop those ancestries from their ethnic identity.

Here is a screenshot from the website of Kathleen Delaney, a candidate for judge here in Las Vegas:

Although there is no explicit mention of it anywhere in her campaign materials, I presume, by the shamrocks and the use of the colors of the Irish flag, that she is Irish American. By using these symbols, she is able to signal her ethnicity, which she clearly is proud of and also feels will not impact her campaign negatively (thus her willingness to actively bring attention to it when there is no clear reason to do so).

This illustrates some important aspects of Waters’ argument. Whereas non-Whites often cannot get others to ignore or forget their race, Whites generally have the option of going unmarked–as just “plain” Americans, if you will. That doesn’t mean White ancestries are meaningless or unimportant, but it does mean they have different consequences. Whites can choose when to emphasize their ethnicity, and doing so has few negative consequences. Today there are no significant differences among White ethnic groups in terms of major indicators of quality of life or economic status. So the vast majority of the time there are no real downsides to claiming a White ethnicity, since being White trumps being German or Norwegian or Irish (although of course in the past there was significant discrimination aimed at certain groups of European immigrants, particularly the Irish, Italians, and eastern Europeans).

On the contrary, claiming an ethnic identity lets Whites feel special and interesting. One of the weird things about our racial system is that, though non-Whites are often stigmatized and Whites are at the top of our racial hierarchy, Whites are also often portrayed as culture-less and boring (see this post for an example). So being not just “plain” American but instead Swedish-American seems neater.

This might make a good contrast to the ways in which Barack Obama’s race has been discussed in the presidential election. Whereas he has had to actively address issues of race, and try to downplay it and portray himself as a “post-racial” candidate, Delaney can actively bring attention to an ethnicity that would otherwise probably go unnoticed by most voters, and she clearly thinks that doing so isn’t going to harm her chances of getting elected.

UPDATE: In a comment, Megan pointed out that the ability to “mark” yourself with symbols of your ethnicity can be limited by whether or not those symbols are known well enough by the general public to be recognizable. She says,

Being Swedish-American may be “neat” as you say, but putting some Swedish symbols on a bumper sticker won’t really be understood outside of the upper midwest.

It’s a good point–whereas the shamrock is widely recognized as a symbol of Irishness, I can’t think of any similar symbols of Swedishness off the top of my head, and blue and yellow, the colors of the Swedish flag, certainly don’t immediately signal “Sweden” to me when I see them. So of course anyone can use symbols to signify their ancestry, but not all of those symbols are going to be meaningful to observers. If the Delaney sign had been blue and yellow, and she had some Swedish symbol in place of the shamrocks, I probably never would have written this post because I wouldn’t have even recognized it as ethnic signalling.

Thanks, Megan!

In this ad for Union Carbide is an excellent example of the dichotomization of “tradition” and “modernity” and the conflation of “modernity” with the West.  Text:

Science helps build a new India.

Oxen working the fields . . . the eternal river Ganges . . . jeweled elephants on parade.  Today these symbols of ancient India exist side by side with a new sight–modern industry.  India has developed bold new plans to build its economy and bring the promise of a bright future to its more than 400,000,000 poeple.  But India needs the technical knowledge of the western world.  For example, working with Indian engineers and technicians, Union Carbide recently made available its vast scientific resources to help build a major chemicals and plastics plant near Bombay.  Throughout the free world, Union Carbide has been actively engaged in building plants for the manufacture of chemicals, plastics, carbons, gases, and metals.  The people of Union Carbide welcome the opportunity to use their knowledge and sills in partnership with the citizens of so many great countries.

UPDATE:  In the comments, Village Idiot mentioned the imagery which I, ironically, lost sight of in favor of the text.  The great white hand (of God?) pouring what looks like blood out of a scientific beaker onto a scene of dark figures!  Wow!

Found at Vintage Ads thanks to Ben O.

Here are two videos from MTV’s Think campaign (both found here):

I am not at all sure what the message is here–just a general “fear your government” warning? A comment on the Bush Administration’s policies? The Patriot Act? Also note that the message is that the Holocaust happened to people like us–not that it was done by people like us, which might be a more interesting message.

Anyway, I think this could be compared to the PETA posters in a discussion about history and who has the right to use it how. Will everyone see these images as offensive? Is any use of the Holocaust as an example or comparison automatically offensive? Would campaigns that use the Holocaust be as offensive to people if they used the genocide in Rwanda instead? Who gets to claim the right to use images and symbols of historical events, including horrible tragedies, and in what ways can they use them?

Thanks to Simone for pointing these out!

These images were all used (along with lots of others) in a 2003 campaign in which PETA, obviously, compared modern agricultural practices and eating meat with the Holocaust:

hol3od1.jpg

Found here.

petabig_1.jpg

Found here.

to-animals-all-people-are-nazis.jpg

Found here.

I assume it will not surprise anyone to learn that many people were offended by the campaign. I can imagine using these images in courses on food/agriculture, social movements, natural resources and the environment (especially in discussions of what rights non-human animals have), and even lectures about historical memory (for instance, when and how does it become acceptable to use historical tragedies like the Holocaust as symbols in other arguments, rather than as events in and of themselves?).

Thanks to an anonymous poster for pointing this campaign out!

NEW: Elizabeth (from Blog of Stench) sent in this ad (found here) PETA apparently attempted to run in the Portage Daily Graphic in Manitoba, Canada:

The ad references an incident on a bus in Manitoba where a man beheaded a fellow passenger and compares it to the slaughtering of animals.

Thanks, Elizabeth!


Truthfully, I don’t think I have ever seen so many symbols of masculinity mobilized in so short a time. I had to watch it three times:

[youtube]http://www.youtube.com/watch?v=Anl_7Q05C8c[/youtube]

Thanks a bunch to Christine who recommended this in our comments.

This is a cover of Vogue featuring LeBron James and Gisele Bundchen. Notice the postures: LeBron as the hulking, angry black man, and Gisele as arm candy. Apparently this issue has a whole section on “the World’s Top Models and Star Athletes.” Hmmm, I wonder what the gender breakdown is?

Notice also the way in which the image reproduces the famous King Kong imagery:

Here is a link to an MSNBC segment on the cover.

Thanks to Carmela Z. for sending this image along!

NEW (Jan ’10)!  Ruth D’R. and a reader-who-wishes-to-remain-anonymous sent us this (highly photoshopped) photo of Kanye West and Lady Gaga, one of the images in her “Fame Monster” CD liner notes.  Some argue that it, too, reproduces the racialized King Kong imagery in which a black man (threatens to) ravage a white woman:

lady-gaga-kanye-west

Some may think that this is a reach.  But I think her nudity, plus the symbols of primitivity (the plants, the erupting volcano, and even the khakis) clearly invoke animalism.

This campaign ad from 1988 is part of the larger politicization of the black underclass. “Willie Horton” and the “welfare queen” both emerged as symbols during this period with which to demonize poor blacks for political clout. Ultimately, using the name Willie Horton became a powerful tool to criticize politicians for being weak on crime and not protecting the innocent white population from the guilty black population.

[youtube]https://www.youtube.com/watch?v=Io9KMSSEZ0Y[/youtube]

Ultimately, increasing toughness of the criminal justice system led to a situation, today, where about 1/2 of all black men are in the prison system. See an interesting entry on Willie Horton on wikipedia here.