On the heels of our guest post describing the surprising rise in hypersexually-objectified women on the cover of Rolling Stone, comes troubling research out of cognitive neuroscience, sent in by Dolores R.

Mina Cikara and colleagues did a series of experiments — using Implicit Association and fMRI — to test whether sexist and non-sexist men’s cognition varied when looking at sexualized versus non-sexualized images of women. In fact, when men who tested high on a scale of sexism were shown images of sexualized women, they associated them more easily with words that implied an objectified “thing” than a thinking “person.” This was reflected in the fMRI study.

The take home message? When sexist men are exposed to strongly sexualized messages, they are inclined to dehumanize women, to see them as things.  Seeing someone as a thing is the first step towards treating her like her desires, thoughts, and preferences do not exist (because objects don’t think).  In other words, it facilitates sexual assault.

So… hmmmm… who to pick on here.  How about American Apparel…

American Apparel, this is brain poison (after the jump; NSFW):

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In his book, Great American City, sociologist Robert Sampson argues that, while the effects of macro factors like poverty and political neglect on individual lives are well-documented, other local mechanisms matter too.  It’s important, then, to think about the constitution of neighborhoods.

Along these lines, he argues, even if a community is economically- and socially-marginalized, an existing neighborhood organizations can make a big difference.  He takes natural disasters as a case study.  A neighborhood organization can spread the news of an impending disaster, establish leadership, and organize assistance before, during, and after a crisis.  In this way, Sampson brings together micro, meso, and macro forces shaping the impact of disaster.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Here’s another one for our collection of instances in which we describe light tan as “nude,” “skin-,” or “flesh-colored” (symbolically erasing the existence of people without light tan skin).  Yahoo’s OMG! describes uses the word “nude” to describe the color of Lil’ Kim shirt.

It’s always particularly amazing when they use the word to talk about something a black person is wearing.  Like, um, Michelle Obama.

For more examples, see our posts on products designed for white people, the widespread use of such language to describe light tan in the fashion world,  and lotion marketed as for “normal to darker skin.” See also our Contexts essay on race and “nude” as a color.

For contrast, see this post about how the generic human in Russian cartoons is colored black instead of white.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

The New York Times recently ran an  interesting story on prison cemeteries in Texas.  For about $2,000, the state buries about 100 inmates a year. They die of lethal injection, old age, or illness, but they’re all dressed in dark pants, a white shirt, and tie, and are buried with a prayer from the prison chaplain.

When inmates die in custody, their bodies are sometimes unclaimed.  This may be because they have no family at all, or their family members don’t wish to claim the body.   Other times the inmate is cared for by family members who simply can’t afford to bury the person themselves.  So, occasionally the family members will decline to claim the body, but show up on the day of the burial to pay their respects.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Paula F. sent in a link to Babble.com’s list of the top 100 ‘mom blogs’ of 2011.  Mom blogs have become wildly popular in recent years as a way to document and comment on the experience of motherhood, and this particular list illustrates some interesting things about social privilege.  Paula was struck by the lack of racial diversity among the selected blogs and noted how women of color are vastly underrepresented.   For example, only 7 of the blogs are written by African-American moms, and 4 of those refer to the mother’s race in the title (although the same is not true for any of the blogs written by white women).

A quick review of the blogs reveals some other interesting issues related to social privilege and motherhood.  In addition to the lack of racial diversity, the blogs included in the list show very little variation in terms of class, sexuality, age, and marital status.   (The blogs were chosen by a panel of “experts” that took into consideration nominations from Babble readers, so it’s unclear how representative they are of mom blogs in general.)

While there is the more obvious privilege of the “digital divide,” or the disparate access that people have to technology and the internet, there is also privilege in having the spare time to devote to intensive writing/blogging and the connections necessarily to draw sponsorship and advertising.  Moreover, while some of the selected blogs do offer narratives that deviate from traditional ideas about mothering and motherhood (for example, several blogs discuss mental health issues, the struggles of parenting, and forming blended families), they nonetheless reproduce a narrow image of who mothers are, what they look like, and what they do.

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Christie Barcelos is a doctoral student, a mom, and a blogger, but not really a mom blogger.

Yesterday I posted the results of an L.A. Times study on the demographics of the Academy voters who decide who receives Oscars. What about the movies they’ll be voting on this year? The always-awesome Anita Sarkeesian, of Feminist Frequency, produced a short video applying the Bechdel test — the simple measure of even minimal representation of women in film — to the 2012 Oscar nominees, as well as a racial version of the Bechdel test that looks at how non-Whites are included. The results are not encouraging:

The cartoon added below inspired me to revive this post from 2008.

Many believe that the U.S. is at the pinnacle of social and political evolution. One of the consequences of this belief is the tendency to define whatever holds in the U.S. as ideal and, insofar as other countries deviate from that, define them as problematic. For example, many believe that women in the U.S. are the most liberated in the world. Insofar as women in other societies live differently, they are assumed to be oppressed. Of course, women are oppressed elsewhere, but it is a mistake to assume that “they” are oppressed and “we” are liberated. This false binary makes invisible ways in which women elsewhere are not 100% subordinated and women here also suffer from gendered oppression.

(If you’re interested, I have a paper showing how Americans make these arguments called Defining Gendered Oppression in U.S. Newspapers: The Strategic Value of “Female Genital Mutilation.”)

I offer these thoughts are a preface to a postcard from PostSecret.  The person who sent in the postcard suggests that she’s not sure which is worse: the rigid and extreme standard of beauty in the U.S. and the way that women’s bodies are exposed to scrutiny or the idea of living underneath a burka that disallows certain freedoms, but frees you from evaluative eyes and the consequences of their negative appraisals.

Cartoonist Malcolm Evans drew a similarly compelling illustration of this point, sent along by David B.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

This Sunday is the 2012 Oscars ceremony. The Oscars are awarded based on the votes of nearly 6,000 members of the Academy of Motion Picture Arts and Sciences; however, the Academy keeps the identities of the voting members secret, so there’s little knowledge of who, exactly, determines the recipients of Oscars, prestigious awards within the industry that can increase interest in a film, increase job opportunities, and generally raise the profile of winners.

Sangyoub Park sent in a link to an article at the L.A. Times story about Academy voters. Times reporters were able to verify the identity of 89% of current voters, and the paper provided this breakdown of their demographics; as it turns out, those deciding who wins an Oscar are overwhelmingly White non-Hispanic and male:

Within some categories of voting members, Whites are even more dominant; they make up 98% of writers and executives. Voters are also disproportionately older; the median age is 62, and the Times reports that only 14% were under age 50.

As the Times story illustrates, many inside and outside of the film industry believe the make-up of Oscar voters influences which movies, actors, and directors have a serious chance of winning, with those that appeal to middle-aged White men inherently advantaged because of the lack of diversity among voters.