television

Laurie Penny’s great new piece about Manic Pixie Dream Girls (MPDGs) has me thinking about the role of women/femininity in the compositional structure of music, film, and other media.  Penny uses a narrative metaphor to explain the subordinate role of MPDGs in contemporary patriarchy: patriarchy expects and encourages women to ghostwrite or be, as Penny puts it, “supporting actresses” in men’s stories.  When women (such as Penny) craft their own autobiographies with themselves as the protagonist, this upsets both patriarchal conventions, and our aesthetic sensibilities, which have been trained to expect and enjoy these conventions.

But, especially in light of the finale of this past season’s Doctor Who (so, uh, need I say it: spoilers) I think the MPDG supports men’s/masculinity’s centrality–in other words, patriarchy–in specific ways, ways that are uniquely appropriate to the compositional logic of contemporary media.

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Note: This article touches on slut shaming, body shaming, homophobia, and ableism.

I love swearing. It’s a weekly miracle that my essays don’t include “totally fucked” or “fucked up and bullshit” in every paragraph. If I were reborn as a linguist, I would study swearing and cursing. I watch documentaries about cursing, I play a lot of Cards Against Humanity, and this interview with Melissa Mohr, the author of Holy Shit: A Brief History of Swearing is my favorite episode of Slate’s just-nerdy-enough podcast Lexicon Valley. If you’ve been in the audience when I give a presentation, you probably (despite my efforts to the contrary) heard me swear five or six times. I would hate to live in a world without swearing because it would be fucking dull. Unfortunately, my (and most English-speaking people) love of swearing comes into direct contradiction with inclusionary social politics. I need a new arsenal of swear words that punch up and tear down destructive stereotypes. Every time I swear, I want to be totally confident that I’m offending the right people. more...

It is pretty easy to mistake most technologies as politically neutral. For example, there is nothing inherently radical or conservative about a hammer. Washing machines don’t necessarily impose capitalism on whoever uses one, and televisions have nothing to do with communism. You might hear about communism through television, and there is certainly no shortage of politically motivated programming out there, but you’d be hard-pressed to find someone that says the technology itself has a certain kind of politics. This sort of thinking (combined with other everyday non-actions) is what philosopher of technology Langdon Winner (@langdonw) calls technological somnambulism: the tendency of most people to, “willingly sleepwalk through the process of reconstituting the conditions of human existence.” It is difficult to see the politics in technology because those politics are so pervasive. The fact that technological artifacts have politics is kind of like Call Me Maybe, once you’re exposed, it is hard to get it out of your head. more...

The very fact that your eyes rolled (just a little bit) at the title tells you that it is absolutely true. So true its obnoxious to proclaim it. Perhaps cable news died when CNN made a hologram of  Jessica Yeller  and beamed her into the “Situation Room” just to talk horse race bullshit during the 2008 election. Or maybe it was as far back as 2004 when Jon Stewart went on Crossfire and shattered the fourth wall by excoriating the dual hosts for destroying public discourse. The beginning of the end might be hard to pinpoint, but the end is certainly coming. Fox News had its lowest ratings since 2001 this year, but still has more viewers than CNN & MSNBCNEWSWHATEVERITSCALLEDNOW combined. Even if ratings weren’t a problem, credibility certainly is. Imagine if CNN stopped calling themselves the “Most Trusted Name In News” and used the more accurate, “A Little Over Half of Our Viewers Think We’re Believable.” By now it is clear that the zombified talking heads of cable news are either bought and sold, or just irrelevant. Cable news channels’ hulking, telepresent bodies have been run through and left to rot on the cynical barbs of political bloggers and just about anyone at a comedy shop’s open-mic night. This last series of screw-ups in Boston (here, here, here and unless it was avant-garde electronic literature, here) begs the question if cable news channels can even tell us what’s going on anymore. Cable news is dead, but something keeps animating the corpse. more...

“Hey, don’t let me forget to TiVo Two and a Half Men”—said nobody ever.

NPR has been running a series that looks at the ways in which new technologies are changing how we consume television[i].  The latest installment, based on an interview with Jessica Helfand, author of Screen: Essays on Graphic Design, New Media and Visual Culture has a troublesome tone. Helfand worries that on-demand television is ruining our attention spans, as we consume only what we want, when we want. She worries that we watch on our own time, rather than as part of a collective schedule-following community. She worries that content will have to get shorter, more easily consumable, and that the focus will shift from away from the story, and towards the medium itself. Referencing a colleague, she labels today’s media consumption environment as a “narrative deprivation culture.”  Below are a few representative quotes from Helfand: more...

Presidential debates might be the single political event where Marshall McLuhan’s infamous phrase “the medium is the message” rings most true. Candidates know well that content takes the back seat, perhaps even stuffed in the trunk, during these hyper-performative news events. The video above of McLuhan on the Today show analyzing a Ford-Carter debate from 1976 is well worth a watch. The professor’s points still ring provocative this morning after the first Obama-Romney debate of 2012; a debate that treated the Twitter-prosumer as a television-consumer and thoroughly failed the social medium.  more...

I like Ellen DeGeneres. Lots of people respect what she does and she has a reputation of treating people right. However, I was surprised when I came across a clip from her popular daytime television show where she unsuspectingly broadcasts compromising Facebook photos of random audience members, a sketch I saw for the first time yesterday, and there seems to be at least a few more of these on YouTube.

I get it, it’s a gag on context collapse: photos taken in and for one time and place are dislocated onto broadcast television, to unexpected and hilarious results. Cute. However, the reality of this is not so funny, and The Ellen DeGeneres Show should know better.

The problem here is that Ellen is setting a precedent that it is okay and fun to share each others information to a larger audience than was initially intended; that blasting compromising photos from someone’s Facebook profile to other audiences, large or small, is a funny joke. For many, it isn’t.

Ellen’s lighthearted joke takes the form of much modern bullying; especially what is often called “cyberbullying” more...

A couple weeks ago I stumbled across this image of a “Where’s Waldo?” backpiece, and it got me to thinking about body modification, the cyborg body, and postmodern theories of the sign (Baudrillard 1972; Turner 1999) as they relate to contemporary tattooing.

The contemporary tattoooed body, which I often refer to as the cyborg body, is at a crisis. That is, we do not have a uniform means of interpreting and displaying these signs to others. What’s more, the content of tattoos varies significantly, from direct referents and iconography to indirect, playful and self-referent images.

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The 2012 presidential race is beginning to take shape, and it is interesting to see how social media is being differently used by candidates. Obama kicked off his re-election campaign on YouTube and is at Facebook today with Zuckerberg to do a Facebook-style town-hall Q&A. Mitt Romney (R-MA) annouced his presidential bid on Twitter and Tim Pawlenty (R-MN) announced on Facebook and even created a Foursquare-style gaming layer where supporters earn points for participating in his campaign. I’ll be analyzing how social media is used throughout the 2012 cycle, but I’d like to start all of this with the question: who will be our first social media president?

FDR became the radio president with his famous “fireside chats” and JFK the television president with his image-centered debates with Nixon. Many consider Obama the first social media president due to his massive fund raising and organizing efforts during the 2008 campaign using the web (though, Howard Dean was there four years earlier – remember his use of meetup.org). However, now that Obama has been in office for more than two years, has he really used the social web effectively in interesting new ways? The New York Times states that Obama treats the Internet like a “television without knobs,” using it primarily to simply upload videos for us to consume. Obama-as-president has thus far been a Web 1.0 leader instead of embracing the Web 2.0 ethic of users collaboratively and socially creating content.

To put it another way, go to Obama’s Twitter account and ask yourself if he is really using the medium in an effective way? It is clearly more...

I am a big fan of Marshall McLuhan and think he is due for a well-timed comeback in this the year of his centennial. I posted this great Playboy interview a while back and am now fixated with a new website called McLuhan Speaks. This site archives short video clips of our media prophet in action.

Click the images below to watch some of my favorite short clips from the site.

Here, and ever ahead of his time, McLuhan describes how we will become obsessed with surveilling each other, something that social media often exemplifies.

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