jurgenson

There is often the assumption that the information economy expects us to consume more and more, leading us to process more but concentrate less. Some have called this a “fear of missing out” (or FOMO), a “blend of anxiety, inadequacy and irritation that can flare up while skimming social media.” However, most of these arguments about FOMO make the false assumption that the information economy wants and expects us to always process more. This isn’t true; we need to accept the reality that the information economy as well as our own preferences actually value, even need, missing out.

Many do feel in over their heads when scrolling social media streams. Especially those of us who make a hobby or career in the attention/information economy, always reading, sharing, commenting and writing; tweeting, blogging, retweeting and reblogging. Many of us do feel positioned directly in the path of a growing avalanche of information, scared of missing out and afraid of losing our ability to slow down, concentrate, connect and daydream, too distracted by that growing list of unread tweets. While it seemed fun and harmless (Tribble-like?) at first, have we found ourselves drowning in the information streams we signed up for and participate in? more...

While tech-writers often act as if the Web is something out there away from society, we all know (and they do too) that technology is always embedded in social structures, power, domination and inequalities. And the words we choose to talk about tech, while seemingly innocuous, betray some pretty heavy political predispositions.

Yesterday, the New York Times ran a story looking at a “new digital divide” where “poorer” folks aren’t using the web in a “meaningful” way but instead are “wasting time” on social media. I was reminded of how Facebook users looked down on MySpace users a few years ago or the current racist rhetoric surrounding iPhone versus Android mobile phone users. Technology is often an excuse to reify the fallacy that those less privledged are an other, different, less capable and less human.

Whenever someone declares what Internet-use is “meaningful” versus a “waste” we must be critical: who is making the claim? who benefits from these too-commonly constructed hierarchies? And here, as usual, we are dealing with a hierarchical framework created by privileged folks for everyone else to placed within. more...

–Listen to the show here–

The Diane Rehm Show took to the air, ending 45 minutes ago, to debate how Facebook is making us lonely and disconnected and ruining just about everything. This is my quick first-reaction. On one side was Sherry Turkle, that avatar of “digital dualism” (more on this below) who recently wrote “The Flight From Conversation” in the New York Times and Stephen Marche who wrote “Is Facebook making us Lonely?” in The Atlantic. On the other side was Zeynep Tufekci, a researcher who communicates as well as these journalists*, responding to Turkle (also in the Atlantic). While Turkle and Marche’s headlines are intentionally catchy and dramatic, they are also sensationalist and misleading. The reality is not as captivating and Tufekci’s headline in response is far more accurate: “Social Media’s Small, Positive Role in Human Relationships.”

This is one of the many lessons provided by this hour of NPR: catchy arguments tend to trump data, even on nerdtacular public radio. Tufekci, outnumbered, did well given the dearth of air time provided relative to the more sensationalist ideas on the show. Further, the show (@drshow) seemed completely unaware of the fast-moving and engaging Twitter backchannel discussing the topics in much more nuance and detail than much of what was said on-air. [You’ve already enjoyed the irony of this as opposed to Turkle’s argument, right? Obviously.]

The next lesson more...

I like Ellen DeGeneres. Lots of people respect what she does and she has a reputation of treating people right. However, I was surprised when I came across a clip from her popular daytime television show where she unsuspectingly broadcasts compromising Facebook photos of random audience members, a sketch I saw for the first time yesterday, and there seems to be at least a few more of these on YouTube.

I get it, it’s a gag on context collapse: photos taken in and for one time and place are dislocated onto broadcast television, to unexpected and hilarious results. Cute. However, the reality of this is not so funny, and The Ellen DeGeneres Show should know better.

The problem here is that Ellen is setting a precedent that it is okay and fun to share each others information to a larger audience than was initially intended; that blasting compromising photos from someone’s Facebook profile to other audiences, large or small, is a funny joke. For many, it isn’t.

Ellen’s lighthearted joke takes the form of much modern bullying; especially what is often called “cyberbullying” more...

This is part of a series of posts highlighting the Theorizing the Web conference, April 14th, 2012 at the University of Maryland (inside the D.C. beltway). See the conference website for information as well as event registration.

Experiencing global events through social media has become increasingly common. For those in the West, the uprisings over the past few years in the Middle East, North Africa and elsewhere were especially striking because social media filled an information void created by the lack of traditional journalists to cover the dramatic events. By simply following a hashtag on Twitter, we tuned into those on the scene, shouting messages of revolution, hope, despair, carnage, persistence, misinformation, debate, sadness, terror, shock, togetherness; text and photos bring us seemingly closer to the events themselves.

But of course the Twitter medium is not neutral. It has shaped what we see and what we do not. Where is the truth in all of this? The intersection of knowledge, power, struggle and the radically new and transformative power of social media begs for intense theorizing. How we conceptualize, understand, define and talk about this new reality lays the path forward to better utilizing social media for journalistic and political purposes.

This is why the keynote for Theorizing the Web 2012 conference (College Park, MD, April 14^th) features Andy Carvin (NPR News) and Zeynep Tufekci (UNC) in conversation. Carvin (@acarvin) has become well known for his innovative use of Twitter as a journalistic tool. Tufekci (@techsoc) has emerged as one of the strongest academic voices on social movements and social media and brings a theoretical lens to help us understand this new reality. Together, insights will be made that have impact beyond just journalism but to all researchers of technology as well as those outside of academic circles.

Who is Andy Carvin; and What Do We Call Him?

Without a deep background in professional journalism, Carvin’s actual title at NPR is “Senior Strategist.” However,  more...

Rob Horning has been working on the topic of the “Data Self.” His project has a close parallel to my own work and after reading his latest post, I’d like to jump in and offer a conceptual distinction for thinking about the intersection of the online/data/Profile and the offline/Person.

The problem is that our online presence is too often seen as only the byproduct of our offline selves. Sometimes we talk about the way online profiles are passive reflections of who we are and what we do and other times we acknowledge our profiles are also partly performative adjustments to the “reality” of the person. However, in all the discussion of individuals creating this content what is often neglected is how the individual, in all of their offline experience, behavior and existence, is simultaneously being created by this very online data. We cannot describe how a person creates their Profile without always acknowledging how the Profile creates the person.

more...

Or: Intellectual Accessibility by Availability and Design

As a sociology graduate student, I sometimes feel like Simmel’s “stranger,” close enough to academia to observe, but distant enough to retain an outside perspective. Like many graduate students staring down a possible academic career-path, I’m a bit terrified at the elephant in the room: is what academics do really important? are they relevant? does it matter?

Who reads a sociology journal? As my former theory teacher Chet Meeks once posed to my first social theory course,  how many people look to sociology journals to learn anything about anything? While the occasional sociologist is quoted in the New York Times or appears on CNN, the influence these experts have is vanishingly small. I do not know as much about other disciplines, but the point for most of the social sciences and humanities is that, in my opinion, expert knowledge is largely going to waste.

And to echo folks like Steven Sideman or danah boyd, we have an obligation to change this; academics have a responsibility to make their work relevant for the society they exist within.

The good news is that the tools to counter this deficiency in academic relevance are here for the taking. Now we need the culture of academia to catch up. Simply, to become more relevant academics need to make their ideas more accessible.

There are two different, yet equally important, ways in which academics need to make their ideas accessible:

(1) accessible by availability: ideas should not be locked behind paywalls

(2) accessible by design: ideas should be expressed in ways that are interesting, readable and engaging

To become publicly relevant, academics must make their ideas available to and articulated for the public. more...

At exactly the moment when tents are disappearing, when, at least for the winter, Occupy is trading long-term omnipresence for short-term actions, Occupy DC made news for building a large, wooden, winterized structure in a city park. The Occupy DC barn fiasco can be understood, in part, as a move to double-down on the endurance of the Occupy movement precisely when it is at risk of losing that secret ingredient that made it powerful: time.

As Sarah Wenechak wrote, tents pitched in city parks come to be more than practical but also symbolic. And part of this value is that they represent time. Overall, much of the writing about Occupy has focused on space. Traditional protest actions, like marches, claim physical space but merely do so for short periods of time (especially as the march moves from location to location occupying any particular space for a only very brief amount of time). While that big umbrella term “occupy” certainly refers to space, there has also been a special focus on time.

A tent, for example, proclaims that more...

Cyborgology editors Nathan Jurgenson and PJ Rey on WYPR (Baltimore’s NPR affiliate) discussing technology and the Occupy movement: Click here to listen to the audio.

I wanted the photo above to be an example of the new so-called “living pictures” that have garnered much recent attention. However, Lytro has not provided proper embedding code so I can only post this screenshot of a living photo. I highly recommend clicking on the photo or clicking here before reading along.

Update: the code now works, so before reading on, click the photo above. Click around various parts of the image and watch the focus change.

Okay, by now you have experienced a living photo. You see it, but you can also make it come alive; touch it, change the focus, reorient what is seen and focused on. Some might even argue that you get to decide the meaning of the story the image tells. This post asks: what would it mean if we start posting living pictures across social media? Might it change how we take photos? How might we differently interact with social media photography when we can manipulate the faces of our friends and engage with the images in a new way?

It has been my contention that photography can teach us quite a bit about social media. Not just because there are so many photos online but because photography serves as a familiar and grounding reference point to the newness of social media. Photography situates the novel and sometimes disorienting ways we are documenting ourselves online with a technology that did the same offline more than a century ago.

I have written about Susan Sontag’s description of photographers being always at once poets and scribes when taking photos to describe how we create our social media profiles in a similar way. I have used the concept of the “camera eye” photographers develop to discuss how social media has imbued us with a similar “documentary vision.” I also described how the explosion of faux-vintage photos taken with Hipstamatic and Instagram serve as a powerful example of how social media has trained us to be nostalgic for the present in a grasp at authenticity.

Here, I want to discuss what many are calling “revolutionary” and the next “big thing” in photography: the so-called living pictures linked to above developed by the Lytro company that have just entered the consumer market with cameras shipping early next year.

Lytro “Living Picture” Technology

This is not an essay so much about the technology but instead the implications of more...