narrative

A recent Atlantic article introduced readers to Emma, a 28 year old woman who lives in a Dallas suburb, wears brightly colored blouses, sports a ‘blinged out’ case for her iPhone 6, and even met her boyfriend on the dating website, Plenty of Fish.  She also grew up without light bulbs and by age 18 had, just an 8^th grade education.  Emma, you see, grew up in an Amish community near Eagleville, Missouri and left her German-speaking religious community at the age when American youth acquire the right to vote, telling her parents in a note that she was “sorry to do this…but I need to try a different life.”  Her story is the topic of an interview conducted by Olga Khazan titled, Escaping the Amish for a Connected World, a piece that uses Emma’s status as an Amish outsider to offer “a fresh perspective on how our lives have changed since the digital revolution- for the better, and for the worse.” more...

A few editorial cartoons offering a counterpoint perspective to the cultural sentiments and media portrayals that denounce the Baltimore “riots” as politically unproductive, ethically unjustifiable hooliganism have achieved viral status.  One particularly prominent cartoon illustrates alternative histories in which once denied freedoms and equities were achieved without systemically disruptive uprisings (see image above).  In one panel an 18^th century Haitian slave cordially informs a French Imperialist that he and his fellow slaves would rather be free.  The receptive overseer responding in an equally kind fashion decides to abolish the system of slavery that legitimizes his very authority.  In another panel an 18^th century French revolutionary asks King Louis XVI to abdicate his power as well as dissolve the monarchy to make way for democratic rule and, like in the previous example, history is comically rewritten to suggest that the powers that be were enthusiastically and progressively responsive to such a request.  more...

Romantic love occupies a significant amount of space in both popular culture and, often, the human psyche. It is why the girlfriend activation system free download has access to pieces of information when it comes to romantic love. It is the muse of artists, musicians, and poets; the downfall of great characters; the impetus for sheer giddy joy, deep comfort, and the sharpest most debilitating pain. Truly, what else matters when you’re in the arms of a lover? What else is of import after a lover breaks your heart? Of course, romantic love, as conceived in the contemporary West, has an end game: marriage and/or life partnership along with the formation of a family.

This has not always been the case, and is not the case everywhere. The notion of romantic love began with knights and ladies of nobility and had nothing to do with marriage, or even sex, while arranged marriages and dowry agreements have little to do with romantic love.  That is, the coupling of love with marriage is not compulsory, but culturally constructed as such. And it strikes me, when I think about it, as a bit of an odd couple. more...

In Children of Men Clive Owen’s character Theo is trying to secure “transfer papers” from his cousin Nigel who seems to be one of the few rich people left in the no-one-can-make-babies-anymore-dystopia. The two older men are sitting at a dining table with a younger boy, presumably Nigel’s son, who seems to be inflicted in some way. He’s pale and stares vacantly at somewhere just past his left hand which is eerily still in between the twitches of fingers that are adorned by delicate wires. He doesn’t respond to others in the room and isn’t eating the food in front of him. After Nigel yells at him to take his pill we notice that they boy isn’t really sick or particularly disturbed, he’s playing a game attached to his hand. more...

The very fact that your eyes rolled (just a little bit) at the title tells you that it is absolutely true. So true its obnoxious to proclaim it. Perhaps cable news died when CNN made a hologram of  Jessica Yeller  and beamed her into the “Situation Room” just to talk horse race bullshit during the 2008 election. Or maybe it was as far back as 2004 when Jon Stewart went on Crossfire and shattered the fourth wall by excoriating the dual hosts for destroying public discourse. The beginning of the end might be hard to pinpoint, but the end is certainly coming. Fox News had its lowest ratings since 2001 this year, but still has more viewers than CNN & MSNBCNEWSWHATEVERITSCALLEDNOW combined. Even if ratings weren’t a problem, credibility certainly is. Imagine if CNN stopped calling themselves the “Most Trusted Name In News” and used the more accurate, “A Little Over Half of Our Viewers Think We’re Believable.” By now it is clear that the zombified talking heads of cable news are either bought and sold, or just irrelevant. Cable news channels’ hulking, telepresent bodies have been run through and left to rot on the cynical barbs of political bloggers and just about anyone at a comedy shop’s open-mic night. This last series of screw-ups in Boston (here, here, here and unless it was avant-garde electronic literature, here) begs the question if cable news channels can even tell us what’s going on anymore. Cable news is dead, but something keeps animating the corpse. more...

BREAKING NEWS: PEOPLE ARE DEBATING AUGMENTED REALITY/DIGITAL DUALISM!!!

This post, however, takes a break from The Great Dualism Debates of 2013 and reflects instead on some musings that have been whirring around in my brain since #TtW13 based on discussions surrounding the Quantified Self.

After returning from my favorite professional weekend of the year (AKA the Theorizing the Web annual conference), I sat enjoying a cup of coffee with a good friend. She asked about my presentation, and we got talking about Self Quantification and Identity.  This particular friend is also an occasional running partner and a fellow nutrition enthusiast. We seamlessly moved into her personal tracking habits, and she shared with me that when she uses her calorie tracking app, she ends up omitting a good deal of information, and contextualizing other data. Specifically, she tells me that she “forgets” to track her food while spending weekends with her long-distance boyfriend (during which she tends to eat more), and made a point to write down that it was her birthday to explain why she was so high above her daily allotment one day last month. Interestingly, she does not have any followers on this app, which means her justifications and omissions are purely for own benefit. She is not keeping up appearances for others, but rather, maintaining meanings for herself. more...

“Hey, don’t let me forget to TiVo Two and a Half Men”—said nobody ever.

NPR has been running a series that looks at the ways in which new technologies are changing how we consume television[i].  The latest installment, based on an interview with Jessica Helfand, author of Screen: Essays on Graphic Design, New Media and Visual Culture has a troublesome tone. Helfand worries that on-demand television is ruining our attention spans, as we consume only what we want, when we want. She worries that we watch on our own time, rather than as part of a collective schedule-following community. She worries that content will have to get shorter, more easily consumable, and that the focus will shift from away from the story, and towards the medium itself. Referencing a colleague, she labels today’s media consumption environment as a “narrative deprivation culture.”  Below are a few representative quotes from Helfand: more...

A couple of weeks ago, my interest was piqued by an article boasting the intriguing headline: “‘Losing yourself’ in a fictional character can affect your real life.” Essentially, researchers at Ohio State University have evidence that suggests very strongly that people who become emotionally engaged with a character in a story are more likely to alter their behavior according to how that character behaves, even if only temporarily. This piqued my interest first and foremost as a writer of fiction because it reflected my own experience so directly: When considering the mannerisms, speech, attitude, and choices of a character, it’s not uncommon for me to find my own behavior changing slightly to reflect those considerations, especially if I’m really trying to get inside a character’s head.

But then the piece piqued my interest in an entirely different way: the headline — if not the study itself — seems to be operating on the assumption that there is a distinct difference between a reader’s experience of a character in a work of fiction and the reader’s embodied experience of their own lives; in other words, that there’s a qualitative difference between the world of the imagination and the “real world”. And I’m inclined to view this assumption as flat-out incorrect.

Furthermore, I think the reasons why this assumption is incorrect have some things to say regarding the problematic assumption of digital dualism.

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This is the complete version of a previously posted two-part essay. Part one is here; part two is here.

Objects have lives. They are witness to things. –This American Life, “The House on Loon Lake”

Atlantic Cities’ feature on the psychology of “ruin porn” is worth a look–in part because it’s interesting in itself, in part because it features some wonderful images, and in part because it has a great deal to do with both a piece I posted previously on Michael Chrisman’s photograph of a year and with the essay that piece referenced, Nathan Jurgenson’s take on the phenomenon of faux-vintage photography.

All of these pieces are, to a greater or lesser extent, oriented around a singular idea: atemporality – that the intermeshing and interweaving of the physical and digital causes us not only to experience both of those categories differently, but to perceive time itself differently; that for most of us, time is no longer a linear experience (assuming it ever was). Technology changes our remembrance of the past, our experience of the present, and our imagination of the future by blurring the lines between the three categories, and introducing different forms of understanding and meaning-making to all three – We remember the future, imagine the present, and experience the past. The phenomenon of “ruin porn” is uniquely suited to call attention to our increasingly atemporal existence, and to outline some of the specific ways in which it manifests itself.

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Viral media saw an interesting development last week with Invisible Children’s release of its “Kony 2012” film, which at the time of this writing has garnered well over 75 million views as well as storms of heated criticism. One could practically write entire books on the issues that Invisible Children raises – both intentionally and unintentionally – in this campaign, but for the purposes of this post I want to keep the focus fairly narrow and trained on the actual components of the video that make it successfully viral – and what that potentially indicates about how information regarding especially complex issues is diffused, as well as what difference that form of diffusion makes.

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