Ballard: “I’ve always wanted to drive a crashed car.” Vaughn: “You could get your wish at any moment.” –from Crash (1996)
David Cronenberg is so very Cyborgology. The fleshy, pulsating video game consoles that blur machine and body in eXistenZ (1999), or Videodrome (1983), the anti-digital-dualist counter-paradigm to The Matrix where a separate digital reality is rejected in favor of showing the augmentation of media and the body in bloody detail. Vaughn, a character in Cronenberg’s 1996 film, Crash, says that the car-crash is “the reshaping of the human body by modern technology.”
In Crash, the crash is a lust object, something to be witnessed in all of its reality and detail and in extreme close up. On YouTube, it’s the rise of Russian “dashcams.” more...

