thecoon

The new season of South Park started up full steam taking aim at Disney and the Jonas Brothers (available after 4.11.09) and this week the “dark” superhero genre and…Obama?  Cartman’s voiceover narration as a raccoon-costumed crimefighter:

“…Then a black man was elected President.  He was supposed to change things.  He didn’t.”

The episode reminded of a post last fall, Post Racial?  Quoting the sagacious José:

“Post-racism indulges in racist stereotypes while at the same time not engaging the moral dimensions of racism. In practice, you can engage in all the racism you want as long as you are being ironic about it.”

The Coon (Full Episode is available here) focuses its humor mostly on the superhero genre, but people are picking up on the use of the loaded term, as evident in comments on EW.  Controversy is bound to increase Internet hits (and viewing of Electronic Arts and Capcom Resident Evil 5 ads) and Stone & Parker are no strangers to using race as fodder for comedy squarely in a “post-racial” manner, in both subtle and not-so-subtle ways.

I’m not interested in debating whether this was racist or not, but rather the idea of whether  this type of satire allows us to have a “collective national laugh at the absurdity of race.”   Does the outrageous Cartman as a raccoon and the use of the term follow that trope?  In the blogosphere and in discussion fora, I see back-and-forth on the subject of race.  Typically, along the lines of “__ is racist” countered with “you should get over it” or other arguments based on irony, satire, or free speech.  

What are the implications, if any, of racial satire if everyone doesn’t “get” (interpret broadly) the joke?