gender

Miriam H. noticed that the “Plus Size” section of the Frederick’s of Hollywood website uses very thin women to model the clothes, a phenomenon we’ve documented at Woman Within, even as it boasts “SEXY AT EVERY SIZE” and “Styles in sizes up to 3X and 42F”:

I browsed through all of the front pages for the categories at the left and noticed only one photograph of a woman that could pass as a “plus size” model:

This got me to wondering where these photos come from… and I have absolutely no answer to this question.  I don’t know if Frederick’s arranges for these photos to be taken, if they hire a company to take these photos, if the manufacturers have the photos taken and give or sell them to Frederick’s.  That might explain the single image with a plus-sized woman.  It also seems to me that the photos vary quite a bit stylistically, suggesting that they were coming from different places.  For example:

I suspect, as well, that the reason all of the products are modeled by thin models is because only one photo of each product is produced (one with a thin model on the assumption that plus-sized models could not be used to sell to non-plus-sized people).  That is, it would be twice as expensive to show two differently sized women in the garment, so women searching for plus-sized clothes don’t get to see the garment in their size.

Then again, as I continue to think out loud, almost no women buying any of these clothes has a body that approximates that of the models in these photos.  So this is not a non-representation issue for larger women, it’s a non-representation issue for almost all women.

So this seems to me to be an issue of representation, but also an issue of the institutional and financial constraints of the fashion industry.  Thoughts?  Insights?  Answers?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Kate W. sent us a link to a discussion of historical portrayals of mending and darning (i.e., repairing clothes with a needle and a thread) by American Literature professor Kate Davies.  According to Davies, this image from 1904 is a postcard designed to titillate male viewers:

Davies writes:

I’ve found lots of these mildly racy, early twentieth-century images of mending, and it isn’t that surprising. Associations between mending and s*x are conventional and familiar from centuries of genre painting and portraiture: a woman looking at the work in her lap gives a man an opportunity to look at her; a female servant bent over her darning displays her hands or chest; an idle stitcher clearly has her mind on other things.

In another example, “Chicago’s top models for 1922” display their ankles while ripping seams with Rip-Easy seam rippers:

If you’re not convinced, consider this example from 1907:

These are neat examples of how what is sexy, who is sexy, and what can be sexualized changes over time.

See Prof. Davies’ entire post at her blog, Neeedled.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Nicole S. sent us screenshots of two sets of books she saw for sale online at Barnes & Noble. They provide us with some very important information about how men and women differ, as well as the types of things/activities/emotions that have been masculinized or feminized. Not sure if you’re speaking to a man or a woman? Check to see what pet they have with them:

And don’t be fooled into thinking parents are interchangeable. They serve very different roles. Dads are for playing with. Moms need to stay in the house and bake while you’re out playing catch with Dad, and then console you when you get hit in the face with the baseball:

I would provide some more sociological analysis here, but I’m distressed to realize I’m not fitting into appropriate gender roles, so I need to run to the animal shelter and trade in my dogs for a couple more cats to go with the one I ended up with when an ex-boyfriend abandoned her, which he must have done after realizing owning her was feminizing him.

As for understanding me through my cat, the other day I was ignoring her while I read a book so she came up and bit me on the nose hard enough to draw blood, so apparently I’m either a masochist or an aggressive self-involved brat, depending on whether you judge me by my cat, or by what I put up with from her.

Carol C. sent in another example of the male = active, female = passive dichotomy, this time from Lego. They have a line called Lego City, which contains four figures and various accessories:

While you can obviously pose the characters however you want, Lego’s description of the set clearly assumes men are in more active, with specific work-related roles:

Meet the residents of LEGO® City!

LEGO® City is one busy place! As the girl listens to the radio on the park bench, the nearby policeman directs cars at the traffic light, the delivery boy hurries with an important package on his cart, and the businessman heads to his next meeting. Includes minifigures, street signs, accessories and more!

The men have jobs and things they are going to do. The girl — the only one here not in a uniform — sits on a bench.

Though she’s listening to the radio (on a boombox from, like, 1989), and possibly being hit on by the delivery boy, so maybe those are supposed to count as being active.

In this ten-minute talk, super-famous psychologist Philip Zimbardo talks about cultural differences in the perception and orientation towards time… and  how that translates into boys dropping out of high school and underperforming in college.  How does he make the link?  Watch:

Via BoingBoing.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Always entertaining, Jamie Keiles, of  the Seventeen Magazine Project and Teenagerie, offered the age distribution of the “hot guys” profiled in the June issue of Seventeen magazine.  This issue, after all, was the “Hot Guys of Summer” issue.  Fun!

Keiles writes that:

…only two of the guys, Justin Bieber and Nick Jonas, were even in the age range for reading the magazine, ages 12 to 19. What I found weirder, though, is that the largest groups of males featured in the article fell into the two oldest age ranges. This means its possible that the oldest male hottie, Charlie Bewley, could have fathered the youngest targeted Seventeen reader, age 12, when he was 17 years old.

Here’s the data based on an N of 13:

Men and women do marry asymmetrically, with women, on average, marrying men who are taller, more educated, who make a bit more money, have a bit more status, and are a bit older.  The average age of marriage for women is 25 and the average age for men is 27.  So this is some evidence of early socialization to this idea.

But there’s more…

Not to be underestimated, Keiles asked the question that is on all of our minds: What percentage of hot guys are vampires or vampire-adjacent?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Last semester my colleague, Mary Christianakis, assigned her students a mash up.  The idea was to take two forms of art (loosely defined) and combine them to inspire, instead of state, a critical perspective.  Below is one of the exemplars, by her student, Samantha Figueroa.  It combines scenes from Pocahontas with a spoken word poem, Slip of the Tongue, by Adriel Luis.

Nice work, Samantha!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Right?

Or, at least, we’re constantly told that women love shoes.

This ad in the August 2010 issue of Elle Canada got a “major eye roll” from JT.  Women need focus (focus vitamin water, that is), so that they can shop for shoes.  They’re just so many kiiiiiiiiiinnnnnnnds!

Meanwhile, Jacob spotted this Nine West sign in the Pittsburgh airport.  It reads “Everything A Woman Wants: MORE SHOES AND PURSES!”:

Both of these ads present women as obsessed with shoes (and purses).  I am not obsessed with either.  I buy all my shoes at thrift stores (except running shoes) and I care so little about purses that Gwen actually buys them for me in Las Vegas and mails them to Los Angeles so that I don’t carry the exact same purse until I die.

That is all.

See also: Men hate shopping.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.