art/literature

In this ten-minute Black Tree Media video, sent in by Janet F., black intellectuals and artists debate sexism in hip hop. The video features over a dozen perspectives — Stanley Crouch, Cornel West, Michael Eric Dyson, Ben Chavis, Nelly, T.I., Chuck D, MC Lyte, the Reverend Al Sharpton, Mike Jones, Master P, and Kim Osorio — and covers a lot of ground.

My apologies if the video is preceded by a commercial:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Last semester my colleague, Mary Christianakis, assigned her students a mash up.  The idea was to take two forms of art (loosely defined) and combine them to inspire, instead of state, a critical perspective.  Below is one of the exemplars, by her student, Samantha Figueroa.  It combines scenes from Pocahontas with a spoken word poem, Slip of the Tongue, by Adriel Luis.

Nice work, Samantha!

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Last week I linked to the first episode of the 1972 BBC documentary, Ways of Seeing (thanks again to Christina W.).  The second episode, partially embedded below offers an art historian’s perspective on the objectification of women in European art and advertising, starting with paintings of nude women.  “To be naked,” he argues, “is to be oneself.  To be nude is to be seen naked by others and yet not recognized for oneself. A nude has to be seen as an object in order to be a nude… they are there to feed an appetite, not to have any of their own.”

And there’s a very provocative statement about hair and hairlessness (down there) in the midst.

Parts One and Two of Four:

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Christina W. alerted us to the availability of the first episode of John Berger’s 1972 BBC documentary, Ways of Seeing.  Berger was is a artist, author, and art critic.  In the first episode of the documentary (in four parts below) he asks how the ease of reproduction made possible by the camera (both still and moving) has changed the meaning of art.  The episode is a bit slow (for my taste), but has some interesting ideas.

First he argues that the ability to reproduce works of art in books, on posters, postcards, and television screens means that art is experienced in a decontextualized way (or in the context of, say, your living room). No longer something we pilgrimage to, to consume in a very specific context, they come to us.  This, he argues, has multiplied a work of art’s possible meanings.

As an aside, he makes an interesting argument that the obsession with authenticity — “usually linked with cash value,” he says, “but also invoked in the name of culture and civilization” — is actually “a substitute for what paintings lost when the camera made them reproducible.”

He then talks about how our experience of art is mediated by media (whether it be an art book or a discussion of art in a television program), so that our reaction to it is inevitably shaped by its re-interpretation.  The art critic, for example, tells us what to think about a piece of art. (No doubt, his call for skepticism certainly can be applied to Sociological Images.)

But reproduction and the multiplication of meaning also makes it easier to make connections and have personalized reactions.

(Btw, there is a pretty awesome moment at 4:38 of the third installment.)

Start watching Episode Two here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Katie sent in an image from Digital SLR Cameras and Photography For Dummies by David D. Busch. The image followed this text (p. 181):

To minimize wrinkles or facial defects, such as scars or bad complexions, use softer, more diffuse lighting, as shown in Figure 10-3.

And here is Figure 10-3 with the accompanying caption (p. 182):

So after learning that diffuse lighting is good for minimizing defects, we are then told that women in general need such lighting. Katie says she tried to imagine the reason for this instruction, but “can’t think of a possibility that isn’t about reinforcing traditionally-gendered imagery.” The assumption in the book seems to be that women always want, and need, to be photographed in ways that emphasize a blemish-free beauty ideal. Not all subjects are “often best pictured” in this way; this instruction is specifically about how to present women. Presumably we might want to picture men in ways that emphasize strength, or show them as wizened or wrinkled or otherwise presented without the softening effect of diffuse lighting.

It’s a small example of how gendered norms are taken for granted and reproduced in various fields. If you’ve seen similar examples (or, for that matter, contrary ones) about  photography, painting, etc., we’d love to have them.

Tom Tierney is a famous paper doll artist.  Katrin sent along a link to his American Family series.  The covers erase all non-white families; apparently American Indian families weren’t “American” enough, nor were the indigenous population of what-would-one-day-be-California, African families during the Civil War era, or the many other non-white people that lived here before and after white people arrived.

Elsewhere on his site, Tierney has paper dolls with non-white characters, but they are always specified (e.g., Famous African Americans Paper Dolls or the new Obama Family).  Non-modified, though, “American”= white.

See also our post on how people tried to claim American-ness by claiming whiteness and suing for whiteness.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Mindy J. and Andrea F. sent in a really interesting project by artist Nathan Vincent.  Vincent recreates masculine items and ideas with feminine crafts in order to upset the gender binary.  He explains:

My work explores gender permissions and the challenges that arise from straying from the prescribed norms. It questions the qualities of gender by considering what constitutes masculine and feminine. It critiques stereotypical gender mediums by creating “masculine objects” using “feminine processes” such as crochet, sewing, and applique.

For example:

More examples of his work at his site.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

Why does the iconic New York City paper cup look so… Greek?

The designer of the cup, Leslie Buck, arrived in the U.S. after fleeing the Nazis during World War II.  He joined a new company called “Sherri Cup” in the ’60s.  He designed the cup, with no art training, with a Grecian theme and in the colors of the Greek flag, to appeal to… Greeks.  It turns out that a large portion of the city’s diners at that time were owned by Greeks.  It was an instant hit.

So, we have immigration, ethnic occupational segregation, and Buck’s ingenuity to thank for decades of cozy, New Yorky feelings inspired by that little cup.

Buck died this April.  You can read his obituary, and the whole story of the cup, at the New York Times.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.