The sexualized campaign against breast cancer (i.e., “save the tatas”) is fascinating.  Why should we care about breast cancer?  Because we think boobs are hot and we like to put them in our mouths.

I think it’s the ad companies that win.  This bottled water advertisement (found here) gets to be simultaneously socially conscious and titillating:

Also in breast cancer awareness and advertising: if men had boobs, they’d care about breast cancer, gender symbolism in breast cancer ads, and objectification in the service of breast cancer awareness.

Also don’t miss boobsboobsboobsboobsboobsboobsboobsboobsboobs.

According to the U.S Bureau of Labor Statistics, weekly earnings rose 0.9 percent last year and the overall inflation rate was 4.1:

Found at Everyday Sociology.  Click to enlarge.

A New York Times article about politicans and parenting offered this figure illustrating what percentage of Democratic and Republican voters say they would be likely to vote for a woman with and without children and a man with and without children.

These three Volvo ads from 1974 (from Found in Mom’s Basement) remind us that this isn’t the first time there was an “energy crisis” and gas was difficult and/or expensive to get.  They put this particular crisis in historical perspective and also point to (1) how resistant Americans are to change and (2) how short our collective memory is.  That is, the problems we are facing to day are not new, but cyclic, yet we manage to forget crises as soon as they are past and revert to our familiar ways. 

The ads also demonstrate the willingness of companies to capitalize on a crisis.  See a modern version here.  And enjoy the ads:

See also these public service announcements encouraging carpooling during WWII.

I just saw one of these signs in my neighbors’ yard (image found here):

The reason it struck me is that a) I’m quite certain it’s the first time I’ve ever seen a pink campaign sign and b) it made me remember the criticisms of the Kerry/Edwards yard signs from the 2004 campaign (see this post). The Democratic candidates’ signs were described as lacking confidence, whereas the Republicans’ logo exuded masculinity and assertiveness, which supposedly reinforced stereotypes of Democrats as weak and uncertain and Republicans as aggressive and strong. It’s a sign of the many unexpected events of this campaign season that just four years later Republicans would feel comfortable putting out a pink yard sign because they’re actively playing up the femininity of one of the candidates. It’s not just that they’re emphasizing that she’s female; I’m pretty sure if Hillary Clinton had won the Democratic nomination, she wouldn’t have pink yard signs. I have a feeling that the Democrats, facing the stereotype that they’re weak and uncertain, wouldn’t want to take the chance of having yard signs in a color associated with femininity, even if they had a female candidate, but that’s just a hunch.

Historians argue that what constitutes a good childhood and, relatedly, good parenting has changed dramatically over time.  Today, keeping children busy with lessons (in this, that, and the other) seems to be one version of ideal parenthood/childhood.  I thought this ad nicely illustrated this new ideal:

Found at MultiCult Classics.

See also this post on constructions of modern parenthood.

In an era in which it is increasingly possible to bypass commercials, product placement–or the placing of products in the narrative alongside the actors themselves–is increasingly important.  Remember, this isn’t simply set decoration, but a deal between the producers and companies that is about money.  Here are some examples of product placement in movies and TV shows:

Coca Cola on American Idol (found here):

Sprite (?) and Audi in Ironman (found here and here):

Oreos on Friends (found here):

Pizza Hut on Wayne’s World (found here):

And, finally, Absolute Vodka on Sex and the City (found here):

–Not safe for work–

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Smoking seems to be a theme this week. I just saw the Stanford School of Medicine’s online tobacco-ad gallery where you can view images by theme or brand. Fascinating.

From the exhibit “Our intention is to tell—principally through advertising images—the story of how, between the late 1920s and the early 1950s, tobacco companies used deceptive and often patently false claims in an effort to reassure the public of the safety of their products.”