I am so excited to share the news that the American Sociological Association has granted Sociological Images this year’s Distinguished Contributions to Teaching Award. I am thrilled that sociologists find the site useful and I am so grateful for all of the sociologists out there who keep doing fantastic and amazing research that I have the opportunity to share. To us!!!
The New Zealand Heraldpicked up on our article about how unpopular fish that haven’t yet been over harvested get new names to make them seem more appetizing.
You like! Here are our most appreciated posts this month:
We had an especially fantastic month thanks in part to the fact that I appear to have developed the interests of a 12-year-old boy. Er, I mean my trying out some of the material I’m working up for The Society Pages’ next edited volume.
A huge thank you to Kara McGhee and the whole crew at University of Missouri, Columbia. I’m having an amazing visit and am excited to deliver my talk tonight. Hopefully there’ll be lots of #overheardatmizzou!
Sociologists are interested in the workings of power. How is inequality produced and sustained? What discursive and institutional forces uphold it? How are obvious injustices made invisible or legitimized? Why is it so hard to change hearts, minds, and societies?
How does all this work?
Earlier this month, a sliver of insight was posted. It’s a clip of a speech by Anita Sarkeesian in which she reveals what it’s like for one person to be the target of sustained, online harassment.
In 2009, Sarkeesian launched Feminist Frequency, a series of web logs in which she made feminist arguments about representation of women in pop culture. In 2012, she launched a kickstarter to fund an ambitious plan to analyze the representation of women in video games. This drew the attention of gamers who opposed her project on principle and thus began an onslaught of abuse: daily insults and threats of rape and murder, photoshop harassment, bomb threats, and a video game in which her face can be beaten bloody, just to mention a few examples. Last fall she canceled a speech at Utah State University because someone threatened to commit “the deadliest school shooting in American history” if she went on. It’s been brutal and it’s never stopped.
So, is this power at work? Has she been silenced? And has her larger project – awareness of sexism and misogyny in video games – been harmed?
I’m not sure.
As an individual, Sarkeesian has continued to speak out about the issue, but how she does so and with what frequency has been aggressively curtailed by the harassment. In the four-and-a-half minute clip, with the theme “What I Couldn’t Say,” she talks about how the harassment has changed how she engages with the public. I offer some tidbits below, but here’s the full clip:
I rarely feel comfortable speaking spontaneously in public spaces, I’m intentional and careful about the media interviews I do, I decline most invitations to be on podcasts or web shows, I carefully consider the wording of every tweet to make sure it is clear and can’t be misconstrued. Over the last several years, I’ve become hypervigilant. My life, my words, and my actions are placed under a magnifying glass. Every day I see my words scrutinized, twisted, and distorted by thousands of men hell bent on destroying and silencing me.
How she gets her message across has been affected as well:
[I cant’ say] anything funny… I almost never make jokes anymore on YouTube… I don’t do it because viewers often interpret humor and sarcasm as ignorance… You would not believe how often jokes are taken as proof that I don’t know what I’m talking about… even when those jokes rely on a deep knowledge of the source material.
And she feels that, above all, she’s not allowed to talk about the harm that her harassers are doing:
I don’t’ get to publicly express sadness, or rage, or exhaustion, or anxiety, or depression… I don’t get to express feelings of fear or how tiring it is to be constantly vigilant of my physical and digital surroundings… In our society, women are not allowed to express feelings without being characterized as hysterical, erratic bitchy, highly emotional, or overly sensitive. Our experiences of insecurity, doubt, anger, or sadness are all policed and often used against us.
A youtube search for the video reveals a slew of anti-Sarkeesian responses were published within days.
Sarkeesian’s revelations put an inspiring human face on the sacrifice individuals make to fight-the-good-fight, but also reveal that, in some ways, her harassers are winning.
That said, their grotesque display of misogyny has raised Sarkeesian’s profile and drawn attention to and legitimized her project and her message. That original kickstarter? The original call was for $6,000. Her supporters donated almost $159,000. The feminist backlash to the misogynist backlash was swift and monied.
Ever since, the abuse she’s suffered as an individual has made the issue of both sexism in video games and online harassment more visible. Her pain may have been good for the visibility of the movement. I wonder, though, what message it sends to other women and men who want to pursue similar social justice initiatives. It is a cautionary tale that may dampen others’ willingness to fight.
The battle is real. The gamers who oppose Sarkeesian and what she stands for have succeeded in quieting, if not silencing her and have probably discouraged others from entering the fray. But Sarkeesian’s cause and the problem of gamer misogyny is more visible than ever. The fight goes on.
According to a survey of 1,387 students in Sociology 101 classes at a large west coast university, 25.8% of college students “somewhat” or “strongly agree” that romantic love brainwashes women. Another 20% could be convinced. Interestingly, the numbers were similar for men and women, though women were a bit more likely to agree.
In his book, Authentic New Orleans, sociologist Kevin Fox Gotham explains that originally, and as late as the late 1800s, the term meant “indigenous to Louisiana.” It was a geographic label and no more.
But, during the early 1900s, the city of New Orleans racialized the term. White city elites, in search of white travel dollars, needed to convince tourists that New Orleans was a safe and proper destination. In other words, white. Creole, then, was re-cast as a white identity and mixed-race and black people were excluded from inclusion in the category.
Today most people think of creole people as mixed race, but that is actually a rather recent development. The push to re-define the term to be more inclusive of non-whites began in the 1960s, but didn’t really take hold until the 1990s. Today, still racialized, the term now capitalizes on the romantic notions of multiculturalism that pervade New Orleans tourism advertising, like in this poster from 2011:
Like all other racial and ethnic designations, creole is an empty signifier, ready to be filled up with whatever ideas are useful at the time. In fact, the term continues to be contested. For example, this website claims that it carries cultural and not racial meaning:
This book seems to define creole as free people of color (and their descendants) in Louisiana:
Whereas this food website identifies creole as a mix of French, Spanish, African, Native American, Chinese, Russian, German, and Italian:
In short, “creole” has gone through three different iterations in its short history in the U.S., illustrating both the social construction of race and the way those constructions respond to political and economic expediency.
According to data released by Pornhub, 5.6% of porn users in Mississippi seek out gay porn, compared to 2.8% in North Dakota.
On average, gay porn is more heavily consumed in states where same-sex marriage is legal than in states where it’s illegal, but every single state in the South has a gay porn use that exceeds the average in states with same-sex marriage.
For me, this raises questions about what’s driving sentiment against same-sex marriage and porn use and if and why it’s related. I can think of at least three theories:
1. There is the (barely) repressed homosexuality theory, of course. This is the idea that some people express homophobic attitudes because they fear being non-heterosexual themselves. So, out of fear of exposure, or fear of their own feelings, they are vocally anti-LGBT rights. There’s data that backs this up in at least some cases.
2. Another possibility is that both homosexual inclinations and anti-gay hatred are high in Southern states, but not in the same people. This is one version of the contact hypothesis: the presence and visibility of gay, lesbian, and bisexual people threatens the norm of heterosexuality, increasing opposition. This is consistent with data showing, for example, that white racial resentment is higher in counties with larger populations of black folk.
3. Or, it may be that politicians in Southern states stoke anti-gay attitudes in order to win elections. They may be doing so as a simple strategy. Or, it may be part of that notorious “culture war,” a politics that supposedly distracts poor and working class people from their own economic interests by getting them to focus on so-called social issues like abortion and same-sex marriage.
As fun as it is to snicker at the fact that the part of the country that claims a moral high ground on homosexuality is over-represented in pursuing it (at least digitally), there’s also probably some pretty interesting social/psychology sociology here.
Yep. Economics majors are more anti-social than non-econ majors. And taking econ classes also makes people more anti-social than they were before. It turns out, there’s quite a bit of research on this, nicely summarized here. Econ majors are less likely to share, less generous to the needy, and more likely to cheat, lie, and steal.
In one study, for example, economists Yoram Bauman and Elaina Rose noted the consistent finding that econ majors were less generous and asked whether the effect was do to selection (people who are anti-social choose to take econ classes) or indoctrination (taking econ classes makes one more anti-social). They found that both play a role.
Students at their institution — University of Washington — were asked at registration each semester if they’d like to donate to WashPIRG (a left-leaning public interest group) and ATN (a non-partisan group that lobbies to reduce tuition rates). Bauman and Elaina crunched the data along with students’ chosen majors and classes. They found that econ majors were less likely to donate to either cause (the selection hypothesis) and that non-econ majors who had taken econ classes were less likely to donate than non-majors who hadn’t (the indoctrination hypothesis).
What should we make of these findings?
Sociologist Amitai Etzioni takes a stab at an answer. He argues that neoclassical economics isn’t a problem in itself. Instead, the problem may be that there are no “balancing” classes, ones that present a different kind of economics. In other part of the academy, he argues — specifying socialphilosophy,politicalscience, andsociology– there is “agreatvarietyofapproaches areadvanced,therebyleavingstudentswithaconsolidateddebasingexposureand acacophonyofconﬂictingpro-socialviews.”
Being exposed to a variety of views, including ones that question the premises of neoclassical economics, may be one way to make economists more honest and kind. And doing so isn’t just about sticking one to econ, it’s an issue of grave seriousness, as the criminal and immoral behavior of our financial leaders is exactly what triggered a Great Recession once… and could again.
by Kerrita Mayfield PhD, Mar 24, 2015, at 09:29 am
In 1975, Mulvey conceptualized the gaze as the power derived by the viewer when they cast their glance upon a hierarchized, usually female, body. This idea perfectly captures the way a subject on film is both frozen in a time and space, and consumed. I want to turn that around, in a more kyriarchal and postmodern fashion, and allot power to the subject.
Refinery 29 has a series of photographs by Blaise Cepis. Through them, women discuss and display their body hair. In a beautifully hued array, these women speak of personal choice, empowerment and acceptance in ways that act as a counternarrative to the Brazilian-plucked-chicken-prepubescent-non-mammal-landscaping construct that is currently in vogue.
And yet. Yet. Among this abundance of hairy joy – there is no direct gaze. Among the 21 slides there are faces in profile, lower portions of faces, averted glances with pupils looking away. There is only one woman directly glancing at the viewer, and even as her defiant brows dominate her face she is neither fully seen nor subsequently fully known.
Also, nowhere in the 21 slides does the women’s whole body occupy the visual frame. The pictures show a bushy underarm with barely a chest wall or breast, a lushly forested pudenda without whole legs or torso, or a lightly furred arm without a hand attached.
Counter this power and gaze conundrum with Kim Kardashian’s photoessay for Paper’s Winter issue where she appears, full frontal, body hair free, and fully faced. With the hashtag #breaktheinternet, the intent of the shoot is clear. Neither during the photoshoot’s extended video interview or the accompanying print piece does Kardashian invoke feminism’s ideals of choice, power or acceptance. Yet, in her direct gaze and whole body there is a definitive power of being fully present in the visual medium.
Censored to be safe for work, but you can see the original here:
In his classic Disidentifications, Munoz interrogates the intersections between queer theory and life as performance to illustrate the ways hegemony is constructed. All the women in the photoessay above are performing: to disrupt a gaze by capturing the consumer; to deliver through visual imagery a counternarrative to normed assumptions; to shine a spotlight upon their bodies so that other stories can be told about them that subsequently reflect the world. These are all photos of “naked women”, but they are not equal in power.
Make no mistake, Kardashian’s photoshoot does not aspire to be anything but performance – a denuded spectacle that we can believe – illustrating her power to create reverberating social narratives. But the theme of empowered, hirsuit women who embrace the social, sexual, and personal repercussions of their decision is undercut by the disembodied visual presentation. The power of these women has no whole body in which to reside. They are intended to be read as both brave and everyday, but they are visually reduced to decontextualized hair clumps; the performances of pride do not ring true because the viewer does not witness the incorporation of their body pride into a fully human landscape. Frankly, if women are going to “grow hair there” – we need to fully embody it.
Kerrita K. Mayfield, PhD is an experienced social justice oriented educator and teacher trainer, with over 20 years working in urban and rural classrooms and alternative educational settings. Currently teaching ESL at UMass Amherst to liminal non-benefitted workers, she was the first student to earn a graduate minor in Women’s Studies at the University of Wyoming.