public art

  • The Washington Post ran an article on older adults with cognitive impairment or dementia who live alone in the United States. Elena Portacolone (Professor at the Institute for Health and Aging at the University of California at San Francisco) describes that the health-care system assumes that these older adults have family caregivers. “I realized this is a largely invisible population [that is] destined to fall through the cracks,” she said.
  • Matthew Desmond (Professor of Sociology at Princeton University) wrote an article for the New York Review describing steps the next presidential administration can take to solve the housing crisis in the United States. Desmond argues for prioritizing programs that provide immediate relief to homeless individuals and people with precarious housing. Next, the administration can work to restore existing dilapidated housing, reform restrictive zoning laws, and build new housing.
  • Research from Sanné Mestrom (Senior Lecturer in Visual Arts at Sydney College of the Arts) and Indigo Willing (Visiting Fellow in the Sydney Social Sciences and Humanities Advanced Research Centre at the University of Sydney) examines how public art and skateboarding culture can come together in the form of skatable structures to encourage urban play and create welcoming public spaces. “If you think about the contemporary urban sport infrastructure that exists today, what comes to mind may be something quite brutalist and intimidating in form; for example, a concrete playground with no colour, garden or areas for parents to sit,” Willing said. “Our research shows that well-designed public spaces can promote opportunity and act as a bridge between diverse cultures and perspectives.” This story was covered by Arts Hub and the University of Sydney News.
  • Ilana M. Horwitz (Assistant Professor of Jewish Studies at Tulane University) wrote an article for the Jewish Telegraphic Agency on Jewish Americans’ varied responses to and support of the Black Lives Matter movement. Horwitz describes that Jewish Americans with different political and religious affiliations had differing views of issues of race and discrimination in the U.S., as well as different conceptions of fairness and justice.
  • New research from Ángel Escamilla García (Assistant Professor of Sociology at Yale University) illuminates the difficult choices young migrants from Central America to the United States make to minimize their chances of deportation. Escamilla García found that young migrants learn about U.S. immigration law through conversations with other migrants, consultations with lawyers at migrant shelters, and through social media. “They would assess how they thought the laws would affect their cases, which led them to make decisions that were risky but aimed at enhancing their chances of gaining legal status in the United States,” Escamilla García explained. This story was covered by Yale News.

France & Ewing in South Minneapolis

A recent feature in the University of Minnesota’s UMNews report documents Rebecca Krinke’s most recent public art creation. Krinke, an associate professor in landscape architecture, explores how memories and emotion become attached to specific spatial locations. In doing so she blurs the line between geography, sociology, urban studies, emotional exploration, and art.

The map has turned into a sociology experiment of sorts and a sounding board for people’s emotions: hope and despair, contentment and anger, love and hate.

Krinke began with a giant laser-cut map of Minneapolis and St. Paul.

Beginning in late July, Krinke started taking the map to public spaces in Minneapolis and St. Paul and inviting passersby to use the colored pencil of their choice—gold for joy and gray for pain (or both)—to express their memories of places.

The map soon was filled with color – some representing memories of excitement and wonder, others representing tragedy and grief.

One man was sharing his tale of overdosing on heroin in Minneapolis when another chimed in and said, “Yeah, that happened to me, too,” Krinke says. “And they looked at each other like, ‘Well, we made it.’”

Fortunately, the map still radiates more than its share of good times and golden memories. Of fish caught in Minneapolis lakes. Of trails hiked and biked over and over again. Of sports venues old and new.

The overwhelming reaction to the piece has inspired Krinke to look for ways to continue, and expand, the project. It also points to some sort of underlying desire to make public emotions that rarely see the light of day.

As artists and designers, “there’s a lot of potential here,” she adds. “Maybe we’re the witnesses. Maybe that’s why they like talking. It’s like testifying in a way. I guess [it’s] a deep fundamental human need to be heard.”