For the last week of December, we’re re-posting some of our favorite posts from 2011.

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Kristina Killgrove, anthropology professor at University of North Carolina, Chapel Hill, asked a great question about a set of maps posted at Move On.  The maps compare the states that allow gay marriage with the states that allow cousin marriage.  Most Americans find cousin marriage to be disturbing and testimonials from married cousins about their deteriorated family relations and social stigma attest to it.  The idea behind these maps, then, is that cousin marriage is genuinely weird or gross, and yet many states grant cousins the right to marry, but not gays and lesbians.

In fact,  emerging evidence that cousin marriages do not significantly increase the risk of birth defects suggest that the stigma and laws against cousin marriage are unwarranted.  A doctor cited in the study suggests that disallowing their marriages or rights to have children are tantamount to “eugenics or forced sterilization.”  Even if there were significantly increased risks of genetic disorders, Dr. Bittles argues, “People with severe disorders like Huntington’s disease, who have a 50 percent chance of passing it on to their offspring, are not barred from marrying because of the risk of genetic defects… so cousins should not be, either.”

In any case, U.S. aversion to cousin marriage is culturally and historically contingent.  That is, it is related to our particular time and place.  Worldwide, more than 10 percent of marriages occur between first cousins and cousin marriage, historically, has been quite desirable.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

• The Holidays and Social Privilege (pictured)
• The Chrismukkah Yarmuclaus

For the last week of December, we’re re-posting some of our favorite posts from 2011.

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In this hilarious two minute video, twin toddlers practice having a conversation. They don’t really know words, but they know HOW to do it. They’ve figured out how to sound sure of themselves, how to sound inquisitive, how to gesticulate, how to aim their efforts at a second person, and how to take turns. They’ve learned, in other words, the rules of talking to another person, even before they’ve learned how to talk. A fun example of socialization.

For more really great examples of children learning to act like grown ups, see our posts on the baby worshipper, the baby preacher, the baby rapper, and the baby Beyonce. Via Blame it on the Voices.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2011. Originally cross-posted at Ms.

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The New York Times has a fascinating 3-minute video on “roster management”, sent in by Emma M.H.  The term refers to manipulating Title IX rules in order to appear like you’re following them when you’re not.  Title IX is an amendment to the U.S. Civil Rights Act that requires that all schools allocate their resources to men and women in proportion to their interest and enrollment.  It is most famous for what it required of college athletics, and this is what this story is about.

As the article explains, schools demonstrate compliance with Title IX:

…by showing that the number of female athletes is in proportion to overall female enrollment, by demonstrating a history of expanding opportunities for women, or by proving that they are meeting the athletic interests and abilities of their female students.

Once implemented, women responded enthusiastically to the new opportunities.  But spectators and donors are less interested in women’s sports, it turns out.  And so colleges have found various ways to resist Title IX rules, including simple non-compliance.

In this case, the strategy is  to put men on women’s teams and then report them as female athletes.

Case in point: This is Cornell’s women’s fencing team:

It turns out, 15 of the 34 team members are men:

The men don’t actually compete, they are simply “practice players” (helping the women improve due to their greater speed and strength, says the coach).

The basketball team has a similar strategy.  A number of males practice with the team and then are reported to the authorities as female players.

Revealing that this is an attempt to manipulate Title IX rules and not a simple weird way of accounting for athletes, the five female coxswain’s on the men’s rowing team is reported not as male, but as female.

So there you have it.  Despite Title IX, these schools are finding ways to continue to spend a disproportionate amount of money on male athletes.  According to the Department of Education, this is well within the law.

Other sneaky moves documented in the article:

Quinnipiac University in Connecticut had violated Title IX by engaging in several questionable practices, including requiring that women cross-country runners join the indoor and outdoor track teams so they could be counted three times. The judge found earlier that Quinnipiac had been padding women’s rosters by counting players, then cutting them a few weeks later.

…

At the University of South Florida, more than half of the 71 women on the cross-country roster failed to run a race in 2009. Asked about it, a few laughed and said they did not know they were on the team.

Sarah Till, who graduated from South Florida in 2009, was a more extreme case. She said that she quit and returned her track scholarship in her sophomore year, but her name was listed on the rosters of all three squads through her junior year.

…

The University of California, Irvine, is among at least five California universities that sponsor women’s indoor track teams despite a mild climate and a dearth of indoor facilities. Those universities do not offer men’s indoor track.

Last year, an investigation by the Office for Civil Rights concluded that Irvine was not complying with Title IX because its indoor track team was essentially a ruse. It competed in just one meet per year and several women on the roster “vigorously stated” that they were not on the team.

Read the article and watch the video here.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2011.

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Hennessey has previously treated us to his recipe for being a successful artist. In this 3-and-a-half minute video, he helps us understand what art is. Tongue-in-cheek, be forewarned, and with plenty of language that is NSFW:

Thanks to Duff McDuffee for introducing me, and now us, to The Pharaoh Hennessey.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2011. Originally cross-posted at Ms.

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The cover of this month’s Dossier Journal magazine has caused a great stir.  In a matter of a few hours, five readers — Andrew, Jessica B., anthropology professor Kristina Kilgrove, artist Thomas Gokey, and my brilliant colleague, music professor David Kasunic — all sent in a link.  Here’s what all the fuss is about:

(source)

The model is a man named Andrej Pejic, with hair and make-up usually seen only on women, sliding his shirt off his back.  Some might say that he is gender-ambiguous and the image deliberately blurs gender; are we seeing a chest or small breasts?  It is not immediately apparent.

Both Barnes & Noble and Borders “bagged” the magazine, like they do pornographic ones, such that one can see the title of the magazine but the rest of the cover is hidden.  Barnes and Noble said that the magazine came that way, representatives for Dossier say that the bookstore “chains” required them to do it (source).  Non-ambiguously-male chests pepper most magazine racks, but this man’s chest hints at boobs.  And so he goes under.

What’s going on?

Explaining why it is legal for men to be shirtless in public but illegal for women to do the same, most Americans would probably refer to the fact that women have breasts and men have chests.  Breasts, after all, are… these things. They incite us, disgust us, send us into grabby fits.  They’re just so there.  They force us to contend with them; they’re bouncy or flat or pointy or pendulous and sometimes they’re plain missing!  They demand their individuality!  Why won’t they obey some sort of law and order!

Much better to contain those babies.

Chests… well they do have those haunting nipples… but they’re just less unruly, right? Not a threat to public order at all.

So, there you have it.  Men have chests and women have breasts and that’s why topless women are indecent.

Of course it’s not that straightforward.

It’s not true that women have breasts and men have chests. Many men have chests that look a bit or even a lot like breasts (there is a thriving cosmetic surgery industry around this fact).  Meanwhile, many women are essentially “flat chested,” while the bustiness of others is an illusion created by silicone or salt water.  Is it really breasts that must be covered?  Clearly not. All women’s bodies are targeted by the law, and men’s bodies are given a pass, breasty or chesty as they may be.

Unless.

Unless that man’s gender is ambiguous; unless he does just enough femininity to make his body suspect.  Indeed, the treatment of the Dossier coverreveals that the social and legislative ban on public breasts rests on a jiggly foundation.  It’s not simply that breasts are considered pornographic.  It’s that we’re afraid of women and femininity and female bodies and, if a man looks feminine enough, he becomes, by default, obscene.

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2011. Originally cross-posted at Scientopia.

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I came across this fascinating poster advertising tea at The Coffee Bean in Irvine, CA.  The ad features tea leaves balled up into small tea “pearls” and spilled into a person’s palm (text and analysis below):

Text:

Three minutes to fragrant perfection.

It takes a full day to hand-roll 17 ounces of our Jasmine Dragon Pearl Green Tea.  But in just three minutes you can watch these aromatic pearls unfurl gracefully into one of the world’s most soothing and delicious teas.

This ad suggests that others’ toil should enhance one’s experience of pleasure.  The fact that it takes a significant amount of human labor to “hand-roll” tea leaves into balls — an action that is in no way asserted to change the taste of the tea — is supposed to make the tea more appealing and not less.  We are supposed to enjoy not just the visual, but the fact that others worked hard to produce it for us.  A whole day of their labor for just three minutes of curly goodness.

This is a rather stunning value pervading U.S. culture.  Luxury may be defined not only as pleasure, or as the consumption of the scarce, but as the “unfurling” of others’ hard work.  What could be more luxurious than the casual-and-fleeting enjoyment of the hard-and-long labor of others?

Lisa Wade, PhD is an Associate Professor at Tulane University. She is the author of American Hookup, a book about college sexual culture; a textbook about gender; and a forthcoming introductory text: Terrible Magnificent Sociology. You can follow her on Twitter and Instagram.

For the last week of December, we’re re-posting some of our favorite posts from 2011.

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In Sway: The Irresistible Pull of Irrational Behavior, Ori and Rom Brafman discuss a contestant on Qui Veut Gagner des Millions?, the French version of Who Wants to Be a Millionaire?, who asks the audience for help with the question, “Which of these revolves around the Earth?” His options are the sun, the moon, Venus, and Mars. While it might be surprising that he doesn’t know, more shocking is the result of the audience poll — 56% say the sun:

How can we explain this? The easiest answer, and the video’s title, is that French people appear to be stupid, or were never informed about the Copernican Revolution. But the Brafmans have an explanation based on different cultural attitudes toward reality shows and, ultimately, ideas about fairness.

The general outlines of Who Wants to Be a Millionaire? are the same regardless of country. But distinct cultural patterns have emerged in how audiences act when asked for help. In the U.S., contestants can count on the audience’s goodwill; regardless of the question asked, audiences appear to do their best to help contestants out and the Brafmans report that data shows the audience is right over 90% of the time. I must admit it had never occurred to me that audiences would do anything other than try to be helpful. Though I don’t watch game shows now, as a kid I regularly watched The Price Is Right, among others, with my family, and we always inherently rooted for the contestant, cringing if they seemed to make a bad choice and rejoicing if they won big. We truly wanted these complete strangers to win.

But not all national audiences are so cooperative. When the show was introduced in Russia, contestants quickly learned to be wary of asking the audience for help because Russian audiences frequently mislead them, intentionally giving the wrong answer. It doesn’t seem to have anything to do with the players or the questions they ask for help on.

In France, audiences seem to fall in the middle. They don’t regularly attempt to trick players, as Russian (and according to my googling, Ukrainian) audiences do. But unlike U.S. audiences, they don’t seem willing to help under any circumstances, either. They appear to intentionally give the wrong answer if the contestant asks for help on a question the audience perceives as too easy. If they think the player ought to know the answer they give the wrong response, apparently thinking the contestant deserves to lose if they’re so stupid. In the video you can hear audience laughter when Henri decides to go with the results of the audience poll.

Ori and Rom Brafman suggest this relates to notions of fairness, which have been shown to vary widely by culture. They say that in the U.S., we think it’s fair for people to win large sums of money even if they seem dumb, while in France, there is more concern about whether the individual deserves to win. They consulted historians of Russian society who suggest audience behavior there results from a general mistrust of those who gain sudden wealth. However, they provide no data to directly connect the audience members’ intentional wrong answers to cultural perceptions of fairness more broadly, so I’m somewhat hesitant about this theoretical leap. If you’re an enterprising grad student looking for a dissertation topic, perhaps you can take this project on and get back to me with your results.

But I think this topic is also interesting for the way it highlights the intersection of globalization and local cultures. Who Wants to Be a Millionaire?, like other reality shows such as the various varieties of Idol, are international franchises (Millionaire is owned by Sony), designed to be easily transferable to and implemented in many countries with the same basic blueprint — simply add local talent and you’ve got a successful TV show. But as the variation in Millionaire shows, differences inevitably creep in as a global product or process is used or interpreted on the local level, sometimes in superficial ways but other times to a degree that significantly alters the original product.

Thanks to Kelly V. for the tip about the book!