Francisco pointed us to a spoken word poem by Andrea Gibson in which she talks about what it’s like to be ambiguously gendered:

Transcript (borrowed from Francisco):

So, I teach in a preschool. Hehe… I make a goddamn difference, now what about you. That’s one point I had to make before I read this poem. The second point is, I usually have hair that is much much shorter than this. That’s all you need to know.

“Are you a boy or a girl?” he asks, staring up at me in all three feet of his pudding face grandeur, and I say “Dylan, you’ve been in this class for three years and you still don’t know if I’m a boy or a girl?” And he says “Uh-uh.” And I say “Well, at this point, I don’t really think it matters, do you?” And he says “Uhhhm, no. Can I have a push on the swing?” And this happens every day. It’s a tidal wave of kindergarten curiosity rushing straight for the rocks of me, whatever I am.

And the class, when we discuss the Milky Way galaxy, the orbit of the Sun around the Earth… or whatever. Jupiter, Saturn, Mars, and kids, do you know that some of the stars we see when we look up in the sky are so far away, they’ve already burned out? What do you think of that? Timmy? “Umm… my mom says that even though you got hairs that grow from your legs, and the hairs on your head grow short and poky, and that you smell really bad, like my dad, that you’re a girl.” “Thank you, Timmy.”

And so it goes. On the playground, she peers up at me from behind her pink power puff sunglasses and then asks, “Do you have a boyfriend?” And I say no, and she says “Oh, do you have a girlfriend?” And I say “No, but if by some miracle, twenty years from now, I ever finally do, then I’ll definitely bring her by to meet you. How’s that?” “Okay. Can I have a push on the swing?”

And that’s the thing. They don’t care. They don’t care. Us, on the other hand… My father sitting across the table at Christmas dinner, gritting his teeth over his still-full plate, his appetite raped away by the intrusion of my haircut, “What were you thinking? You used to be such a pretty girl!” Frat boys, drunken, screaming, leaning out of the windows of their daddys’ SUVs, “Hey! Are you a faggot or a dyke?” And I wonder what would happen if I met up with them in the middle of the night.

Then of course there’s always the somehow not-quite-bright enough fluorescent light of the public restroom, “Sir! Sir, do you realize this is the ladies’ room?” “Yes, ma’am, I do, it’s just that I didn’t feel comfortable sticking this tampon up my penis in the men’s room.”

But the best, the best is always the mother at the market, sticking up her nose while pushing aside her daughter’s wide eyes, whispering “Don’t stare, it’s rude.” And I want to say, “Listen, lady, the only rude thing I see is your paranoid parental hand pushing aside the best education on self that little girl’s ever gonna get, living with your Maybelline lipstick after hips and pedi kiwi, vanilla-smelling beauty; so why don’t you take your pinks and blues, your boy-girl rules and shove them in that car with your fucking issue of Cosmo, because tomorrow, I stop my day with twenty-eight miles and I know a hell of a lot more than you. And if I show up in a pink frilly dress, those kids won’t love me any more, or less.”

“Hey, are you a boy or a — never mind, can I have a push on the swing?” And some day, y’all, when we grow up, it’s all gonna be that simple.

Via Alas a Blog.

My student, Jacob G., just returned from a semester abroad in Australia. He reports that Foster’s beer is nearly nowhere to be found in Australia and, when it is, it is not considered centrally Australian, but instead, cheap and nasty. This is in dramatic contrast to Foster’s beer commercials. For example:

So, Foster’s beer is being marketing to the U.S. with the notion that it is essentially Australian. Australian-ness, if you watch many Foster’s beer commercials, includes hypermasculinity. This is troubling for Australians–many of whom, I suspect, are not particularly hypermasculine–but it also interesting in that it illustrates how a product can be marketed by branding it with a nation.

Fascinating:

Bush’s comment is offensive (yes, all pro-choice women are ugly, angry, and undesirable). Clinton’s complicity is unfortunate.

In the comments, Sabriel asks what my “sociological angle” is.  Sabriel, I think Bush’s comment and Clinton’s complicity reveals that it’s still essentially fine to be hateful towards women, especially those who refuse to play by the rules of patriarchy (whether that be measured by attention to their attractiveness to men or accepting that their role of mother should take precedence over any and all other needs and desires). Regarding Clinton’s complicity: Imagine the flak he would have taken had he defended the woman that Bush castigates. By and large, at least in politics, it is easier to be sexist than it is to be feminist.

Via Feministe.

Apparently Porn for Women, the book that suggested that what women really fantasized about was a man who would do housework, was so popular that they decided to publish a Porn for New Moms.  These pictures from the book (found here, here, and here), brought to our attention by Anna R., are a sad testament to what we actually think is realistic to expect from a father:

Text: “I told my boss I have to leave at 3:00 every afternoon so I can come home and give you a break.”

Text: “…and in just eight more hours, we can wake up mommy!”

Text: “Every time I see a cute, young coed these days, all I can think is, ‘potential babysitter.'”

So apparently fathers who take care of the child so moms can get some sleep, deprioritize their work, give moms a “break,” or stay faithful are unrealistic… even a “fantasy.”  Confirming this, a quote on the back cover reads:  “Finally, there’s erotica that’s guaranteed to fulfill every woman’s fantasy.”

In Something from the Oven, Laura Shapiro explains that, after WWII, the U.S. government made a huge push to get women out of jobs and back into the kitchen. So much for Rosie the Riveter.

Part of the propaganda involved a return to time-consuming home cooked meals. But this propanganda was up against a contradictory need of food-related companies to market to the general public the advances they had made during the war in non-perishable and pre-cooked and packaged food.  So, on the one hand, women were encouraged to spend all day on a roast and, on the other hand, they were encouraged to take advantage of new food technologies. 

This ad, from the 1940s, incites women to take advantage of Campbell’s pre-made soup:

Text:

“WOULDN’T I BE SILLY TO MAKE IT MYSELF?”

“Go to all that bother.. when Campbell’s is so homey and nourishing?  Not me!”

“When I was a little girl I remember we always made our own vegetable soup.  Mother used to devote just hours to to it. But one day when she was rushed, she tried Campbell’s Vegetable Soup.  My dad’s not so easy to please, but he ate a bowlful, and then another.  Since the Mother has served Campbell’s… and Dad’s been as pleased as a kid!

“I’m married now myself and — well, we young-marrieds all feel that same way.  I mean why bothe to make vegetable soup when Campbell’s Vegetable Soup is so wonderful — a grand-tasting beef stck and all those fifteen garden vegetables.  Why, every time I serve it my husband says: ‘Gosh, daring, this is really swell!’  And what better music can a wife hear than that?  Now I ask you!”

Ad via Found in Mom’s Basement.

Matt S. has pointed us to the controversy over the casting of The Last Airbender (to be released 2010).  One blogger, comic book artists Derek Kirk Kim, describes the Nickelodeon cartoon series on which the life-action movie is based as follows:

[The cartoon is] wholly and inarguably built around Asian (and Inuit) culture. Everything from to the costume designs, to the written language, to the landscapes, to martial arts, to philosophy, to spirituality, to eating utensils!—it’s all an evocative, but thinly veiled, re-imagining of ancient Asia. (In one episode, a region is shown where everyone is garbed in Korean hanboks—traditional Korean clothing—the design of which wasn’t even altered at all.) It would take a willful disregard of the show’s intentions and origins to think this wouldn’t extend to the race of the characters as well.

The series–which I have never seen–does indeed seem to be inspired by various Asian cultures. Here are some images from the cartoon series (from the same blog post):

The controversy is regarding the casting of the lead characters.  All four leads are white (imdb).

Jackson Rathbone (image at imdb):

Jesse McCartney (image here):

Nicola Peltz (image here):

I couldn’t find a picture of the fourth lead, Noah Ringer.

Kim quotes Gene Yang saying:

It’s like a white Asian fetishist’s wet dream. All the Asian culture they want, without any of the Asian people.

Ampersand, at Alas a Blog, puts it nicely:

…the best roles for people of color are reserved for actors who appear white — and the best roles for white people are also reserved for actors who appear white.

A Washington Post article reports that the company who is selling the dolls says: “the dolls are not made to be exact replicas of the first couple’s daughters and are not based on the Obama girls.”

Obama’s press secretary says: “We feel it is inappropriate to use young, private citizens for marketing purposes.”

What do you think?

UPDATE: The company has reportedly retired the Sasha and Malia dolls.