The desperate economic situation of Detroit, Michigan is in the headlines these days.  From the New York Times:

In one sign of distress, in the first nine months of this year [2008], some 130,000 Michigan residents who had lost their jobs remained out of work so long that they ran out of regular unemployment benefits. By the middle of this month, 63,000 people (who had already run out of their ordinary maximum benefit — as many as 26 weeks, at as much as $362 a week) also ran out of an extension authorized by Congress.

This figure shows the unemployment and forclosure rate in Michigan as of Oct. 2008.  It shows that Michigan in general, and Detroit especially, is doing much worse than the national average:

Today’s numbers reflect not just the current recession, but 30 years of decline.  A figure from Spiegel reveals that the marketshare of U.S. automakers have been steadily dwindling:

Spiegel reports that the city has lost more than half its inhabitants since the 1950s (from close to 2 million, to 917,000 in 2009).  The tax base has plummeted and city services, in turn, have been cut.

The conditions in Detroit are dire, and they contrast greatly with the city in the late 1800s and early 1900s.  Then, Detroit’s shipping and manufacturing economy, innovative for its time, made it a rich and vibrant city.  Today, the ruins of that vibrancy still occupy the city.

Detroit’s main train station, opened in 1913 has not been used since 1988:

Constructed in 1893 in the once-elegant Brush Park neighborhood, this home, designed by architect Albert Kahn, was moved from its original location several years ago by preservationists who hoped to preserve it. It was demolished last year:

Many of the city’s Catholic schools have been closed, though the churches they are affiliated with remain active:

One of the city’s most prominent skyscrapers, this 35-story tower once housed the offices of many doctors, lawyers and dentists. It has been virtually empty since the 1980s. Developers hope to convert the building to residential units by 2010:

This spectacular Spanish Gothic theater, built in 1928, was closed in the 1970s:

Once one of the most luxurious residential hotels in Detroit, Lee Plaza closed in the 1990s:

The Farwell Building:

Photographers Yves Marchand and Romain Meffre write: Detroit’s “splendid decaying monuments are, no less than the Pyramids of Egypt, the Coliseum of Rome, or the Acropolis in Athens, remnants of the passing of a great civilization.”

Images first found here.

An  interactive graphic at Newsweek allows us to explore the amount of money women spend on beauty by their tweens, teens, 30s/40s, 50s, and, then, over the course of their lifetimes.  Below is a screenshots of the summary, click here to visit the graphic, and visit here for details on the numbers.

Instead of affirming the idea that husbands and wives cooperate to raise a child, this commercial affirms the idea that women nurture their children alone. Her husband is not her partner; he is just another human in the home whom she is responsible for nurturing. Women, then, are mothers and wives whose sole job is to nurture children and husbands. Accordingly, the husband and the child are, inevitably, pitted against one another.

I know nothing about “fat camps,” but I have (rather thoughtlessly) simply assumed that they are oppressive places that punish and shame campers in support of a sizest status quo. But, after looking through Lauren Greenfield‘s photographs of kids at a weight-loss camp in the Catskills, NY (here), I’ve started to think differently. The pictures don’t seem to be of oppressed beaten-down kids. Instead, they seem to be having a pretty good time.  Greenfield’s captions suggest that these kids feel more comfortable at weight-loss camp than they do in their “real” life because they’re around other people that are, in this important way, just like them.  Images show them enjoying things they say they can’t do outside of camp (e.g., wearing a swimsuit), practicing (heterosexual) romance, and learning stuff that is fun or useful (e.g., tae bo, nutrition).

As Gwen pointed out, my critique of weight-loss camps was based on the idea that fat-shaming was more intense at weight-loss camp than it was elsewhere. If you think about it much, this is obviously false.  There is plenty of fat-shaming everywhere.  At least at camp, kids can potentially achieve a sense of normalcy and some solidarity with one another.  So, without suggesting that there is nothing at all problematic about weight-loss camps, these images complicate simple condemnations.

Jacob G. sent us a link to this slideshow hosted by Details magazine.  As Jacob noted, not only are the women objectified (their naked bodies serve as furniture on which to display men’s accessories), the title of the slideshow makes a joke of it.  It’s titled “Girl Not Included,” just in case viewers mistook the women for purchaseable products alongside the shoes, bags, and belts.

Not safe for work:

Other examples of women’s objectification: women as a precious belonging, collectibles, urinals, a soap dispenser, a bike (eh em, “bitchcruiser”), video game, and a pencil sharpener, bottle opener, and more; products that look like boobs,

Some ecards via Feministe.

When considering which media text I wanted to analyze based on its ideology, I immediately thought about the unsettling yet intriguing relationship between the main characters in one of my favorite TV shows of all time: Mulder and Scully from The X-Files. About a year ago, I began watching the show when a friend bought the entire series on DVD. Despite the fact that I absolutely loved almost every episode, the story arc of these two main characters as co-workers and a couple reinforces tired gender roles.

The below clip is a climactic scene where Mulder and Scully argue about Scully leaving the X-Files in the 1998 film “The X-Files: Fight the Future.” I think this scene exemplifies their basic relationship, and is a good example of what I would like to analyze.

[youtube]https://youtu.be/esJNnh-d2E0[/youtube]

What I like about Scully is that she is intelligent, scientific, and witty. She joins up with Mulder to be the counterpart to his obsessive interest in the paranormal. Since Scully is the fact-spouting hard ass of the two, one might think the character is breaking stereotypes. Unfortunately, she is only obscuring them.

Scully plays a traditional mother figure to Mulder more so than his love interest. She continually questions her work in the FBI duo, but she stays because Mulder needs her. In her, he has found someone who tries to understand his work, someone to care for him, and someone to love him unconditionally. The few times that she has an interest in other men is when she is trying to get over Mulder or get back at him.

Throughout the series, the fact that Mulder is a “typical bachelor” is driven home. He’s quirky and boyish. He never cooks, he’s obsessed with baseball and porn, he can’t keep house, and he usually just sleeps on his couch. Scully is seemingly unconcerned by all this. She laughs it off when he flirts with other women, she rolls her eyes at his housekeeping, and she is always there whenever Mulder decides he needs her.

The video above is an example of a sort of backwards rationale. Yes Mulder is thanking Scully for being there for him, but he’s also pleading with her to continue to deprive her own happiness. Though the scene directly references her giving up her own interests to be with him, it also romanticizes the concept of a woman selflessly caring for her man. The scene resonates with his emotional “thank you” and begs the viewer and Scully to come to his rescue. It reinforces the idea that in order for a woman to be perfect for a man, she must be willing to do anything for him at all costs and should never as for anything in return. If he so much as thanks her for years of servitude, then he’s the knight in shining armor. Read it as: The perfect women are level-headed and enjoy cleaning up the messes that their boy-in-a-man’s-body significant others create without any appreciation.

I think the X-Files is a good example of a show that manages to skirt the issue of gender roles by throwing a few curve balls. In reality though, it’s just more of the same.

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Sarah Mick is a student at the University of Wisconsin – Milwaukee.  She is currently double majoring in graphic design and media studies.  She enjoys playing music, writing, and consuming media of various sorts in her spare time.  I found her post here, where students in a Principles of Media Studies class are posting their insights.  Special thanks to the instructor, Michael Newman, for facilitating the blog and allowing all of us to enjoy it!

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Hans Rosling illustrates the increasing urbanization of the world from 1963 to 2004:

Found at GapMinder.