Scholars suggest that studying abroad in a previously-colonized country may increase people’s cultural sensitivity and awareness of global inequality. I investigated this hypothesis by interviewing college students: one group had studied abroad for a semester or more, the other had only traveled out of the country for vacation.
I asked both groups to view and analyze fashion photography that contrasted models with more humble images of residents of less developed countries. I hoped people would point to how, by contrasting glamorous, thin, conventionally-attractive White models with “average” people from less-privileged countries served to heighten the high status of the West and their representatives. I saw this as a form of Western “slumming”: a practice of spending time in places or with people who are “below” you, out of curiosity or for fun or personal development.
My findings revealed that study abroad students think they’re more culturally competent but, in fact, they were no more likely than people who had never studied abroad to express concern about the exploitation of previously colonized people in ads like these.
The majority of students from both groups – those who’d studied abroad and those who hadn’t — demonstrated a distinct lack of concern. They unreflexively “Othered” the people in these images; that is, they affirmed the locals’ marginalized group status and labeled them as being Other, belonging outside of our normative Western structure.
The majority also expressed approval of the aesthetics of the ads without irony. For example, one student said: “I think it works because it’s this edgy, culturally stimulating, and aesthetically pleasing ad.” When asked the art director’s intentions, another student commented: “I don’t know. Just like ordinary people next to someone who’s on top of their fashion game.”
Only select few students successfully observed the use of Othering in the images. When asked the art director’s intentions of one image, a student replied: “I think it’s to contrast the model with the everyday life of these people… (it) feels more like an image of people of color being an accessory.” Noticing this theme, interestingly, did not correlate with having studied abroad, in contrast to my hypothesis.
My findings suggest, then, that living abroad for a semester or more in a previously colonized country does not necessarily contribute to the detection of global inequality in fashion photography.
Erica Ales is a senior Sociology major at Occidental College in Los Angeles, California.
Comments 66
Anna — May 4, 2013
I find it very ironic and disappointing that Ales either did not bother to either A) observe that the bottom two pictures portray fishing on the Bosphorus in Istanbul or B) if she was aware of the location, she went ahead and included the images in a research project purportedly about previously colonized countries. I'm afraid to ask where the other images are from.
Not only was Turkey never colonized, but the wider Ottoman Empire enjoyed 600 uninterrupted years of reigning over other countries, and even in the last century, life for non-ethnic Turks was an oppressive and at times genocidal nightmare. And don't even get me started on Istanbul's frought cultural and national legacy.
Talk about a lack of cultural sensitivity. Pot, meet kettle.
Noa — May 4, 2013
The student didn't have a faculty adviser? Top and third pictures where taken in Turkey, which was never colonized (the other way around, it was a Colonial Empire/Power).
What is happening to this blog? Where is the editor?
Masha Esther Melnik — May 4, 2013
How many people did you study, and did you use well-established research techniques? That is, did you obtain a random sample (you should), did the people who you were studying know your hypothesis (they shouldn't), did you know whether the people you were interviewing had studied abroad or not (you shouldn't before you obtain their answers), did you quantify their results and then do statistical analyses (you should), etc?
Mary — May 4, 2013
In addition to the problem of location, I also feel that the conclusion was seriously flawed. If the "normal" people in the photos had been Americans, even wealthy Americans, I think the response of those tested may have been the same. The "fashion" was what stood out - not the national origin or relative poverty of those pictured along with the model.
Almondsfast — May 4, 2013
Whoa. Never would I have guessed -
"I hoped people would point to how, by contrasting glamorous, thin,
conventionally-attractive White models with “average” people from
less-privileged countries served to heighten the high status of the West
and their representatives. I saw this as a form of Western “slumming”:
a practice of spending time in places or with people who are “below”
you, out of curiosity or for fun or personal development."
even if you had paid me to try...........
Bagelsan — May 4, 2013
When asked the art director’s intentions, another student commented: “I
don’t know. Just like ordinary people next to someone who’s on top of
their fashion game.”
This sounds like the interviewed student is engaging in the opposite of "othering", calling the surrounding people "ordinary" in contrast to the model. I'm not sure how you would even analyze this statement in the context of colonialism; the student certainly isn't viewing the photo from the perspective of the fashionable "colonizer" and in fact seems to be viewing her as apart from the surrounding normality.
s — May 4, 2013
seriously...asking students to analyze fashion photo ops is your way of examining cultural sensitivity? please justify! was there no other way you could think of?
Laura Lee — May 4, 2013
My initial reactions to the photos before reading the text of the article: In the top picture I identify with the guy in the middle who is looking at the androgynous model and perhaps thinking "Why is that zombie wearing his or her underwear on the outside?" In the second picture I wonder "Why is that leggy woman trying to seduce me from a barber chair? In the third picture my reaction is "What planet is that model in the red checked thing from?" The models in the first and third picture look bizarrely blank and other worldly, which is what draws my focus. The incongruity between these weird women and their setting is what stands out. They're very unnatural kinds of scenes, the models are not interacting with anyone in them, and I don't identify with the models in any way. They seem not quite normally human, maybe because there is no connection between them and the other people. So I don't know what any of that says about my cultural sensitivity.
seymour — May 5, 2013
could the results demonstrate a lack of cultural sensitivity or a lack of critical analysis skills? not everyone is well-trained to dissect an advert unless trained and prompted. were the participants in this study trained and prompted?
TMK — May 5, 2013
Being in the country of question doesn't make you more aware of 'othering', because there is no such thing in that country. When you live in that country, the foreigners are others, not the locals, thus it makes no sense to start perceiving that idea more often.
elephantasmagoric — May 5, 2013
So some students failed a highly flawed game of 'Guess what's in the teacher's head'. Clearly, this means they have deep internalized racism. The success criteria for this 'experiment' is so highly specific as to almost read as a parody. Hardly conclusive research. Hell, it's hardly research at all!
Linda — May 5, 2013
I think this post is hugely problematic.
>>>>>>>>
My findings revealed that study abroad students think they’re more culturally competent but, in fact, they were no more likely than people who had never studied abroad to express concern about the exploitation of previously colonized people in ads like these.
>>>>>>>>>
Then, being culturally competent rests on making the same interpretation of a few, chosen fashion photographs as the researcher does?
I think this "“I don’t know. Just like ordinary people next to someone who’s on top of their fashion game.”" Could be a _more_ culturally competent answer, as the speaker understands that what to a western observer might look 'exotic' is just everyday life for the people involved.
Not interpreting these photos as examples of post-colonial oppression does not signify that some of the participants might have been more or less competent in dealing with sensitive situations involving various cultural perspectives, dealing with culture chock, spotting a USA-centric world-view in media reporting, etc, etc.
>>>>
The majority also expressed approval of the aesthetics of the ads without irony.
>>>>>>>
As a photographer, I can like the aesthetically pleasing parts of an ad, while being aware of possible problematic undertones.
The topic is interesting and the underlying interest - how does a period abroad affect privileged western students - is important and fascinating, but this method of trying to find out was flawed and need to be reworked.
Brutus — May 5, 2013
Did you collect enough information to identify clusters worthy of future study?
Deepti — May 6, 2013
The picture in the middle is from India. NOT Turkey.
But what the hey, all brown people are the same, right?
Nicole Dunham — May 6, 2013
What an awful, awful bit of "research." Just because the students don't interpret the images in the same way doesn't mean that they are culturally insensitive. It just means they do not play the EVERYTHING IS COLONIALISM game.... especially since two of the images don't even have a tangential link to colonialism, as many other comments have pointed out. This is the kind of stuff that makes people frown upon the humanities....
Liz Throop — May 6, 2013
Erica, it looks like commenters have problems with the images you used in your study. But I hope you continue to investigate this general topic, because scarce resources in higher ed are being poured into study abroad programs – with little understanding of what is being accomplished. Thanks for your post.
Eve — May 6, 2013
I don't even see anything about the fishing pier photo that signals it's supposed to be in an "exotic" location. I am not familiar enough with Istanbul to recognize the pier or the skyline. If you told me that pier was in California I would 100% believe you. So I'm with the student who says it shows "ordinary people" – and not just ordinary people thousands of miles away, but they look like the ordinary people I see daily in North America.
AHO — May 8, 2013
Sure, Turkey has never been colonized. I find it very interesting to see how people are fixated on the precise location of the photo and fail to see the symbolic aspect of those juxtapositions represented in those images. Yes, you can say that Erica didn't explain enough there in her post. But I have to wonder if it’s possible that Erica is using ‘colonialism’ in a broader, postcolonial and cosmopolitan sense—think Said and Stuart Hall here. I don’t think the precise locations of those photos are much of issue here. As someone mentioned that it could have been somewhere in California (but why? Mexican looking people?), indeed it could have been anywhere to juxtapose white females of certain kind and person of color (Global South type). We (Americans and Global North) know how we see Turkey or any other ‘non-white societies,’ but insisting on not acknowledging it sounds to me like a type of cosmopolitan version of color-blindness.
Erica, I do think you’re onto something important here. Don’t be discouraged by those comments. Keep going.
Josh — May 8, 2013
Apparently teachers assume those of us who Study Abroad are there to get a sense of the world and it's inequalities... I studied abroad to get away and travel, see the world and... and... just like every other student out there... party, drink, and do things you can't and shouldn't do at home.
Marry David — May 10, 2013
Good information about Study Abroad it is very useful for students
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