As a fan of both sci fi and pre-WWII pop culture, I naturally have a lot of affection for Alex Raymond’s Flash Gordon. There’s much to be enjoyed about the original comic strip (which basically invented the style that led to the creation of super-hero comics), the 1936 serial starring Buster Crabbe, and even the 1980 movie, which I’ve mentioned before. The 1970’s softcore porn version, Flesh Gordon, is also a lot of fun. Although the various incarnations get pretty complicated, the basic story is of a regular guy from Earth who ends up on a bizarre alien planet, where he inadvertently becomes a hero in the struggle against Emperor Ming, the tyrant who has been keeping the whole planet under his thumb. With the recent rebirth of big budget sci fi and comic book adaptations, the time almost seems perfect for a new Flash Gordon movie. It’s never quite been done cinematic justice, and the basic story would hold up well to a modern interpretation.
Unfortunately, there’s one rather big problem: Emperor Ming. As the name implies, Flash’s nemesis is an unreconstructed “yellow peril” Asian stereotype. Despite being an alien, he’s undeniably portrayed as the worst sort of racist view of a Chinese ruler. He’s a vindictive, inscrutable tyrant with an affection for ornate finery and a lecherous eye for (white) Earth women. In the original comic he has bright yellow skin, long fingernails, a high-collared robe, and a Fu Manchu goatee.
Unsurprisingly, the serial was faithful to this version, casting a white actor named Charles Middleton and putting him in the same kind of “yellowface” make-up that was common in those days for portrayals of Asian characters. Of course, the actual skin tone was irrelevant in a monochromatic film.
Concerns about racism never even entered anyone’s mind until the 1980 film. By that time, it was necessary to be at least a little racially sensitive (but not too much). The answer was to leave Ming basically unchanged, while pretending there was never anything Asian about him. Swedish actor Max von Sydow was given a look that was immediately recognizable as the classic Ming, but with just enough of the Asian elements replaced with a more futuristic, “alien” look for plausible deniability.
The animated versions of Ming, in both the Filmation’s Flash Gordon series and the later Defenders of the Earth, took this idea a step further. Ming was given green skin, as if to say, “See, this guy’s clearly an alien! How could you accuse him of representing an Earthly race?”
Even with these attempts at a more extraterrestrial appearance, however, anyone who’s at all familiar with longstanding racist depictions of Asian men can recognize Ming as an embodiment of that unfortunate tradition. Meanwhile, more sympathetic characters who are clearly of the same race as Ming, such as his traitorous daughter Aurra and her lover Prince Barin, were unambiguously white. They did have yellow skin in the original comics, but even then they were less recognizable Asian than Ming. Later portrayals, even the cartoons in which Ming is green, show them as totally caucasian. The message seems to be that the more evil you are, the more alien you are, and alien in this case looks a lot like Chinese.
Naturally, when the Sci Fi Channel decided to adapt Flash Gordon for TV in 2007, they were eager to avoid anything that could be perceived as racism. Their answer to the Ming problem was to completely remake the character, removing every bit of his previous look to create a very white sort of fascist dictator.
There was a lot wrong with this adaptation (it was unwatchably boring, for one), but one of the complaints against it was that Ming was lackluster and missing everything that had made him a memorable villain. Regardless of his origins, we expect certain things from Ming: a bald head, facial hair, an ornate robe. Exoticism. So what is to be done? There can be no Flash Gordon without Ming the Merciless, but it’s possible that Ming is a character too wrapped up in racism to ever escape.
In my idle moments I’ve given some thought to how Hollywood could pull off a successful Flash Gordon revamp, and the only idea I have for Ming is this: don’t run away from his faux-Chinese heritage; push it in the other direction. Cast a Chinese actor as Ming, and make Aurra, Barin, and the rest of their people equally Chinese. Eliminate Earth entirely, setting the story in the future and making Flash’s planet one that was colonized by the United States, while Ming’s planet was colonized by China. You don’t need exposition for this- just imply it with production design. For Ming’s costumes, create a futuristic variation on what Chinese emperors actually wore, rather than just an American’s simplistic idea of the look. Do away with Ming’s predatory behavior toward Flash’s girlfriend. It’s a creepy and dated element regardless of his race. Finally, sweep away the blond=good/dark=bad undertone of the original by making Flash Gordon black. After all, it would make a great role for Will Smith, a charismatic action hero who’s been hurting for a sci fi property that’s actually worth watching.
As for the role of Ming himself, there are plenty of aging action stars who could pull it off. Given the inevitable campiness of the project, Jackie Chan might work. I’d suggest Chow Yun Fat, except that it could be hard to distinguish his version of Ming from the character he played in the last Pirates of the Caribbean movie.
But would this be enough to redeem the character and the franchise? Maybe privileged white fans like me need to accept that some characters and stories have too much bigotry in their history to ever be redeemed. After all, nobody is trying to create an acceptable new version of Uncle Remus (although I say this with hesitation, because it seems possible that someone in a locked room at Disney might right now be doing that very thing). If there is to be no more Flash Gordon, I’ll accept that, but I do wish someone could find a way to solve the problem of Emperor Ming.
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Dustin Collins is pursuing an MA at the Ohio University School of Film. When he has time between classes and screenings, he blogs about film, pop culture, and Betty Boop at okaywithme.
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Comments 19
Sanguinity — October 13, 2009
Nah. Turn the whole thing on its ear and recast Ming as the hero, defending his kingdom against a marauding, colonialist Flash. That could be a flick worth watching.
Kate — October 13, 2009
The trouble with this is that it is loaded with history. But there is technically no reason why a villian shouldn't be of a different race than white. I mean, chinese people, black people, whoever, they are people too. And insisting that they not be put in diverse roles is a bit absurd. As long as they are not ONLY put in villain roles, or not put in villian roles BECAUSE of their race (all bankers are jews, all rapists and muggers are black, etc etc) then hopefully it could avoid the pitfalls, at least mostly.
There was some discussion ehre a while ago about a film made by an aboriginal man. It was a fun film, but not deep. And he got very cross at the media and asked why every film a black man makes has to be spiritual, or even good? A white person can make a silly entertaining film and it's fine. Recently I came accross a quite by a feminist writer who of course I can't remember, saying that women should be allowed to make bad art, film, write trashy books. Not ONLY bad, of course. But it's the trap of the one representing the whole, which is where racism and sexism comes in. Either positively or negatively, I should be allowed to be a person first, THEN a woman. Ming should be a character first, THEN an asian man.
Restructure! — October 14, 2009
Why would Chinese people in the future wear Chinese emperor clothing? Would the Americans also wear fashion from several centuries ago?
If not, wouldn't this reinforce the idea that "Western" culture is modern and advanced, and "Eastern" culture is ancient and backwards?
Brendan Deneen — October 14, 2009
Our recent FLASH GORDON comic book series reboot has a multi-faceted, morally-complex Ming the "Merciful" (as he calls himself!). So I think it can be done.
Jonathan Walton — October 14, 2009
Chow Yunfat's depiction in Pirates 3 is not a step forward. Casting an Asian actor in a clearly Fu Manchu-inspired role isn't a solution.
L. Meador — October 15, 2009
How to make Ming the Merciless work: I say, make him a magnificent bastard. Make him a villain that the audiences just can't help but cheer for. Make him suave and affable, brilliant and... well, merciless. People will eat him up. Women will have uncomfortable yet totally hawt fantasies about him. Get an Asian actor with a deep, booming voice to play him.
And don't forget the good Mongoans, like Ming's own daughter Aura or Prince Barin. Make sure they're both Asian, too, and make sure they're heroic and smart and cool.
Uncle Remus fan — October 16, 2009
There HAS been a revamping of Uncle Remus...kind of. Julius Lester retold the stories, which are actual African American folk tales. He stripped them of the uncomfortable "Uncle Remus" framing story that was invented by the man that collected and published them. In retelling them he also stripped away the awkward dialect, and wrote them in his own modern voice. With the framing story and dialect gone, they stand on their own as really wonderful, not at all racist folk tales. Lester did a wonderful job of reclaiming these stories as a valuable part of culture that should not be lost.
Speed Reading: Joan, Posters, Kerschl Tour & More « Speed Force — October 18, 2009
[...] Speaking of other Flashes, Sociological Images wonders: Can Ming the Merciless be redeemed? [...]
Casting White Actors In Asian Roles: 1957 to Today » Sociological Images — November 29, 2009
[...] also our post, by guest blogger Dustin Collins, on Ming the Merciless. Leave a Comment Tags: race/ethnicity, race/ethnicity: Asians/Pacific Islanders, [...]
Casting White Actors In Asian Roles: 1957 to Today | Racialicious - the intersection of race and pop culture — December 3, 2009
[...] also our post, by guest blogger Dustin Collins, on Ming the Merciless. Share and [...]
Thon N. Sang — May 5, 2010
I agree with Dustin Collins as a whole. But as far as having a Chinese actor or a character to play or portray the part, I would not wholeheartedly disagree. But I believe that any Asian with any type of Mongoloid features will do. I'm not Chinese but a mixture of Cambodian Laos, And feel that I have the required Asiatic barbarian features and acting ability to fit the role. Not that we Asians all have that barbaric or savage look as we all know. But if Holly Wood is searching for that eye piercing Ming/Genghis Khan look, Then I hope you give me a call. I have never read the comic book nor knew of the movie. But from all that's deduced so far, I feel that Ming's character part sounds like that of my very own personal memoir. So if you or anyone is in need of the perfect Ming the merciless/wise/romancer/villain, than look no further!
Speed Reading: Joan, Posters, Kerschl Tour & More « Speed Force — December 22, 2010
[...] I write about rereading Flashforward.Speaking of other Flashes, Sociological Images wonders: Can Ming the Merciless be redeemed?//LinkWithinCodeStart var linkwithin_site_id = 186988; var linkwithin_div_class = "linkwithin_hook"; [...]
Catching up with the D Elle « Dustin Elle — June 26, 2011
[...] Can Ming the Merciless be Redeemed? on Sociological Images. I wrote this a couple of years ago, and I have mixed feelings about it now. Mostly I wish I’d left off the “how I’d remake Flash Gordon” part and stuck to the critique. Still, it’s the second Google result for “ming the merciless racism” and I’m pretty proud of that. [...]
Gordon Zhang — April 1, 2020
Nope nope nope. I understand this was written in 2009, and a lot of our understanding of race and racism has evolved since then, but there's a lot of problems with your revision nonetheless. First, you are baking nationalism in, with a global "colonial powers good, anti-colonial powers bad" message. China is far from perfect, but they do not have a history of colonization, and I'm tired of them being construed as the the enemy just because it's what our politicians and media spout day in and day out. Look up gendered race theory, which states that black women and asian men are already underrepresented in media and construed as ugly/untouchable (and as you should know, ugly = evil) because they don't fit into Western beauty norms like black men and asian women do. Having Ming remain the enemy inescapably reproduces Yellow Peril.
Gordon
Occidental College student