writing life

Just wanted to gush for a moment about the participants in my current “Making It Pop: Translating Your Ideas for Trade” class. I’m jazzed by the book projects they’re working on, and last night we had Seal Press managing editor Laura Mazer as our guest via conference call, fielding their questions. She was, as always terrific, and I definitely learned a thing or two (or ten) myself.

Meanwhile, I thought I’d start sharing here some of the “advice” that my guests and I are dishing out on the private group blog I’ve established for participants of the course, in the hope that it might be helpful to others of you out there. For what it’s worth!

A few participants asked me the question the other week, “What if I get scooped?” Meaning, what if you find out, as you’re working on your book proposal, that someone else is coming out with a book that sounds frighteningly similar to yours. Here’s my response:

NO one else has your brain, your particular constellation of experience and perspective. So even if you hear of someone else writing about the very topic that has become your heart and soul, TRY not to let it get you down. It’s hard, I know. I learned this the hard way.

Let’s say, however, that you just learned through the grapevine about something in the works that feels way too similar to your vision. There are infinite ways to regroup. Say you were working on a proposal for a cultural history of single women, structured chronologically from the early 20th century-present, and you just heard about a book coming out called Bachelor Girl, that is already in galleys, and that follows, gulp, the very same structure. (This happened to me. My cousin knew the book’s editor.) Instead of folding up your tent in defeat–which is, ahem, exactly what I did–you could considering transforming your idea into an anthology. Or into a compilation of writings about singleness written by single women through the ages. Or you could ask to see a copy of the galley and find out what that other author is *not* covering and make that your jumping off point. There is never just one book that can be written on a subject. If the topic is worth one book, chances are it’s worth more.

Reviewers like to review books in twos and threes, so overlap sometimes works to your advantage, if the timing is right. Also, remember that a newspaper or magazine article is not the same as a book. Often, the journalist who writes a piece that’s close to your topic, or your perspective, can become your ally (and review your book later on!). Chances are, he or she is not already writing your book. Because your book is YOUR book. It’s you.

That said, there is, as they say, very little that’s truly new, under the sun. Much of what we write and think and teach is a continuation of what’s already out there. So the trick is to tap into your particular contribution–from the start. What perspective/experience/angle do you have, because of who you are, that others don’t? Answer that, and you will never, ever, be “scooped.”

Does anyone know of any? Do they exist? Someone recently asked me for a list, and I’m not sure where to look. Thanks for any tips out there!

It is a truth universally acknowledged that writers often express mixed feelings about publicists–their own, and others’. (If you’re reading this, Cheryl, I love you. I honestly truly do!)

Yesterday, Marci Alboher of NYTimes blog Shifting Careers fame posted an excellent list of “Do’s” and “Don’ts” for publicists–aka other authors’ publicists–who seek her attention. Marci is my hero. It’s really a very good list.

(Note: Marci’s post is inspired by Wired magazine editor and book author Chris Anderson’s, which has inspired much ado. You see, Anderson very publicly published a list of e-mail addresses of publicists he never wants to hear from again.)

I love it when all things converge. New York Times columnist and writing teacher extraordinaire Verlyn Klinkenborg recently wrote a rather poignant reflection on young women writers and authority. Tonight I’m headed to the Girls Write Now friendraiser. And this week the Woodhull Institute has online modules up on “Your Authentic Voice and Advocacy” over at the Dove Real Women, Real Success Stories site. To honor said convergences, I’m posting a long expert from the dear ole Verlyn here:

I’ve often noticed a habit of polite self-negation among my female students, a self-deprecatory way of talking that is meant, I suppose, to help create a sense of shared space, a shared social connection. It sounds like the language of constant apology, and the form I often hear is the sentence that begins, “My problem is …”

Even though this way of talking is conventional, and perhaps socially placating, it has a way of defining a young writer — a young woman — in negative terms, as if she were basically incapable and always giving offense. You simply cannot pretend that the words you use about yourself have no meaning. Why not, I asked, be as smart and perceptive as you really are? Why not accept what you’re capable of? Why not believe that what you notice matters?

Another young woman at the table asked — this is a bald translation — won’t that make us seem too tough, too masculine? I could see the subtext in her face: who will love us if we’re like that? I’ve heard other young women, with more experience, ask this question in a way that means, Won’t the world punish us for being too sure of ourselves?….

These are poignant questions, and they always give me pause, because they allow me to see, as nothing else does, the cultural frame these young women have grown up in. I can hear them questioning the very nature of their perceptions, doubting the evidence of their senses, distrusting the clarity of their thoughts….I’m always struck by how well fitted these young women are to be writers, if only there weren’t also something within them saying, Who cares what you notice? Who authorized you? Don’t you owe someone an apology?….But whenever I see this transformation — a young woman suddenly understanding the power of her perceptions, ready to look at the world unapologetically — I realize how much has been lost because of the culture of polite, self-negating silence in which they were raised.

(Thank you, Lori, for the heads up.)

In response to Shifting Careers blogger Marci Alboher’s recent profile, a reader wrote in to ask how free agents–like me–make ends meet. Do we have inheritances? Divorce settlements? Lottery winnings? Would that it were true!

Marci posted my response today, here, and I thought I’d expand on it a bit. I earn my living freelancing for magazines, writing books, giving talks, consulting for organizations, and teaching (sign up for my online course, “Making It Pop: Translating Your Ideas for Trade”!). You could say I live a life of improv. I don’t always know where a venture is leading me, but I’ve learned to have tremendous faith in the journey and to trust my instincts. It’s been well worth the ride so far.

Girl with Pen in New York Times blog today! In response to questions I’ve been getting, there ARE a few slots left in my “Making It Pop: Translating Your Ideas for Trade” webinar this fall. Please see this post and this one for more.

Inspired by Alex Juhasz (who is currently teaching a course on YouTube about YouTube), I’ve decided to teach my fall webinar “Making It Pop: Translating Your Ideas for Trade” as a bloginar. Meaning, the online part of the class will take place as–you guessed it–a blog.

What better way to learn about using the blogosphere as a platform for your books than by becoming more familiar with a blog, right?

So the class blog–private, of course!–will provide a forum where participants can post elements of their book proposals, or thoughts toward ideas, as we go along. And get feedback. I’ll be walking participants through the mechanics on our first conference call (that would be Nov 6). We’ve got some great NYC-based agents and editors lined up for the calls. And while I’m at it, and for those of you who like to get ahead (you know who you are), the suggested reading for the course will be from: Thinking like Your Editor: How to Write Great Serious Nonfiction and Get It Published. More info–dates, cost, rationale–here.

I think Marco took this (goofy) pic of me the day I got my current laptop. Boy, do I love me my MacBook.

If you’re in NYC and write (or want to) about parenting, I strongly recommend this panel on October 3, sponsored by the Newswomen’s Club. My friend Helaine Olen is moderating. Both she and Rachel are terrific — and I’m sure the others are too. And if those newswomen don’t have the damndest logo! Here are deets:

Join the Newswomen’s Club of New York at 6:30 pm on October 3rd, when we discuss the world of writing for parenting magazines. Our five guests — all editors at nationally known parenting magazines — will offer an overview of how to pitch, research and structure articles ranging from service pieces to personal essays. They’ll also discuss what kinds of ideas do and don’t work for their publications as well as answer questions from those in the audience.

Panelists:
Ada Calhoun, Editor-in-Chief, Babble.com and AOL News Blogger
Judy Goldberg, Senior Editor, Parents
Rachel Lehmann-Haupt, Executive Editor, Plum
Jenny Rosenstrach, Senior Editor, Cookie
Joy Press, Culture Editor, Salon

Cost: $20 members/$25 non-members to be paid at door

Location: Playwright Act II restaurant at 732 8th Avenue bet 45th and 46th in the party room. 212-354-8404. Attendees can get food and drinks before and after the event. RSVP: olenroshkow@yahoo.com

And while I’m on the subject, don’t forget to check out The Motherhood and Work It, Mom! — the latest in online mommy networking.

Ever wondered what it’s like to edit an anthology? Come to the Woodhull Writers Well this Thursday and find out! My friend and coeditor Daphne Uviller and I will be discussing both the content of our book Only Child: Writers on the Singular Joys and Solitary Sorrows of Growing Up Solo as well as the process, from proposal to publication, of putting together a successful (IOHO) anthology. We’re hoping to give our audience a clear sense of the challenges and rewards of dealing with agents, contributors, purchasing editors, and publicists; the benefits of working with a co-editor; and the need to self-publicize. Participants will walk away with a timeline detailing the process by which one can reasonably expect to complete a salable anthology — and a sense of what it’s like.

When: Thursday, September 27, 2007
Time: 6:30PM to 7:30PM
Location: 32 Broadway, Suite 1801, New York, NY 10004

This is a FREE event open to women only. Reservation is required. Please call 646 435 0837 or email rsvp@woodhull.org to make your reservation.

I’m headed to Chicago tonight, and here’s the stack of books I’m cramming into my carry-on:

Marci Alboher’s One Person/Multiple Careers: How “The Slash Effect” Can Work for You – because I embrace the slash and Marci has a ton to teach me (and because Marci is EXCELLENT on “a new model for work/life success”)

Naomi Wolf’s The End of America: Letter to a Young Patriot – because I’m perpetually freaked by the direction our country seems headed

Susan Falud’s, Stiffed – because I want to finally finish this one before I start her next

Barbara Ehrenreich’s The Hearts of Men – because Lori said I should, and because Barbara never lets me down.

I had never met anyone who tries to bring more books than I do for a short weekend, until I met Marco. Haven’t yet seen what he’s bringing, but I’m betting it’s more than four. I’m guessing neither of us gets much reading done, since we’ll be busy repenting, eating brisket, and schmoozing with family. But the security of bringing books, anyway, runs deep!